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65 books match the query 'Terror' and 4 start with a

cover of A Genealogy of Terror in Eighteenth-Century France

A Genealogy of Terror in Eighteenth-Century France

Ronald Schechter

University of Chicago Press, 2018

In contemporary political discourse, it is common to denounce violent acts as “terroristic.” But this reflexive denunciation is a surprisingly recent development. In A Genealogy of Terror in Eighteenth-Century France, Ronald Schechter tells the story of the term’s evolution in Western thought, examining a neglected yet crucial chapter of our complicated romance with terror.
 
For centuries prior to the French Revolution, the word “terror” had largely positive connotations. Subjects flattered monarchs with the label “terror of his enemies.” Lawyers invoked the “terror of the laws.” Theater critics praised tragedies that imparted terror and pity. By August 1794, however, terror had lost its positive valence. As revolutionaries sought to rid France of its enemies, terror became associated with surveillance committees, tribunals, and the guillotine. By unearthing the tradition that associated terror with justice, magnificence, and health, Schechter helps us understand how the revolutionary call to make terror the order of the day could inspire such fervent loyalty in the first place—even as the gratuitous violence of the revolution eventually transformed it into the dreadful term we would recognize today. Most important, perhaps, Schechter proposes that terror is not an import to Western civilization—as contemporary discourse often suggests—but rather a domestic product with a long and consequential tradition. 
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cover of A War on Terror: Afghanistan and After

A War on Terror

Afghanistan and After

Paul Rogers

Pluto Press, 2004

Paul Rogers is one of the world's leading security experts. Since the 11 September attacks, he has been a regular guest on TV news channels throughout America and Britain, where he has offered expert advice on the real implications of 9/11 and Bush's 'war on terror'. His articles in newspapers around the world, and in the web journal Open Democracy, have become essential reading for many thousands of people, including government officials, senior military, heads of UN agencies, opinion formers, journalists and peace activists. 

A War on Terror is Paul Roger's radical assessment of Bush's new policy, the way it has affected world security and the grave implications that it holds for future peace, not only in the Middle East but throughout the world. Moving from the war in Afghanistan and its aftermath to the Israeli/Palestinian conflict, the continuing development of al-Qaida and its associates through to the war on Iraq, Rogers presents a uniquely cogent analysis of these rapid and traumatic events.

In a world in which the US and other states of the Atlantic community are increasingly speaking a different language to that of the majority of the world, Paul Rogers offers a vital critical assessment of the language of dominance and control as 'the New American Century' unfolds.

For the US, in particular, the post-9/11 world is one in which it is essential to maintain firm control of international security, extending to pre-emptive military action. In this book, Rogers demonstrates how futile, mistaken and deeply counter-productive that belief is, and points the way to more effective routes to a more just and secure world.

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cover of Agents of Terror: Ordinary Men and Extraordinary Violence in Stalin's Secret Police

Agents of Terror

Ordinary Men and Extraordinary Violence in Stalin's Secret Police

Alexander Vatlin; Edited, translated, and with an introduction by Seth Bernstein

University of Wisconsin Press, 2018

In the Great Terror of 1937–38 more than a million Soviet citizens were arrested or killed for political crimes they didn’t commit. What kind of people carried out this violent purge, and what motivated them? This book opens up the world of the Soviet perpetrator for the first time. Focusing on Kuntsevo, the Moscow suburb where Stalin had a dacha, Alexander Vatlin shows how Stalinism rewarded local officials for inventing enemies.
            Agents of Terror reveals stunning, detailed evidence from archives available for a limited time in the 1990s. Going beyond the central figures of the terror, Vatlin takes readers into the offices and interrogation rooms of secret police at the district level. Spurred at times by ambition, and at times by fear for their own lives, agents rushed to fulfill quotas for arresting “enemies of the people”—even when it meant fabricating the evidence. Vatlin pulls back the curtain on a Kafkaesque system, forcing readers to reassess notions of historical agency and moral responsibility in Stalin-era crimes.
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cover of Alter-Nations: Nationalisms, Terror, and the State in Nineteenth-Century Britain and Ireland

Alter-Nations

Nationalisms, Terror, and the State in Nineteenth-Century Britain and Ireland

Amy E. Martin

The Ohio State University Press, 2012

Alter-Nations: Nationalisms, Terror, and the State in Nineteenth-Century Britain and Ireland investigates how Victorian cultural production on both sides of the Irish Sea grappled with the complex relationship between British imperial nationalism and Irish anticolonial nationalism. In the process, this study reconceptualizes the history of modern nationhood in Britain and Ireland.
 
Taking as its archive political theory, polemical prose, novels, political cartoons, memoir, and newspaper writings, Amy E. Martin’s Alter-Nations examines the central place of Irish anticolonial nationalism in Victorian culture and provides a new genealogy of categories such as “nationalism” “terror,” and “the state.” In texts from Britain and Ireland, we can trace the emergence of new narratives of Irish immigration, racial difference, and Irish violence as central to capitalist national crisis in nineteenth-century Britain. In visual culture and newspaper writing of the 1860s, the modern idea of “terrorism” as irrational and racialized anticolonial violence first comes into being. This new ideology of terrorism finds its counterpart in Victorian theorizations of the modern hegemonic state form, which justify the state’s monopoly of violence by imagining its apparatuses as specifically anti-terrorist. At the same time, Irish Fenian writings articulate anticolonial critique that anticipates the problematics of postcolonial studies and attempts to reimagine in generative and radical ways anticolonialism’s relation to modernity and the state form. By so doing, Alter-Nations argues for the centrality of Irish studies to postcolonial and Victorian studies, and reconceptualizes the boundaries and concerns of those fields.
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