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Rethinking Religion in America Through Contemporary Case and Conversation.

American Examples: New Conversations about Religion, Volume One is the first in a series of annual anthologies published in partnership with the Department of Religious Studies at The University of Alabama. The American Examples initiative gathers scholars from around the world for a series of workshops designed to generate big questions about the study of religion in America. Bypassing traditional white Protestant narratives in favor of new perspectives on belief, social formation, and identity, American Examples fellows offer dynamic perspectives on American faith that challenge our understandings of both America and religion as categories.

In the first volume of this exciting academic project, five topically and methodologically diverse scholars vividly reimagine the potential applications of religious history. The five chapters of this inaugural volume use case studies from America, broadly conceived, to ask larger theoretical questions that are of interest to scholars beyond the subfield of American religious history.

Prea Persaud’s chapter explores the place of Hinduism among the “creole religions” of the Caribbean, while Hannah Scheidt captures what atheist parents say to each other about value systems. Travis Warren Cooper explains how the modernist church architecture of Columbus, Indiana, became central to that city’s identity. Samah Choudhury dissects how Muslim American comedians navigate Western ideas of knowledge and self to make their jokes, and their own selves legible, and Emily D. Crews uses ethnographic fieldwork to read the female reproductive body among Nigerian Pentecostal congregations. Editor Michael J. Altman also provides a brief, rich introduction assessing the state of the discipline of religious history and how the American Examples project can lead the field forward.

Visit americanexamples.ua.edu for more information on the group and news about upcoming projects.
 

American Homes by Ryan Ridge is a satirical exploration of the modern American home and its symbolic role in culture, identity, and society. Blending humor, wit, and sharp social commentary, the book dissects domestic spaces—attics, basements, kitchens, windows, doors, and more—while reflecting on the American dream, materialism, and suburban life. Through Ridge's playful and often absurd prose, everyday household elements become metaphors for larger societal issues, revealing the quirks, contradictions, and anxieties of contemporary life.

From the nostalgia of front porches to the hidden mysteries of basements, Ridge turns ordinary spaces into insightful meditations on homeownership, personal identity, and cultural expectations. American Homes is as much an architectural guidebook as it is a critique of consumerism, presenting a vivid portrait of how we live and the structures that define us. The result is a thought-provoking, humorous, and occasionally surreal commentary on what it means to call a place "home" in America.

A collection of intimate writings first published by Literary Hub in the Letters From Minnesota series that recounts the lived community experience of facing—and resisting—ICE violence during Operation Metro Surge

The history of America is a history of occupations. But what happens when an imperial nation, defined by endless expansion, runs out of frontier? It turns inward. It occupies itself.

American Occupation is an urgent compilation of reflections and accounts that emerged during the shocking, months-long ICE operation in Minnesota. In December 2025, the Department of Homeland Security launched Operation Metro Surge, and thousands of ICE and border patrol agents in paramilitary costumes descended on the Twin Cities. Their brutal, unconstitutional campaign resulted in the terrorization and disappearance of countless US citizens and immigrants, the murders of legal observers Renee Good and Alex Pretti, and the mobilization of vast, intricate mutual aid networks, massive protests, and staggering acts of courage during one of the coldest Minnesota winters in a decade.

Two days after Alex Pretti was killed on January 24, 2026, Literary Hub published the first of forty-four Letters From Minnesota, an online rapid response series that invited novelists, journalists, poets, and memoirists to document their experiences under occupation. An immigrant mother makes a plan with her young children in case she’s detained by ICE. A Powderhorn Park resident witnesses the traumatic abduction of two neighbors at a bus stop. A professor chronicles the relentless federal violence throughout her family’s journey from Mexico to California to Minnesota, among other harrowing stories and accounts.

With twelve new contributions, American Occupation offers a mosaic of deeply personal and defiant testimonies detailing the creative solidarity and resolve of Minnesotans confronting fascist cruelty. Contextualized in the history of the US government’s abuse of power against its own civilians, American Occupation reveals the grim reality of yet another American administration in thrall to its own mythologies—and the long arc of resistance and compassion of ordinary people.

