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End of the World
Poetry and Prose
Ivan M. Jirous
Karolinum Press, 2020
Sometimes called the Czech Bukowski, and more widely known by the epithet “Magor” (which translates roughly to “fool” or “madman”), Ivan Jirous was one of the most significant figures in the Czechoslovak cultural underground of the 1960s through the '80s.  Although trained as an art historian and famed for his poetry, Jirous was convinced that it was actually rock and roll music that held the greatest potential to enact change under the repressive regime of communist Czechoslovakia. He designated himself as the artistic director of the dissident rock band The Plastic People of the Universe, legendary for psychedelic music that was heavily influenced by nonconformist Western acts like Frank Zappa and The Velvet Underground. Alongside other figures from the musical underground, Jirous was arrested in 1976—the second of five prison sentences he would serve for his dissent—which helped bring about the landmark civil rights initiative known as Charter 77. In the wake of 1989’s Velvet Revolution, Váсlav Havel—the first president of the Czech Republic—was to say that Jirous and his unwavering commitment to liberation played “no small part” in casting off the yoke of Soviet oppression.

End of the World is the first major collection in English of the works of this legendary Czech “madman.” Although nicknamed for his aggressive and rebellious behavior, Jirous’s writing reveal a refined, sophisticated, and even tender sensibility. Translated in part by Paul Wilson, an original member of the Plastic People, the book gathers his poems and letters from prison, as well as his book-length prose work, The True Story of the Plastic People, alongside critical essays on Jirous’s life and work. End of the World is an ideal introduction to the raucous writer who playwright Tom Stoppard referred to as one of the most interesting personalities in modern Czech history.
 
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Erasing Iraq
The Human Costs of Carnage
Michael Otterman, Richard Hil, Paul Wilson, and Dahr Jamail
Pluto Press, 2010

For nearly two decades, the US and its allies have prosecuted war and aggression in Iraq. Erasing Iraq shows in unparalleled detail the devastating human cost of the war in Iraq.

Western governments and the mainstream media continue to ignore or play down the human costs of the war on Iraqi citizens This has allowed them to present their role as the benign guardians of Iraqi interests. The authors deconstruct this narrative by presenting a portrait of the total carnage in Iraq today. From Iraqi refugees in Syria, Jordan and the West, to civilians left behind, and other witnesses, this the story of the war told by those who experienced it firsthand.

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I Hid It Somewhere
Václav Havel
Karolinum Press, 2026

An English translation of a lost manuscript of reflections from former Czech dissident Václav Havel. 

In the fall of 1977, after the dramatic events of the “Year of Charter 77,” Václav Havel wrote a report recounting the first hours after the Charter 77 Declaration, the four months of investigative detention imposed on him by the communist regime, his release, and the agonizing self-examination that followed. In this text, the former dissident describes not only the investigation but also the Faustian guilt he felt after promising to scale back his political activities in exchange for his freedom. As he later recalled in a book-length interview with journalist Karel Hvíždala titled Dálkový výslech (Long-distance interrogation), he hid the roughly one-hundred-page manuscript somewhere, admitting: “I don’t know where it is anymore. Maybe I’ll find it someday.” He never did. The manuscript resurfaced only recently, discovered among the papers of his close friend Zdenek Urbánek. Fragmentary yet strikingly immediate, the text has been reconstructed and published by the Václav Havel Library, with the English translation appearing on the occasion of the world-renowned intellectual’s ninetieth birthday.

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