Results by title
1017 books match the query 'Reference' and 125 start with a
A Bibliography of Chinese Language Materials on the People's Communes
Ma Wei-yi
University of Michigan Press, 1982
A Bibliography of East European Travel Writing on Europe
Wendy Bracewell
Central European University Press, 2008
The bibliography volume of the three-volume East Looks West: East European Travel Writing in Europe collates travel writing published in book form by east Europeans travelling in Europe from ca. 1550 to 2000. It is intended as a fundamental research tool, collecting together travel writings within each national/linguistic tradition, and enabling comparative analysis of such material. It fills an important gap in the existing reference literature, both in western and east European languages, and will be of use to those working in the growing fields of comparative travel writing, regional and national identities, and postcolonialism.
These texts exist in surprisingly large numbers, and include writings of high literary quality as well as of historical interest, but they have been relatively little studied as a genre. Much of this material is rare and difficult to find, even in national libraries. As a result, there are few bibliographical surveys of the literature of east European travel and self-representation, and none that are region-wide or comparative in scope.
This is the third volume of a three-part set of East Looks West.
Vol. 1. Orientations. An Anthology of East European Travel Writing on Europe.
Vol. 2. Undern Eastern Eyes. A Comparative Introduction to East European Travel Writing on Europe.
A Biographical Dictionary of Actors, Volume 1, Abaco to Belfille
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1973
Tobe completed in 12volumes, this monumental work here begins publication with the first two volumes—Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the biographical dictionary will include information on more than 8,500 individuals.
Hundreds of printed sources have been searched for this project, and dozens of repositories combed, and the names of personnel listed have been filtered through parish registers whenever possible. From published and unpublished sources, from wills, archives of professional societies and guilds, from records of colleges, universities, and clubs, and from the contributions of selfless scholars, the authors have here assembled material which illuminates theatrical and musical activity in London in the 1660–1800 period.
The information here amassed will doubtless be augmented by other specialists in Restoration and eighteenth-century theatre and drama, but it is not likely that the number of persons now known surely or conjectured finally to have been connected with theatrical enterprise in this period will ever be increased considerably. Certainly, the contributions made here add immeasurably to existing knowledge, and in a number of instances correct standard histories or reference works.
The accompanying illustrations, estimated to be some 1,400 likenesses—at least one picture of each subject for whom a portrait exists—may prove to be a useful feature of the Work. The authors have gone beyond embellishment of the text, and have attempted to list all original portraits any knowledge of which is now recoverable, and have tried to ascertain the present location of portraits in every medium.
A Biographical Dictionary of Actors, Volume 10, M'Intosh to Nash
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr.
Southern Illinois University Press, 1984
Those featured in Volume 10 include Margaret Martyr, a singer, actress, and dancer whose “conjugal virtues were often impeached,” according to the July 1792Thespian Magazine. The Dictionary describes this least constant of lovers as “of middling height, with a figure well-proportioned for breeches parts. [Her] black-haired, black-eyed beauty and clear soprano made her an immediate popular success in merry maids and tuneful minxes, the piquant and the pert, for a quarter century.”
A Biographical Dictionary of Actors, Volume 12, Pinner to Rizzo
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1987
A Biographical Dictionary of Actors, Volume 13, Roach to H. Siddons
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1991
Like the works already published, these latest volumes of the Biographical Dictionary deal with theatre people of every ilk, ranging from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons.
Also prominent is Susanna Rowson, a novelist, actress, and early female playwright. Although born into a British military family, Rowson often wrote plays that dealt with patriotic American themes and spent much of her career on the American stage.
The theatrical jewel of these volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our imagination the fables of mythology, of the heroic and dignified mortals of elder time." She endured much tragedy herself, including a crippling debilitating illness and the deaths of five of her seven children. Siddons played major roles in both comedy and tragedy, not the least of which was a performance as Hamlet.
A Biographical Dictionary of Actors, Volume 14, S. Siddons to Thynne
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1991
Like the works already published, these latest volumes of the Biographical Dictionary deal with theatre people of every ilk, ranging from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons.
Also prominent is Susanna Rowson, a novelist, actress, and early female playwright. Although born into a British military family, Rowson often wrote plays that dealt with patriotic American themes and spent much of her career on the American stage.
The theatrical jewel of these volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our imagination the fables of mythology, of the heroic and dignified mortals of elder time." She endured much tragedy herself, including a crippling debilitating illness and the deaths of five of her seven children. Siddons played major roles in both comedy and tragedy, not the least of which was a performance as Hamlet.
A Biographical Dictionary of Actors, Volume 15, Tibbett to M. West
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1993
A major project begun in 1973 reaches its conclusion with the publication of volumes 15 and 16 of the Biographical Dictionary, a series considered "a reference work of the first order" by Theatre and Performing Arts Collections.
