1861 books match the query 'Social life and customs' and 173 start with a

cover of Arguing it Out: Discussion in Twelfth-Century Byzantium

Arguing it Out

Discussion in Twelfth-Century Byzantium

Averil Cameron

Central European University Press, 2016

The long twelfth century, from the seizure of the throne by Alexius I Comnenus in 1081, to the sack of Constantinople by the Fourth Crusade in 1204, is a period recognized as fostering the most brilliant cultural development in Byzantine history, especially in its literary production. It was a time of intense creativity as well as of rising tensions, and one for which literary approaches are a lively area in current scholarship. This study focuses on the prose dialogues in Greek from this period—of very varying kinds—and on what they can tell us about the society and culture of an era when western Europe was itself developing a new culture of schools, universities, and scholars. Yet it was also the period in which Byzantium felt the fateful impact of the Crusades, which ended with the momentous sack of Constantinople in 1204. Despite revisionist attempts to play down the extent of this disaster, it was a blow from which, arguably, the Byzantines never fully recovered.
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cover of Aristocracy in America: From the Sketch-Book of a German Nobleman

Aristocracy in America

From the Sketch-Book of a German Nobleman

Francis J. Grund, edited with an introduction by Armin Mattes

University of Missouri Press, 2018

In Jacksonian America, as Grund exposes, the wealthy inhabitants of northern cities and the plantation South may have been willing to accept their poorer neighbors as political and legal peers, but rarely as social equals. In this important work, he thus sheds light on the nature of the struggle between “aristocracy” and “democracy” that loomed so large in early republican Americans’ minds.
 
Francis J. Grund, a German emigrant, was one of the most influential journalists in America in the three decades preceding the Civil War. He also wrote several books, including this fictional, satiric travel memoir in response to Alexis de Tocqueville’s famous Democracy in America. Armin Mattes provides a thorough account of Grund’s dynamic engagement in American political life, and brings to light many of Grund’s reflections on American social and political life previously published only in German. Mattes shows how Grund’s work can expand our understanding of the emerging democratic political culture and society in the antebellum United States.
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cover of Aristocrats of Color: The Black Elite, 1880–1920

Aristocrats of Color

The Black Elite, 1880–1920

Willard B. Gatewood

University of Arkansas Press, 2000

Every American city had a small, self-aware, and active black elite, who felt it was their duty to set the standard for the less fortunate members of their race and to lead their communities by example. Rank within this black upper class rested on such issues as the status of one’s forebears as either house servants or field hands, the darkness of one’s skin, and the level of one’s manners and education.

Professor Gatewood’s study examines this class of African Americans by looking at the genealogies and occupations of specific families and individuals throughout the United States and their roles in their various communities. The resulting narrative is a full and illuminating account of a most influential segment of the African-American population. It explores fully the distinctive background, prestige, attitudes, behavior, power, and culture of this class. The Black Community Studies series from the University of Arkansas Press, edited by Professor Gatewood, continues to examine many of the same themes first explored in this important study.

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cover of Arkansas in Ink: Gunslingers, Ghosts, and Other Graphic Tales

Arkansas in Ink

Gunslingers, Ghosts, and Other Graphic Tales

Guy Lancaster

Butler Center for Arkansas Studies, 2014

In 1837 Representative Joseph J. Anthony stabs the speaker of the house to death during a debate about wolf pelts. In 1899 Hot Springs police shoot it out with the county sheriffs over control of illegal gambling. In 1974 President Richard Nixon resigns in part due to the outspokenness of Pine Bluff native Martha Mitchell. In this special print project of the online Encyclopedia of Arkansas History & Culture, legendary cartoonist Ron Wolfe brings these and many other stories to life. Accompanied by selected entries from the encyclopedia, Wolfe’s cartoons highlight the oddities and absurdities of our state’s history. Seriously, you couldn’t make up this stuff.
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cover of Arkansas/Arkansaw: How Bear Hunters, Hillbillies, and Good Ol' Boys Defined a State

