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The Bloomsbury circle has long preoccupied writers, critics, and the general public alike. For many years its focal point was Charleston Farmhouse in Sussex, home to Vanessa and Clive Bell and Duncan Grant. A Cézanne in the Hedge brings together thirty firsthand reminiscences of the Charleston, vividly and amusingly evoking its creativity—and eccentricity. Childhood memories from Quentin Bell, Angelica Garnett, and Nigel Nicholson are interspersed with appraisals of the work of Bloomsbury members such as Roger Fry, Maynard Keynes, and Virginia Woolf and of their contribution to twentieth-century British art and thought. The finale is a childhood spoof written by Virginia Woolf entitled "A Terrible Tragedy in a Duckpond."

Gem of the Adriatic, Trieste sparkled and beckoned through the pages of poets and novelists. Drawn there in search of literary ghosts, of the poet Umberto Saba and the novelists Italo Svevo and James Joyce, Joseph Cary found instead a city with an imaginative life of its own, the one that rises, tantalizing from the pages of this book. The story of Cary's travels, A Ghost in Trieste, is also a tale of discovery and transformation, as the bustling world of port and airplane, baggage and trams and trains becomes the landscape of history and literature, language and art, psychoanalysis and the self.

Here is the crossroads of East and West. A port held in turn by the Romans, the Venetians, the Austrians, the Germans, the Slavs, and finally the Italians, Trieste is the capital of nowhere, fertile source of a unique literary florescence before the First World War. At times an exile home and an exiled city. "I cannot claim to have walked across it all,:" wrote Saba, the poet of Trieste in 1910 of the city Cary crosses and recrosses, seeking the poetry of the place that inspired its literary giants. Trieste's cultural and historical riches, its geographical splendor of hills and sea and mysterious presence unfold in a series of stories, monologues and literary juxtapositions that reveal the city's charms as well as its seductive hold on the writer's imagination. Throughout, literary and immediate impressions alike are elaborated in paintings and maps, and in handsome line drawings by Nicholas Read.

This "clownish and adolescent Parsifal," this Trieste of the "prickly grace," this place "impaled in my heart like a permanent point," this symbol of the Adriatic, this "city made of books" — here the book remakes the city. The Trieste of allusions magically becomes a city of palpable allure, of warmth and trying contradictions and gritty beauty. Part travel diary, part guide book, part literary history, A Ghost in Trieste is a brilliant introduction to an extraordinary time and place. In Joseph Cary, Trieste has found a new poet, and readers, a remarkably captivating companion and guide.

Provence through the eyes of its writers—those who wrote of it in Provençal or French and also those visitors who were moved by its beauty—that is the inspiration behind A Literary Guide to Provence. In this compact travel guide, Marseilles native Daniel Vitaglione presents a literary panorama of the region of southern France from the Avignon of Mistral to Colette’s St. Tropez.

Including such sites as the birthplace of Nostradamus and the ruins of the Marquis de Sade’s castle, A Literary Guide to Provence presents a thousand years of history entwined with maps and photos that provide readers on tour with a sense of the historical import of this most beautiful of regions even as they experience it firsthand.

Both authors of Provençal ancestry and those who came to love and live in Provence are featured in this comprehensive and enchanting picture of the garden place of France. The Riviera enticed Virginia Woolf. Toulon inspired two novels by Georges Sand. Robert Louis Stevenson resided in Hyères, as did Edith Wharton. Le Lavandou was Willa Cather’s favorite place. F. Scott Fitzgerald lived in St. Raphael and Juan-les-Pins, where he wrote Tender is the Night.

This illustrated guide follows in these writers’ footsteps, and the practical information on hotels and restaurants (phones, web sites, email, etc.) make it the ideal traveling companion for armchair tourists and those who cannot resist seeing Provence for themselves.

Over the past century, three nationally significant histories have vied for space and place in Independence, Missouri. Independence was declared Zion by Joseph Smith, served as a gathering and provisioning point for trails west, and was called home by President Harry S. Truman for sixty-four years. Historian Jon E. Taylor has integrated research from newspapers, public documents, oral histories, and private papers to detail how the community has preserved and remembered these various legacies.

Truman’s legacy would appear to have been secured in Independence via three significant designations—his presidential library opened there in 1957, his neighborhood was designated a national historic landmark in 1972, and his home was declared a national historic site in 1982. However, Taylor argues that Truman’s seeming dominance in the community’s memory is in fact endangered by competition from the other aspects of the town’s historical heritage.

Taylor considers the role Mormon history has played in the city's history and chronicles how the Reorganized Church of Jesus Christ of Latter Day Saints returned to Independence to fulfill Joseph Smith's dream of creating Zion in the city, a situation that impacted neighborhoods near the Truman home.  Taylor also examines the city's fascination with the Santa Fe, Oregon, and California trails, detailing how that history was lost and remembered and is now immortalized on the Independence square and in the National Frontier Trails Museum.