Among performers highlighted in these last volumes is Catherine Tofts, a gifted singer whose popular acclaim was captured in lines by Samuel Phillips: "How are we pleas’d when beauteous Tofts appears, / To steal our Souls through our attentive Ears?’ / Ravish’d we listen to th’ inchanting Song, / And catch the falling Accents from her Tongue." The first singer of English birth to master the form of Italian opera, Tofts frequently won leading roles over native Italian singers. Her salary—£400 to £500 a season—was one of the highest in the theatre. Her popularity declined, however, as her demands for payment increased—a situation captured in an epigram Alexander Pope may have penned: "So bright is thy beauty, so charming thy song, / As had drawn both the beasts and their Orpheus along; /But such is thy avarice, and such is thy pride, / That the beasts must have starved, and the poets have died."
John Vanbrugh, whose play The Relapse is ranked as one of the best comedies of the Restoration period, became a subordinate crown architect under Sir Christopher Wren in 1702. In 1703, Vanbrugh began plans for the Queen’s Theatre in the Haymarket, an enterprise endorsed by the Kit Cat Club (of which Vanbrugh was a member). Even though his lavish design was acoustically defective, restructuring helped correct the problem and the theatre eventually became the exclusive center for opera in London.
A Biographical Dictionary of Actors, Volume 16, W. West to Zwingman
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1993
A major project begun in 1973 reaches its conclusion with the publication of volumes 15 and 16 of the Biographical Dictionary, a series considered "a reference work of the first order" by Theatre and Performing Arts Collections.
Among performers highlighted in these last volumes is Catherine Tofts, a gifted singer whose popular acclaim was captured in lines by Samuel Phillips: "How are we pleas’d when beauteous Tofts appears, / To steal our Souls through our attentive Ears?’ / Ravish’d we listen to th’ inchanting Song, / And catch the falling Accents from her Tongue." The first singer of English birth to master the form of Italian opera, Tofts frequently won leading roles over native Italian singers. Her salary—£400 to £500 a season—was one of the highest in the theatre. Her popularity declined, however, as her demands for payment increased—a situation captured in an epigram Alexander Pope may have penned: "So bright is thy beauty, so charming thy song, / As had drawn both the beasts and their Orpheus along; /But such is thy avarice, and such is thy pride, / That the beasts must have starved, and the poets have died."
John Vanbrugh, whose play The Relapse is ranked as one of the best comedies of the Restoration period, became a subordinate crown architect under Sir Christopher Wren in 1702. In 1703, Vanbrugh began plans for the Queen’s Theatre in the Haymarket, an enterprise endorsed by the Kit Cat Club (of which Vanbrugh was a member). Even though his lavish design was acoustically defective, restructuring helped correct the problem and the theatre eventually became the exclusive center for opera in London.
A Biographical Dictionary of Actors, Volume 2, Belfort to Byzand
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1973
Tobe completed in 12volumes, this monumental work here begins publication with the first two volumes—Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the biographical dictionary will include information on more than 8,500 individuals.
Hundreds of printed sources have been searched for this project, and dozens of repositories combed, and the names of personnel listed have been filtered through parish registers whenever possible. From published and unpublished sources, from wills, archives of professional societies and guilds, from records of colleges, universities, and clubs, and from the contributions of selfless scholars, the authors have here assembled material which illuminates theatrical and musical activity in London in the 1660–1800 period.
The information here amassed will doubtless be augmented by other specialists in Restoration and eighteenth-century theatre and drama, but it is not likely that the number of persons now known surely or conjectured finally to have been connected with theatrical enterprise in this period will ever be increased considerably. Certainly, the contributions made here add immeasurably to existing knowledge, and in a number of instances correct standard histories or reference works.
The accompanying illustrations, estimated to be some 1,400 likenesses—at least one picture of each subject for whom a portrait exists—may prove to be a useful feature of the Work. The authors have gone beyond embellishment of the text, and have attempted to list all original portraits any knowledge of which is now recoverable, and have tried to ascertain the present location of portraits in every medium.
A Biographical Dictionary of Actors, Volume 3, Cabanel to Cory
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1975
Volumes three and four of this monumental work include full entries for all such illustrious names as those of the Cibbers—Colley, Theophilus, and Susanna Maria—Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres.
As in the previous volumes in this distinguished series, the accompanying illustrations include at least one picture of each subject for whom a portrait exists.
A Biographical Dictionary of Actors, Volume 4, Corye to Dynion
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1975
Volumes three and four of this monumental work include full entries for all such illustrious names as those of the Cibbers—Colley, Theophilus, and Susanna Maria—Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres.
As in the previous volumes in this distinguished series, the accompanying illustrations include at least one picture of each subject for whom a portrait exists.
A Biographical Dictionary of Actors, Volume 5, Eagan to Garrett
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1978
In contrast to each other, Volume 5 is a sociological portrait of mostly little people in their tragic and comic efforts to achieve fame on the London stage during the Restoration and eighteenth century, whereas Volume 6 is dominated by the glamour of David Garrick, Nell Gwyn, and Joseph Grimaldi, the celebrated clown. Some 250 portraits individualize the great and small of the theatres of London.