Arkansas/Arkansaw

How Bear Hunters, Hillbillies, and Good Ol' Boys Defined a State

Brooks Blevins

University of Arkansas Press, 2009

What do Scott Joplin, John Grisham, Gen. Douglas MacArthur, Maya Angelou, Brooks Robinson, Helen Gurley Brown, Johnny Cash, Alan Ladd, and Sonny Boy Williamson have in common? They’re all Arkansans. What do hillbillies, rednecks, slow trains, bare feet, moonshine, and double-wides have in common? For many in America these represent Arkansas more than any Arkansas success stories do. In 1931 H. L. Mencken described AR (not AK, folks) as the “apex of moronia.” While, in 1942 a Time magazine article said Arkansas had “developed a mass inferiority complex unique in American history.” Arkansas/Arkansaw is the first book to explain how Arkansas’s image began and how the popular culture stereotypes have been perpetuated and altered through succeeding generations. Brooks Blevins argues that the image has not always been a bad one. He discusses travel accounts, literature, radio programs, movies, and television shows that give a very positive image of the Natural State. From territorial accounts of the Creole inhabitants of the Mississippi River Valley to national derision of the state’s triple-wide governor’s mansion to Li’l Abner, the Beverly Hillbillies, and Slingblade, Blevins leads readers on an entertaining and insightful tour through more than two centuries of the idea of Arkansas. One discovers along the way how one state becomes simultaneously a punch line and a source of admiration for progressives and social critics alike.

Winner, 2011 Ragsdale Award

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cover of Army of Hope, Army of Alienation: Culture and Contradiction in the American Army Communities of Cold War Germany

Army of Hope, Army of Alienation

Culture and Contradiction in the American Army Communities of Cold War Germany

John P. Hawkins

University of Alabama Press, 2004

Seeks to penetrate the logic, social structure, and daily practice of life in American military communities in Germany

Army life has always been known as a life of sacrifice, challenge, and frustration, yet one filled also with deep satisfactions. This is so for the soldiers’ families as much as for the soldiers themselves. Over the years, military and civilian leaders of the US Army have tried to reduce the hardships of military life by creating an array of community services designed to provide social support for soldiers and families and help them live satisfying lives in military communities.
 
Unfortunately, this effort has not been particularly successful, and frustration, dissatisfaction, and alienation persist among soldiers and family member in the US Army communities in Germany. Discontent continues because the underlying sources of alienation in the Army and among its families are highly complex, poorly understood, and therefore hardly addressed by the Army’s quality-of-life programs that are intended to make soldier and family life more bearable.
 
In Army of Hope, Army of Alienation: Culture and Contradiction in the American Army Communities of Cold War Germany, the author seeks to penetrate the logic, social structure, and daily practice of life in the American military communities that lay scattered along the frontier between East and West Germany during the final years of the Cold War. In coming to understand the life and thought of these American soldiers and families, ordinary American citizens can learn much about their military forces and about their own society and culture. In addition, a greater understanding about how people work and live around an institution that is at once so important and yet tasked with a mission so different from that of ordinary pursuits can stimulate social scientists and concerned citizens to think differently about culture, society, and behavior in general.
 
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cover of Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco

Arresting Dress

Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco

Clare Sears

Duke University Press, 2015

In 1863, San Francisco’s Board of Supervisors passed a law that criminalized appearing in public in “a dress not belonging to his or her sex.” Adopted as part of a broader anti-indecency campaign, the cross-dressing law became a flexible tool for policing multiple gender transgressions, facilitating over one hundred arrests before the century’s end. Over forty U.S. cities passed similar laws during this time, yet little is known about their emergence, operations, or effects. Grounded in a wealth of archival material, Arresting Dress traces the career of anti-cross-dressing laws from municipal courtrooms and codebooks to newspaper scandals, vaudevillian theater, freak-show performances, and commercial “slumming tours.” It shows that the law did not simply police normative gender but actively produced it by creating new definitions of gender normality and abnormality. It also tells the story of the tenacity of those who defied the law, spoke out when sentenced, and articulated different gender possibilities.
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cover of Art in the Lives of Immigrant Communities in the United States

Art in the Lives of Immigrant Communities in the United States

DiMaggio, Paul

Rutgers University Press, 2010

Art in the Lives of Immigrant Communities in the United States is the first book to provide a comprehensive and lively analysis of the contributions of artists from America's newest immigrant communities--Africa, the Middle East, China, India, Southeast Asia, Central America, and Mexico. Adding significantly to our understanding of both the arts and immigration, multidisciplinary scholars explore tensions that artists face in forging careers in a new world and navigating between their home communities and the larger society. They address the art forms that these modern settlers bring with them; show how poets, musicians, playwrights, and visual artists adapt traditional forms to new environments; and consider the ways in which the communities' young people integrate their own traditions and concerns into contemporary expression.
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cover of Art, Nature, and Religion in the Central Andes: Themes and Variations from Prehistory to the Present

Art, Nature, and Religion in the Central Andes

Themes and Variations from Prehistory to the Present

By Mary Strong

University of Texas Press, 2012

From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society.

