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377 books match the query 'French' and 32 start with a

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A Box of Photographs

Roger Grenier

University of Chicago Press, 2013

Most attempts to generalize about photography as a medium run up against our experience of the photographs themselves. We live with photos and cameras every day, and philosophies of the photographic image do little to shake our intimate sense of how we produce photographs and what they mean to us. In this book that is equal parts memoir and intellectual and cultural history, French writer Roger Grenier contemplates the ways that photography can change the course of a life, reflecting along the way on the history of photography and its practitioners.

Unfolding in brief, charming vignettes, A Box of Photographs evokes Grenier’s childhood in Pau, his war years, and his working life at the Gallimard publishing house in Paris. Throughout these personal stories, Grenier subtly weaves the story of a lifetime of practicing and thinking about photography and its heroes—Henri Cartier-Bresson, Weegee, Alfred Eisenstaedt, George Brassaï, Inge Morath, and others. Adding their own insights about photography to the narrative are a striking range of writers, thinkers, and artists, from Lewis Carroll, Albert Camus, and Arthur Schopenhauer to Susan Sontag, Edgar Degas, and Eugène Delacroix. Even cameras themselves come to life and take on personalities: an Agfa accompanies Grenier on grueling military duty in Algeria, a Voigtlander almost gets him killed by German soldiers during the liberation of Paris, and an ill-fated Olympus drowns in a boating accident. Throughout, Grenier draws us into the private life of photographs, seeking the secrets they hold for him and for us.

A valedictory salute to a lost world of darkrooms, proofs, and the gummed paper corners of old photo albums, A Box of Photographs is a warm look at the most honest of life’s mirrors.

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A Constant Journey

The Fiction of Monique Wittig

Erika Ostrovsky

Southern Illinois University Press, 1991

From the creation of a neuter pronoun in her earliest work, L’Opoponax, to the confusion of genres in her most recent fiction, Virgile, non, Monique Wittig uses literary subversion and invention to accomplish what Erika Ostrovsky appropriately defines as renversement, the annihilation of existing literary canons and the creation of highly innovative constructs.

Erika Ostrovsky explores those aspects of Wittig’s work that best illustrate her literary approach. Among the countless revolutionary devices that Wittig uses to achieve renversement are the feminization of masculine gender names, the reorganization of myth patterns, and the replacement of traditional punctuation with her own system of grammatical emphasis and separation. It is the unexpected quantity and quality of such literary devices that make reading Monique Wittig’s fiction a fresh and rewarding experience. Such literary devices have earned Wittig the acclaim of her critics and peers—Marguerite Duras, Mary McCarthy, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, to name a few.

While analyzing the intrinsic value of each of Wittig’s fictions separately, Erika Ostrovsky traces the progressive development of Wittig’s major literary devices as they appear and reappear in her fictions. Ostrovsky maintains that the seeds of those innovations that appear in Wittig’s most recent texts can be found as far back as L’Opoponax. This evidence of progression supports Ostrovsky’s theory that clues to Wittig’s future endeavors can be found in her past.

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A Critical Bibliography of the Published Writings of Romain Rolland

William Thomas Starr

Northwestern University Press, 1950

Late nineteenth-and early twentieth-century French writer Romain Rolland remains best known for his epic coming-of-age tale, Jean Christoph. In A Critical Bibliography of the Published Writings of Romain Rolland William Thomas Starr Starr painstakingly collects the information on all writings by and about this prolific author through 1949. Organized into two parts, the bibliography lists the writings of Rolland first, and a devotes second section to studies, comments, reviews, attacks, and homages.

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A Critical Encounter

Bataille and Blanchot: Exploring the Literary Real

Zoe Angeli

University of London Press, 2022

This volume addresses recent contemporary French thought on literary realism.

Few terms have been more prone and resistant to definition than the “literary” and the “real.” Bringing them together under the contrivance of the “literary real” sheds new light on the understanding of the terms real, being, existence, the literary, literature, and writing.

A Critical Encounter addresses two questions that are constantly entwined: first, what kind of real is involved and disclosed in writing—and how does this differ from conventional definitions and representations of reality? Second, what is writing’s own mode of being, in what way is it particular, and what are the implications of this particularity? Consulting the writings of French theorists Georges Bataille and Maurice Blanchot, this volume investigates the real effect that the existence of literature has on our lives: how it challenges and reconfigures the way we perceive ourselves, our place in the world, and our relations with others.