A Biographical Dictionary of Actors, Volume 6, Garrick to Gyngell
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1978
In contrast to each other, Volume 5 is a sociological portrait of mostly little people in their tragic and comic efforts to achieve fame on the London stage during the Restoration and eighteenth century, whereas Volume 6 is dominated by the glamour of David Garrick, Nell Gwyn, and Joseph Grimaldi, the celebrated clown. Some 250 portraits individualize the great and small of the theatres of London.
A Biographical Dictionary of Actors, Volume 7, Habgood to Houbert
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1982
Volume 7 includes such notables as the composers Handel and Haydn and the alluring actress Elizabeth Hartley.
A Biographical Dictionary of Actors, Volume 8, Hough to Keyse
Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans
Southern Illinois University Press, 1982
A Blake Dictionary
The Ideas and Symbols of William BlakeS. Foster Damon
Dartmouth College Press, 2013
A Brief History of the Spanish Language
Second EditionDavid A. Pharies
University of Chicago Press, 2015
A Brief History of the Spanish Language focuses on the most important aspects of the development of the Spanish language, eschewing technical jargon in favor of straightforward explanations. Along the way, it answers many of the common questions that puzzle native speakers and non-native speakers alike, such as: Why do some regions use tú while others use vos? How did the th sound develop in Castilian? And why is it la mesa but el agua?
David A. Pharies, a world-renowned expert on the history and development of Spanish, has updated this edition with new research on all aspects of the evolution of Spanish and current demographic information. This book is perfect for anyone with a basic understanding of Spanish and a desire to further explore its roots. It also provides an ideal foundation for further study in any area of historical Spanish linguistics and early Spanish literature.
A Brief History of the Spanish Language is a grand journey of discovery, revealing in a beautifully compact format the fascinating story of the language in both Spain and Spanish America.
A Catalogue of Greek Manuscripts at the University of Michigan, Ann Arbor, Volume 2
Nadezhda Kavrus-Hoffmann with the collaboration of Pablo Alvarez and Julia Miller
University of Michigan Press, 2026
A Catalogue of Greek Manuscripts at the University of Michigan, Ann Arbor, Volume II unveils the rich diversity and enduring legacy of the Greek manuscript tradition preserved in one of North America's largest collections. Building on the acclaimed first volume, this second and concluding volume offers comprehensive illustrated descriptions of eighty-four manuscripts and fragments housed in the University of Michigan Library's Special Collections Research Center. The discovery of twenty-three previously unknown manuscripts and fragments significantly expands our understanding of Byzantine and post-Byzantine book culture, illuminating the remarkable continuity of Greek scholarly, liturgical, and artistic traditions from the ninth through the nineteenth centuries.
Each entry integrates codicological features, handwriting analysis, textual content, decoration, binding, provenance, and references to earlier scholarship as well as high-quality color plates to illustrate representative pages, script types, and illuminations. Among the exceptional highlights are a fragment of The Great Calculation According to the Indians by Maximos Planoudes, preserving portions of this rare mathematical treatise otherwise lost; an illuminated 1371 copy of The Heavenly Ladder by John Klimax, created by the renowned scribe Joasaph II of the Hodegon Monastery in Constantinople; and a newly identified manuscript containing rare patristic homilies linked to the sixteenth-century Choniates scriptorium in Venice.
A Catalogue of the Everett D. Graff Collection of Western Americana
Compiled by Colton Storm
University of Chicago Press, 1968
Collectors, bibliographers, librarians, historians, and book dealers specializing in Americana will find the Graff Catalogue an interesting and essential tool. Detailed collations and binding descriptions are cited, and many of the more important works have been annotated by Mr. Graff and Mr. Storm. An extensive index of persons and subjects makes the book useful to the scholar as well as to the collector and dealer. The book is not a bibliography but rather a guide to rare or unique source materials now enriching The Newberry Library's outstanding holdings in American history.
A Catalogue of the Pre-1500 Western Manuscript Books at the Newberry Library
Paul Saenger
University of Chicago Press, 1989
Some of the books, such as those from the libraries of Philip the Good and Anne of Brittany, are beautifully illuminated. But the collection also includes an unusual array of "typical" medieval books, chosen not for their beauty but for their paleographical, codicological, and textual interest. Such codices include an eleventh-century Carthusian monk, and numerous books of hours adapted for feminine use. Paul Saenger has painstakingly identified the text, illumination, physical structure, and provenance for each of the more than 200 books in the collection to provide an exemplary guide to literate culture in the late Middle Ages.
This catalogue, carefully researched and handsomely illustrated, will be an invaluable resource for historians, art historians, paleographers, bibliographers, and collectors.
A Clown in a Grave
Complexities and Tensions in the Works of Gregory CorsoMichael Skau
Southern Illinois University Press, 1999
Using a number of critical approaches, Michael Skau examines Gregory Corso's complex imagination, his humor, and his poetic techniques in dealing with America, the Beat generation, and death.