In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.

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cover of Artful Lives: The Francis Watts Lee Family and Their Times

Artful Lives

The Francis Watts Lee Family and Their Times

Patricia J. Fanning

University of Massachusetts Press, 2016

Francis Watts Lee and his family hold a special place in the history of American photography. F. Holland Day completed a series of remarkable photographs of Lee's daughter Peggy, and the striking portrait of the child and her mother titled Blessed Art Thou among Women is one of Gertrude Käsebier's most iconic compositions. In Artful Lives, Patricia J. Fanning uses these and other significant images as guideposts to explore the Lee family and the art and culture of their age.

A social reform advocate, Francis Watts Lee was an artistic photographer and a talented printer, part of the circle of avant-garde artists and intellectuals who formed Boston's bohemia. He married twice, first Agnes Rand, an award-winning poet and children's book author, and later, after their divorce, Marion Lewis Chamberlain, a librarian and MIT-trained architect. Francis and Agnes's eldest daughter, Peggy, who was so integral to the work of pioneer Pictorialists, died at age seven of juvenile diabetes. Her sister, Alice, who lost her hearing in infancy, became a wood carver and sculptor.

Utilizing previously unknown family archives and institutional sources, Fanning traces the Lee family's story in the context of major artistic, political, social, and religious trends, including the Arts and Crafts movement, Christian Socialism, and Aestheticism, while also showing how their experiences reflected the national culture's evolving conceptions of family, gender, childhood, medicine, deaf education, and mourning. This richly drawn and gracefully written account of one family informs our understanding of this vibrant era, in Boston and well beyond.

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cover of Arts in Earnest: North Carolina Folklife

Arts in Earnest

North Carolina Folklife

Daniel W. Patterson and Charles G. Zugg, III, eds.

Duke University Press, 1990

Arts in Earnest explores the unique folklife of North Carolina from ruddy ducks to pranks in the mill. Traversing from Murphy to Manteo, these fifteen essays demonstrate the importance of North Carolina’s continually changing folklife. From decoy carving along the coast, to the music of tobacco chants and the blues of the Piedmont, to the Jack tales of the mountains, Arts in Earnest reflects the story of a people negotiating their rapidly changing social and economic environment.
Personal interviews are an important element in the book. Laura Lee, an elderly black woman from Chatham County, describes the quilts she made from funeral flower ribbons; witnesses and friends each remember varying details of the Duke University football player who single-handedly vanquished a gang of would-be muggers; Clyde Jones leads a safari through his backyard, which is filled with animals made of wood and cement that represent nontraditional folk art; the songs and sermon of a Primitive Baptist service flow together as one—“it tills you up all over”; Durham bluesman Willie Trice, one of a handful of Durham musicians who recorded in the 1930s and early 1940s, remembers when the active tobacco warehouses offered ready audiences—“They’d tip us a heap of change to play some music”; and Goldsboro tobacco auctioneer H. L. “Speed” Riggs chants 460 words per minute, five to six times faster than a normal conversational rate.
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cover of As Others See Chicago: Impressions of Visitors, 1673-1933

As Others See Chicago

Impressions of Visitors, 1673-1933

Bessie Louise Pierce

University of Chicago Press, 2004

Sometimes it takes an outsider to capture the essence of an individual place. The impressions of travelers in particular have a special allure—unanticipated and serendipitous, their views get to the heart of a particular region because nothing to them is routine or expected.

