front cover of Detailing Trauma
Detailing Trauma
A Poetic Anatomy
Arianne Zwartjes
University of Iowa Press, 2012
In a series of linked lyric essays, Detailing Trauma explores in vivid, sometimes graphic detail the many types of wounds from which the human body and spirit may suffer—and heal. Mapping the diseases and injuries that can afflict the body, the author asks how we can continue to live and love in the face of the great potential for suffering and loss.
 
She names each section of the book for body parts or processes, then juxtaposes the functions and failures of human anatomy with experiences in her own life and those of people she knows and loves, meticulously stitching together life’s fractures and ruptures with skillful narrative. Each essay offers glimpses of hope and reasons for living with the likelihood of chaos and pain, reasons for choosing to love despite the risks.
 

Zwartjes’s beautifully crafted poetic prose humanizes the technical descriptions of medical conditions and illuminates the scientific understanding of emotional states. Far more than a popularization of science, Detailing Trauma explores the wondrous anatomy and physiology of the human body, a geography of our human frailties—and also our wealth, as humans, of love and hope and the capacity for meditative thought. 

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front cover of These Dark Skies
These Dark Skies
Reckoning with Identity, Violence, and Power from Abroad
Arianne Zwartjes
University of Iowa Press, 2022
In These Dark Skies, Arianne Zwartjes interweaves the experience of living in the southern Netherlands—with her wife, who is Russian—and the unfolding of both the refugee crisis across Europe and the uptick in terrorist acts in France, Greece, Austria, Germany, and the Balkans. She probes her own subjectivity, as a white American, as a queer woman in a transcultural marriage, as a writer, and as a witness.

The essays investigate and meditate on a broad array of related topics, including drone strikes, tear gas, and military intervention; the sugar trade, the Dutch blackface celebration of Zwarte Piet, and constructions of whiteness in Europe and the U.S.; and visual arts of Russian avant-garde painters, an Iraqi choreographer living in Belgium, and German choreographer Pina Bausch.

This is a lyrical, timely book deeply salient to the political moment we continue to find ourselves in: a moment of incredible anti-refugee and anti-immigrant sentiment, a moment of xenophobic and misogynistic violence.
 
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