The Second World War gripped Poland as it did no other country in Europe. Invaded by both Germany and the Soviet Union, it remained under occupation by foreign armies from the first day of the war to the last. The conflict was brutal, as Polish armies battled the enemy on four different fronts. It was on Polish soil that the architects of the Final Solution assembled their most elaborate network of extermination camps, culminating in the deliberate destruction of millions of lives, including three million Polish Jews. In The Eagle Unbowed, Halik Kochanski tells, for the first time, the story of Poland's war in its entirety, a story that captures both the diversity and the depth of the lives of those who endured its horrors.
Most histories of the European war focus on the Allies' determination to liberate the continent from the fascist onslaught. Yet the "good war" looks quite different when viewed from Lodz or Krakow than from London or Washington, D.C. Poland emerged from the war trapped behind the Iron Curtain, and it would be nearly a half-century until Poland gained the freedom that its partners had secured with the defeat of Hitler. Rescuing the stories of those who died and those who vanished, those who fought and those who escaped, Kochanski deftly reconstructs the world of wartime Poland in all its complexity-from collaboration to resistance, from expulsion to exile, from Warsaw to Treblinka. The Eagle Unbowed provides in a single volume the first truly comprehensive account of one of the most harrowing periods in modern history.
Eldest daughter of eight children, the author grew up in Surakarta, Java, in what is now Indonesia. In the months following the bombing of Pearl Harbor, however, Dutch nationals were rounded up by Japanese soldiers and put in internment camps. Her father and brother were sent to separate men’s camps, leaving the author, her mother, and the five younger children in the women’s camp. In this and later seven other prison camps in central Java, their lives gradually deteriorated from early days of fear and crowding to near starvation, forced labor, beatings, and seeing others disappear or die. On the family’s return to Holland after the war, they found a nation recovering from German occupation and largely ignorant of the horror of the Far East experience.
When the United States entered the Second World War, eighteen-year-old enlistees were routinely assigned temporary duties and not sent into battle until they turned nineteen. But as the fighting dragged on, America was eventually forced to draft younger men into combat to replace wounded troops—and following the Battle of the Bulge, more than 300,000 eighteen-year-olds were sent as replacements to the army’s decimated divisions.
In The Eighteen-Year-Old Replacement, Richard Kingsbury brings an often-overlooked perspective to the annals of World War II. Torn from an ordinary teenager’s life in the Midwest, young Dick was drafted six weeks after D-Day and rushed with other eighteen-year-olds to the Siegfried Line to bolster Patton’s 94th Infantry Division. His reminiscence provides a moving, diarylike account of what he endured both physically and emotionally—and tells how he went from boyhood to manhood almost overnight.
In prose that is both succinct and evocative, Kingsbury recounts his experiences as a rifleman during the final bloody battles in Germany, giving readers a real feel for what combat was like for a raw recruit. He recalls his first night in a foxhole on the front line and the “unbelievable luxury” of sleeping in a barn’s hayloft. He relives freezing cold at the Bulge, which permanently damaged his legs, and the pounding of enemy artillery during Patton’s breakthrough of the German West Wall, which affected his hearing for life.
More poignantly, Kingsbury shares his anxieties over killing—as well as the distinct possibility of being killed as Wehrmacht tanks mercilessly blasted individual foxholes at Bannholz Woods. He vividly recalls Patton’s attack on Ludwigshafen, on the west bank of the Rhine, where he took a German bullet in his chest—and where three of the six newly arrived eighteen-year-olds were killed.
Interspersed with the accounts of battle are letters between Dick and Mary Jo, his sweetheart back home, capturing the blossoming of romance that transcended both distance and bloodshed. His book casts a new light on war—and courtship—in an era when boys were rushed from the home front to the front lines. By showing how crucial the contribution of these young men was to the war effort, this book gives the eighteen-year-old replacements the recognition they have long deserved.
Making use of invaluable archival material, Feinberg's biographical account is followed by a study of Tabori's experimental theatre work. As did prominent avant-gardists such as Grotowski or Chaikin, Tabori sought to open up new vistas in an otherwise mainstream theatre system. Feinberg pays special attention to Tabori's theatrical innovations, most movingly found in his Holocaust plays. There Feinberg shows the ways in which Tabori's theatre becomes a locus of remembrance (Gedächtnisort) and of unique, engaging memory-work (Erinnerungsarbeit).
Taking seriously Ireland’s euphemism for World War II, “the Emergency,” Anna Teekell’s Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency.
