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Reconstructing Europe after the Great War
Dan P. Silverman
Harvard University Press, 1982

This is the story of how the economists, bankers, and politicians of Britain, France, and the United States approached the financial crisis of 1918–1923 after the most devastating of wars. It captures the emotional demands for rapid recovery and reconstruction of Europe as well as the machinations of countries already jousting for economic advantage in peace. It’s also a timely book because the West today faces similar problems with little more in the way of theory or tools for repair than after World War I, and with an evident loss of historical memory.

Dan Silverman places the reparations issue in proper perspective as only one of many complex problems. He demonstrates that the war produced a crisis in financial and monetary theory as well as in fact. Theory proved inadequate to the requirements of balancing budgets, liquidating massive debts, halting inflation, and stabilizing foreign exchange. In fact, the English and Americans imposed their economic orthodoxy on their less fortunate French ally and their former German adversary.

One of the more remarkable results of Silverman’s research is the reversal of the old view that France responded to its allies’ economic demands with intransigence, ignorance, and incompetence. Instead, Silverman depicts France as legitimately pursuing its own national self-interest, fighting Anglo-American hegemony, and defending itself as a debtor nation against the creditors who were its “allies.”

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Reel Patriotism
The Movies and World War I
Leslie Midkiff DeBauche
University of Wisconsin Press, 1997
     Mixing film history with social history, Reel Patriotism examines the role played by the American film industry during World War I and the effects of the industry’s pragmatic patriotism in the decade following the war. Looking at such films as Joan the Woman and Wings and at the war-time activities of Mary Pickford and Charlie Chaplin, film distributors, including George Kleine, and the National Association of the Motion Picture Industry, this book shows how heavily publicized gestures of patriotism benefited the reputation and profits of the movie business.
     Leslie Midkiff DeBauche shows how the United States government’s need to garner public support for the war, conserve food, raise money, and enlist soldiers was met by the film industry. Throughout the nineteen months of American involvement in World War I, film studios supported the war effort through the production of short instructional films, public speaking activities of movie stars, the civic forum provided by movie theaters, and the National Association of the Motion Picture Industry’s provision of administrative personnel to work directly with government agencies. While feature films about the war itself never dominated the release schedules of film distributors, they did become a staple film industry offering throughout the late 1910s and 1920s.
     The film industry had much to gain, DeBauche demonstrates, from working closely with the U.S. government. Though the war posed a direct challenge to the conduct of business as usual, the industry successfully weathered the war years. After the war, film producers, distributors, and exhibitors were able to capitalize on the good will of the movie-goer and the government that the industry’s war work created. It provided a buffer against national censorship when movie stars became embroiled in scandal, and it served as a selling point in the 1920s when major film companies began to trade their stock on Wall Street.
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Reminiscences of Conrad S. Babcock
The Old U.S. Army and the New, 1898-1918
Edited by Robert H. Ferrell
University of Missouri Press, 2012
The son of an army officer, Conrad S. Babcock graduated from West Point in 1898, just in time for the opening of the Spanish-American War. Because of his father’s position, he managed to secure a place in the force that Major General Wesley Merritt led to Manila to secure the city. The Philippine Insurrection, as Americans described it, began shortly after he arrived. What Babcock observed in subsequent months and years, and details in his memoir, was the remarkable transition the U.S. Army was undergoing. From after the Civil War until just before the Spanish War, the army amounted to 28,000 men. It increased to 125,000, tiny compared with those of the great European nations of France and Germany, but the great change in the army came after its arrival in France in the summer of 1918, when the German army compelled the U.S. to change its nineteenth-century tactics.