Skau covers the complete works of Corso, one of the four major Beat Generation writers (with Jack Kerouac, Allen Ginsberg, and William S. Burroughs) who attempted to provide an alternative to what they saw as the academic forms of literature dominating American writing through the 1940s and 1950s. The Beat option focused on ordinary people, spurning the cultural pretensions of the intelligentsia and using common language as well as the rhythms of actual speech. Corso, abandoned as a child by his mother, subjected to a variety of foster homes, and imprisoned as an adolescent, became an authentic voice of America's neglected streetwise youth. He embodies much of the tension, confusion, and rebellion that emerged in America after World War II and eventually crested in the 1960s.
Corso emphasizes social issues, yet risks undermining this significance by using wit, wordplay, and humor. While conceding mortality, he is adamant in refusing to acknowledge death's power. Even as he rebels against conventional literature, he still is enchanted by classicism and romanticism, often borrowing their techniques and idioms. Skau examines these complexities and seeming contradictions throughout Corso's career, showing that Corso finds value in inconsistency and vacillation. For him, as illustrated in the poems "Hair" and "Marriage," contradiction and ambivalence suggest the foundations of freedom of imagination.
In spite of Corso's significance as an American poet, Skau's is the first extensive study of his work, including his fiction. Skau also provides the first complete bibliography of Corso's published work in more than thirty years.
A Commentary on Plautus' Curculio
T. H. M. Gellar-Goad
University of Michigan Press, 2024
This up-to-date, authoritative commentary on the play will prove useful to directors and actors and will readily introduce students to the joys of Roman comedy.
A Comprehensive Indonesian–English Dictionary
Second EditionAlan M. Stevens
Ohio University Press, 2010
A Concordance to Finnegans Wake
Clive Hart
University of Minnesota Press, 1963
A Concordance to Finnegans Wake was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This concordance, the first full-scale work dealing with the language of James Joyce's last period, provides a finding-list and analytical index for his last work, Finnegans Wake. There are three parts: the first consisting of a complete alphabetical index to the vocabulary of Finnegans Wake,the second comprising a list of syllabifications (showing the inner parts of compound words), and the third providing a list of some 10,000 English words suggested by Joycean distortions.
The primary word-index, similar in most respects to those which have already been published for Joyce's Ulysses and Stephen Hero, list in alphabetical order all of the 63,924 different words which make up the vocabulary of Finnegans Wake and provides page-line references for every occurrence of all but a small handful of the most common English words. Except for punctuation marks, every typographical unit in the book is accounted for, and each is listed just as it appears in the text.
The second on syllabification lists in alphabetical order the inner parts of over 10,000 complex words in Finnegans Wake which are built up out of simpler elements and which would be impossible to find from the primary index alone.
In the last section, called "Overtones," the aim is to list the English words suggested by Joyce's puns and distortions. Much information gleaned from the Joycean research of the past decade is gathered together here.
A Critical Bibliography of the Published Writings of Romain Rolland
William Thomas Starr
Northwestern University Press, 1950
A Dictionary of Iowa Place-Names
Tom Savage
University of Iowa Press, 2007
Savage includes information on the place-names of all 1,188 incorporated and unincorporated communities in Iowa that meet at least two of the following qualifications: twenty-five or more residents; a retail business; an annual celebration or festival; a school; church, or cemetery; a building on the National Register of Historic Places; a zip-coded post office; or an association with a public recreation site. If a town’s name has changed over the years, he provides information about each name; if a name’s provenance is unclear, he provides possible explanations. He also includes information about the state’s name and about each of its ninety-nine counties as well as a list of ghost towns. The entries range from the counties of Adair to Wright and from the towns of Abingdon to Zwingle; from Iowa’s oldest town, Dubuque, starting as a mining camp in the 1780s and incorporated in 1841, to its newest, Maharishi Vedic City, incorporated in 2001.
The imaginations and experiences of its citizens played a role in the naming of Iowa’s communities, as did the hopes of the huge influx of immigrants who settled the state in the 1800s. Tom Savage’s dictionary of place-names provides an appealing genealogical and historical background to today’s map of Iowa.
“It is one of the beauties of Iowa that travel across the state brings a person into contact with so many wonderful names, some of which a traveler may understand immediately, but others may require a bit of investigation. Like the poet Stephen Vincent Benét, we have fallen in love with American names. They are part of our soul, be they family names, town names, or artifact names. We identify with them and are identified with them, and we cannot live without them. This book will help us learn more about them and integrate them into our beings.”—from the foreword by Loren N. Horton
“Primghar, O’Brien County. Primghar was established by W. C. Green and James Roberts on November 8, 1872. The name of the town comes from the initials of the eight men who were instrumental in developing it. A short poem memorializes the men and their names:
Pumphrey, the treasurer, drives the first nail;
Roberts, the donor, is quick on his trail;
Inman dips slyly his first letter in;
McCormack adds M, which makes the full Prim;
Green, thinking of groceries, gives them the G;
Hayes drops them an H, without asking a fee;
Albright, the joker, with his jokes all at par;
Rerick brings up the rear and crowns all ‘Primghar.’
