1882 books match the query 'Criticism and interpretation' and 9 start with a non-letter

cover of "Beyond This Narrow Now": Or, Delimitations, of W. E. B. Du Bois

"Beyond This Narrow Now"

Or, Delimitations, of W. E. B. Du Bois

Nadhum Dimitri Chandler

Duke University Press, 2022

In “Beyond This Narrow Now” Nahum Dimitri Chandler shows that the premises of W. E. B. Du Bois's thinking at the turn of the twentieth century stand as fundamental references for the whole itinerary of his thought. Opening with a distinct approach to the legacy of Du Bois, Chandler proceeds through a series of close readings of Du Bois's early essays, previously unpublished or seldom studied, with discrete annotations of The Souls of Black Folk: Essays and Sketches of 1903, elucidating and elaborating basic epistemological terms of his thought. With theoretical attention to how the African American stands as an example of possibility for Du Bois and renders problematic traditional ontological thought, Chandler also proposes that Du Bois's most well-known phrase—“the problem of the color line”—sustains more conceptual depth than has yet been understood, with pertinence for our accounts of modern systems of enslavement and imperial colonialism and the incipient moments of modern capitalization. Chandler's work exemplifies a more profound engagement with Du Bois, demonstrating that he must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.
[more]
cover of "Long Years of Neglect": The Work and Reputation of William Gilmore Simms

"Long Years of Neglect"

The Work and Reputation of William Gilmore Simms

John Caldwell Guilds

University of Arkansas Press, 1988

With this collection of essays, the literary record of one of the first and most important men of letters from the South is finally reevaluated from the critical perspective time provides.

William Gilmore Simms (1806-1870) was a poet, critic, novelist, and correspondent whose accomplishment has long been overshadowed by the events of history. As a leading writer and advocate of the antebellum south, Simms suffered from the mercurial judgments of the established publishing and literary circles of the North. Since his death he has slipped into relative obscurity with the inability or unwillingness of most of his critics to separate Simms’s artistic achievements from what have been perceived as flaws in his character.

Together witht he collected letters of Simms—coedited by T.C. Duncan Eaves, to whose memory this book is dedicated—the essays included in Long Years of Neglect can now begin to rectify the damage done over time to the reputation of Simms and his writing, to supersede the options of the past with scholarly and critical appraisal of the work itself, and to offer fresh insight into William Gilmore Simms as a significant and intriguing figure in early American letters.

As editor Guilds speculates in his introduction, “It is conceivable that replacing myth with fact will become fashionable in Simms scholarship, and, even more important, that reading the works—instead of reading the reasons they should be avoided—will become standard practice for  Simms as it is for other authors of his stamp.” It was the aim of this book to initiate the realization of that goal.

[more]
cover of "Maximum Clarity" and Other Writings on Music

"Maximum Clarity" and Other Writings on Music

Ben Johnston. Edited by Bob Gilmore

University of Illinois Press, 2022

Described by New York Times critic John Rockwell as "one of the best non-famous composers this country has to offer," Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation. Johnston studied with Darius Milhaud, Harry Partch, and John Cage, and is best known for his String Quartet No. 4, a complex series of variations on Amazing Grace.

This collection spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections. They include position papers, theoretical treatises, program notes, historical reflections, lectures, excerpts from interviews, and letters, and they cover a broad spectrum of concerns--from the technical exegesis of microtonality to the personal and the broadly humanistic. A discography of commercially available recordings of Johnston's music closes out the collection.

[more]
cover of "The Million Dead, Too, Summ'd Up": Walt Whitman's Civil War Writings

"The Million Dead, Too, Summ'd Up"

Walt Whitman's Civil War Writings

Walt Whitman

University of Iowa Press, 2021

This book is the first to offer a comprehensive selection of Walt Whitman’s Civil War poetry and prose with a full commentary on each work. Ed Folsom and Christopher Merrill carry on a dialogue with Whitman (and with each other) as they invite readers to trace how Whitman’s writing about the Civil War develops, shifts, and manifests itself in different genres throughout the years of the war. The book offers forty selections of Whitman’s war writings, including not only the well-known war poems but also his prose and personal letters. Each are followed by Folsom’s critical examination and then by Merrill’s afterword, suggesting broader contexts for thinking about the selection.

The real democratic reader, Whitman said, “must himself or herself construct indeed the poem, argument, history, metaphysical essay—the text furnishing the hints, the clue, the start or frame-work,” because what is needed for democracy to flourish is “a nation of supple and athletic minds.” Folsom and Merrill model this kind of active reading and encourage both seasoned and new readers of Whitman’s war writings to enter into the challenging and exhilarating mode of talking back to Whitman, arguing with him, and learning from him.
[more]
cover of "This Book of Starres": Learning to Read George Herbert

"This Book of Starres"

Learning to Read George Herbert

James Boyd White

University of Michigan Press, 1995

"A real pleasure. . . . Reading this book was like revisiting a country I thought I knew well with a guide who could show me all kinds of delights I had missed in my previous sojourns. . . . A terrific, engaging book." --Michael Schoenfeldt, author of Prayer and Power: George Herbert and Renaissance Courtship
"This Book of Starres" is one of those all-too-rare books in which an author's love of someone's work--in this case, the seventeenth-century English poet George Herbert--leads to a journey of exploration.
Herbert's poetry presents a special set of challenges: It is to the modern ear archaic, difficult in thought and structure, and entirely theological in character. Yet no poet is more deeply admired by those who know him well. "This Book of Starres" is meant to engage the reader in a process of reading by which this verse can be seen to be vivid and alive. It is the record of one person's life-changing involvement with the poetry of George Herbert; in this it is about not only how, but why we read great poetry.
"It is a joy to experience Herbert's poetry in the company of James Boyd White, whose affinity for the work is always convincing and seems at times preternatural. 'This Book of Starres' is a necessary pleasure: all readers of poetry, whether expert or inexpert, will find it enriching." --Alice Fulton
". . . both a delight to read, and one of the most instructive exercises in literature and theology I have read for a long time. . . . Herbert emerges as one of the greatest, a writer to test and change the imagination, the very way in which we think about the world and that which is beyond it." --Literature and Theology
James Boyd White is Hart Wright Professor of Law, Professor of English, and Adjunct Professor of Classical Studies, University of Michigan.
[more]
cover of "This Mighty Convulsion": Whitman and Melville Write the Civil War

