169 books match the query 'Shakespeare, William' and 5 start with a

cover of A Midsummer Night's Dream

A Midsummer Night's Dream

William Shakespeare

Arizona Center for Medieval and Renaissance Studies, 2021

Shakespeare’s most spirited play, adapted for new audiences by Jeffrey Whitty.

Tony Award–winning and Oscar-nominated storyteller Jeffrey Whitty offers his adaptation of A Midsummer Night’s Dream, mindfully adapted into modern language. Matching the Bard line for line, rhyme for rhyme, Whitty illuminates Shakespeare’s meaning for modern audiences while maintaining the play’s storytelling architecture, emotional texture, and freewheeling humor. Designed to supplement, not supplant, the original, Whitty’s Midsummer cuts through the centuries to bring audiences a fresh, moment-by-moment take, designed to flow as effortlessly for modern audiences as Shakespeare’s beloved classic played to the Elizabethans.
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This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era. 
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cover of Acts of Dramaturgy: The Shakespeare Trilogy

Acts of Dramaturgy

The Shakespeare Trilogy

Michael Pinchbeck

Intellect Books, 2020

Acts of Dramaturgy is a critical frame for Michael Pinchbeck’s The Shakespeare Trilogy, a recent touring project comprising three performances—The Beginning, The Middle, and The End—that explored the role of the dramaturg. This book sets the playtexts in dialogue with reflexive essays and provocations on contemporary dramaturgy from a range of contributors. 

Weaving together different modes of writing, the volume reflects on the politics of dramaturgy, authorship, adaptation, performance, and the use of Shakespeare as a stimulus for making contemporary theater. The resulting work is as much a reflection on the entanglements of processes, lineages, and relations that have shaped the work and its reception as it is an exploration of ways of reflecting and being with practice now. A valuable new contribution to the study of contemporary dramaturgy, the book will be of interest to makers and scholars of theater and performance and anyone interested in practice research and creative critical writing.

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cover of All's Well That Ends Well

All's Well That Ends Well

William Shakespeare

Arizona Center for Medieval and Renaissance Studies, 2024

This translation of Shakespeare’s overlooked play will captivate contemporary readers.

Virginia Grise takes on one of Shakespeare’s lesser-known plays in her translation of All’s Well That Ends Well. It is a play that has challenged actors, directors, and audiences for four-hundred years, and in this edition, Grise updates Shakespeare’s language for modern ears.

This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era.
 
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cover of Antony and Cleopatra

Antony and Cleopatra

William Shakespeare

Arizona Center for Medieval and Renaissance Studies, 2023

A lively contemporary translation of Shakespeare’s sexiest play.
 
In Antony and Cleopatra, Christopher Chen tackles the sweeping epic of love and betrayal at the center of the story of the rulers Antony of Rome and Cleopatra of Egypt. In this contemporary translation of the play, Chen brings the political intrigue and historical storytelling of Shakespeare to modern audiences while preserving the poetic foundation of the play’s language.
 
This translation of Antony and Cleopatra was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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cover of As You Like It

As You Like It

William Shakespeare

Arizona Center for Medieval and Renaissance Studies, 2021

Actor and director David Ivers presents As You Like It, as you’d like to hear it today. Presenting a new translation of Shakespeare into contemporary English, Ivers reimagines Shakespeare’s comedy from an actor’s point of view. Analyzing the play line by line to uncover the meaning of every joke, pun, and witty aside, Ivers repurposes Shakespeare’s language while maintaining an homage to the original rhythm, cadence, and structure. An accomplished actor and director, and a lifelong lover of the Bard, Ivers is the perfect writer to bring As You Like It into the present moment. 

This translation of As You Like It was written as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era. 

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