Primghar was incorporated on February 15, 1888.”
A Dictionary of Selected Synonyms in the Principal Indo-European Languages
Carl Darling Buck
University of Chicago Press, 1988
A Family Practice
The Russell Doctors and the Evolving Business of Medicine, 1799-1989William D. Lindsey
University of Arkansas Press, 2020
The authors take a wide-ranging look at the meaning of intergenerational vocations and the role of family, the economy, and social issues on the evolution of medical education and practice in the United States.
A Flora of Southern Illinois
Robert H. Mohlenbrock
Southern Illinois University Press, 1974
This book will be of particular interest to those interested in applied fields of biology, such as conservation, forestry, and wild life. The southern twelve counties of Illinois, a total of 4,355square miles, comprise the area covered in this book. It is an area in which both northern and southern flora specimens abound. A wide variety of plant species grow in this area, and nearly 200 new plants not formerly identified with this area have been included in the listings.
Especially valuable to amateur botanists, the book is an important manual in identifying the plants that make up the native scenery of this region. Seventy-seven illustrations aid in identifying and understanding the plant communities.
A Genealogy of Manners
Transformations of Social Relations in France and England from the Fourteenth to the Eighteenth CenturyJorge Arditi
University of Chicago Press, 1998
Analyzing courtesy manuals and etiquette books from the thirteenth to the eighteenth century, Arditi shows how the dominant classes of a society were able to create a system of social relations and put it into operation. The result was an infrastructure in which these classes could successfully exert power. He explores how the ecclesiastical authorities of the Middle Ages, the monarchies from the fifteenth through the seventeenth century, and the aristocracies during the early stages of modernity all forged their own codes of manners within the confines of another, dominant order. Arditi goes on to describe how each of these different groups, through the sustained deployment of their own forms of relating with one another, gradually moved into a position of dominance.
A General History of Quadrupeds
The Figures Engraved on WoodThomas Bewick
University of Chicago Press, 2009
In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753–1828) harnessed this newfound interest by assembling the most comprehensive illustrated guide to nature of his day.
A General History of Quadrupeds, first published in 1790, showcases Bewick’s groundbreaking engraving techniques that allowed text and images to be published on the same page. From anteaters to zebras, armadillos to wolverines, this delightful volume features engravings of over four hundred animals alongside descriptions of their characteristics as scientifically understood at the time. Quadrupeds reaffirms Bewick’s place in history as an incomparable illustrator, one whose influence on natural history and book printing still endures today.
A Glossary of John Dryden’s Critical Terms
H. James Jensen
University of Minnesota Press, 1969
A Glossary of John Dryden's Critical Terms was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Although John Dryden is, as Samuel Johnson described him, the father of modern criticism, his critical writings are difficult for twentieth-century readers to understand and appreciate. Part of the problem lies in the fact that many of the critical terms which Dryden used have changed or expanded in meaning since his time. By providing a series of glosses of seventeenth-century critical terms, this volume clarifies and illuminates Dryden's work for modern readers and scholars.
Professor Jensen has catalogued every important word that Dryden used in discussing critical matters, whether about art, literature, or music. In addition to covering all of Dryden's works, the glossary encompasses works of other important seventeenth century critics, among them, John Milton, Ben Johnson, and Thomas Rymer.
The structure of the glossary is simple: under each word there is a general definition and, if needed, an essay on the word's origin, history, and general usage. Then the various particular meanings of the word are given, and under each definition are listed the critics, the works, the editions, and the page numbers where the word is used with that particular meaning. Selected quotations abound, substantiating the text.
The book will be useful for students and teachers in seventeenth and eighteenth-century literature courses and for scholars doing advanced research. Students will gain an understanding of the development of critical though by reading the essays in the Glossary. Modern scholars of Restoration literature will find new ideas here as well as confirmation of some older conjectures about Dryden.
A Glossary of Words and Phrases in the Oral Performing and Dramatic Literatures of the Jin, Yuan, and Ming
Dale R. Johnson
University of Michigan Press, 2002
A Guide to America's Sex Laws
Richard A. Posner and Katharine B. Silbaugh
University of Chicago Press, 1996
"It takes only a few minutes with A Guide to [America's] Sex to realize that the nation's laws governing what two consenting adults can do with one another are an odd jumble."—Eric Fidler, San Diego Commerce
"Especially noteworthy is how laws governing various sexual activities vary from state to state."—Library Journal
"Fascinating and often surprising facts are concisely documented and conveniently organized in A Guide."—Carlin Meyer, New York Law Journal
A Guide to Native Plants of the New York City Region
Gargiullo, Margaret B
Rutgers University Press, 2010
One of the most serious threats to indigenous plants is the introduction of invasive non-native species by landscapers after new developments are built. In this unique guide, ecologist Margaret B. Gargiullo presents a detailed look at the full scope of flora that is native to this region and available for propagation. Geared specifically for landscape architects, designers, land managers, and restorationists, this book offers practical advice on how to increase the amount of indigenous flora growing in the mepolitan area, and in some cases, to reintroduce plants that have completely disappeared.
