In the glittering intellectual world of 1920s Paris expatriates, Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley in a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker.

Pauline forged a strong bond with Hemingway, and in 1927, shortly after his divorce from Hadley, she became his second wife. Pauline also became her husband’s devoted editor, and her wealthy family provided moral and financial support, even converting a barn at the family home in Piggott, Arkansas into a dedicated writing studio, where much of his 1929 novel A Farewell to Arms was written. The thirteen years the two were married were some of Hemingway’s most productive.

The marriage eventually ended in the way it began: with an affair. Hemingway left Pauline for Martha Gellhorn, the third of his four wives, in 1940. Unbelievable Happiness and Final Sorrow is the story of the Hemingway-Pfeiffer marriage, a narrative of Pauline Pfeiffer’s fascinating life and her influence on one of America’s most enigmatic literary icons.

A Choice Outstanding Academic Title for 2022

Hearing southern women in the pauses of history

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace L. Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder’s volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women’s place in southern culture.

A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it.

Uncertain Powers is an original and much-needed analysis of female leadership in medieval Japan. In challenging current scholarship by exploring the important political and economic roles of twelfth- and thirteenth-century Japanese royal women, Sachiko Kawai questions the traditional view of the era as one dominated by male retired monarchs and a warrior government. Instead the author populates it with royal wives and daughters who held the title of premier royal lady (nyoin) and owned extensive estates across the Japanese archipelago. Nyoin, whose power varied according to marital status, networks, and age, used their wealth and human networks to build temples and organize their entourages as salons to assert religious, cultural, and political influence. Confronted with social factors and gender disparities, they were motivated to develop coping strategies, the workings of which Kawai masterfully teases out from the abundant primary sources.

Uncertain Powers presents a nuanced and groundbreaking study of the relationship between a nyoin’s authority (her acknowledged rights) and her actual power (the ability to enforce those rights), demonstrating how, as members of political factions, as landlords, and as religious and cultural patrons, nyoin struggled to transform authority into power by means of cooperation, persuasion, compromise, and coercion.

Archival research into policing and surveillance of migrant women illuminates pressing contemporary issues.

Examining little-known policing archives in France, Senegal, and Cambodia, Jennifer Anne Boittin unearths the stories of hundreds of women labeled “undesirable” by the French colonial police and society in the early twentieth century. These “undesirables” were often women traveling alone, women who were poor or ill, women of color, or women whose intimate lives were deemed unruly. To refute the label and be able to move freely, they spoke out or wrote impassioned letters: some emphasized their “undesirable” qualities to suggest that they needed the care and protection of the state to support their movements, while others used the empire’s own laws around Frenchness and mobility to challenge state or societal interference. Tacking between advocacy and supplication, these women summoned intimate details to move beyond, contest, or confound surveillance efforts, bringing to life a practice that Boittin terms “passionate mobility.” In considering how ordinary women pursued autonomy, security, companionship, or simply a better existence in the face of surveillance and control, Undesirable illuminates pressing contemporary issues of migration and violence.

A Wall Street Journal Spring Books 2024 Selection: “What to Read This Spring”

An Extraordinary Portrait of America’s Beloved Female Founder and First Lady
Abigail Adams, wife of John Adams, was an eyewitness to America’s founding, and helped guide the new nation through her observations and advice to her famously prickly husband, who cherished her. She met many important and significant figures of the period: George Washington and his wife Martha, Thomas Jefferson, Sally Hemings, Benjamin Franklin, Henry Knox, Samuel Adams, John Hancock, John Jay, Marquis de Lafayette, John Paul Jones, Alexander Hamilton, James Monroe, artist Patience Wright, and even King George III and Queen Charlotte of England, as well as King Louis XVI and Queen Marie Antoinette of France. In The Unexpected Abigail Adams: A Woman “Not Apt to Be Intimidated”, writer and researcher John L. Smith, Jr., draws on more than two thousand letters of Abigail’s spanning from the 1760s to her death in 1818, interweaving Abigail’s colorful correspondence—some of which has not appeared in print before—with a contextual narrative. In this priceless documentation of one of the most important periods of world history she comments on the varied personalities she encountered and, while her husband was away from home serving in the Continental Congresses and as a diplomatic envoy in Europe, she wrote him frequently about their home in Massachusetts, their family, national and local politics, and, during the early years of the war, crucial information concerning revolutionary activities around Boston. She was an advocate for education for women, a shrewd businesswoman, and had an unrivaled political acumen. Her strength in the face of disease, loss of children, and other hardships, and her poignant, beautiful, and often philosophical commentary, advice, and predictions allow Abigail to demonstrate her fully modern sensibilities. This major biography of Abigail, the first in over ten years, is a riveting, revealing portrait of a remarkable woman that readers will find very relatable—and one that transforms how she is perceived. 