Contributors: Angela Ajayi, Anonymous, Charles Baxter, Victoria Blanco, Jennifer Eli Bowen, Katherine Packert Burke, Zeke Caligiuri, David Aiona Chang, Dana Chiueh, Heid E. Erdrich, Nick Estes, Nimo Farah, V. V. Ganeshananthan, Shannon Gibney, Dobby Gibson, Sarah Green, Molly Beth Griffin, Dara Moskowitz Grumdahl, Marian Hassan, Hedgiee, Laurie Hertzel, Carolyn Holbrook, Siri Hustvedt, Đenise Hạnh Huỳnh, Andrea Jenkins, Michael Kleber-Diggs, Ed Bok Lee, Josina Manu Maltzman, Will McGrath, Jim Moore, David Mura, Nia Navarro, Sahra Noor, Kara Olson, Peter Pearson, Angela Pelster, Bao Phi, Kaia Preus, Susan Raffo, Marcie Rendon, Kate Romero and Gustavo Romero, Sean Sherman, Sun Yung Shin, Gabriela Spears-Rico, Michael Torres, Kawai Strong Washburn, Sana Wazwaz, chaun webster, Diane Wilson, A. E. Wynter, Kao Kalia Yang, Ahmed Ismail Yusuf, Michelle Zamanian.

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Amherst Suite: Emily Dickinson, Spanish Translation & Poetic Transcreation is a dialogue between Emily Dickinson and Alberto Blanco, one of Mexico’s most acclaimed contemporary poets. At the book’s heart is a selection of Dickinson’s most emblematic poems, masterfully translated into Spanish by Blanco—fifty-five poems to celebrate each year of Emily Dickinson’s life. Blanco’s translations closely match Dickinson’s metric and rhythm while also preserving her signature imagery, symbols, and moods. Following these translations is Blanco’s collection of original poems dedicated to Dickinson, "Amherst Suite," translated into English by Jennifer Rathbun for the first time. Staying true to Dickinson’s style, Blanco uses dashes, unusual capitalization, vivid imagery, quatrains, and rhyme while exploring her recurring themes—nature, mortality, and spirituality. Bold and innovative, Blanco’s “suite” unites the American and Mexican poetic traditions. 

Opening with a creative essay by renowned author Ilan Stavans, the volume also includes a conversation between Blanco and scholar Ronald J. Friis; Blanco’s own essay on Dickinson, translated into English by Jennifer Rathbun; as well as an introduction by Rathbun that helpfully situates this interlinguistic, intercultural, and inter-generational network. Amherst Suite is a fascinating and unique look into the work and worlds of poets and their translators and will be an invaluable text for students, scholars, and all readers of Emily Dickinson. 

Among the more interesting incunabula preserved in the Salle de la Réserve of the Bibliothèque National in Paris are the apparently unique copies of two editions, very similar in content, of a work entitled Les Adevineaux amoureux. In much more comprehensive form Les Adevineaux amoureux is preserved in a manuscript belonging to the Musée Conde at Chantilly. All three texts, in medieval French, appear to date from the 1470s. The present work, Amorous Games, is a critical edition of Les Adevineaux amoureux.

Amorous Games is a miscellany whose principal unifying force is the compiler's aim to provide a manual of conversation and entertainment for polite society. Included are series of questions and answers belonging to the well-established medieval tradition of the "Demandes amoureuses"; a very large number of riddles, mainly folk riddles; and "venditions en amours," little poems that apparently came into bing as part of a social game.

Students of medieval French literature, particularly those with a penchant for some of the minor genres, will find new material in the Amorous Games. Folklorists will discover what is probably the largest collection of riddles bequeathed to us by medieval France and also much that is of value to specialists in the proverb and folk tale.

For this critical edition of Les Adevineaux amoureux Professor Hassell has selected the Chantilly manuscript, because it is the most complete and also because it had not yet been published. The Appendix contains the text of the more complete of the two incunabula and the significant variants appearing in the other fifteenth-century printed edition. The manuscript text has been collated with that of the incunabula, and copious notes and an index to the riddles have been supplied. In his introduction Professor Hassell discusses in detail the major classes and subclasses of the riddle, drawing on the work of Petsch, Taylor, Abrahams, and other scholars of the genre.

A new collection of essays grappling with identity and memory, from a master of the form.

The author of the New York Times bestselling novel The Gates of the Alamo, the sweeping Texas history Big Wonderful Thing, and decades of incisive journalism, Stephen Harrigan is an adept writer skilled in crafting memorable characters. From this singular voice now comes a collection of essays tackling the most personal, and yet most expansive, themes of all: identity, memory, and time itself.

