A sustained engagement between contemporary art and philosophy relating to our place in, and responsibility to, the nonhuman world

How do contemporary art and theory contemplate the problem of the “bio” of biopolitics and bioart? How do they understand the question of “life” that binds human and nonhuman worlds in their shared travail? In Art and Posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down.

Wolfe explores a wide range of contemporary artworks—from Sue Coe’s illustrations of animals in factory farms and Eduardo Kac’s bioart to the famous performance pieces of Joseph Bueys and the video installations of Eija-Liisa Ahtila, among others—examining how posthumanist theory can illuminate, and be illuminated by, artists’ engagement with the more-than-human world. Looking at biological and social systems, the question of the animal, and biopolitics, Art and Posthumanism explores how contemporary art rivets our attention on the empirically thick, emotionally charged questions of “life” and the “living” amid ecological catastrophe.

One of the foremost theorists of posthumanism, Wolfe pushes that philosophy out of the realm of the purely theoretical to show how a posthumanist engagement with particular works and their conceptual underpinnings help to develop more potent ethical and political commitments. 

Argues for a pragmatist orientation for postmodern theory.

Taking up the problem that has stalled contemporary theory—its treatment of the object of knowledge, the “outside,” as nothing but what a particular discourse makes of it—this book suggests a solution: a reinvigorated, posthumanist form of pragmatism.

Author Cary Wolfe investigates three of the most significant strains of postmodern theory (pragmatism, systems theory, and poststructuralism) and shows how each confronts the specter of an “outside” not wholly constituted by discourses, language games, and interpretive communities. He then assesses these confrontations in light of an essentially pragmatic view of theory, one that constantly asks what practical and material difference it makes, and to whom, how these issues are negotiated. Wolfe concludes by comparing the pragmatist view of the relation of theory to politics with important work in contemporary post-Marxism. In arguing for a pragmatist orientation for postmodern theory, Wolfe deploys continental critical theory to avoid the nativism and “American exceptionalism” that has traditionally accompanied pragmatist philosophy. Unique in its collation of major theorists rarely considered together, Critical Environments incorporates detailed discussions of the work of Richard Rorty, Walter Benn Michaels, Stanley Cavell, Humberto Maturana, Francisco Varela, Niklas Luhmann, Michel Foucault, Gilles Deleuze, Fredric Jameson, and others, and ranges across fields from feminist philosophy of science to the theory of ideology. Wolfe draws on recent work in systems theory to articulate a properly postmodern pragmatism. In doing so, he offers American readers a detailed introduction to systems theory, which he situates and critiques in the broader context of philosophical pragmatism, the theory of democratic social antagonism, and materialist theories of ideology, knowledge, and power. An answer to the widespread charge of relativism leveled against postmodern theory, his work will enhance and inspire new kinds of critical thought.

The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case.

Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.

Rethinking life, justice, and the biosphere through the sharp edges of jagged ontology

In this groundbreaking book, Cary Wolfe dismantles some of the most entrenched assumptions in contemporary interdisciplinary thought, foremost among them the idea that “flat” ontologies are adequate to the challenge of a robust, posthumanist pluralism. Against the fantasy of nature as an interconnected, egalitarian web, Wolfe proposes a “jagged ontology” in which species and systems intersect not through seamless cooperation but through friction, contestation, and uneven exchange. Wolfe pushes back equally, however, against the reductive tendencies of neo-Darwinian competitive individualism, insisting that what separates us from the world is also what binds us to it—a paradox at the core of all living systems, where autopoietic closure unexpectedly creates environmental openness.

Through a combination of systems theory, deconstruction, theoretical biology, and biopolitical philosophy, Wolfe develops a radically posthumanist framework for addressing the ethical, social, and political stakes of life in the biosphere. Extending his approach across disciplines and practices—from ecological theory and continental philosophy to law, public policy, and contemporary art—he lays bare the contradictions embedded in even the most progressive attempts to account for the imbrication of the human and the more-than-human. Through a detailed and long-overdue examination of the popular notion of sympoiesis and a skeptical reading of the anthropomorphism of the “new forestry,” Wolfe reveals how well-intentioned theories can undermine the very posthumanist pluralism that they claim to champion.

More than a critique, Jagged Ontologies opens onto new philosophical terrain for understanding multispecies justice, environmental responsibility, and the structural dynamics of individuation and creativity in the biosphere. Here, Wolfe offers a crucial rethinking of what it means to live and think ethically in a shared yet jagged world.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Shakes up postmodern criticism with paradigms from the social and techno-sciences.

Shakes up postmodern criticism with paradigms from the social and techno-sciences.

The rubric of systems theory brings together conceptual models and approaches in the sciences and social sciences that study complexity. It attempts to provide a coherent means of describing all systems, whether organic or inorganic, and offers a theory of knowledge that can account for the integration of humans in the social, informational, and ecological systems in which we are enmeshed. Observing Complexity brings the major concepts and foremost thinkers of systems theory into interaction with the major figures of postmodern theory. The format is multiplex and open-a rich montage, including interviews, exemplary essays, and staged dialogues. The writers’ aim is not to solidify theory but to provide a thorough explication and an open-ended exploration of how systems theory can address, in a fresh and productive way, theoretical questions that too often have led to impasses between different schools of postmodern theory. Contributors: Drucilla Cornell, Rutgers U; Jonathan Elmer, Indiana U; N. Katherine Hayles, UCLA; Peter Uwe Hohendahl, Cornell U; Eva Knodt; Marjorie Levinson, U of Michigan; Niklas Luhmann; Brian Massumi, SUNY, Albany.