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A French Aristocrat in the American West

The Shattered Dreams of De Lassus De Luzières

Carl J. Ekberg & Foreword by Marie-Sol de La Tour d'Auvergne

University of Missouri Press, 2010

In 1790, Pierre-Charles de Lassus de Luzières gathered his wife and children and fled Revolutionary France. His trek to America was prompted by his “purchase” of two thousand acres situated on the bank of the Ohio River from the Scioto Land Company—the institution that infamously swindled French buyers and sold them worthless titles to property. When de Luzières arrived and realized he had been defrauded, he chose, in a momentous decision, not to return home to France. Instead, he committed to a life in North America and began planning a move to the Mississippi River valley.

De Luzières dreamed of creating a vast commercial empire that would stretch across the frontier, extending the entire length of the Ohio River and also down the Mississippi from Ste. Genevieve to New Orleans. Though his grandiose goal was never realized, de Luzières energetically pursued other important initiatives. He founded the city of New Bourbon in what is now Missouri and recruited American settlers to move westward across the Mississippi River. The highlight of his career was being appointed Spanish commandant of the New Bourbon District, and his 1797 census of that community is an invaluable historical document. De Luzières was a significant political player during the final years of the Spanish regime in Louisiana, but likely his greatest contributions to American history are his extensive commentaries on the Mississippi frontier at the close of the colonial era.

A French Aristocrat in the American West: The Shattered Dreams of De Lassus de Luzières is both a narrative of this remarkable man’s life and a compilation of his extensive writings. In Part I of the book, author Carl Ekberg offers a thorough account of de Luzières, from his life in Pre-Revolutionary France to his death in 1806 in his house in New Bourbon. Part II is a compilation, in translation, of de Luzières’s most compelling correspondence. Until now very little of his writing has been published, despite the fact that his letters constitute one of the largest bodies of writing ever produced by a French émigré in North America.

Though de Luzières’s presence in early American history has been largely overlooked by scholars, the work left behind by this unlikely frontiersman merits closer inspection. A French Aristocrat in the American West brings the words and deeds of this fascinating man to the public for the first time.

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A Place in Common

Rethinking the History of Early Detroit

Karen L. Marrero

Michigan State University Press, 2025

At the turn of the eighteenth century, Indigenous nations designated Detroit as a “common bowl” and a crucial nexus where they shared resources, made compromises, and coexisted. As the century unfolded, Detroit continued as a polyglot community in the face of expanding Euro-American settlement. The region became a highly charged space where the rituals of political negotiation grew in importance alongside a constant threat of violence. British political and economic systems continued to operate long after the end of the American Revolution, creating a shared cultural border at the end of the eighteenth century that would endure even as the American Empire reestablished rule on the north side of the river. Both Anishinaabe and Wyandot people set aside land for future occupation of their people, re-creating another transnational space in the region. A hundred years later, issues of race, economic development, political partisanship, and overlapping national claims continued to resonate as the city commemorated and mythologized its origins. This book considers how larger watershed occasions impacted the Detroit region and how, in turn, the unique particularities of local custom impacted regional and national trade and politics and the very nature of how the city continues to view its past.

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A Poetic Genealogy of North African Literature

Thomas C. Connolly

Northwestern University Press, 2025

Engaging the poetic to expand our imagination of Maghrebi literature in French

Poetry, as the Moroccan writer Abdelkébir Khatibi describes it, is a form of dissymmetry that exposes readers to the unexpected, and to the possibility of a transformative encounter with the text. Drawing on literary, philosophical, theoretical, and theological texts in multiple languages and scripts, as well as on the visual arts, Thomas C. Connolly delves into the poetic works of Khatibi and six other major Maghrebi authors—Jean Amrouche, Tahar Djaout, Nabile Farès, Mohammed Khaïr-Eddine, Abdelwahab Meddeb, and Jean Sénac—as well as the French poet Arthur Rimbaud, to think anew about the origins and legacy of Francophone poetry in the Maghreb. Instead of turning away from the poetic when it becomes indecipherable, A Poetic Genealogy of North African Literature engages poetic texts on their own terms, allowing them to dictate the search for meaning, thereby expanding our understanding of what Maghrebi literature in French was, is, and might become.