More than one hundred line drawings of plants and their specific habitats, ranging from forests to beaches, help readers visualize the full potential for landscaping in the area. A separate entry for each plant also provides detailed information on size, flower color, blooming time, and its possible uses in wetland mitigation, erosion control, and natural area restoration. Some plants are also highlighted for their ability to thrive in areas that are typically considered inhospitable to greenery.
Easily searchable by plant type or habitat, this guide is an essential reference for everyone concerned with the region's natural plant life. Since most of the plants can also be grown well beyond the New York City metropolitan area, this book will also be useful for project managers doing restoration work in most of southern New England and the mid-Atlantic region, including Pennsylvania, Delaware, and Maryland.
A Guide to the Campus of the University of Michigan
Margo MacInnes
University of Michigan Press, 1979
A Guide to the Naval Records in the National Archives of the UK
Edited by Randolph Cock and N. A. M. Rodger
University of London Press, 2008
A Handbook of Scandinavian Names
Nancy L. Coleman
University of Wisconsin Press, 2010
Are you looking for
• A Scandinavian name for your baby?
• The names of Norse gods and heroes?
• The history and meaning of Scandinavian first names?
• Variations and alternate spellings for common Scandinavian names?
• Naming traditions and customs in Norway, Sweden, and Denmark?
A Handbook of Scandinavian Names includes a dictionary of more than fifteen hundred given names from Norway, Sweden, and Denmark, plus some from Iceland and Finland. Each entry provides a guide to pronunciation and the origin and meaning of the name. Many entries also include variations and usage in the Scandinavian countries and famous bearers of the name.
Adding engaging context to the dictionary section is an extensive comparative guide to naming practices. The authors discuss immigration to North America from Scandinavia and the ways given names and surnames were adapted in the New World. Also included in the book is a history of Scandinavian names, information on “Name Days,” and discussion of significant names from mythology and history, including naming traditions in royal families.
A History of the Garden in Fifty Tools
Bill Laws
University of Chicago Press, 2014
As Laws reveals, gardening tools have coevolved with human society, and the story of these fifty individual tools presents an innovative history of humans and the garden over time. Laws takes us back to the Neolithic age, when the microlith, the first “all-in-one” tool was invented. Consisting of a small sharp stone blade that was set into a handle made of wood, bone, or antler, it was a small spade that could be used to dig, clip, and cut plant material. We find out that wheelbarrows originated in China in the second century BC, and their basic form has not changed much since. He also describes how early images of a pruning knife appear in Roman art, in the form of a scythe that could cut through herbs, vegetables, fruits, and nuts and was believed to be able to tell the gardener when and what to harvest.
Organized into five thematic chapters relating to different types of gardens: the flower garden, the kitchen garden, the orchard, the lawn, and ornamental gardens, the book includes a mix of horticulture and history, in addition to stories featuring well-known characters—we learn about Henry David Thoreau’s favorite hoe, for example. A History of the Garden in Fifty Tools will be a beautiful gift for any home gardener and a reassuring reminder that gardeners have always struggled with the same quandaries.
A History of the Railroad in 100 Maps
Jeremy Black
University of Chicago Press, 2024
The first international history of railroads and railroad infrastructure told through stunningly reproduced maps.
Since their origins in eighteenth-century England, railroads have spread across the globe, changing everything in their path, from where and how people grew and made things to where and how they lived and moved. Railroads rewrote not only world geography but also the history of maps and mapping. Today, the needs of train companies and their users continue to shape the maps we consume and consult.
Featuring full-color maps primarily from the British Library's distinguished collection—many of them never before published—A History of the Railroad in 100 Maps is the first international history of railroads and railroad infrastructure told through maps. Jeremy Black includes examples from six continents, spanning a variety of uses from railroad planning and operations to guides for passengers, shippers, and tourists.
Arranged chronologically, the maps are accompanied by explanatory text that sheds light on the political, military, and urban development histories associated with the spread of railroads. A final chapter considers railroad maps from games, books, and other cultural artifacts. For anyone interested in the history of railroads or maps, A History of the Railroad in 100 Maps will offer new and unexpected insights into their intertwined global history.
A Library Miscellany
Claire Cock-Starkey
Bodleian Library Publishing, 2018
Bursting with potted histories, quirky facts, and enlightening lists, this book explores every aspect of the library, celebrating these remarkable institutions as well as the individuals behind their inspiring collections. From the ancient library at Alexandria to the Library of Congress in Washington DC, and from university libraries to those of humble villages, A Library Miscellany explores institutions both old and new. Opening the door to unusual collections such as herbaria, art libraries, magic libraries, and even the “library of smells,” this book also charts the difficulties of cataloging books deemed to be subversive, heretical, libelous, or obscene.
Packed with unusual facts and statistics, this is the perfect gift for library enthusiasts, bibliophiles, collectors, and readers everywhere.