"This Mighty Convulsion"

Whitman and Melville Write the Civil War

Christopher Sten and Tyler Hoffman

University of Iowa Press, 2019

This is the first book exclusively devoted to the Civil War writings of Walt Whitman and Herman Melville, arguably the most important poets of the war. The essays brought together in this volume add significantly to recent critical appreciation of the skill and sophistication of these poets; growing recognition of the complexity of their views of the war; and heightened appreciation for the anxieties they harbored about its aftermath. Both in the ways they come together and seem mutually influenced, and in the ways they disagree, Whitman and Melville grapple with the casualties, complications, and anxieties of the war while highlighting its irresolution. This collection makes clear that rather than simply and straightforwardly memorializing the events of the war, the poetry of Whitman and Melville weighs carefully all sorts of vexing questions and considerations, even as it engages a cultural politics that is never pat.

Contributors: Kyle Barton, Peter Bellis, Adam Bradford, Jonathan A. Cook, Ian Faith, Ed Folsom, Timothy Marr, Cody Marrs, Christopher Ohge, Vanessa Steinroetter, Sarah L. Thwaites, Brian Yothers

[more]
cover of "We, the Barbarians": Three Mexican Writers in the Twenty-First Century

"We, the Barbarians"

Three Mexican Writers in the Twenty-First Century

Mabel Moraña; Translated by Stephanie L. Kirk

Vanderbilt University Press, 2024

“We, the Barbarians” embarks on a careful and exhaustive reading of three of the most prominent authors in the latest wave of Mexican fiction: Yuri Herrera, Fernanda Melchor, and Valeria Luiselli. Originally published in Mexico in 2021, this work is divided into three parts, one for each author’s narrative production. The book analyzes all of the literary works published by Herrera, Melchor, and Luiselli from the beginning of their writing careers until 2021, allowing for a diachronic interpretation of their respective narrative projects as well as for comparative approaches to their aesthetic and ideological contours.

Characterized by the fragmentation of civil society and the decomposition of the myths that accompanied the consolidation of the modern nation, Mexican visual and literary arts have explored a myriad of representational avenues to approach the phenomena of violence, institutional decay, and political instability. The critical and theoretical approaches in “We, the Barbarians” explore a variety of alternative symbolic representations of topics such as nationalism, community, and affect in times impacted by systemic violence, precariousness, and radical inequality. Moraña perceives the negotiations between regional/local imaginaries and global scenarios characterized by the devaluation and resignification of life, both at individual and collective levels. Though it uses three authors as its focus, this book seeks to more broadly theorize the question of the relationship between literature and the social in the twenty-first century.
[more]
cover of "What Country, Friends, is This?": Shakespeare and the Staging of Exile

"What Country, Friends, is This?"

Shakespeare and the Staging of Exile

Edited by Vanessa I. Corredera, Stephanie E. Chamberlain, and James M. Sutton

Arizona Center for Medieval and Renaissance Studies, 2026

An exploration of displacement and exile in Shakespeare’s plays and our world today.

This compelling collection of fourteen essays explores the enduring theme of exile in Shakespeare’s works and their global afterlives, offering a timely and thought-provoking response to the modern age of displacement. Building on Edward Said’s observation that exile today is marked by its unprecedented scale—driven by war, imperialism, totalitarianism, climate change, and systemic injustice—this volume traces the ideological and cultural forces that shape experiences of exile across time and geography. 

Shakespeare’s plays, deeply haunted by exile in its many guises—political, religious, cultural, and gendered—serve as a rich site for interrogating identity, belonging, and otherness.
[more]
cover of “IN THE LIGHT OF LIKENESS—TRANSFORMED”: THE LITERARY ART OF LEON FORREST

“IN THE LIGHT OF LIKENESS—TRANSFORMED”

THE LITERARY ART OF LEON FORREST

Dana A. Williams

The Ohio State University Press, 2005

“In the Light of Likeness—Transformed”, by Dana A. Williams, looks critically at the work of contemporary African American author Leon Forrest. Not only does she bring to the critical table a well-known but as yet understudied modernist author—an important endeavor in and of itself—but she also explores Forrest’s novels’ cultural dialogue with black ethnic culture and other African American authors, as well as provides in-depth readings of his prose and interpretations of his narrative style. Highly touted by both his literary forebear Ralph Ellison, who wrote the foreword to Forrest’s first novel, and his literary contemporary Toni Morrison, who edited his first three novels and wrote the foreword to his third, Leon Forrest is among the most gifted African American writers of our time. Yet, he is also among our most difficult.

Forrest's highly experimental narrative style, his reinterpretation of modernism, and his transformations of black cultural traditions into literary aesthetics often pose challenges of interpretation for the reader and the scholar alike. As the first single-authored book-length study of Forrest’s novel, this book offers readers pathways into his fiction. What this culturalist approach to the novels reveals is that Forrest’s fiction was foremost concerned with investigating ways for the African American to survive in the contemporary moment. Through a variety of characters, the novels reveal the African American’s art of transformation—the ability to find ways to make the wretchedness of the past work in positive ways.

[more]