In the 1980s, the city council reduced the size of the Truman Heritage District, created to maintain Truman’s association with his neighborhood, after church opposition. At the same time, city officials pushed to make Independence a major tourist destination, a move largely dependent upon the city capitalizing on its association with Truman. These inconsistent policies and incongruous goals have led to innumerable changes in the landscape Truman enjoyed during his legendary morning walks.

 A President, a Church, and Trails West chronicles one city’s struggle to preserve its history and the built environment. Taylor places the role of preservation in Independence not only within the larger context of preservation in the United States but also within the context of American environmental history. This volume is sure to appeal to anyone interested in public history, historic preservation, history and memory, and local history.

W. Scott Olsen and Bret Lott invited a dozen friends to consider one particular calendar month in the place they call home. The result is A Year in Place, a captivating collection of new writing by twelve eminent American writers.

More than a montage of voices and experiences, A Year in Place illustrates, as Olsen and Lott explain in their introduction, the trends in American thinking about who we are and what we care about. Rick Bass takes us to the Yaak Valley of Montana in June, where fawns are arriving, "newly-emerged, knocked-legged and groggy, legs still unfolding from that long sleeping passage." Peggy Shumaker explores the special social and cultural time that is March in Fairbanks, Alaska, where a long winter has whetted the psychic despair of inhabitants who find in the "sky’s unbearable brightness . . . a waking pain beyond endurance." Michael Martone transports us through memory to Indiana in the 1950s where each May a blimp "yawed and floated up," wallowing above a suburban neighborhood on its way to the Indianapolis 500.

These and nine other contributions yield an unforgettable book about "the places we find ourselves blessed enough to be."

In 1940 seven-year-old Tony Bailey was evacuated to the United States—one of more than 16,000 children sent overseas at a time when a Nazi invasion of England seemed inevitable. He spent four years with the wealthy Spaeth family in Dayton, Ohio, before returning to his parents in Southampton. Evocative, heartfelt, and charming, this is a story of a double childhood—of a boy who became American while never ceasing to be British.

"An original, sensitively told story in which the perspectives of the child are carefully remembered. . . . Bailey's book speaks, with gentle eloquence, not only to those who remember being boys, but to everyone who would seek to protect children from the hurts and ravagings that ordinary life can inflict, to say nothing of war." —Richard Montague, Newsday

"No doubt Tony Bailey owed America something for its hospitality during those anxious years, and with this book he has amply repaid the debt." —Joseph McLellan, Washington Post

"An exquisitely controlled, quietly amusing and moving story." —Publishers Weekly

"As tender as it is truthful, and as amusing as it is unpretentious." —John Russell, New York Times Book Review

The blossoming of Appalachian studies began some thirty years ago. Thousands of young people from the hills have since been made aware of their region’s rich literary tradition through high school and college courses. An entire generation has discovered that their own landscapes, families, and communities had been truthfully portrayed by writers whose background was similar to their own.

An American Vein: Critical Readings in Appalachian Literature is an anthology of literary criticism of Appalachian novelists, poets, and playwrights. The book reprises critical writing of influential authors such as Joyce Carol Oates, Cratis Williams, and Jim Wayne Miller. It introduces new writing by Rodger Cunningham, Elizabeth Engelhardt, and others.

Many writers from the mountains have found success and acclaim outside the region, but the region itself as a thriving center of literary creativity has not been widely appreciated. The editors of An American Vein have remedied this, producing the first general collection of Appalachian literary criticism. This book is a resource for those who teach and read Appalachian literature. What’s more, it holds the promise of introducing new readers, nationally and internationally, to Appalachian literature and its relevance to our times.

"Writers are both born and made, and their teachers share in the making of them, but in what ways?" Molly McQuade asks in An Unsentimental Education, a collection of candid interviews with twenty-one of our leading novelists and poets. Presented as first-person essays, the interviews are with contemporary writers who have studied, taught at, or cultivated other ties with the University of Chicago. The book provides an occasion for the writers to reflect on their Chicago experiences and on ideas about education in general. What education does a writer need? How can formal learning impel the writing life? What school stories or tales told out of school do Philip Roth, Hayden Carruth, Marguerite Young, George Steiner, Charles Simic, Susan Sontag, and Saul Bellow have in store and want to share.

Interviews with:Saul Bellow, Paul Carroll, Hayden Carruth, Robert Coover, Leon Forrest, June Jordan, Janet Kauffman, Morris Philipson, M. L. Rosenthal, Philip Roth, Susan Fromberg Shaeffer, Charles Simic, Susan Sontag, George Starbuck, George Steiner, Richard Stern, Nathaniel Tarn, Douglas Unger, Kurt Vonnegut, and Marguerite Young.

