1861 books match the query 'Social life and customs' and 173 start with a
Averil Cameron
Central European University Press, 2016
Francis J. Grund, edited with an introduction by Armin Mattes
University of Missouri Press, 2018
Willard B. Gatewood
University of Arkansas Press, 2000
Every American city had a small, self-aware, and active black elite, who felt it was their duty to set the standard for the less fortunate members of their race and to lead their communities by example. Rank within this black upper class rested on such issues as the status of one’s forebears as either house servants or field hands, the darkness of one’s skin, and the level of one’s manners and education.
Professor Gatewood’s study examines this class of African Americans by looking at the genealogies and occupations of specific families and individuals throughout the United States and their roles in their various communities. The resulting narrative is a full and illuminating account of a most influential segment of the African-American population. It explores fully the distinctive background, prestige, attitudes, behavior, power, and culture of this class. The Black Community Studies series from the University of Arkansas Press, edited by Professor Gatewood, continues to examine many of the same themes first explored in this important study.
Guy Lancaster
Butler Center for Arkansas Studies, 2014
Brooks Blevins
University of Arkansas Press, 2009
Winner, 2011 Ragsdale Award
John P. Hawkins
University of Alabama Press, 2004
Clare Sears
Duke University Press, 2015
DiMaggio, Paul
Rutgers University Press, 2010
By Mary Strong
University of Texas Press, 2012
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society.
In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.
Patricia J. Fanning
University of Massachusetts Press, 2016
Francis Watts Lee and his family hold a special place in the history of American photography. F. Holland Day completed a series of remarkable photographs of Lee's daughter Peggy, and the striking portrait of the child and her mother titled Blessed Art Thou among Women is one of Gertrude Käsebier's most iconic compositions. In Artful Lives, Patricia J. Fanning uses these and other significant images as guideposts to explore the Lee family and the art and culture of their age.
A social reform advocate, Francis Watts Lee was an artistic photographer and a talented printer, part of the circle of avant-garde artists and intellectuals who formed Boston's bohemia. He married twice, first Agnes Rand, an award-winning poet and children's book author, and later, after their divorce, Marion Lewis Chamberlain, a librarian and MIT-trained architect. Francis and Agnes's eldest daughter, Peggy, who was so integral to the work of pioneer Pictorialists, died at age seven of juvenile diabetes. Her sister, Alice, who lost her hearing in infancy, became a wood carver and sculptor.
Utilizing previously unknown family archives and institutional sources, Fanning traces the Lee family's story in the context of major artistic, political, social, and religious trends, including the Arts and Crafts movement, Christian Socialism, and Aestheticism, while also showing how their experiences reflected the national culture's evolving conceptions of family, gender, childhood, medicine, deaf education, and mourning. This richly drawn and gracefully written account of one family informs our understanding of this vibrant era, in Boston and well beyond.
Daniel W. Patterson and Charles G. Zugg, III, eds.
Duke University Press, 1990
Bessie Louise Pierce
University of Chicago Press, 2004
Pike, Helen-Chantal
Rutgers University Press, 2007
Megha Amrith
Rutgers University Press, 2023
Daria Trentini
Rutgers University Press, 2021
Bernard Mergen
University of Nevada Press, 2014
Andrae M. Marak and Laura Tuennerman
University of Arizona Press, 2013
Stephen J. Milner
University of Minnesota Press, 2005
Nick Golodoff
University of Alaska Press, 2015
By Marcia Hatfield Daudistel and Bill Wright
University of Texas Press, 2013
Winner, Southwest Book Award, Border Regional Library Association, 2015
The Texas of vast open spaces inhabited by independent, self-reliant men and women may be more of a dream than a reality for the state’s largely urban population, but it still exists in the Big Bend. One of the most sparsely settled areas of the United States, the Big Bend attracts people who are willing to forego many modern conveniences for a lifestyle that proclaims “don’t fence me in.” Marcia Hatfield Daudistel and Bill Wright believe that the character traits exemplified by folks in the Big Bend—including self-sufficiency, friendliness, and neighborliness—go back to the founding of the state. In this book, they introduce us to several dozen Big Bend residents—old and young, long-settled and recently arrived, racially diverse—who show us what it means to be an authentic Texan.
Interviewing people in Marathon, Big Bend National Park, Terlingua, Redford, Presidio, Alpine, Marfa, Valentine, Balmorhea, Limpia Crossing, and Fort Davis, Daudistel and Wright discover the reasons why residents of the Big Bend make this remote area of Texas their permanent home. In talking to ranchers and writers, entrepreneurs and artists, people living off the grid and urban refugees, they find a common willingness to overcome difficulties through individual skill and initiative. As one interviewee remarks, you have to have a lot of “try” in you to make a life in the Big Bend. Bill Wright’s photographs of the people and landscapes are a perfect complement to the stories of these authentic Texans. Together, these voices and images offer the most complete, contemporary portrait of the Texas Big Bend.
Phil Crossman
University Press of New England, 2005
Dana W. Logan
University of Chicago Press, 2022
Kristina F. Nielsen
University of Illinois Press, 2026