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A Season in the Congo

Aimé Césaire

Seagull Books, 2005

This play by renowned poet and political activist Aime Césairerecounts the tragic death of Patrice Lumumba, the first prime minister of the Congo Republic and an African nationalist hero. A Season in the Congofollows Lumumba’s efforts to free the Congolese from Belgian rule and the political struggles that led to his assassination in 1961. Césaire powerfully depicts Lumumba as a sympathetic, Christ-like figure whose conscious martyrdom reflects his self-sacrificing humanity and commitment to pan-Africanism.

Born in Martinique and educated in Paris, Césaire was a revolutionary artist and lifelong political activist, who founded the Martinique Independent Revolution Party. Césaire’s ardent personal opposition to Western imperialism and racism fuels both his profound sympathy for Lumumba and the emotional strength of A Season in the Congo.

Now rendered in a lyrical translation by distinguished scholar Gayatri Chakravorty Spivak, Césaire’s play will find a new audience of readers interested in world literature and the vestiges of European colonialism.

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A Singular Man

Emmanuel Bove

Northwestern University Press, 1995

In a state of permanent tension and relieved moral paralysis, Jean-Marie Thély, an anguished bystander confined to the margins of polite society, has based the whole of his existence upon the idea that he is unlike others. He derives his singularity from his origins as an illegitimate child; bounced from one condescendingly charitable household to another only to be rejected by the bourgeois families that raised him. Restricted to an ordinary education, barred from an officer's career, he is unable to do what he wants and eventually becomes trapped in a life of utter indecision.

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A Sinister Assassin

Last Writings, Ivry-Sur-Seine, September 1947 to March 1948

Antonin Artaud

Diaphanes, 2022

A Sinister Assassin contains original translations of Antonin Artaud’s last writings and interviews, most never previously available in English.

A Sinister Assassin presents translations of Antonin Artaud’s largely unknown final work of 1947–48, revealing new insights into his obsessions with human anatomy, sexuality, societal power, creativity, and ill-will—notably, preoccupations of the contemporary world.

Artaud’s last conception of performance is that of a dance-propelled act of autopsy, generating a ”body without organs” which negates malevolent microbial epidemics. This book assembles Artaud’s crucial writings and press interviews from September 1947 to March 1948, undertaken at a decrepit pavilion in the grounds of a convalescence clinic in Ivry-sur-Seine, on the southern edge of Paris, as well as in-transit through Paris’s streets. It also draws extensively on Artaud’s manuscripts and original interviews with his friends, collaborators, and doctors throughout the 1940s, illuminating the many manifestations of Artaud’s final writings: the contents of his last, death-interrupted notebook; his letters; his two final key texts; his glossolalia; the magazine issue which collected his last fragments; and the two extraordinary interviews he gave to national newspaper journalists in the final days of his life, in which he denounces and refuses both his work’s recent censorship and his imminent death.

Edited, translated, and with an introduction by Stephen Barber, A Sinister Assassin illuminates Artaud’s last, most intensive, and terminal work for the first time.

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A Taste for the Foreign

Worldly Knowledge and Literary Pleasure in Early Modern French Fiction

Ellen R. Welch

University of Delaware Press, 2011

A Taste for the Foreign examines foreignness as a crucial aesthetic category for the development of prose fiction from Jacques Amyot’s 1547 translation of The Ethiopian Story to Antoine Galland’s early eighteenth-century version of The Thousand and One Nights. While fantastic storylines and elements of magic were increasingly shunned by a neo-classicist literary culture that valued verisimilitude above all else, writers and critics surmised that the depiction of exotic lands could offer a superior source for the novelty, variety, and marvelousness that constituted fiction’s appeal. In this sense, early modern fiction presents itself as privileged site for thinking through the literary and cultural stakes of exoticism, or the taste for the foreign. Long before the term exoticism came into common parlance in France, fiction writers thus demonstrated their understanding of the special kinds of aesthetic pleasure produced by evocations of foreignness, developing techniques to simulate those delights through imitations of the exotic. As early modern readers eagerly consumed travel narratives, maps, and international newsletters, novelists discovered ways to blur the distinction between true and imaginary representations of the foreign, tantalizing readers with an illusion of learning about the faraway lands that captured their imaginations.

