BiblioVault - Books about Zen

Encounter with Zen

writings on poetry and Zen

Lucien. Stryk

Ohio University Press, 1981

Experience

Thinking, Writing, Language, and Religion

Norman Fischer

University of Alabama Press, 2015

By what narrow path is the ineffable silence of Zen cleft by the scratch of a pen? The distilled insights of forty years, Norman Fischer’s Experience: Thinking, Writing, Language, and Religion is a collection of essays by Zen master Fischer about experimental writing as a spiritual practice.

Raised in a Conservative Jewish family, Fischer embraced the twin practices of Zen Buddhism and innovative poetics in San Francisco in the early 1970s. His work includes original poetry, descriptions of Buddhist practice, translations of the Hebrew psalms, and eclectic writings on a range of topics from Homer to Heidegger to Kabbalah. Both Buddhist priest and participant in avant-garde poetry’s Language movement, Fischer has limned the fertile affinities and creative contradictions between Zen and writing, accumulating four decades of rich insights he shares in Experience.

Fischer’s work has been deeply enriched through his collaborations with leading rabbis, poets, artists, esteemed Zen Buddhist practitioners, Trappist monks, and renowned Buddhist leaders, among them the Dalai Lama. Alone and with others, he has carried on a deep and sustained investigation into the intersection of writing and consciousness as informed by meditation.

The essays in this artfully curated collection range across divers, fascinating topics such as time, the Heart Sutra, God in the Hebrew psalms, the supreme “uselessness” of art making, “late work” as a category of poetic appreciation, and the subtle and dubious notion of “religious experience.” From the theoretical to the revealingly personal, Fischer’s essays, interviews, and notes point toward a dramatic expansion of the sense of religious feeling in writing.

Readers who join Fischer on this path in Experience can discover how language is not a description of experience, but rather an experience itself: shifting, indefinite, and essential.

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Five Mountains

The Rinzai Zen Monastic Institution in Medieval Japan

Martin Collcutt

Harvard University Press, 1981

In Japan today, Zen monastic life is practiced substantially as it was practiced in medieval Japan or Sung dynasty China. More than twenty-one thousand Zen temples are active. This book examines the Zen monastery as a major institution in medieval Japanese society. Focusing on the Five Mountains network of officially sponsored Zen monasteries, it describes the transmission of Rinzai and Soto Zen to Japan, traces the patterns of secular patronage, and discusses in detail the Zen monastic environment, the monastic rule, the community, and the economy.

This is the first detailed study in any Western language of the social and institutional development of Zen Buddhism. Martin Collcutt’s illustrated text should be valuable to those interested in medieval Japanese history as well as students of Zen practice and Zen-related culture.

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Having Once Paused

Poems of Zen Master Ikkyu (1394-1481)

Ikkyu Sojun

University of Michigan Press, 2015

The influence of Zen Master Ikkyū (1394-1481) permeates the full field of medieval Japanese aesthetics. Though best known as a poet, he was central to the shaping and reshaping of practices in calligraphy, Noh theater, tea ceremony, and rock gardening, all of which now define Japan’s sense of its cultural tradition. Ikkyū is unique in Zen for letting his love of all appearance occupy him until it destroys any possibility for safety or seclusion. In his poetry, he turns the eye of enlightenment to all phenomena: politics, pine trees, hard meditation practice, sex, wine. A lifelong outsider to religious establishments, Ikkyū nonetheless accepted Imperial command to rebuild his home temple, Daitoku-ji, destroyed in the civil wars. He died before that project was complete.

The poems in this collection express the unborn bliss of Ikkyū’s realization and equally his devastation at the horrors of this world. They are peopled with ancient Chinese poets, cantankerous Japanese Zen Masters, contemporary warlords, and his lover Mori, a blind musician who lived with Ikkyū the last eleven years of his life. All of this is his Buddhism. His awakening outshines the small idols of reason, emotion, self, desire, doctrine, even of Buddhism itself.

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Osho Rajneesh

Studies in Contemporary Religion

Judith M. Fox

Signature Books, 2002

Authentic religious experience includes both meditation and celebration, according to the twentieth-century Indian guru Osho Rajneesh (1931-90). Blending Tantra, Zen, and Western psychotherapy into his teachings, Osho produced incisive commentaries on religious mysticism and devised unique, “active meditation” that elicited emotional catharsis.

Highly unorthodox, he courted controversy and was condemned for being a “sex guru.” His Oregon headquarters, Rajneeshpuram, proved to be a short-lived utopia that provoked antagonism and only added to his notoriety. But his ashram in Poona, India, continues to thrive, as do Osho centers in Europe and elsewhere. His adherents number in the thousands. His books have become bestsellers around the globe.

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Shots in the Dark

Japan, Zen, and the West

Shoji Yamada

University of Chicago Press, 2009

In the years after World War II, Westerners and Japanese alike elevated Zen to the quintessence of spirituality in Japan. Pursuing the sources of Zen as a Japanese ideal, Shoji Yamada uncovers the surprising role of two cultural touchstones: Eugen Herrigel’s Zen in the Art of Archery and the Ryoanji dry-landscape rock garden. Yamada shows how both became facile conduits for exporting and importing Japanese culture.

First published in German in 1948 and translated into Japanese in 1956, Herrigel’s book popularized ideas of Zen both in the West and in Japan. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline. Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a 1949 Ozu film was it popularly linked to Zen. Westerners have had a part in redefining Ryoanji, but as in the case of archery, Yamada’s interest is primarily in how the Japanese themselves have invested this cultural site with new value through a spurious association with Zen.