An Anchor in the Sea of Time unfolds individual stories but also a larger narrative about the development and distortions of history. In one essay, a painting on his grandparents’ wall is seared in Harrigan’s young mind. In another, a group trip to Vietnam stirs up a sobering confrontation with class privilege among Americans who fought there and others, like Harrigan, who did their best not to. The award-winning essay “Off Course” reflects on the father Harrigan never met. And Harrigan’s reporting about the Karankawas, an Indigenous group from the Texas coast once thought to be extinct, takes readers deep into the recesses of collective forgetting and offers glimpses of the possibility of recovery. A vivid encounter with lost selves, vanished worlds, and futures yet unrealized, An Anchor in the Sea of Time is perhaps the most personal book yet from this beloved writer.

As Atlantic City grew to become one of the largest tourist destinations on the East Coast, it loomed ever larger in the imaginations of American writers. Generation upon generation of novelists, journalists, musicians, and poets visited Atlantic City and left with vivid impressions of its kaleidoscopic delights and its seedy underbelly.

This new reader collects all of these diverse perspectives on the city in one place, including accounts of Atlantic City by such famous visitors as Walt Whitman, William Carlos Williams, Fanny Hurst, Arthur Conan Doyle, Damon Runyon, Langston Hughes, Elmore Leonard, and Bruce Springsteen. Arranged chronologically, the anthology traces the city’s history from its humble beginnings as a quiet health resort to its rapid ascent to the world’s playground, its gradual decline, and its hopeful if tenuous future. Together, the pieces in this collection take us inside the city’s glitz, glamor, and gambling palaces, but they also don’t shy away from its troubling histories of racial discrimination, political corruption, and urban decay. Compiling fiction, poetry, drama, memoirs, newspaper stories, and magazine reports, The Atlantic City Reader presents an engaging and multifaceted portrait of this iconic resort town. 

Homer's Odyssey has captivated readers and influenced writers and artists for more than 2,000 years. Reading the poem in its original language provides an experience as challenging as it is rewarding. Most students encountering Homeric Greek for the first time need considerable help, especially with vocabulary and constructions that differ from the more familiar Attic forms. For anyone who has completed studies in elementary Greek, this edition provides the assistance necessary to read, understand, and appreciate the first book of the Odyssey in its original language.

Structured to maximize reading ease, P. A. Draper's volume stands out among introductions to the Greek Odyssey. Readers of this edition will appreciate the positioning of all notes facing the Greek text; the frequent vocabulary entries; the complete glossary; the appendix on basic Homeric forms and grammar; and the copious annotations on vocabulary, grammar, meter, historical and mythological allusions, and literary interpretation.

Primarily designed as a textbook, this volume will be an effective classroom tool and a useful acquisition for any library supporting a classics program. The book will find readers among high school and college Greek students, advanced students in Homer or epic poetry classes, graduate students working on reading-list requirements, and anyone interested in maintaining Greek reading skills.

A new collection of essays reflecting on the centrality of writing anthropological practice from one of the discipline’s most influential thinkers.
 
Michael Taussig’s work is known for its critical insights and bold, experimental style. In the eleven essays in this new collection, Taussig reflects on the act of writing itself, demonstrating its importance for anthropological practice and calling for the discipline to keep experiential knowledge from being extinguished as fieldnotes become scholarship.
 
Setting out to show how this can be done, And the Garden Is You exemplifies a form of exploratory writing that preserves the spontaneity of notes scribbled down in haste. In these essays, the author’s reflections take us from his childhood in Sydney to trips to Afghanistan, Colombia, Finland, Italy, Turkey, and Syria. Along the way, Taussig explores themes of fabulation and provocation that are central to his life’s work, in addition to the thinkers dearest to him—Bataille, Benjamin, Burroughs, and Nietzsche, among others. This collection is vintage Taussig, bound to interest longtime readers and newcomers alike.
 

Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and adviser to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in seven accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities.

Anger, Mercy, Revenge comprises three key writings: the moral essays On Anger and On Clemency—which were penned as advice for the then young emperor, Nero—and the Apocolocyntosis, a brilliant satire lampooning the end of the reign of Claudius. Friend and tutor, as well as philosopher, Seneca welcomed the age of Nero in tones alternately serious, poetic, and comic—making Anger, Mercy, Revenge a work just as complicated, astute, and ambitious as its author.