Anchored in close textual analysis of works by Samuel Beckett, Elizabeth Bowen, Flann O’Brien, Louis MacNeice, Denis Devlin, and Patrick Kavanagh, and supported by archival material and historical research, Emergency Writing shows how Irish late modernism was a response to the sociopolitical conditions of a newly independent Irish Free State and to a fully emerged modernism in literature and art. What emerges in Irish writing in the wake of Independence, of the Gaelic Revival, of Yeats and of Joyce, is a body of work that invokes modernism as a set of discursive practices with which to counter the Free State’s political pieties.
Emergency Writing provides a new approach to literary modernism and to the literature of conflict, considering the ethical dilemma of performing neutrality—emotionally, politically, and rhetorically—in a world at war.
In the early years of World War II, thousands of political refugees traveled from France to Vichy-controlled Martinique in the French Caribbean, en route to what they hoped would be safer shores in North, Central, and South America. While awaiting transfer from the colony, the exiles formed influential ties—with one another and with local black dissidents. Escape from Vichy recounts this flight from the refugees’ perspectives, using novels, unpublished diaries, archives, memoirs, artwork, and other materials to explore the unlikely encounters that fueled an anti-fascist artistic and intellectual movement.
The refugees included Spanish Republicans, anti-Nazi Germans and Austrians, anti-fascist Italians, Jews from across Europe, and others fleeing violence and repression. They were met with hostility by the Vichy government and rejection by the nations where they hoped to settle. Martinique, however, provided a site propitious for creative ferment, where the revolutionary Victor Serge conversed with the anthropologist Claude Lévi-Strauss, and the Surrealist André Breton met Negritude thinkers René Ménil and Aimé and Suzanne Césaire. As Eric T. Jennings shows, these interactions gave rise to a rich current of thought celebrating blackness and rejecting racism.
What began as expulsion became a kind of rescue, cut short by Washington’s fears that wolves might be posing in sheep’s clothing.
A harrowing account of Jewish refugees in the Philippines
With the rise of Nazism in the 1930s more than a thousand European Jews sought refuge in the Philippines, joining the small Jewish population of Manila. When the Japanese invaded the islands in 1941, the peaceful existence of the barely settled Jews filled with the kinds of uncertainties and oppression they thought they had left behind.
In this book Frank Ephraim, who fled to Manila with his parents, gathers the testimonies of thirty-six refugees, who describe the difficult journey to Manila, the lives they built there upon their arrival, and the events surrounding the Japanese invasion. Combining these accounts with historical and archival records, Manila newspapers, and U.S. government documents, Ephraim constructs a detailed account of this little-known chapter of world history.
Bronka Schneider and her husband, Joseph, were two of the thirty thousand Austrian Jews admitted as refugees to Great Britain between March 1938 and 2 September 1939. It was not until 1960, however, that Schneider wrote her memoir about the year she spent as a housekeeper, with Joseph as a butler, in a Scottish castle.
Schneider tells of daily encounters—with her employers, the English lady and her husband, a retired British civil servant who had spent many years in India; the village locals; other refugees; and a family of evacuees from the slums of Glasgow.
The editors have divided this memoir into chapters, adding headlines from the London Times as epigraphs. These headlines, reporting the escalating events of World War II, are in stark contrast to daily activities of the residents of this isolated region of Scotland. A commentary by Erika Bourguignon provides historical, political, and cultural background of this period.
At midcentury, two distinct Polish immigrant groups—those Polish Americans who were descendants of economic immigrants from the turn of the twentieth century and the Polish political refugees who chose exile after World War II and the communist takeover in Poland—faced an uneasy challenge to reconcile their concepts of responsibility toward the homeland.
The new arrivals did not consider themselves simply as immigrants, but rather as members of the special category of political refugees. They defined their identity within the framework of the exile mission, an unwritten set of beliefs, goals, and responsibilities, placing patriotic work for Poland at the center of Polish immigrant duties.
In The Exile Mission, an intriguing look at the interplay between the established Polish community and the refugee community, Anna Jaroszyńska–Kirchmann presents a tale of Polish Americans and Polish refugees who, like postwar Polish exile communities all over the world, worked out their own ways to implement the mission’s main goals. Between the outbreak of World War II and 1956, as Professor Jaroszyńska–Kirchmann demonstrates, the exile mission in its most intense form remained at the core of relationships between these two groups.
The Exile Mission is a compelling analysis of the vigorous debate about ethnic identity and immigrant responsibility toward the homeland. It is the first full–length examination of the construction and impact of the exile mission on the interactions between political refugees and established ethnic communities.
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