First published in 1933 by the University of Chicago Press to mark the occasion of the Century of Progress Exhibition, As Others See Chicago consists of writings culled from over a thousand men and women who visited the city and commented on the best and worst it had to offer, from the skyscrapers to the stockyards. Originally compiled by Bessie Louise Pierce, the first major historian of Chicago, and featuring her own incisive commentary, the volume brings together the impressions of visitors to Chicago over two and a half centuries, from the early years of Westward Expansion to the height of the Great Depression. In addition to writings from better known personalities such as Rudyard Kipling and Waldo Frank, the book collects the opinions of missionaries, aristocrats, journalists, and politicians—observers who were perfectly placed to comment on the development of the city, its inhabitants, and well known events that would one day define Chicago history, such as the Great Fire of 1871 and the 1893 World's Fair.

Taking us back to a time when Chicago was "more astonishing than the wildest visions of the most vagrant imaginations," As Others See Chicago offers an enthralling portrait of an enduring American metropolis.
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cover of Asbury Park's Glory Days: The Story of an American Resort

Asbury Park's Glory Days

The Story of an American Resort

Pike, Helen-Chantal

Rutgers University Press, 2007

Long before Bruce Springsteen picked up a guitar; before Danny DeVito drove a taxi; before Jack Nicholson flew over the cuckoo's nest, Asbury Park was a seashore Shangri-La filled with shimmering odes to civic greatness, world-renowned baby parades, temples of retail, and atmospheric movie palaces. It was a magnet for tourists, a summer vacation mecca-to some degree New Jersey's own Coney Island.

In Asbury Park's Glory Days, award-winning author Helen-Chantal Pike chronicles the city's heyday-the ninety-year period between 1890 and 1980. Pike illuminates the historical conditions contributing to the town's cycle of booms and recessions. She investigates the factors that influenced these peaks, such as location, lodging, dining, nightlife, merchandising, and immigration, and how and why millions of people spent their leisure time within this one-square-mile boundary on the northern coast of the state. Pike also includes an epilogue describing recent attempts to resurrect this once-vibrant city.
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cover of At Ansha's: Life in the Spirit Mosque of a Healer in Mozambique

At Ansha's

Life in the Spirit Mosque of a Healer in Mozambique

Daria Trentini

Rutgers University Press, 2021

At Ansha's takes the reader inside the spirit mosque of a female healer in Nampula, northern Mozambique. It is here that Ansha, a Makonde spirit healer, heals the resisting ailments of her patients, discloses pieces of her story of affliction and healing, and engages the world outside her mosque. We come to know Ansha’s experiences as revolutionary and migrant, her religious trajectories, family, the healers who cured her, the spirits who possessed her, and her declining health. We follow Ansha’s shifts in her life and work in the mosque as these intersect with the visible and invisible borders of Mozambique and of its fraught history. Confronting events in her life and in the mosque between 2009 and 2016, Ansha invites us to make meaning with her, as we sit in her mosque, and engage with her family, spirits, friends, patients, and world.
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cover of At Pyramid Lake

At Pyramid Lake

Bernard Mergen

University of Nevada Press, 2014

Pyramid Lake is one of the largest lakes in the Great Basin, the terminus of the Truckee River flowing from Lake Tahoe into northern Nevada. This desert oasis, with a surface area of nearly two hundred square miles, is a unique geological feature and was home to the Paiute for thousands of years before the arrival of explorer John C. Frémont in 1844.

For the Paiute, it was a spiritual center that provided life-sustaining resources, such as the cui-ui, a fish unique to the lake and now endangered. For the ranchers and farmers who settled on tribal lands, the waters that flowed into it were necessary to raise cattle and crops. Mergen tells how these competing interests have interacted with the lake and with each other, from the Paiute War of 1860 to the present. The lake’s very existence was threatened by dams and water diversion; it was saved by tribal claims, favorable court decisions, improved water laws, and the rise of environmentalism.

At Pyramid Lake is about more than Indians and water wars, however. It is the story of railroads on the reservation and the role of federal, state, and private groups interested in sportfishing. It is about scientists, artists, and tourists who were captivated by the lake’s beauty. Finally, it is also a story of the lake as a place of spiritual renewal and celebration. Mergen grew up near its shores in the 1940s and returned frequently through the years. In this cultural history, he combines his personal remembrances with other source material, including novels, poetry, newspaper and magazine journalism, unpublished manuscripts, and private conversations, to paint a fascinating portrait of one of Nevada’s natural wonders.
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cover of At the Border of Empires: The Tohono O'odham, Gender, and Assimilation, 1880-1934