A vivid archive of memories, Beth Alvarado’s Anthropologies layers scenes, portraits, dreams, and narratives in a dynamic cross-cultural mosaic. Bringing her lyrical tenor to bear on stories as diverse as harboring teen runaways, gunfights with federales, and improbable love, Alvarado unveils the ways in which seemingly separate moments coalesce to forge a communal truth. Woven from the threads of distinct family histories and ethnic identities, Anthropologies creates a heightened understanding of how individual experiences are part of a larger shared fabric of lives.

 

Like the opening of a series of doors, each turn of the page reveals some new reality and the memories that emerge from it. Open one door and you are transported to a modest Colorado town in 1966, appraising animal tracks edged into a crust of snow while listening to stories of Saipan. Open another and you are lounging in a lush Michoacán hacienda, or in another, the year is 1927 and you are standing on a porch in Tucson, watching La Llorona turn a corner.

 

With vivid imagery and a poetic sensibility, Anthropologies reenacts the process of remembering and so evokes a compelling narrative. Each snapshot provides a glimpse into the past, illuminating the ways in which memory and history are intertwined. Whether the experience is of her own drug use or that of a great-great-grandmother’s trek across the Great Plains with Brigham Young, Alvarado’s insight into the binding nature of memory illuminates a new way of understanding our place within families, generations, and cultures.

From award-winning author Barrie Jean Borich comes Apocalypse, Darling, a narrative, lyric exploration of the clash between old and new. Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich’s return to a decimated landscape for a misbegotten wedding in which her spouse’s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities, but also one of the most toxic environmental sites in the world.
 
 
As concise as a poem and as sweeping as an epic novel, Apocalypse, Darling explores the intersection of American traditional and self-invented social identities and the destruction and re-greening of industrial cityscapes. Borich asks: can toxic landscapes actually be remediated and can patriarchal fathers ever really be forgiven? In a political climate where Borich is forced to daily re-enter the toxic wastelands she thought she’d long left behind, Apocalypse, Darling is an urgent collision of broken spaces, dysfunctional affections, and the reach toward familial and environmental repair. 

The landscapes, cultures, and cuisines of deserts in the Middle East and North America have commonalities that have seldom been explored by scientists—and have hardly been celebrated by society at large. Sonoran Desert ecologist Gary Nabhan grew up around Arab grandparents, aunts, uncles, and cousins in a family that has been emigrating to the United States and Mexico from Lebanon for more than a century, and he himself frequently travels to the deserts of the Middle East. In an era when some Arabs and Americans have markedly distanced themselves from one another, Nabhan has been prompted to explore their common ground, historically, ecologically, linguistically, and gastronomically. Arab/American is not merely an exploration of his own multicultural roots but also a revelation of the deep cultural linkages between the inhabitants of two of the world’s great desert regions. Here, in beautifully crafted essays, Nabhan explores how these seemingly disparate cultures are bound to each other in ways we would never imagine. With an extraordinary ear for language and a truly adventurous palate, Nabhan uncovers surprising convergences between the landscape ecology, ethnogeography, agriculture, and cuisines of the Middle East and the binational Desert Southwest. There are the words and expressions that have moved slowly westward from Syria to Spain and to the New World to become incorporated—faintly but recognizably—into the language of the people of the U.S.–Mexico borderlands. And there are the flavors—piquant mixtures of herbs and spices—that have crept silently across the globe and into our kitchens without our knowing where they came from or how they got here. And there is much, much more. We also learn of others whose work historically spanned these deserts, from Hadji Ali (“Hi Jolly”), the first Moslem Arab to bring camels to America, to Robert Forbes, an Arizonan who explored the desert oases of the Sahara. These men crossed not only oceans but political and cultural barriers as well. We are, we recognize, builders of walls and borders, but with all the talk of “homeland” today, Nabhan reminds us that, quite often, borders are simply lines drawn in the sand.

Women from all over Arkansas—left out of the civil rights granted by the post–Civil War Reconstruction Amendments—took part in a long struggle to gain the primary civil right of American citizens: voting. The state’s capital city of Little Rock served as the focal point not only for suffrage work in Arkansas, but also for the state’s contribution to the nationwide nonviolent campaign for women’s suffrage that reached its climax between 1913 and 1920. Based on original research, Cahill’s book relates the history of some of those who contributed to this victorious struggle, reveals long-forgotten photographs, includes a map of the locations of meetings and rallies, and provides a list of Arkansas suffragists who helped ensure that discrimination could no longer exclude women from participation in the political life of the state and nation.