A Literary Guide to Provence
Daniel Vitaglione
Ohio University Press, 2001
Provence through the eyes of its writers—those who wrote of it in Provençal or French and also those visitors who were moved by its beauty—that is the inspiration behind A Literary Guide to Provence. In this compact travel guide, Marseilles native Daniel Vitaglione presents a literary panorama of the region of southern France from the Avignon of Mistral to Colette’s St. Tropez.
Including such sites as the birthplace of Nostradamus and the ruins of the Marquis de Sade’s castle, A Literary Guide to Provence presents a thousand years of history entwined with maps and photos that provide readers on tour with a sense of the historical import of this most beautiful of regions even as they experience it firsthand.
Both authors of Provençal ancestry and those who came to love and live in Provence are featured in this comprehensive and enchanting picture of the garden place of France. The Riviera enticed Virginia Woolf. Toulon inspired two novels by Georges Sand. Robert Louis Stevenson resided in Hyères, as did Edith Wharton. Le Lavandou was Willa Cather’s favorite place. F. Scott Fitzgerald lived in St. Raphael and Juan-les-Pins, where he wrote Tender is the Night.
This illustrated guide follows in these writers’ footsteps, and the practical information on hotels and restaurants (phones, web sites, email, etc.) make it the ideal traveling companion for armchair tourists and those who cannot resist seeing Provence for themselves.
A Manual for Writers of Research Papers, Theses, and Dissertations, Eighth Edition
Chicago Style for Students and ResearchersKate L. Turabian
University of Chicago Press, 2013
The Manual retains its familiar three-part structure, beginning with an overview of the steps in the research and writing process, including formulating questions, reading critically, building arguments, and revising drafts. Part II provides an overview of citation practices with detailed information on the two main scholarly citation styles (notes-bibliography and author-date), an array of source types with contemporary examples, and detailed guidance on citing online resources.
The final section treats all matters of editorial style, with advice on punctuation, capitalization, spelling, abbreviations, table formatting, and the use of quotations. Style and citation recommendations have been revised throughout to reflect the sixteenth edition of The Chicago Manual of Style. With an appendix on paper format and submission that has been vetted by dissertation officials from across the country and a bibliography with the most up-to-date listing of critical resources available, A Manual for Writers remains the essential resource for students and their teachers.
A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition
Chicago Style for Students and ResearchersKate L. Turabian
University of Chicago Press, 2018
This new edition filters decades of expertise into modern standards. While previous editions incorporated digital forms of research and writing, this edition goes even further to build information literacy, recognizing that most students will be doing their work largely or entirely online and on screens. Chapters include updated advice on finding, evaluating, and citing a wide range of digital sources and also recognize the evolving use of software for citation management, graphics, and paper format and submission. The ninth edition is fully aligned with the recently released Chicago Manual of Style, 17th edition, as well as with the latest edition of The Craft of Research.
Teachers and users of the previous editions will recognize the familiar three-part structure. Part 1 covers every step of the research and writing process, including drafting and revising. Part 2 offers a comprehensive guide to Chicago’s two methods of source citation: notes-bibliography and author-date. Part 3 gets into matters of editorial style and the correct way to present quotations and visual material. A Manual for Writers also covers an issue familiar to writers of all levels: how to conquer the fear of tackling a major writing project.
Through eight decades and millions of copies, A Manual for Writers has helped generations shape their ideas into compelling research papers. This new edition will continue to be the gold standard for college and graduate students in virtually all academic disciplines.
- Bestselling, trusted, and time-tested advice for writing research papers
- The best interpretation of Chicago style for higher education students and researchers
- Definitive, clear, and easy to read, with plenty of examples
- Shows how to compose a strong research question, construct an evidence-based argument, cite sources, and structure work in a logical way
- Essential for anyone interested in learning about research
- Everything any student or teacher needs to know concerning paper writing
A Manual for Writers of Research Papers, Theses, and Dissertations, Seventh Edition
Chicago Style for Students and ResearchersKate L. Turabian
University of Chicago Press, 2007
Now, with this seventh edition, Turabian’s Manual has undergone its most extensive revision, ensuring that it will remain the most valuable handbook for writers at every level—from first-year undergraduates, to dissertation writers apprehensively submitting final manuscripts, to senior scholars who may be old hands at research and writing but less familiar with new media citation styles. Gregory G. Colomb, Joseph M. Williams, and the late Wayne C. Booth—the gifted team behind The Craft of Research—and the University of Chicago Press Editorial Staff combined their wide-ranging expertise to remake this classic resource. They preserve Turabian’s clear and practical advice while fully embracing the new modes of research, writing, and source citation brought about by the age of the Internet.
