65 books match the query 'Netherlands' and 7 start with a

cover of A Pleasing Birth: Midwives And Maternity Care

A Pleasing Birth

Midwives And Maternity Care

Raymond De Vries

Temple University Press, 2005

Women have long searched for a pleasing birth—a birth with a minimum of fear and pain, in the company of supportive family, friends, and caregivers, a birth that ends with a healthy mother and baby gazing into each other's eyes. For women in the Netherlands, such a birth is defined as one at home under the care of a midwife. In a country known for its liberal approach to drugs, prostitution, and euthanasia, government support for midwife-attended home birth is perhaps its most radical policy: every other modern nation regards birth as too risky to occur outside a hospital setting. In exploring the historical, social, and cultural customs responsible for the Dutch way of birth, Raymond De Vries opens a new page in the analysis of health care and explains why maternal care reform has proven so difficult in the U.S. He carefully documents the way culture shapes the organization of health care, showing how the unique maternity care system of the Netherlands is the result of Dutch ideas about home, the family, women, the body and pain, thriftiness, heroes, and solidarity. A Pleasing Birth breaks new ground and closes gaps in our knowledge of the social and cultural foundations of health care. Offering a view into the Dutch notion of maternity care, De Vries also offers a chance of imagining how Dutch practices can reform health care in the U.S. not just for mothers and babies, but for all Americans.
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cover of A Stranger in the Hague: The Letters of Queen Sophie of the Netherlands to Lady Malet, 1842–1877

A Stranger in the Hague

The Letters of Queen Sophie of the Netherlands to Lady Malet, 1842–1877

S. W. Jackman and Hella Haasse, eds.

Duke University Press, 1989

Princess Sophie Frederika Mathilde of Wurttemberg (1818-1877) married William, Prince of Orange (and her first cousin) in 1839. Sophie (as she was known) was alert, well-educated, and ambitious, far the intellectual superior of her husband; as the great-granddaughter of Catherine the Great of Russia, she may have aspired to play an important role in guiding the affairs of the House of Orange. This was not to be. After the birth of two sons, her relations with her husband cooled, and with a few important exceptions she became isolated from the other members of the family at the Hague. Partly to overcome the resulting personal and intellectual isolation she turned to an extensive correspondence with heads of state, royal relatives, aristocratic acquaintances, political leaders, and intellectual figures. Family difficulties continued and even increased after William ascended the throne in 1849.
Sophie met her friend and confidant Marina Dora Spading, Lady Malt, when the latter was at the Hague with her diplomat husband in 1842. A lifelong friendship ensued, although they saw each other only infrequently thereafter. Sophie’s letters to Lady Malt are an extraordinary combination of comments on her personal situation and shrewd analyses of the European political arena. This selection of her surviving correspondence is opinionated, frank, and perceptive, and her letters are a unique commentary on the affairs of the Europe of the mid-nineteenth century.
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cover of Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting

Adulterous Alliances

Home, State, and History in Early Modern European Drama and Painting

Richard Helgerson

University of Chicago Press, 2000

Shakespeare, Vermeer, Lope de Vega, Molière, and Diderot dont usually keep company with one another. But in this acclaimed book, Richard Helgerson shows that each contributed to a common project of great significance: the artistic promotion of the middle-class home. In a study that stretches over two centuries, Helgerson looks beneath European drama and painting to reveal an unexpected prehistory of modern domesticity.
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cover of Anne Frank and Etty Hillesum: Inscribing Spirituality and Sexuality

Anne Frank and Etty Hillesum

Inscribing Spirituality and Sexuality

de Costa, Denise

Rutgers University Press, 1998

Studies of Nazi persecution and destruction of Jews have to date largely been based on the accounts of men. And yet gender difference in Western society is so profound that women and men seem to have divergent experiences, speak different languages, and see and hear in dissimilar ways. Denise de Costa's book explores the significance of sex and gender differences in the construction of history and society-specifically, the Nazi genocide of Jews in World War II-by focusing on the writing of two Jewish women, Anne Frank and Etty Hillesum.

De Costa argues that although both of these writers have received much attention, little has been done to understand how the significant difference occasioned by both gender and Jewishness helps to define cultural or personal identity in relation to the Holocaust. De Costa uses a variety of psychoanalytic and feminist theories to approach the writing of Frank and Hillesum. Critiquing as well as employing the concepts of Julia Kristeva, Hélène Cixous, Luce Irigaray, and Simone de Beauvoir among others, she presents a detailed and rich discussion of each writer.