This book analyzes the creative appropriations of those scientific or documentary forms of writing that claimed to inform the French public about exotic places. Concentrating on the most successful examples of some of the most important sub-genres of prose fiction in the long seventeenth century—heroic romances, shorter urban novels, fictional memoirs, and extraordinary voyages—the book examines how these types of fiction creatively appropriate the scientific or documentary forms of writing that claimed to inform the French public about exotic places.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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A Winter's Journal

Emmanuel Bove, translated by Nathalie Favre-Gilly and with an afterword by Keith Botsford

Northwestern University Press, 1997

Paris in the 1930s: Louis Grandeville has a beautiful wife, a nice home, a loyal servant, and a large circle of well-placed friends. His financial situation doesn't require him to work. Yet Louis is obsessed by the nagging reality that he never has and never will amount to anything. He believes his life is devoid of any affection or goal, filled instead with a thousand trifles intended to relieve its monotony, and populated with human beings he seeks out to avoid being alone but for whom he cares little.

Every few days for one winter, Louis writes down the details of his unhappy marriage. Although his wife, Madeleine, is the focal point of his journal, his painstakingly rendered analyses of her behavior tell us more about him than her, and about the harm two people can do to one another. Unsparing and insightful, A Winter's Journal remains one of the most devastating novels ever written on the self-destructive impulse present in all marriages.

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A history of the French in London

liberty, equality, opportunity

Volume editor Debra Kelly and Martyn Cornick

University of London Press, 2013

This book examines, for the first time, the history of the social, cultural, political and economic presence of the French in London, and explores the multiple ways in which this presence has contributed to the life of the city. The capital has often provided a place of refuge, from the Huguenots in the 17th century, through the period of the French Revolution, to various exile communities during the 19th century, and on to the Free French in the Second World War.It also considers the generation of French citizens who settled in post-war London, and goes on to provide insights into the contemporary French presence by assessing the motives and lives of French people seeking new opportunities in the late 20th and early 21st centuries. It analyses the impact that the French have had historically, and continue to have, on London life in the arts, gastronomy, business, industry and education, manifest in diverse places and institutions from the religious to the political via the educational, to the commercial and creative industries.

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Absolutist Attachments

Emotion, Media, and Absolutism in Seventeenth-Century France

Chloé Hogg

Northwestern University Press, 2019

In Absolutist Attachments, Chloé Hogg uncovers the affective and media connections that shaped Louis XIV’s absolutism. Studying literature, painting, engravings, correspondence, and the emerging periodic press, Hogg diagnoses the emotions that created absolutism’s feeling subjects and publics.

Louis XIV’s subjects explored new kinds of affective relations with their sovereign, joining with the king in acts of aesthetic judgment, tender feeling, or the “newsiness” of emerging print news culture. Such alternative modes of adhesion countered the hegemonic model of kingship upheld by divine right, reason of state, or corporate fidelities and privileges with subject-driven attachments and practices. Absolutist Attachments discovers absolutism’s alternative political and cultural legacy—not the spectacle of an unbound king but the binding connections of his subjects.

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Accounting for Taste

The Triumph of French Cuisine

Priscilla Parkhurst Ferguson

University of Chicago Press, 2004

French cuisine is such a staple in our understanding of fine food that we forget the accidents of history that led to its creation. Accounting for Taste brings these "accidents" to the surface, illuminating the magic of French cuisine and the mystery behind its historical development. Priscilla Parkhurst Ferguson explains how the food of France became French cuisine.

This momentous culinary journey begins with Ancien Régime cookbooks and ends with twenty-first-century cooking programs. It takes us from Carême, the "inventor" of modern French cuisine in the early nineteenth century, to top chefs today, such as Daniel Boulud and Jacques Pépin. Not a history of French cuisine, Accounting for Taste focuses on the people, places, and institutions that have made this cuisine what it is today: a privileged vehicle for national identity, a model of cultural ascendancy, and a pivotal site where practice and performance intersect. With sources as various as the novels of Balzac and Proust, interviews with contemporary chefs such as David Bouley and Charlie Trotter, and the film Babette's Feast, Ferguson maps the cultural field that structures culinary affairs in France and then exports its crucial ingredients. What's more, well beyond food, the intricate connections between cuisine and country, between local practice and national identity, illuminate the concept of culture itself.

To Brillat-Savarin's famous dictum—"Animals fill themselves, people eat, intelligent people alone know how to eat"—Priscilla Ferguson adds, and Accounting for Taste shows, how the truly intelligent also know why they eat the way they do.

