Two of the world’s leading scholars of the Aztec language and culture have translated Sahagún’s monumental and encyclopedic study of native life in Mexico at the time of the Spanish Conquest. This immense undertaking is the first complete translation into any language of Sahagún’s Nahuatl text, and represents one of the most distinguished contributions in the fields of anthropology, ethnography, and linguistics.
Written between 1540 and 1585, the Florentine Codex (so named because the manuscript has been part of the Laurentian Library’s collections since at least 1791) is the most authoritative statement we have of the Aztecs’ lifeways and traditions—a rich and intimate yet panoramic view of a doomed people.
The Florentine Codex is divided by subject area into twelve books and includes over 2,000 illustrations drawn by Nahua artists in the sixteenth century.
Book Seven tells the origin stories of the sun, the moon, and the stars—which gods created them, what powers they each embody, and how they are related to Aztec astrology. This book also discusses the meaning and cause behind hail, lightning, rainbows, wind, and different types of weather.
Nicaragua’s Mosquito Shore provides a general history of eastern Nicaragua from the time of the first British entry in 1633 to the present. The territory is populated chiefly by Mosquito Indians, who speak their own language and some Mosquito.
When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. “May the great poet we are looking for never find it shut, or half-shut, against his ample genius!” For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.
Poetry’s archives are incomparable, and to celebrate the magazine’s centennial, editors Don Share and Christian Wiman combed them to create a new kind of anthology, energized by the self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive—or even to offer the most familiar works—they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Adrienne Rich appears alongside Charles Bukowski; poems by Isaac Rosenberg and Randall Jarrell on the two world wars flank a devastating Vietnam War poem by the lesser-known George Starbuck; August Kleinzahler’s “The Hereafter” precedes “Prufrock,” casting Eliot’s masterpiece in a new light. Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices.
The resulting volume is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
Presenting a fascinating overview of medicine in Missouri from the early days of epidemics to present-day technological advances, Quinine and Quarantine approaches the history of medicine as an integral part of the state's development.
Examining the changing environmental risks and diseases that threatened Missouri over the years and the role of the Missouri and Mississippi Rivers as prime routes for the spread of diseases and innovations, Loren Humphrey discusses the efforts of citizens, legislators, and health officials confronting various medical challenges. He offers intriguing medical details of the past two centuries interspersed with the stories of significant historical figures and Missourians' personal accounts. He tells of the pioneers' struggles to use natural remedies acquired from Native Americans, the gory and unsanitary attempts to treat early gunshot wounds, and the common afflictions and diseases such as "swamp fever," measles, mumps, consumption, dysentery, smallpox, and typhoid that seemed beyond medicine's effects. Humphrey also discusses the significance of the discovery and reluctant acceptance of the "antifever" breakthrough now famous as quinine, as well as the lessons learned as a result of Civil War medical techniques.
Quinine and Quarantine takes readers on a remarkable journey that concludes in the present, arguably the most exciting and controversial era for medical advances. Humphrey explores new imaging techniques, laparoscopic surgery, and research on ways to overcome bacterial resistance to antibiotics. He challenges the reader to consider such compelling issues as the escalating cost of health care and the threats posed by environmental hazards. He also identifies topics over which Missourians will likely struggle well into the next century, such as transplants, managed care, abortion, and assisted suicide.
Organized chronologically in fifty-year segments and written in language free of jargon, Quinine and Quarantine offers readers a broad historical view of the medical problems and solutions faced by the people of Missouri, preparing them to cope with medical issues of the new millennium.
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