“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses.

In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.

In 1930, neurosyphilis struck an unsuspecting Mabel Smith. Doctors at the Central State Hospital for the Insane in Indianapolis turned to malaria therapy--a radical treatment that relied on the belief that infection with malaria might save Smith’s life by attacking the bacterium that causes syphilis.

Christin L. Hancock looks through the lens of feminist disability to examine the popular but ethically suspect treatment and its consequences. As Hancock shows, the treatment’s purported success rate relied on the disabled minds and bodies of people incarcerated in mental hospitals. The backgrounds and identities of these patients reflected and perpetuated attitudes around poverty, gender, race, and disability while betraying authorities’ desire to protect the public from women and men perceived as abnormal, sexually tainted, and unworthy of community life.

Paying special attention to the patients’ voices and experiences, Unmentionable Madness offers a disability history that confronts the ethics of experimentation.

Adopted at birth, Andrea Ross grew up inhabiting two ecosystems: one was her tangible, adoptive family, the other her birth family, whose mysterious landscape was hidden from her. In this coming-of-age memoir, Ross narrates how in her early twenties, while working as a ranger in Grand Canyon National Park, she embarked on a journey to discover where she came from and, ultimately, who she was. After many missteps and dead ends, Ross uncovered her heartbreaking and inspiring origin story and began navigating the complicated turns of reuniting with her birth parents and their new families. Through backcountry travel in the American West, she also came to understand her place in the world, realizing that her true identity lay not in a choice between adopted or biological parents, but in an expansion of the concept of family.

Across a range of industrial, domestic, and agricultural sites, Greer shows how repetitive discursive performances served as rhetorical tools as women workers sought to rescript power relations in their workplaces and to resist narratives about their laboring lives. The case studies reveal noteworthy patterns in how these women’s words helped to construct the complex web of class relations in which they were enmeshed. Rather than a teleological narrative of economic empowerment over the course of a century, Unorganized Women speaks to the enduring obstacles low- and no-wage women face, their creativity and resilience in the face of adversity, and the challenges that impede the creation of meaningful coalitions. By focusing on repetitive rhetorical labor, this book affords a point of entry for analyzing the discursive productions of a range of women workers and for constructing a richer history of women’s rhetoric in the United States. 

The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word.

Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel.