Booth, Colomb, and Williams significantly expand the scope of previous editions by creating a guide, generous in length and tone, to the art of research and writing. Growing out of the authors’ best-selling Craft of Research, this new section provides students with an overview of every step of the research and writing process, from formulating the right questions to reading critically to building arguments and revising drafts. This leads naturally to the second part of the Manual for Writers, which offers an authoritative overview of citation practices in scholarly writing, as well as detailed information on the two main citation styles (“notes-bibliography” and “author-date”). This section has been fully revised to reflect the recommendations of the fifteenth edition of The Chicago Manual of Style and to present an expanded array of source types and updated examples, including guidance on citing electronic sources.
The final section of the book treats issues of style—the details that go into making a strong paper. Here writers will find advice on a wide range of topics, including punctuation, table formatting, and use of quotations. The appendix draws together everything writers need to know about formatting research papers, theses, and dissertations and preparing them for submission. This material has been thoroughly vetted by dissertation officials at colleges and universities across the country.
This seventh edition of Turabian’s Manual for Writers of Research Papers, Theses, and Dissertations is a classic reference revised for a new age. It is tailored to a new generation of writers using tools its original author could not have imagined—while retaining the clarity and authority that generations of scholars have come to associate with the name Turabian.
A Manual for Writers of Research Papers, Theses, and Dissertations, Tenth Edition
"The Chicago Manual of Style" for Student ResearchersKate L. Turabian
University of Chicago Press, 2026
The gold standard for generations of college and graduate students writing research papers, now thoroughly updated to reflect today’s expectations.
Whether you are writing your first college research paper or your dissertation, A Manual for Writers of Research Papers, Theses, and Dissertations—also known as “Turabian”—remains a classic resource because of its timeless focus on the fundamentals of good research writing. For more than eight decades, it has offered comprehensive guidance on current expectations for academic writing. Based on the idea that writing a paper means engaging in a conversation with others in your field, it shows you how to conduct research, craft an argument, and produce an original work based on evidence and reasoning that responds to and builds on what others have previously written. Along the way, it also serves as a reference for cultivating consistent and respectful practices toward your readers in citations, language choices, and paper format.
This new edition reflects the continuing evolution in academic writing conventions. It has been updated to reflect the most current editions of The Craft of Research and The Chicago Manual of Style and features the following additional changes:
- A redesign for easier navigation
- Extensive coverage of the appropriate use of generative AI
- A rewritten chapter on visual communication
- Greater attention to writing centers and tutors
- New notes for students and instructors on how to use the book
- Refreshed examples throughout
Further, new ancillary written and video materials to support your use of the book are available online at Turabian.org.
With nearly 10 million copies sold, A Manual for Writers remains the most trusted and time-tested reference for writing research papers. Authoritative, clear, and easy to read with plenty of examples, it is the essential guide for any student or teacher concerned with research and good writing.
A Manual for Writers of Term Papers, Theses, and Dissertations
Kate L. Turabian evised by John Grossman and Alice Bennett
University of Chicago Press, 1996
The familiar organization of this popular book remains largely unchanged. Chapter 1 describes the parts of a long formal paper. Chapters 2-5 introduce the mechanics of writing style, from abbreviations to quotations. Chapters 6 and 7 show how to prepare and refer to tables and illustrations. The section on documentation, chapters 8-12, describes two of the most commonly used systems of citation; these chapters provide many examples including guidance on how to cite electronic documents. Chapter 13, on manuscript preparation, shows how to take advantage of word processing software to present the elements of a paper clearly and effectively. Chapter 14 offers more than two dozen sample pages illustrating ways of formatting some of the complex features found in many research papers.
Authoritative, comprehensive, easy to use, and filled with good sense, this new edition will be the standard for yet another generation of students and their teachers.
Kate Turabian (1893-1987) was dissertation secretary at the University of Chicago from 1930 to 1958. This manual and her Student's Guide for Writing College Papers made her name so well known that she has become "part of the folklore of American higher education" (Quill and Scroll).
A Manual of Phonology
Edited by Charles F. Hockett
University of Chicago Press, 1988
A Manual of the Mammalia
An Homage to Lawlor’s “Handbook to the Orders and Families of Living Mammals”Douglas A. Kelt and James L. Patton
University of Chicago Press, 2020
The taxonomy of recent mammals has lately undergone tremendous revision, but it has been decades since the last update to Timothy E. Lawlor’s acclaimed identification guide the Handbook to the Orders and Families of Living Mammals. Integrating the latest advances in research, Douglas A. Kelt and James L. Patton provide this long-overdue update in their new, wholly original work, A Manual of the Mammalia.
Complemented by global range maps, high-resolution photographs of skulls and mandibles by Bill Stone, and the outstanding artwork of Fiona Reid, this book provides an overview of biological attributes of each higher taxon while highlighting key and diagnostic characters needed to identify skulls and skins of all recent mammalian orders and most families. Kelt and Patton also place taxa in their currently understood supra-familial clades, and discuss current challenges in higher mammal taxonomy. Including a comprehensive review of mammalian anatomy to provide a foundation for understanding all characters employed throughout, A Manual of the Mammalia is both a user-friendly handbook for students learning to identify higher mammal taxa and a uniquely comprehensive, up-to-date reference for mammalogists and mammal-lovers from across the globe.