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Soeda and the Making of Modern Japan

Power, Religion and Industry in Northern Kyushu

Ian Neary

Amsterdam University Press

Soeda’s story provides insights into the last thousand years of Japanese history. It was the location of a strategically important castle, Ganjakujo, from the twelfth century until its destruction by Toyotomi Hideyoshi in 1587. Ganjakujo controlled access to Mt Hiko which, until its dissolution in the mid-nineteenth century, was the most important Shugendo monastic community in Kyushu. Coal mines in Soeda in the first half of the twentieth century owned by the Kurauchi family drove the modernisation of the town and powered the industrialisation of the country. During the Pacific war, these mines employed Korean labourers and Allied POWs. Although the town contributed to national economic growth in the 1950s, as the country switched to oil as its main source of power, its coal mines closed in the 1960s. Then, for forty years between 1971–2010, Mayor Yamamoto Fumio sheltered the town from the worst impact of being ‘left behind’, yet the town continues to seek a new identity into the twenty-first century.

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Sojiji

Discipline, Compassion, and Enlightenment at a Japanese Zen Temple

Joshua A. Irizarry

University of Michigan Press, 2022

Sōjiji is one of the two head temples of Sōtō Zen, the largest sect of Japanese Buddhism. The temple is steeped in centuries of culture and tradition, but it is very much rooted in the present and future, performing functions and catering to needs that reflect the changing demographic, social, and religious landscapes of contemporary Japan.

Based on more than fifteen years of fieldwork, interviews, and archival research, Sōjiji: Discipline, Compassion, and Enlightenment at a Japanese Zen Temple immerses the reader in the lives and experiences of the different groups that comprise Sōjiji's contemporary religious community. Through clear and accessible prose, ethnographically-grounded analysis, and emotionally compelling stories, the reader will explore the rich pastiche of daily life and ritual activity at a major Japanese Zen temple in institutional, historical, and social context through the lived practices of its community of clergy, practitioners, parishioners, and visitors.

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Swedenborg

Buddha of the North

D.T. SUZUKI

Swedenborg Foundation Publishers, 1996

"…important for anyone who is concerned with inter-religious dialogue and the meaning of… visionary mysticism."
--The Reader's Review

This first complete English translation of two works by Zen scholar D.T. Suzuki introduces Emanuel Swedenborg and compares Swedenborgian thought to Buddhism. The first work stresses Swedenborg's message that true spirituality demands an engagement in this world; the second compares Swedenborg's description of heaven to the paradise of Pure Land Buddhism.

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Tokyo Boogie-woogie and D.T. Suzuki

Shoji Yamada

University of Michigan Press, 2022

Tokyo Boogie-woogie and D.T. Suzuki seeks to understand the tensions between competing cultures, generations, and beliefs in Japan during the years following World War II, through the lens of one of its best-known figures and one of its most forgotten. Daisetsu Teitaro Suzuki (D.T. Suzuki) was a prolific scholar and translator of Buddhism, Zen, and Chinese and Japanese philosophy and religious history. In the postwar years, he was a central figure in the introduction of Buddhism to the United States and other English-language countries, frequently traveling and speaking to this end. His works helped define much of these interpretations of ‘Eastern Religion’ in English, as well as shape views of modern Japanese Buddhism.

Against this famous figure, however, is a largely unknown or forgotten shape: Suzuki Alan Masaru. Alan was D.T. Suzuki’s adopted son and, though he remained within his father’s shadow, is mostly known as the lyricist of the iconic pop hit “Tokyo Boogie-woogie.” Perhaps due to his frequent scandals and the fraught nature of the relationship, Alan remains unmentioned and unstudied by scholars and historians. Yet by exploring the nature of the relationship between these two, Shoji Yamada digs into the conflicting memories and experiences of these generations in Japan.

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Ways of Releasement

Writings on God, Eckhart, and Zen

Reiner Schürmann

Diaphanes, 2023

Never-before-published writing from a key twentieth-century philosopher.

In 1962, Reiner Schürmann began studying at the Dominican school of theology Le Saulchoir, outside Paris. That experience radically shaped his life and work, enabling him to begin to develop many of the ideas for which he would later be known: letting be, life without why, ontological anarchy, and the tragic double bind.

Ways of Releasement contains never-before-published material from Schürmann’s early period as well as a report Schürmann wrote about his encounter with Heidegger; a précis of his autobiographical novel, Origins; and translations and new editions of later groundbreaking essays. Ways of Releasement concludes with an extensive afterword setting Schürmann’s writings in the context of his thinking and life.

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Zen of the Plains

Experiencing Wild Western Places

Tyra Olstad

University of North Texas Press, 2014

Zen, Poetry, the Art of Lucien Stryk

Susan Porterfield

Ohio University Press, 1993

Lucien Stryk has been a presence in American letters for almost fifty years. Those who know his poetry well will find this collection particularly gratifying. Like journeying again to places visited long ago, Stryk’s writing is both familiar and wonderfully fresh.

For those just becoming acquainted with Stryk’s work, Zen, Poetry, the Art of Lucien Stryk makes an excellent introduction. It includes his early essay, “The American Scene Versus the International Scene,” written shortly after his service in the Pacific during World War II, and “Digging In,” his first published poem, as well as some of his best-known pieces on Zen and Zen poetry. Among the latter are “Beginnings, Ends,” “Poetry and Zen,” “I Fear Nothing: A Note on the Zen Poetry of Death,” and his introduction to the great haiku poets, Issa and Basho. Selections of his most recent work include “The Red Rug: An Introduction to Poetry,” and an imagined conversation among all four leading haiku poets called “Meeting at Hagi-no-Tera.”

Porterfield’s informative collection includes essays about Stryk’s work as well as his own prose and poetry. As the volume makes clear, writing poetry is for Lucien Stryk a sacred act. It is both escape and communion, inseparable from life’s daily activities.

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