A SCHOLARLY BOOK REPOSITORY
We may be witnessing a dying phenomenon among many species. Migration has always been arduous, but today’s travelers face unprecedented dangers. Skyscrapers and cell towers lure birds and bats to untimely deaths, fences and farms block herds of antelope, salmon are caught en route between ocean and river, breeding and wintering grounds are paved over or plowed, and global warming disrupts the synchronized schedules of predators and prey. The result is a dramatic decline in the number of migrants.
Wilcove guides us on their treacherous journeys, describing the barriers to migration and exploring what compels animals to keep on trekking. He also brings to life the adventures of scientists who study migrants. Often as bold as their subjects, researchers speed wildly along deserted roads to track birds soaring overhead, explore glaciers in search of frozen locusts, and outfit dragonflies with transmitters weighing less than one one-hundredth of an ounce.
Scientific discoveries and advanced technologies are helping us to understand migrations better, but alone, they won’t stop sea turtles and songbirds from going the way of the bison or passenger pigeon. What’s required is the commitment and cooperation of the far-flung countries migrants cross—long before extinction is a threat. As Wilcove writes, “protecting the abundance of migration is key to protecting the glory of migration.” No Way Home offers powerful inspiration to preserve those glorious journeys.
We may be witnessing a dying phenomenon among many species. Migration has always been arduous, but today’s travelers face unprecedented dangers. Skyscrapers and cell towers lure birds and bats to untimely deaths, fences and farms block herds of antelope, salmon are caught en route between ocean and river, breeding and wintering grounds are paved over or plowed, and global warming disrupts the synchronized schedules of predators and prey. The result is a dramatic decline in the number of migrants.
Wilcove guides us on their treacherous journeys, describing the barriers to migration and exploring what compels animals to keep on trekking. He also brings to life the adventures of scientists who study migrants. Often as bold as their subjects, researchers speed wildly along deserted roads to track birds soaring overhead, explore glaciers in search of frozen locusts, and outfit dragonflies with transmitters weighing less than one one-hundredth of an ounce.
Scientific discoveries and advanced technologies are helping us to understand migrations better, but alone, they won’t stop sea turtles and songbirds from going the way of the bison or passenger pigeon. What’s required is the commitment and cooperation of the far-flung countries migrants cross—long before extinction is a threat. As Wilcove writes, “protecting the abundance of migration is key to protecting the glory of migration.” No Way Home offers powerful inspiration to preserve those glorious journeys.
"A sense of place can be a complicated matter," writes James McVey in the prologue to his new collection of essays, The Way Home. Based on twenty years of living and traveling in the West, the collection includes essays on river running, backcountry skiing, fly fishing, and backpacking—all describing various attempts to engage in meaningful contact with the elements of wild nature, and to have a deep firsthand knowledge of a place. With an essayists breadth McVey engages ecology, geology, anthropology, psychology, and history as well as his own personal outdoor experiences to peer into the particulars of living in as complicated a place as the West. While the essays function within the tradition of western nature writing, they transcend regional issues insofar as they maintain a broader philosophical context that accounts for such global concerns as mass extinction and climate change.
The essays use backcountry experiences as occasions for reflection on such topics as nature and culture, conservation, and the human relation to the wild. They combine the naturalist’s commitment to landscape with the adventurer’s attention to technique and skill. The outdoor experiences function as ritualized activity, the purpose of which is to explore a specific relation with a place. As such, the essays consider certain nonrational ways of knowing the world, including a perception of aesthetics based on sensory participation with the more-than-human world. This gets to the heart of the essential connection in this work between its adventure themes and nature concerns--a connection very much concerned with issues of lifestyle and worldview. McVey describes his own journey in the West, traveling through the varying philosophical revelations wilderness presents—"a lifetime of questions"—finally landing on a conservation ethic, a feeling of home.
An inquiry into how we engage with the world, and how solutions to environmental challenges can be found in the heart of our emotional relationships with places
"No one with a working heart will fail to be moved by Van Gelder. With passion and intelligence, she explores the way we story places and places story all life."
---Patrick Curry, Lecturer in Religious Studies, University of Kent, and author of Ecological Ethics: An Introduction and Defending Middle-Earth
"With grace and passion Leslie Van Gelder weaves together stories of her own encounters with an amazing variety of places---riverside meadows of Oxford, racially sundered Cyprus, fly-tormented Canadian muskeg, caves stroked by Paleolithic fingertips, derelict Coney Island, grasslands through which lion cubs follow the black tip of their mother’s tail---to show us how Place and Story are the warp and weft of our being as earth-dwellers."
---Tim Robinson, Folding Landscapes, and author of Connemara: Listening to the Wind
"Travel narrative, memoir, literary criticism, and anthropology fuse in this highly original and moving exploration of place and home."
---John Elder, author of Reading the Mountains of Home and Pilgrimage to Vallombrosa
"Van Gelder offers her most deeply personal stories as microcosmic examples of universal human experience, thus creating an empathic bond with her reader that conveys power and understanding simultaneously, and stimulates the reader's imagination toward reflection upon similarly personal stories of place. Van Gelder has modeled the relationship between story and place by telling placeful stories, and so has licensed the reader to do the same. Her writing throughout is rich and metaphoric. She is a gifted storyteller and a competent scholar, a combination to be treasured."
---Joseph W. Meeker, Professor Emeritus, College of Arts/Science, Union Institute and University, and author of The Spheres of Life, The Comedy of Survival, and Minding the Earth
Weaving a Way Home is an inquiry into the complex relationship between people, place, and story. In our memories and connections to a place, we are given one of the few opportunities to have deep relationships with place---relationships that cannot be described in words. Place can embody powerful emotions for us, and Leslie Van Gelder argues that we ourselves are places---geographical points possessing unique perspectives---that can feel displaced, replaced, or immovable. While the places of the external world can be accessed through maps and a good GPS system, our emotional landscapes are best reached through the sharing of stories.
In the tradition of writers Lewis Hyde, Barry Lopez, Peter Matthiessen, Joseph Meeker, Steven Mithen, Paul Shepard, Gary Snyder, and Terry Tempest Williams, Van Gelder uses both creative nonfiction narrative and evolutionary biological theory to explore complex terrain. Following Van Gelder's own travels, the book moves from the caves of the Dordogne lit only by the small beam of a flashlight, to an acacia thicket in Mozambique, to a black fly–infested bay inappropriately named Baie de Ha Ha in the inlands of Quebec, to the green line wrapped in barbed wire separating northern and southern Cyprus, to Abu Simbel's empty stone eyes in the Egyptian desert, and finally to the high road above Pelorus Sound on the rocky coasts of New Zealand. The author takes the reader to each place to create a storied landscape and explore new intellectual terrain. Van Gelder shows us that our collections of experiences, unique to us, can only be shared through the articulation of narrative.Weaving a Way Home will appeal to those deeply interested in knowing how we forge relationships with places and how that shapes who we are.
Jacket photographs: Garden gate: © iStockphoto.com/Richard Goerg. Iron fence: Christ Church Meadow in Oxford, Leslie Van Gelder.
Author photograph: Kevin Sharpe
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