front cover of Willow
Willow
Alison Syme
Reaktion Books, 2014
Drooping lazily over waterways, shading gardens, guarding hedgerows—the willow tree is a poetically formed plant, but also a practical one. For millennia, the wood of the willow has been used for baskets, furniture, fences, and toys, while finding its place in the watercolors of Monet, Shakespearean tragedies, Hans Christian Andersen, and The Lord of the Rings. Telling the willow’s rich and multilayered tale, Alison Syme explores its presence in literature, art, and human history.
 
Syme examines the manifold practical uses of the tree, discussing the application of its bark in medicines, its production as an energy crop that produces biofuel and charcoal, and its employment for soil stabilization and other environmental protection schemes. But despite all the functional uses of willows, she argues, we must also heed the lessons they teach about living, dying, and enriching our world. Looking at the roles that willows have played in folklore, religion, and art, she parses their connections to grief and joy, toil and play, necessity and ornament. Filled with one hundred images, Willow is a seamless account of the singular place the willow holds in our culture.
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The Willow in Autumn
Ryutei Tanehiko
Andrew Markus
Harvard University Press, 1992

In early nineteenth-century Japan—the “silver age” of Edo-period literature—Ryutei Tanehiko was a well-known author of popular illustrated fiction. This account of his life and works covers his early yomihon (lengthy romances of improbable perils and adventures) and his gokan (intricately plotted stories in simple language intended for a general audience). Special emphasis is given his most popular work—the illustrated serial Nise Muraskai inaka Genji (An impostor Murasaki and rustic Genji), which ran for fourteen years—Japan's first national bestseller.

Andrew Markus deftly shows how Tanehiko transposed episodes of the eleventh-century Genji monogatari to a fifteenth-century Muromachi setting in a plot dependent on the conventions of nineteenth-century kabuki. Markus fleshes out Tanehiko's diaries and the remarks of his contemporaries to create a fascinating picture of an author who, after years of spectacular success, fell victim to the Tenpo Reform promulgations against “morally inappropriate” publications and whose mysterious death sent shock waves through the publishing world.

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