De Costa approaches Anne Frank largely from a psychoanalytical perspective that emphasizes the function of writing itself in the development of self-identity. For Etty Hillesum, she is more concerned with how writing establishes a philosophy, and a faith, that can entertain and is indeed based in doubleness and paradox. Her assessment of these two writers makes a significant contribution to our understanding of the Holocaust as a cultural and historical phenomenon, of the role of writing in the production and expression of gendered identity, and of the complex relation between women, writing, and culture.

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cover of Argonauts of West Africa: Unauthorized Migration and Kinship Dynamics in a Changing Europe

Argonauts of West Africa

Unauthorized Migration and Kinship Dynamics in a Changing Europe

Apostolos Andrikopoulos

University of Chicago Press, 2023

Examines the paradoxes of kinship in the lives of unauthorized African migrants as they struggle for mobility, employment, and citizenship in Europe.

In rapidly changing and highly precarious contexts, unauthorized African migrants turn to kinship in search of security, stability, and predictability. Through the exchange of identity documents between “siblings,” assistance in obtaining such documentation through kinship networks, and marriages that provide access to citizenship, new assemblages of kinship are continually made and remade to navigate the shifting demands of European states. These new kinship relations, however, often prove unreliable, taking on new, unexpected dynamics in the face of codependency; they become more difficult to control than those who enter into such relations can imagine. Through unusually close ethnographic work in West African migrant communities in Amsterdam, Apostolos Andrikopoulos reveals the unseen dynamics of kinship through shared papers, the tensions of race and gender that develop in mutually beneficial marriages, and the vast, informal networks of people, information, and documentation on which migrants rely. Throughout Argonauts of West Africa, Andrikopoulos demonstrates how inequality, exclusionary practices, and the changing policies of an often-violent state demand innovative ways of doing kinship to successfully navigate complex migration routes.
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cover of Artifice and Illusion: The Art and Writing of Samuel van Hoogstraten

Artifice and Illusion

The Art and Writing of Samuel van Hoogstraten

Celeste Brusati

University of Chicago Press, 1995

Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multi-faceted artist.

Analyzing van Hoogstraten's painting treatise, illusionistic pictures, ingenious perspective boxes, and witty trompe-l'oeil images, Brusati reveals the crucial role these endeavors played in the forging of van Hoogstraten's professional and social identity. Brusati looks at the historical circumstances of van Hoogstraten's career, which he fashioned from a convergence of Dutch cultural practices, family genealogy, and his considerable entrepreneurial acumen. She shows how Van Hoogstraten exploited the court patronage system to secure the worth of his work in the newer market culture of the Dutch Republic.

Brusati explores Van Hoogstraten's use of illusionistic artifice in his art and writing to shed new light on the much-disputed nature of Dutch "realism", and she discusses how a notion of "experimental artistry", which linked representational craft to the production of knowledge, informed Van Hoogstraten's many projects and framed the terms within which he and his colleagues understood artistic achievement during this period.
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cover of At the Edge of the Abyss: A Concentration Camp Diary, 1943-1944

At the Edge of the Abyss

A Concentration Camp Diary, 1943-1944

David Koker; Edited by Robert Jan van Pelt; Translated from the Dutch by Michiel Horn and John Irons

Northwestern University Press, 2012

Finalist for 2012 National Jewish Book Award in the Holocaust category

David Koker's diary is one of the most notable accounts of life in a German concentration camp written by a Jew during the years of the Holocaust. First brought to attention when the Dutch historian Jacob Presser-Koker's history teacher in high school-quoted from Koker's diary in his monumental history, published in English as The Destruction of the Dutch Jews (1968), the diary itself became a part of the Dutch literary canon when it was published in 1977 as Dagboek geschreven in Vught (Diary Written in Vught). It has remained in print ever since, and is notable for its literary qualities, weaving poetry and powerful observations of the emotional life of a camp prisoner, including reflections after an in-person visit by Heinrich Himmler. Surprisingly, the book has never before been translated into English.

During his time in the Vught concentration camp, the 21-year-old David recorded on an almost daily basis his observations, thoughts, and feelings. He mercilessly probed the abyss that opened around him and, at times, within himself. David's diary covers almost a year, both charting his daily life in Vught as it developed over time and tracing his spiritual evolution as a writer. Until early February 1944, David was able to smuggle some 73,000 words from the camp to his best friend Karel van het Reve, a non-Jew. 

With an informative introduction, annotation, and list of dramatis personae by Robert Jan van Pelt, At the Edge of the Abyss offers an immediate and wholly original look into the life of a concentration camp prisoner.

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