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The father of Minnesota ornithology, whose life story opens a window on a lost world of nature and conservation in the state’s early days

Imagine a Minneapolis so small that, on calm days, the roar of St. Anthony Falls could be heard in town, a time when passenger pigeons roosted in neighborhood oak trees. Now picture a dapper professor conducting his ornithology class (the university’s first) by streetcar to Lake Harriet for a morning of bird-watching. The students were mostly young women—in sunhats, sailor tops, and long skirts, with binoculars strung around their necks. The professor was Thomas Sadler Roberts (1858–1946), a doctor for three decades, a bird lover virtually from birth, the father of Minnesota ornithology, and the man who, perhaps more than any other, promoted the study of the state’s natural history. A Love Affair with Birds is the first full biography of this key figure in Minnesota’s past.

Roberts came to Minnesota as a boy and began keeping detailed accounts of Minneapolis’s birds. These journals, which became the basis for his landmark work The Birds of Minnesota, also inform this book, affording a view of the state’s rich avian life in its early days—and of a young man whose passion for birds and practice of medicine in a young Minneapolis eventually dovetailed in his launching of the beloved Bell Museum of Natural History.

Bird enthusiast, doctor, author, curator, educator, conservationist: every chapter in Roberts’s life is also a chapter in the state’s history, and in his story acclaimed author Sue Leaf—an avid bird enthusiast and nature lover herself—captures a true Minnesota character and his time.

In this reflective account of life in the tropics, Alexander Skutch offers readers both his observations and his interpretations of what he has experienced. In the many chapters about birds and their behavior, he describes a dove that defends its nest with rare courage, castlebuilders who create elaborate nests of interlaced twigs, oropendolas that cluster long woven pouches in high treetops, and an exceptionally graceful hummingbird who fails to pay for its nectar by pollinating the flowers that yield it. Skutch also describes curious plants and their flowers, including a birthwort that holds its pollinating flies captive and fern fronds that twine high up trunks in the rain forest.

With penetrating clarity, Skutch considers the significance of all this restless activity: he examines the origins of beauty and our ability to appreciate it, the foundations of tropical splendor, the factors that help us feel close to nature or alienated from it, and the possibility of consciousness and emotion in animals. He also addresses the quandary of the biologist contemplating painful experiments on animals rather than learning by direct observation, and he asserts that our capacity to care for the world around us is the truest criterion of our evolutionary advancement.

Skutch brings a thoughtful, unequaled voice to the description of the world he has grown to know and understand, a world considered forbidding by most northerners and still largely unexplored.

Winner of the 2019 Etel Adnan Poetry Prize

Inside the dodo bird is a forest, Inside the forest
a peach analog, Inside the peach analog a woman, Inside
the woman a lake of funerals

This layering of bird, woman, place, technology, and ceremony, which begins this first full-length collection by Zaina Alsous, mirrors the layering of insights that marks the collection as a whole. The poems in A Theory of Birds draw on inherited memory, historical record, critical theory, alternative geographies, and sharp observation. In them, birds—particularly extinct species—become metaphor for the violences perpetrated on othered bodies under the colonial gaze.

Putting ecological preservation in conversation with Arab racial formation, state vernacular with the chatter of birds, Alsous explores how categorization can be a tool for detachment, domination, and erasure. Stretching their wings toward de-erasure, these poems—their subjects and their logics—refuse to stay put within a single category. This is poetry in support of a decolonized mind.

The year he graduated from college, 22-year-old Noah Strycker was dropped by helicopter in a remote Antarctic field camp with two bird scientists and a three months’ supply of frozen food. His subjects: more than a quarter million penguins.

Compact, industrious, and approachable, the Adélie Penguins who call Antarctica home visit their breeding grounds each Antarctic summer to nest and rear their young before returning to sea. Because of long-term studies, scientists may know more about how these penguins will adjust to climate change than about any other creature in the world.

Bird scientists like Noah are less well known. Like the intrepid early explorers of Antarctica, modern scientists drawn to the frozen continent face an utterly inhospitable landscape, one that inspires, isolates, and punishes.

With wit, curiosity, and a deep knowledge of his subject, Strycker recounts the reality of life at the end of the Earth—thousand-year-old penguin mummies, hurricane-force blizzards, and day-to-day existence in below freezing temperatures—and delves deep into a world of science, obsession, and birds.

Among Penguins weaves a captivating tale of penguins and their researchers on the coldest, driest, highest, and windiest continent on Earth. Birders, lovers of the Antarctic, and fans of first-person adventure narratives will be fascinated by Strycker’s book.