"A sophisticated and sensitive text on domestic service in Turkey that singles itself out by a powerful account of the micro-sociology of power. It engages the reader in much broader debates about the mutual relations of class and gender, the role of patriarchal controls in shaping informal female labor markets and the management of status differentials by women in their daily lives. An important scholarly contribution written in a lucid and accessible style." --Deniz Kandiyoti, School of Oriental and African Studies, University of London Untidy Gender takes readers into the interconnected worlds of Turkish maids and the women who employ them, tracing the incorporation of rural migrant women into the interiors of the domestic spheres of the urban middle-classes. Firmly grounded in data collected through a representative survey of 160 domestic workers, in-depth interviews, and participant observation in the kinship-based communities of domestic workers, this book forges a new understanding of the complex interaction between gender and class subordination. Ozyegin traces the lives of two kinds of workers; those from the squatter settlements who work in a number of locations, and those who live with husbands employed as "doorkeepers" or building superintendents in the basements of middle-class apartment buildings. In a literal "upstairs, downstairs" arrangement, the latter women sometimes take on apartment cleaning for clients in the building. At the center of the book are a number of ironies about patriarchy. On the surface, husbands have absolute control over whether or not their wives work, but some women work in secret, and those "doorkeeper" husbands who allow their wives to work often provide child care themselves. Ironically, the very constraints on the spatial and social mobility of the women creates a labor market in which domestic workers' labor is expensive and not readily forthcoming, which, in turn, gives them a degree of power in negotiating their relationship with their middle-class employers. Untidy Gender offers insights not only into the gender and class dynamics of Turkish society, but contributes to the refinement of central terms of feminist scholarship and research on work in the informal sector, cross-class relations between women, gender and class inequality, and women's experiences of modernity and urbanization. The author ends with a personal account of her own difficulties with the class tensions of the maid-employer relationship. "Untidy Gender makes contributions to a large number of debates in several social science fields and sub-fields. And it does so on an extraordinarily sound methodological base: Ozyegin was able to construct a random sample for her 'women in the basement.' This is the gold standard of research, and may be unique in the research annals of studies of domestic workers." --Rae Lesser Blumberg, William R. Kenan, Jr. Professor of Sociology, University of Virginia "This original book sheds new light on the dynamics of modernity and newly constituted urban identities. Through a careful ethnographic study of paid domestic work, Ozyegin illuminates the varied ways in which relations of class and gender inequalities are shaped and maintained. American audiences interested in rural-urban migrants, in intersectionalities of race, class, and gender, and in identities, power, and resistance in the workplace will find some of the most compelling ethnography and many valuable theoretical nuggets in this book." --Pierrette Hondagneu-Sotelo, Associate Professor, Department of Sociology, University of Southern California "Ozyegin presents a cutting-edge analysis of the complexities of modernization by focusing on gender relations. While avoiding numerous rhetorical traps around questions of 'difference' Ozyegin seamlessly weaves together a thoughtfully articulated theory with a meticulous empirical analysis of patriarchal and class relations among modern urban women and more traditional migrant women living at the margins of modernity. Given its significant substantive and theoretical contributions, I will look forward to teaching Untidy Gender in my courses." --Judith M. Gerson, Associate Professor, Departments of Sociology and Women's Studies, Rutgers University, New Brunswick

Untimely Women recovers the work of three early-twentieth-century working women, none of whom history has understood as feminists or rhetors: cinema icon and memoirist, Mae West; silent film screenwriter and novelist, Anita Loos; and journalist and mega-publisher, Marcet Haldeman-Julius. While contemporary scholarship tends to highlight and recover women who most resemble academic feminists in their uses of propositional rhetoric, Jason Barrett-Fox uses what he terms a medio-materialist historiography to emphasize the different kinds of political and ontological gender-power that emerged from the inscriptional strategies these women employed to navigate and critique male gatekeepers––from movie stars to directors to editors to abusive husbands. 

In recasting the work of West, Loos, and Haldeman-Julius in this way, Barrett-Fox reveals the material and ontological ramifications of their forms of invention, particularly their ability to tell trauma in ways that reach beyond their time to raise the consciousness of audiences unavailable to them in their lifetimes. Untimely Women thus accomplishes important historical and rhetorical work that not only brings together feminist historiography, rhetorical materialism, and posthumanism but also redefines what counts as feminist rhetoric.

Decades before white women won the right to vote throughout the United States, they first secured that right in its Western region—beginning in Wyoming in 1869. Many scholars have studied why and how the Western states enfranchised women before the Eastern ones; this book instead examines the influence of the West on the national US suffrage movement. As the campaign for woman suffrage intensified, US suffragists often invoked the West in their verbal, visual, and embodied advocacy. In deploying this region as a persuasive resource, they challenged the traditional meanings of the West and East, thus gaining additional persuasive strategies. Tiffany Lewis’s analysis of the public discourse, images, and performances of suffragists and their opponents shows that the West played a pivotal role in the successful campaign for white women’s enfranchisement that culminated in 1920. In addition to offering a history of this political movement’s rhetorical strategy, Lewis illustrates the usefulness of region in protest—the way social movements can tactically employ region to motivate social change.