“Parkhurst Ferguson has her nose in the right place, and an infectious lust for her subject that makes this trawl through the history and cultural significance of French food—from French Revolution to Babette’s Feast via Balzac’s suppers and Proust’s madeleines—a satisfying meal of varied courses.”—Ian Kelly, Times (UK)

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Advertising the Self in Renaissance France

Lemaire, Marot, and Rabelais

Scott Francis

University of Delaware Press, 2019

Advertising the Self in Renaissance France is a study of how authors and readers are represented in printed editions of three major literary figures of the French Renaissance: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books, but also particular ways of reading. They advertised correct modes of reading as transformative experiences that helped the actual reader attain the image of the ideal reader held up by the text and paratext, experiences provided by selfless authors. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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After the Fall

War and Occupation in Irène Némirovsky's Suite française

Nathan Bracher

Catholic University of America Press, 2010

In this work, the first critical monograph on Suite française, Nathan Bracher shows how, first amid the chaos and panic of the May-June 1940 debacle, and then within the unsettling new order of the German occupation, Némirovsky's novel casts a particularly revealing light on the behavior and attitudes of the French as well as on the highly problematic interaction of France's social classes

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After the King

Watteau, Spectacle, and the Poetics of Memory

Georgia J. Cowart

University of Chicago Press, 2026

Musicologist Georgia J. Cowart explores how Antoine Watteau’s late paintings reimagine the symbolic order of absolutism in the wake of Louis XIV’s death.

Antoine Watteau has long been known for the theatricality of his paintings, but what that theatricality signifies has remained elusive. In After the King, Georgia Cowart contends that this mode of painting takes shape in response to the spectacle of Louis XIV’s absolutism, which the painter’s late works transform into a new aesthetic language.

The king’s death marked a turning point in Watteau’s art. In the six years that followed, his paintings turned more decisively toward the musical stage. Evoking theatrical plots, frontispieces, and costume types, they conjured a world in which the legacy of absolutist culture lingered as stylized memory—its rituals, emblems, and pleasures recast through theatrical illusion and ironic distance.

Rather than treating Watteau as a painter of nostalgic reverie or Rococo charm, Cowart situates his art within the immersive performance culture of Versailles and the vibrant Parisian stage, at a time when the opéra-ballet, popular opera, and the commedia dell’arte were charting new theatrical landscapes. Drawing on art history, musicology, theater studies, and Pierre Nora’s theory of lieux de mémoire, she proposes a new framework that understands Watteau’s paintings as acts of theatrical memory and cultural recomposition.

Elegantly written and conceptually ambitious, After the King reveals how Watteau recoded the symbols of monarchy to stage a post-absolutist cultural imagination shaped by irony, sensuality, and poetic transformation.

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Albert Camus

The Artist in the Arena

Emmett Parker

University of Wisconsin Press, 1966

A Communist Party member in the 1930s, Camus became an independent political critic in the 1950s: an outspoken opponent of all forms of totalitarianism, he defended the libertarian principles of Western democracy. Along the way he involved himself in far-reaching intellectual quarrels such as that over his own L’Homme révolté (The Rebel) with Jean-Paul Sartre, which this book examines in fascinating detail. Albert Camus offers illuminating insights into the relationship between intellectuals and politics; a serious contribution to the history of social, political, and ethical ideas.

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An Italian Journey

Jean Giono

Northwestern University Press, 1998

In An Italian Journey, Jean Giono describes his journey to the land of his father's people. A reluctant traveler (he rarely left Provence), Giono discovers a strange beauty not only in the palazzi and canals of Venice but also in wistful waiters, suspicious hairdressers, pugnacious men of God, recalcitrant coffeemakers, umbrellas, and field machinery. In Giono's world a stamp collectors' market can appear to verge on revolution and inept municipal musicians suddenly offer Mozartian joys.

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Andre Malraux

An Age of Oppression

Roberta Newnham

Intellect Books, 2013

Aimed to coincide with the centenary of Malraux’s birth, André Malraux: An Age of Oppression is the first translation/annotated edition of Le Temps de mépris in a comprehensive format. The story (with the emphasis upon the psychological trauma suffered by a German political prisoner of the Nazis in the early 1930s) marks a significant moment in Malraux’s literary oeuvre, and a prophetic insight into the historical implications of the situation prevailing in pre-World War II Nazi Germany. Features include the ‘Introduction’ (and accompanying ‘Translator’s Note’), designed to situate the nouvelle in its literary and historical context, and to expound upon the psychological import of its semantic content and linguistic technique. The addition of a ‘Notes to the Text’ reference section (also ‘Biographical Summary’ and ‘Select Bibliography’) is intended to enhance the book’s usefulness and interest for a wide readership including modern-languages undergraduates and non-francophone readers.