Making art relies on a process of intuitive discovery that begins prior to knowing and overrides intention. Anne Carson and the Unknown delves into the varied ways the contemporary poet and classicist Anne Carson engages with the unknown, both as a philosophical concept and as a method of creative practice. Bringing together various contemporary perspectives, ranging from the world of quantum physics to feminist literary criticism and media studies, this volume considers how contemporary poets like Anne Carson continue to show the relevance of the unknown in our turbulent times of global upheaval.

It covers Carson’s unusual travelogue about the collapse of civilizations and knowledge, positions her oeuvre in the context of a wider debate on post-critique, and reads her work as an engagement with a radically formalist Classics that goes back to ancient Greek’s etymological complexity. Taking an interdisciplinary approach, the volume dives into her work’s ambiguous relationships with trans experience and religion, the centrality of the psychoanalytical concept of the caesura, and her use of figures like Helen of Troy and Herakles. It also discusses the unknown as a visual mechanism in her recent creative collaboration with comics creator Rosanna Bruno. In this way, Carson provides a necessary counter to both Western scientific knowledge’s goals of predictability and rationality, and to the algorithmic certitudes sought by the engineering culture of technologists who prevail today.

Contains two very different narratives; both are for the first time presented in an updated Latin text with an annotated English translation.An anonymous notary of King Bela of Hungary wrote a Latin Gesta Hungarorum (ca. 1200/10), a literary composition about the mythical origins of the Hungarians and their conquest of the Carpathian Basin. Anonymus tried to (re)construct the events and protagonists—including ethnic groups—of several centuries before from the names of places, rivers, and mountains of his time, assuming that these retained the memory of times past. One of his major "inventions" was the inclusion of Attila the Hun into the Hungarian royal genealogy, a feature later developed into the myth of Hun-Hungarian continuity.The Epistle to the Sorrowful Lament upon the Destruction of the Kingdom of Hungary by the Tartars of Master Roger includes an eyewitness account of the Mongol invasion in 1241–2, beginning with an analysis of the political conditions under King Bela IV and ending with the king's return to the devastated country.

Another Way the River Has collects Robin Cody’s finest nonfiction writings, many appearing for the first time in print. Cody’s prose rings with a sense of place. He is a native speaker who probes the streams and woods and salmon that run to the heart of what it means to live and love, to work and play, in Oregon.

His characters—from loggers to fishers to cowboys to the kids on his school bus—are smart and curious, often off-beat, always vivid. Cody brings the ear of a novelist and the eye of a reporter to the people and places that make the Northwest, and Northwest literature, distinctive.

“A rock, you know, will sink like a stone in water. But a flat rock, slung spinningly near the water surface and at an angel parallel to it, will go skipping across the water in defiance of gravity and common sense. How cool is that?! The first time a boy pulls this off ranks just short of first-time sex on the scale of things he will want to do over and over whenever he can and as long as he lives.”

-from “The Clackamas River”

Lucy Pier Stevens, a twenty-one-year-old woman from Ohio, began a visit to her aunt’s family near Bellville, Texas, on Christmas Day, 1859. Little did she know how drastically her life would change on April 4, 1861, when the outbreak of the Civil War made returning home impossible. Stranded in enemy territory for the duration of the war, how would she reconcile her Northern upbringing with the Southern sentiments surrounding her?

Lucy Stevens’s diary—one of few women’s diaries from Civil War–era Texas and the only one written by a Northerner—offers a unique perspective on daily life at the fringes of America’s bloodiest conflict. An articulate, educated, and keen observer, Stevens took note seemingly of everything—the weather, illnesses, food shortages, parties, church attendance, chores, schools, childbirth, death, the family’s slaves, and political and military news. As she confided her private thoughts to her journal, she unwittingly revealed how her love for her Texas family and the Confederate soldier boys she came to care for blurred her loyalties, even as she continued to long for her home in Ohio. Showing how the ties of heritage, kinship, friendship, and community transcended the sharpest division in US history, this rare diary and Vicki Adams Tongate’s insightful historical commentary on it provide a trove of information on women’s history, Texas history, and Civil War history.

The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770–1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist models of social existence, emphasizing the role of the elites (and charismatic leaders) shaping the whole body politic. Along these lines, antimodernist authors also formulated alternative visions of symbolic geography: rejecting the symbolic hierarchies that focused on the normativity of Western European models, they stressed the cultural and political autarchy of their own national community, which in some cases was also coupled with the reevaluation of the Orient. At the same time, this antimodernist turn should not be confused with rightwing radicalism—in fact, the dialogue with the modernist tradition was often very subtle and the anthology also contains texts which offered a criticism of 'modern' totalitarianism in an antimodernist key.