Babcock’s original manuscript has been shortened by Robert H. Ferrell into eight chapters which illustrate the tremendous shift in warfare in the years surrounding the turn of the century. The first part of the book describes small actions against Filipinos and such assignments as taking a cavalry troop into the fire-destroyed city of San Francisco in 1906 or duty in the vicinity of Yuma in Arizona when border troubles were heating up with brigands and regular troops. The remaining chapters, beginning in 1918, set out the battles of Soissons (July 18–22) and Saint-Mihiel (September 12–16) and especially the immense battle of the Meuse-Argonne (September 26–November 11), the largest (1.2 million troops involved) and deadliest (26,000 men killed) battle in all of American history.

By the end of his career, Babcock was an adroit battle commander and an astute observer of military operations. Unlike most other officers around him, he showed an ability and willingness to adapt infantry tactics in the face of recently developed technology and weaponry such as the machine gun. When he retired in 1937 and began to write his memoirs, another world war had begun, giving additional context to his observations about the army and combat over the preceding forty years.

Until now, Babcock’s account has only been available in the archives of the Hoover Institution, but with the help of Ferrell's crisp, expert editing, this record of army culture in the first decades of the twentieth century can now reach a new generation of scholars.
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Revered Commander, Maligned General
The Life of Clarence Ransom Edwards, 1859-1931
Michael E. Shay
University of Missouri Press, 2011
Major General Clarence Ransom Edwards is a vital figure in American military history, yet his contribution to the U.S. efforts in World War I has often been ignored or presented in unflattering terms. Most accounts focus on the disagreements he had with General John J. Pershing, who dismissed Edwards from the command of the 26th (“Yankee”) Division just weeks before the war's end. The notoriety of the Pershing incident has caused some to view Edwards as simply a “political general” with a controversial career. But Clarence Edwards, though often a divisive figure, was a greater man than that. A revered and admired officer whose men called him “Daddy,” Edwards attained an impressive forty-year career, one matched by few wartime leaders.
            Michael E. Shay presents a complete portrait of this notable American and his many merits in Revered Commander, Maligned General. This long-overdue first full-length biography of General Clarence Edwards opens with his early years in Cleveland, Ohio and his turbulent times at West Point. The book details the crucial roles Edwards filled in staff and field commands for the Army before the outbreak of World War I in 1917: Adjutant-General with General Henry Ware Lawton in the Philippine-American War, first chief of the Bureau of Insular Affairs, and commander of U.S. forces in the Panama Canal Zone. Revered Commander, Maligned General follows Edwards as he forms the famous Yankee Division and leads his men into France. The conflict between Edwards and Pershing is placed in context, illuminating the disputes that led to Edwards being relieved of command.
            This well-researched biography quotes a wealth of primary sources in recounting the life of an important American, a man of loyalty and service who is largely misunderstood. Photographs of Edwards, his troops, and his kin—many from Edwards’ own collection—complement the narrative.  In addition, several maps aid readers in following General Edwards as his career moves from the U.S. to Central America to Europe and back stateside. Shay’s portrayalof General Edwards finally provides a balanced account of this unique U.S. military leader.
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front cover of The Russian Origins of the First World War
The Russian Origins of the First World War
Sean McMeekin
Harvard University Press, 2011

The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war’s beginning as either a Germano-Austrian preemptive strike or a “tragedy of miscalculation.” Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg.

It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near East. Unlike their civilian counterparts in Berlin, who would have preferred to localize the Austro-Serbian conflict, Russian leaders desired a more general war so long as British participation was assured. The war of 1914 was launched at a propitious moment for harnessing the might of Britain and France to neutralize the German threat to Russia’s goal: partitioning the Ottoman Empire to ensure control of the Straits between the Black Sea and the Mediterranean.

Nearly a century has passed since the guns fell silent on the western front. But in the lands of the former Ottoman Empire, World War I smolders still. Sunnis and Shiites, Arabs and Jews, and other regional antagonists continue fighting over the last scraps of the Ottoman inheritance. As we seek to make sense of these conflicts, McMeekin’s powerful exposé of Russia’s aims in the First World War will illuminate our understanding of the twentieth century.

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