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Perpener begins with Hemsley Winfield, a versatile performer and director whose company, the New Negro Art Theatre, launched the careers of Edna Guy, Randolph Sawyer, and Ollie Burgoyne, among many others. Also profiled are Charles Williams, who directed the Hampton Creative Dance Group at the Hampton Institute in Virginia, and Asadata Dafora Horton, a native African who established himself as the preeminent purveyor of African dance and culture in America during the 1930s. Dafora's African Dance Troupe, which at one point came under the umbrella of the WPA Federal Theatre Project, was a focal point of the famous "voodoo" Macbeth, an all-black production set in Haiti and directed by the young Orson Welles.

Stepping onto the path cleared by these early innovators, two important artists combined dance with anthropology to expand the reach and scope of African-American dance. Katherine Dunham and Pearl Primus both studied anthropology and engaged in extensive fieldwork that infused their dances with Caribbean and African influences. Dunham founded two ambitious training schools, one in New York and one in East St. Louis, while Primus's projects included an African Arts Center in Monrovia, Liberia, dedicated to collecting dance material, teaching, and organizing professional performances.

Perpener examines the politics of racial and cultural difference and their impact on these early African-American dance leaders. In particular he documents the critical reception of their work, detailing the rigid preconceptions of African-American dance that white critics imposed on black artists. He also surveys important black dancers and choreographers since 1950, including Talley Beatty, Donald McKayle, Alvin Ailey, Eleo Pomare, Rod Rodgers, and Dianne McIntyre, and discusses how they have extended and diverged from traditions established by their predecessors.

Once in office, African-American mayors faced vexing challenges. In large and small cities from the Sunbelt to the Rustbelt, black mayors assumed office during economic downturns and confronted the intractable problems of decaying inner cities, white flight, a dwindling tax base, violent crime, and diminishing federal support for social programs. Many encountered hostility from their own parties, city councils, and police departments; others worked against long-established power structures dominated by local business owners or politicians. Still others, while trying to respond to multiple demands from a diverse constituency, were viewed as traitors by blacks expecting special attention from a leader of their own race. All struggled with the contradictory mandate of meeting the increasing needs of poor inner-city residents while keeping white businesses from fleeing to the suburbs.

This is the first comprehensive treatment of the complex phenomenon of African-American mayors in the nation's major urban centers. Offering a diverse portrait of leadership, conflict, and almost insurmountable obstacles, this volume assesses the political alliances that brought black mayors to office as well as their accomplishments--notably, increased minority hiring and funding for minority businesses--and the challenges that marked their careers. Mayors profiled include Carl B. Stokes (Cleveland), Richard G. Hatcher (Gary), "Dutch" Morial (New Orleans), Harold Washington (Chicago), Tom Bradley (Los Angeles), Marion Barry (Washington, D.C.), David Dinkins (New York City), Coleman Young (Detroit), and a succession of black mayors in Atlanta (Maynard Jackson, Andrew Young, and Bill Campbell).Probing the elusive economic dimension of black power, African-American Mayors demonstrates how the same circumstances that set the stage for the victories of black mayors exaggerated the obstacles they faced.

Based on personal stories of people forced to leave and those who left of their own accord, Africans in Europe captures the nuanced realities and widespread impact of mobile populations. By focusing on the geographical, emotional, and intellectual dynamics of Equatorial Guinea's human movements, readers gain an inroad to "the consciousness of an age" and an understanding of the global realities that will define the cultural, economic, and political currents of the twenty-first century.

Contributors are Joan C. Bristol, Nancy E. van Deusen, Leo J. Garofalo, Herbert S. Klein, Charles Beatty-Medina, Karen Y. Morrison, Rachel Sarah O'Toole, Frank "Trey" Proctor III, and Michele Reid-Vazquez.

Christen A. Smith argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, Smith follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As Smith reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians.

Based on years of field work, Afro-Paradise is a passionate account of a long-overlooked struggle for life and dignity in contemporary Brazil.

A transformative study by Daniel S. Cozart, Afro-Peruvian Mestizos redefines the narrative of mestizaje in post-abolition Peru, uncovering the hidden histories and enduring strength of Afro-Peruvian communities.

Afro-Peruvian Mestizos: The Invisibility of Blackness in Post-Abolition Peru by Daniel S. Cozart investigates the ideologies of mestizaje, or racial mixing, that Latin American elites used to construct modern national identities during the nineteenth and twentieth centuries. Through close reading of archival records, legal documents, and literary works, Cozart uncovers the systematic exclusion of Afro-Peruvians from the nation's narrative of progress, revealing how their presence was deliberately omitted from official histories and censuses. The abolition of slavery in 1855 marked the beginning of a process where Afro-Peruvians were marginalized, their identities overshadowed by a national narrative that prioritized Indigenous heritage and whiteness.

Drawing on Michel-Rolph Trouillot's framework of historical production, the book traces the contradictions inherent in liberal and positivist ideologies that sought to forge a "raceless" society, all while silencing Afro-Peruvian voices and erasing their history. The conclusion reflects on the significance of erasure for Afro-Peruvians in the twentieth and twenty-first centuries, as they now demand to be seen. This book is a powerful examination of historical silences and the ongoing struggle for recognition in the face of systemic racism.

From August 29 to September 21, 1909, Sigmund Freud visited the United States, where he gave five lectures at Clark University in Worcester, Massachusetts. This volume brings together a stunning gallery of leading historians of psychoanalysis and of American culture to consider the broad history of psychoanalysis in America and to reflect on what has happened to Freud’s legacy in the United States in the century since his visit.        