Arcangela Tarabotti (1604–1652), Venetian nun and polemicist, was known for her protest against forced monachization and her advocacy for the education of women and their participation in public life. She responded to Francesco Buoninsegni’s Against the Vanities of Women (1638) with the Antisatire (1644), a defense of women’s fashions and a denunciation of men, but also a strong condemnation of men’s treatment of women and of the subordination of women in society. Both Buoninsegni and Tarabotti write with the exaggeration and absurd arguments typical of Menippean satire; they flaunt their knowledge of ancient and contemporary literature in a prose interspersed with poetry and replete with the astonishing Baroque conceits that delighted their contemporaries.

The Other Voice in Early Modern Women: The Toronto Series volume 70

Appointed is a recently recovered novel written by William Anderson and Walter Stowers, two of the editors of the Detroit Plaindealer, a long-running and well-regarded African American newspaper of the late nineteenth century. Drawing heavily on nineteenth-century print culture, the authors tell the story of John Saunders, a college-educated black man living and working in Detroit. Through a bizarre set of circumstances, Saunders befriends his white employer’s son, Seth Stanley, and the two men form a lasting, cross-racial bond that leads them to travel together to the American South. On their journey, John shows Seth the harsh realities of American racism and instructs him in how he might take responsibility for alleviating the effects of racism in his own home and in the white world broadly.

As a coauthored novel of frustrated ambition, cross-racial friendship, and the tragedy of lynching, Appointed represents a unique contribution to African American literary history. This is the first scholarly edition of Appointed, and it includes a collection of writings from the Plaindealer, the authors’ short story “A Strange Freak of Fate,” and an introduction that locates Appointed and its authors within the journalistic and literary currents of the United States in the late nineteenth century.

In this volume, Tawny L. Holm provides bilingual editions of the majority of Aramaic literary compositions written between the fifth century BCE and first century CE. Each text is presented in transliteration and accompanied by an introduction, notes, and an English translation. The section on Egypt includes, among others, the fascinating anthology found on Papyrus Amherst 63, an Aramaic text written in the Demotic Egyptian script, as well as the Story and Proverbs of Ahiqar. The Levant section includes a selection of texts from the Dead Sea Scrolls, such as Tales from the Persian Court. These compositions cover a broad array of themes, from insights into the human condition to unique portraits of kings, heroes, and deities. The book also addresses matters of history, language, genres, poetics, and scribalism, and it offers a comprehensive collection of primary sources for use in ancient Near Eastern studies courses as well as biblical studies.

A collection of essays representing forty-five years of reflection on the central problems of southern history bound together by a common concern with defining the crucial interaction of race and class in the formation of southern politics and life

“The tourist archipelagoes of my South / are prisons, too, corruptible” writes the poet Derek Walcott. While Walcott refers to the islands of the Caribbean, the analogous idea of a land made into solitary islands by an imprisoned and inherited corruption is historian J. Mills Thornton III’s American South. The captivating essays in Archipelagoes of My South: Episodes in the Shaping of a Region, 1830–1965 address this overarching and underlying narrative of Alabama politics and the history of the South.

Highlighting events as significant as the role of social and economic conflict in the southern secession movement, various aspects of Reconstruction, and the role of the Ku Klux Klan in the politics of the 1920s, Thornton draws from various points in the southern past in an effort to identify and understand the sources of the region’s power. Moreover, each essay investigates its subject matter and peels back layers with an aim to clarify why the enormous diversity of the southern experience makes that power so great, all the while allowing the reader to see connections that would not otherwise be apparent.

Archipelagoes of My South gathers previously uncollected essays into a single volume covering the entire length and breadth of Thornton’s career. The author’s principal concerns have always been the arc of regional evolution and the significance of the local. Thus, the mechanisms of political and social change and the interrelationships across eras and generations are recurring themes in many of these essays.

Even those who have spent their entire lives in the South may be unaware of the fractured layers of history that lie beneath the landscape they inhabit. For those southern residents who seek to comprehend more of their own past, this landmark compilation of essays on Alabama and southern history endeavors to provide illumination and enlightenment.
 

A new retrospective of a titan of LGBTQ literature, activism, and Black feminism

Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.

Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.