When Adorned in Dreams was first published in 1985, Angela Carter described the book as "the best I have read on the subject, bar none." From haute couture to haberdashery, "deviant" dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. She also discusses fashion's vociferous opponents, from the "dress reform" movement to certain strands of feminism. Wilson delights in the power of fashion to mark out identity or subvert it. This brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the "boho chic" of the mid 90's, retro-dressing, and the meanings of dress from the veil to soccer player David Beckham's pink-varnished toenails.

Since the early nineteenth century, the bohemian has been the protagonist of the story the West has wanted to hear about its artists-a story of genius, glamour, and doom. The bohemian takes on many guises: the artist dying in poverty like Modigliani or an outrageous entertainer like Josephine Baker. Elizabeth Wilson's enjoyable book is a quest for the many shifting meanings that constitute the bohemian and bohemia.

She tells unforgettable stories of the artists, intellectuals, radicals, and hangers-on who populated the salons, bars, and cafs of Paris, London, New York, Los Angeles, and San Francisco, including Djuna Barnes, Juliette Greco, Allen Ginsberg, William Burroughs, Jack Kerouac, Amiri Baraka, Andy Warhol, and Jackson Pollock. Bohemians also follows the women who contributed to the myth, including the wives and mistresses, the muses, lesbians, and independent artists. Wilson explores the bohemians' eccentric use of dress, the role of sex and erotic love, the bohemian search for excess, and the intransigent politics of many.

As a new millennium begins, Wilson shows how notions of bohemianism remain at the core of heated cultural debates about the role of art and artists in an increasingly commodified and technological world.

Tennis has never been played better than it is today. To watch Rafael Nadal spin a forehand at 4000 rpm, Maria Sharapova arabesque out of a serve, Serena Williams utterly destroy a short ball, or Roger Federer touch a volley into an impossibly angled winner is to watch not only the best players with the best coaching hitting with the best racquets, it is to watch the culmination of an entire history. Love Game is different from most tennis books—it isn’t a ghostwritten biography, and it won’t teach you how to slice your serve. It’s a book about tennis’s grand culture, one that unveils the sport’s long history as it lives and breathes (or grunts) in the modern game.
           
No one is better equipped to tell this story than novelist and historian Elizabeth Wilson. With a penchant for tennis’s inherent drama, she finds its core: a psychological face off between flamboyant personalities navigating the ebbs and flows of fortune in the confines of a 78 x 36–foot box—whether of clay, grass, or DecoTurf. Walking the finely kempt lawns of Victorian England, she shows how tennis’s early role as a social pastime that included both men and women—and thus, lots of sexual tension—set it apart from most other sports and their dominant masculine appeal. Even today, when power and endurance are more important than ever, tennis still demands that the body behave gracefully and with finesse. In this way, Wilson shows, tennis has retained the vibrant spectacle of human drama and beauty that have always made it special, not just to sports fans but to popular culture.
           
Telling the stories of all the greats, from the Renshaw brothers to Novak Djokovic, and of all the advances, from wooden racquets to network television schedules, Wilson offers a tennis book like no other, keeping the court square in our sights as history is illuminated around it.