In the wake of unthinkable atrocities, it is reasonable to ask how any population can move on from the experience of genocide. Simply remembering the past can, in the shadow of mass death, be retraumatizing. So how can such momentous events be memorialized in a way that is productive and even healing for survivors? Genocide memorials tell a story about the past, preserve evidence of the violence that occurred, and provide emotional support to survivors. But the goal of amplifying survivors’ voices can fade amid larger narratives entrenched in political motivations.

In After Genocide,Nicole Fox investigates the ways memorials can shape the experiences of survivors decades after mass violence has ended. She examines how memorializations can both heal and hurt, especially when they fail to represent all genders, ethnicities, and classes of those afflicted. Drawing on extensive interviews with Rwandans, Fox reveals their relationships to these spaces and uncovers those voices silenced by the dominant narrative—arguing that the erasure of such stories is an act of violence itself. The book probes the ongoing question of how to fit survivors in to the dominant narrative of healing and importantly demonstrates how memorials can shape possibilities for growth, national cohesion, reconciliation, and hope for the future.

The stage was set for conflict: The First Congress of the Republic of Texas had arbitrarily designated the Rio Grande as the boundary of the new nation. Yet the historic boundaries of Texas, under Spain and Mexico, had never extended beyond the Nueces River. Mexico, unwilling to acknowledge Texas independence, was even more unwilling to allow this further encroachment upon her territory.

But neither country was in a strong position to substantiate claims; so the conflict developed as a war of futile threats, border raids, and counterraids. Nevertheless, men died—often heroically—and this is the first full story of their bitter struggle. Based on original sources, it is an unbiased account of Texas-Mexican relations in a crucial period.

A firsthand account of African American childhood, freedom, and resilience in Reconstruction-era Florida.

T. Thomas Fortune was a leading African American publisher, editor, and journalist of the late nineteenth and early twentieth centuries, who was born a slave in antebellum Florida, lived through emancipation, and rose to become a literary lion of his generation. In T. Thomas Fortune's “After War Times,” Daniel R. Weinfeld brings together a series of twenty-three autobiographical articles Fortune wrote about his formative childhood during Reconstruction and subsequent move to Washington, DC.

By 1890, Fortune had founded a predecessor organization to the National Association for the Advancement of Colored People, known as the National Afro-American League, but his voice found its most powerful expression and influence in poetry, prose, and journalism. It was as a journalist that Fortune stirred national controversy by issuing a passionate appeal to African American southerners: “I propose to start a crusade,” he proclaimed in June 1900, “to have the negroes of the South leave that section and to come north or go elsewhere. It is useless to remain in the South and cry Peace! Peace! When there is no peace.” The movement he helped propel became known as “the Great Migration.”

By focusing on Thomas’s ruminations about his disillusion with post–Civil War Florida, Weinfeld highlights the sources of Fortune’s deep disenchantment with the South, which intensified when the Reconstruction order gave way to Jim Crow–era racial discrimination and violence. Decades after he left the South, Fortune’s vivid memories of incidents and personalities in his past informed his political opinions and writings. Scholars and readers interested in Southern history in the aftermath of the Civil War, especially the experiences of African Americans, will find much of interest in this vital collection of primary writings.
 

After the Berlin Wall tells the inside story of an international financial institution, the European Bank for Reconstruction and Development (EBRD), created in the aftermath of communism to help the countries of central and eastern Europe transition towards open market-oriented democratic economies. 

The first volume of a history in two parts, After the Berlin Wall charts the EBRD’s life from a fledgling high-risk start-up investing in former socialist countries from 1991 to become an established member of the international financial community, which (as of April 2020) operates in almost 40 countries across three continents. 

This volume describes the multilateral negotiations that created this cosmopolitan institution with a ‘European character’ and the emergence of the EBRD’s unique business model: a focus on the private sector and a mission to deliver development impact with sustainable financial returns. The author recounts the challenges that ‘transition’ countries faced in moving from a defunct to a functioning economic system and maps the EBRD’s response to critical events, from the dissolution of the Soviet Union, to the safe confinement of the Chernobyl disaster site, the debt default in Russia and the onset of the global financial crisis in 2008.

Rhetoric, Power, and Possibilities

Thirty years after the publication of Antoinette Clark Wire’s groundbreaking The Corinthian Women Prophets, an interdisciplinary, international, and intergenerational group of scholars reflects upon Wire’s impact on New Testament scholarship. Essays pursue further historical and theoretical possibilities, often in search of marginalized people, including the women of Corinth, using feminist, rhetorical, materialist, decolonizing, queer, and posthumanist approaches to interpret Paul’s letters and the history of ancient Mediterranean assemblies. Contributions from Cavan Concannon, Arminta Fox, Joseph A. Marchal, Shelly Matthews, Anna Miller, Jorunn Økland, and Antoinette Clark Wire reconsider how both the methods and results of Wire’s work reveal the possibilities of other people beside Paul who are worth our attention and effort. The essays in this collection introduce students and scholars to the possibilities of interdisciplinary and intersectional approaches for engaging the broader Pauline corpus.

Recent research and the release of newly declassified U.S. government documents underscore the importance of reading Guatemala's current history through the lens of 1954. Scholars and researchers who have worked in Guatemala from the 1940s to the present articulate how the coup fits into ethnographic representations of Guatemala. Highlighting the voices of individuals with whom they have lived and worked, the contributors also offer an unmatched understanding of how the events preceding and following the coup played out on the ground.

Contributors are Abigail E. Adams, Richard N. Adams, David Carey Jr., Christa Little-Siebold, Judith M. Maxwell, Victor D. Montejo, June C. Nash, and Timothy J. Smith.