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"Uncle Tom's Cabin" and the Reading Revolution explores a transformation in the cultural meaning of Stowe's influential book by addressing changes in reading practices and a shift in widely shared cultural assumptions. These changes reshaped interpretive conventions and generated new meanings for Stowe's text in the wake of the Civil War.

During the 1850s, men, women, and children avidly devoured Stowe's novel. White adults wept and could not put the book down, neglecting work and other obligations to complete it. African Americans both celebrated and denounced the book. By the 1890s, readers understood Uncle Tom's Cabin in new ways. Prefaces and retrospectives celebrated Stowe's novel as a historical event that led directly to emancipation and national unity. Commentaries played down the evangelical and polemical messages of the book. 

Illustrations and children's editions projected images of entertaining and devoted servants into an open-ended future. In the course of the 1890s, Uncle Tom's Cabin became both a more viciously racialized book than it had been and a less compelling one. White readers no longer consumed the book at one sitting; Uncle Tom's Cabin was now more widely known than read. However, in the growing silence surrounding slavery at the turn of the century, Stowe's book became an increasingly important source of ideas, facts, and images that the children of ex-slaves and other free-black readers could use to make sense of their position in U.S. culture.

“In the Light of Likeness—Transformed”, by Dana A. Williams, looks critically at the work of contemporary African American author Leon Forrest. Not only does she bring to the critical table a well-known but as yet understudied modernist author—an important endeavor in and of itself—but she also explores Forrest’s novels’ cultural dialogue with black ethnic culture and other African American authors, as well as provides in-depth readings of his prose and interpretations of his narrative style. Highly touted by both his literary forebear Ralph Ellison, who wrote the foreword to Forrest’s first novel, and his literary contemporary Toni Morrison, who edited his first three novels and wrote the foreword to his third, Leon Forrest is among the most gifted African American writers of our time. Yet, he is also among our most difficult.

Forrest's highly experimental narrative style, his reinterpretation of modernism, and his transformations of black cultural traditions into literary aesthetics often pose challenges of interpretation for the reader and the scholar alike. As the first single-authored book-length study of Forrest’s novel, this book offers readers pathways into his fiction. What this culturalist approach to the novels reveals is that Forrest’s fiction was foremost concerned with investigating ways for the African American to survive in the contemporary moment. Through a variety of characters, the novels reveal the African American’s art of transformation—the ability to find ways to make the wretchedness of the past work in positive ways.