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Animal Skins and the Reading Self in Medieval Latin and French Bestiaries

Sarah Kay

University of Chicago Press, 2017

Just like we do today, people in medieval times struggled with the concept of human exceptionalism and the significance of other creatures. Nowhere is this more apparent than in the medieval bestiary. Sarah Kay’s exploration of French and Latin bestiaries offers fresh insight into how this prominent genre challenged the boundary between its human readers and other animals.

Bestiaries present accounts of animals whose fantastic behaviors should be imitated or avoided, depending on the given trait. In a highly original argument, Kay suggests that the association of beasts with books is here both literal and material, as nearly all surviving bestiaries are copied on parchment made of animal skin, which also resembles human skin. Using a rich array of examples, she shows how the content and materiality of bestiaries are linked due to the continual references in the texts to the skins of other animals, as well as the ways in which the pages themselves repeatedly—and at times, it would seem, deliberately—intervene in the reading process. A vital contribution to animal studies and medieval manuscript studies, this book sheds new light on the European bestiary and its profound power to shape readers’ own identities.

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Apology for the Woman Writing and Other Works

Marie le Jars de Gournay

University of Chicago Press, 2002

During her lifetime, the gifted writer Marie le Jars de Gournay (1565-1645) was celebrated as one of the "seventy most famous women of all time" in Jean de la Forge's Circle of Learned Women (1663). The adopted daughter of Montaigne, as well as his editor, Gournay was a major literary force and a pioneering feminist voice during a tumultuous period in France.

This volume presents translations of four of Gournay's works that address feminist issues. Two of these appear here in English for the first time—The Promenade of Monsieur de Montaigne and The Apology for the Woman Writing. One of the first modern psychological novels, the best-selling Promenade was also the first to explore female sexual feeling. With the autobiographical Apology, Gournay defended every aspect of her life, from her moral conduct to her household management. The book also includes Gournay's last revisions (1641) of her two best-known feminist treatises, The Equality of Men and Women and The Ladies' Complaint. The editors provide a general overview of Gournay's career, as well as individual introductions and extensive annotations for each work.

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Archival Afterlives

Cixous, Derrida, and the Matter of Friendship

Laura Hughes

Northwestern University Press, 2024

A capacious analysis of a legendary intellectual friendship and the material legacies it left behind

Over the course of their decades-long friendship, Hélène Cixous and Jacques Derrida assembled overlapping archives of written experiments and exchanges that document a shared interest in their literary afterlives. In this incisive account, Laura Hughes shows how pushing against the limits of writing and of life itself means not only imagining but manifesting a community of future readers.

Archival Afterlives: Cixous, Derrida, and the Matter of Friendship examines the embodied nature of literary creation, taking letters, fragments, notes, and other ephemera as objects of critical analysis and care. Combining close readings of key texts and previously unexamined archival materials, Hughes traces critical connections between Cixous and Derrida, between the theoretical and the autobiographical, and between life writing and its limits. In putting deconstruction into dialogue with new material analyses and archive studies, Archival Afterlives positions this historical and intellectual relationship as a lens through which to reexamine the legacy of critical theory itself.

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Art and Race

The African (Up) Against the Enlightenment’s Eye

Anne Lafont

J. Paul Getty Trust, The, 2026

This groundbreaking study investigates the close and paradoxical relationship of art and race during the Enlightenment.

In this text, French art historian Anne Lafont examines the complexities and contradictions in Enlightenment-era ideas about race, focusing on the figurations of Africans and other people of color. Through studies of a wide range of eighteenth-century art, Lafont grounds her analysis in the objects themselves and, by doing so, highlights how visual works can reveal the values of the culture that produced them.

While Lafont locates—unsurprisingly—instances of the marginalization and objectification of Black people, she also draws attention to depictions that present African sitters as subjects in their own right. For example, Anne-Louis Girodet’s Portrait of Jean-Baptiste Belley (1797) offers a dignified, individualized representation of this formerly enslaved French politician from Saint-Domingue; and portraits of anonymous sitters show them as actual persons whose costumes and poses demonstrate their agency.

Ultimately, Lafont moves beyond artworks to consider the broader intellectual context of the Enlightenment, particularly ideas about freedom, equality, and universal human rights, which were anchored in visual culture and indexed by it. She reveals how these ideals often conflicted with the realities of colonialism and the shifting status of Black people during this era.