At the Border of Empires

The Tohono O'odham, Gender, and Assimilation, 1880-1934

Andrae M. Marak and Laura Tuennerman

University of Arizona Press, 2013

The story of the Tohono O’odham peoples offers an important account of assimilation. Bifurcated by a border demarcating Mexico and the United States that was imposed on them after the Gadsden Purchase in 1853, the Tohono O’odham lived at the edge of two empires. Although they were often invisible to the majority cultures of the region, they attracted the attention of reformers and government officials in the United States, who were determined to “assimilate” native peoples into “American society.” By focusing on gender norms and ideals in the assimilation of the Tohono O’odham, At the Border of Empires provides a lens for looking at both Native American history and broader societal ideas about femininity, masculinity, and empire around the turn of the twentieth century.

Beginning in the 1880s, the US government implemented programs to eliminate “vice” among the Tohono O’odham and to encourage the morals of the majority culture as the basis of a process of “Americanization.” During the next fifty years, tribal norms interacted with—sometimes conflicting with and sometimes reinforcing—those of the larger society in ways that significantly shaped both government policy and tribal experience. This book examines the mediation between cultures, the officials who sometimes developed policies based on personal beliefs and gender biases, and the native people whose lives were impacted as a result. These issues are brought into useful relief by comparing the experiences of the Tohono O’odham on two sides of a border that was, from a native perspective, totally arbitrary.
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cover of At the Margins: Minority Groups in Premodern Italy

At the Margins

Minority Groups in Premodern Italy

Stephen J. Milner

University of Minnesota Press, 2005

Slaves, foundlings, prostitutes, nuns, homosexuals, exiles, the elderly, and mountain communities - such groups stood at the margins of society in premodern Italy. But where precisely the margins were was not so easily determined. Examining these minorities as the buffer zones between more readily recognizable centers, At the Margins explores identity as a process rather than a fixed entity, stressing the multiplicity of groups to which individuals belonged. By tracing the shifting relations of social margins to centers in Italy between the thirteenth and seventeenth centuries - and showing how these shifts in turn relate to social order and identity formation - the authors challenge entrenched ideas about the nature of the Renaissance and its role in shaping modernity. Behind much cultural theory lies a critique of the centrality of modernity and its foundations in the discourse of Renaissance humanism. And yet, as this volume reveals, the insights of contemporary cultural theory serve to expose the flaws in this picture of cultural hegemony and, in decentering the Renaissance, return it to the heart of cultural debate.
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cover of Attu Boy: A Young Alaskan's WWII Memoir

Attu Boy

A Young Alaskan's WWII Memoir

Nick Golodoff

University of Alaska Press, 2015

In the quiet of morning, exactly six months after Pearl Harbor, the Japanese touched down on American soil. Landing on the remote Alaska island of Attu, they assailed an entire village, holding the Alaskan villagers for two months and eventually corralling all survivors into a freighter bound for Japan.
One of those survivors, Nick Golodoff, became a prisoner of war at just six years old. He was among the dozens of Unangan Attu residents swept away to Hokkaido, and one of only twenty-five to survive. Attu Boy tells Golodoff’s story of these harrowing years as he found both friendship and cruelty at the hands of the Japanese. It offers a rare look at the lives of civilian prisoners and their captors in WWII-era Japan. It also tells of Golodoff’s bittersweet return to a homeland torn apart by occupation and forced internments. Interwoven with other voices from Attu, this richly illustrated memoir is a testament to the struggles, triumphs, and heartbreak of lives disrupted by war.
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cover of Authentic Texas: People of the Big Bend

Authentic Texas

People of the Big Bend

By Marcia Hatfield Daudistel and Bill Wright

University of Texas Press, 2013

Winner, Southwest Book Award, Border Regional Library Association, 2015

The Texas of vast open spaces inhabited by independent, self-reliant men and women may be more of a dream than a reality for the state’s largely urban population, but it still exists in the Big Bend. One of the most sparsely settled areas of the United States, the Big Bend attracts people who are willing to forego many modern conveniences for a lifestyle that proclaims “don’t fence me in.” Marcia Hatfield Daudistel and Bill Wright believe that the character traits exemplified by folks in the Big Bend—including self-sufficiency, friendliness, and neighborliness—go back to the founding of the state. In this book, they introduce us to several dozen Big Bend residents—old and young, long-settled and recently arrived, racially diverse—who show us what it means to be an authentic Texan.

Interviewing people in Marathon, Big Bend National Park, Terlingua, Redford, Presidio, Alpine, Marfa, Valentine, Balmorhea, Limpia Crossing, and Fort Davis, Daudistel and Wright discover the reasons why residents of the Big Bend make this remote area of Texas their permanent home. In talking to ranchers and writers, entrepreneurs and artists, people living off the grid and urban refugees, they find a common willingness to overcome difficulties through individual skill and initiative. As one interviewee remarks, you have to have a lot of “try” in you to make a life in the Big Bend. Bill Wright’s photographs of the people and landscapes are a perfect complement to the stories of these authentic Texans. Together, these voices and images offer the most complete, contemporary portrait of the Texas Big Bend.

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cover of Away Happens

Away Happens

Phil Crossman

University Press of New England, 2005

“Several years ago it was revealed to me that creative nonfiction was a legitimate literary genre,” writes Phil Crossman. “It was the most liberating experience of my life. All these years I thought I’d been simply lying.” Crossman is a humorist in the Mark Twain mold: wry, satiric, and keenly aware of the shortcomings of human beings, but with a leavening of self-deprecation and underlying sympathy. Though rooted in a regional consciousness (coastal Maine), his humor succeeds in making the local universal. Away Happens considers daily life on an island in Penobscot Bay that supports both a tight-knit local community and a larger seasonal population. Whether he is recounting a debate that happened at the Lions Club over who counts as a “local” or describing his adventures getting the Thanksgiving turkey into the oven, ruminating on how the ferry schedule shapes island life or recalling a local crime spree, Crossman is funny, unsentimental, and authentically Maine. “There are only two places, Here, this island off the coast of Maine, and Away. Here, this place, is a small place and Away, everywhere else, is a big place, but make no mistake about it, Here is Here and Away is not. 1276 people live Here. Billions more live Away than live Here, although increasingly, during the summer, it seems otherwise.” —From the Book
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cover of Awkward Rituals: Sensations of Governance in Protestant America

Awkward Rituals

Sensations of Governance in Protestant America

Dana W. Logan

University of Chicago Press, 2022

A fresh account of early American religious history that argues for a new understanding of ritual.

In the years between the American Revolution and the Civil War, there was an awkward persistence of sovereign rituals, vestiges of a monarchical past that were not easy to shed. In Awkward Rituals, Dana Logan focuses our attention on these performances, revealing the ways in which governance in the early republic was characterized by white Protestants reenacting the hierarchical authority of a seemingly rejected king. With her unique focus on embodied action, rather than the more common focus on discourse or law, Logan makes an original contribution to debates about the relative completeness of America’s Revolution.
 
Awkward Rituals theorizes an under-examined form of action: rituals that do not feel natural even if they sometimes feel good. This account challenges common notions of ritual as a force that binds society and synthesizes the self. Ranging from Freemason initiations to evangelical societies to missionaries posing as sailors, Logan shows how white Protestants promoted a class-based society while simultaneously trumpeting egalitarianism. She thus redescribes ritual as a box to check, a chore to complete, an embarrassing display of theatrical verve. In Awkward Rituals, Logan emphasizes how ritual distinctively captures what does not change through revolution.
 
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cover of Aztec Music and Dance in California

Aztec Music and Dance in California

Kristina F. Nielsen

University of Illinois Press, 2026

A powerful expression of Indigenous and Mexican identity, Aztec dance has become a part of Mexican and Mexican American cultural life across North America. Kristina F. Nielsen examines California’s Aztec dance communities to illuminate how the dancers interpret authenticity, tradition, history, and Indigenous and national identities through their music and dance practices. Merging history with on-the-ground interviews, Nielsen looks at the different approaches to Aztec dance. Some dancers maintain practices as they have been passed down through lineages of hybrid Indigenous and Catholic practices. Others strive to restore traditions to what they believe they were in the early 1500s. Nielsen’s analysis examines Mexican and Mexican American understandings of Indigenous histories that inform these decisions by Aztec dancers, and considers the ways they intersect with decolonization in the United States. Enlightening and rigorous, Aztec Music and Dance in California takes readers into the dynamic world of an ever-evolving art form.
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