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Artaud 1937 Apocalypse

Letters from Ireland

Antonin Artaud

Diaphanes, 2019

Antonin Artaud’s journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto The New Revelations of Being about the “catastrophic immediate-future,” Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Traveling first to the isolated island of Inishmore off Ireland’s western coast, then to Galway, and finally to Dublin, Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II.

During his fateful journey, Artaud wrote letters to friends in Paris which included several “magic spells,” intended to curse his enemies and protect his friends from the city’s forthcoming incineration and the Antichrist’s appearance. (To André Breton, he wrote: “It’s the Unbelievable—yes, the Unbelievable—it’s the Unbelievable which is the truth.”) This book collects all of Artaud’s surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book’s translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud’s death.

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Artaud and His Doubles

Kimberly Jannarone

University of Michigan Press, 2012

Artaud and His Doublesis a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe.

Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles—those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubleswill generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.

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Artaud the Mômo

Antonin Artaud

Diaphanes, 2020

Artaud the Mômo is Antonin Artaud’s most extraordinary poetic work from the brief final phase of his life, from his return to Paris in 1946 after nine years of incarceration in French psychiatric institutions to his death in 1948. This work is an unprecedented anatomical excavation carried through in vocal language, envisioning new gestural futures for the human body in its splintered fragments. With black humor, Artaud also illuminates his own status as the scorned, Marseille-born child-fool, the “mômo” (a self-naming that fascinated Jacques Derrida in his writings on this work). Artaud moves between extreme irreligious obscenity and delicate evocations of his immediate corporeal perception and his sense of solitude. The book’s five-part sequence ends with Artaud’s caustic denunciation of psychiatric institutions and of the very concept of madness itself.

This edition is translated by Clayton Eshleman, the acclaimed foremost translator of Artaud’s work. This will be the first edition since the original 1947 publication to present the work in the spatial format Artaud intended. It also incorporates eight original drawings by Artaud—showing reconfigured bodies as weapons of resistance and assault—which he selected for that edition, after having initially attempted to persuade Pablo Picasso to collaborate with him. Additional critical material draws on Artaud’s previously unknown manuscript letters written between 1946 and 1948 to the book’s publisher, Pierre Bordas, which give unique insights into the work from its origins to its publication.

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Artificial Generation

Photogenic French Literature and the Prehistory of Cinematic Modernity

Christina Parker-Flynn

Rutgers University Press, 2022

Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity investigates the intersection of film theory and nineteenth-century literature, arguing that the depth of amalgamation that occurred within literary representation during this era aims to replicate an illusion of life and its sensations, in ways directly related to broader transitions into our modern cinematic age. A key part of this evolution in representation relies on the continual re-emergence of the artificial woman as longstanding expression of masculine artistic subjectivity, which, by the later nineteenth century, becomes a photographic and filmic drive. Moving through the beginning of film history, from Georges Méliès and other “silent” filmmakers in the 1890s, into more contemporary movies, including Alfred Hitchcock’s Vertigo (1958) and Blade Runner 2049 (2017), the book analyzes how films are often structured around the prior century’s mythic and literary principles, which now serve as foundation for film as medium—a phantom form for life’s re-presentation. Artificial Generation provides a crucial reassessment of the longstanding, mutual exchange between cinematic and literary reproduction, offering an innovative perspective on the proto-cinematic imperative of simulation within nineteenth-century literary symbolism.

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As French as Everyone Else?

A Survey of French Citizens of Maghrebin, African, and Turkish Origin

Authored by Sylvain Brouard and Vincent Tiberj

Temple University Press, 2011

France is often depicted as the model of assimilationist or republican integration in the international literature on immigration. However, rarely have surveys drilled down to provide individual responses from a double representative sample. In As French as Everyone Else?, Sylvain Brouard and Vincent Tiberj provide a comprehensive assessment of the state of integration in France and challenge the usual crisis of integration by systematically comparing the "new French" immigrants, as well as their children and grandchildren born in France, with a sample of the French general population.

The authors' survey considers a wide range of topics, including religious affiliation and religiosity, political attitudes and political efficacy, value systems (including gender roles, work ethics, and anti-Semitism), patterns of integration, multiple identities and national belongings, and affirmative action. As the authors show, despite existing differences, immigrants of Maghrebin, African, and Turkish origin share a wide scope of commonality with other French citizens.

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