Results by title

Western Books Exhibition, Rounce and Coffin Club

Antbirds and ovenbirds, two of the five largest families of birds found only in the Western Hemisphere, have been among Alexander Skutch's favorites for more than six decades. In this book, he draws on years of observations to describe the life cycle of these fascinating birds, which inhabit Latin America from tropical Mexico to Tierra del Fuego.

Skutch covers all aspects of the birds' lives, including the various species in each family, food and foraging, daily life, voice, displays and courtship, nests and incubation, and parental care. He also recounts anecdotes from his own experiences, creating vivid pictures of antbirds foraging for the insects Skutch stirs up on walks through the rainforest and of ovenbirds repairing the observation holes that he opens in their elaborate nests.

As some of tropical America's least studied birds, antbirds and ovenbirds surely merit the extensive treatment given them here by one of our most distinguished senior ornithologists. Over fifty line drawings by noted bird artist Dana Gardner make this book a delight for both armchair and field naturalists.

‘Ambitious, sophisticated, timely and downright inspirational.’ – Philip Hayward, University of Technology Sydney, Okinawan Journal of Island Studies

'A must read … a new analytical agenda for the Anthropocene, coherently drawing out the power of thinking with islands.' – Elena Burgos Martinez, Leiden University

‘This is an essential book. [The] analytics they propose … offer both a critical agenda for island studies and compass points through which to navigate the haunting past, troubling present, and precarious future.’ – Craig Santos Perez, University of Hawai’i, Manoa

‘All academic books should be like this: hard to put down. Informative, careful, sometimes devasting, yet absolutely necessary - if you read one book about the Anthropocene let it be this. You will never think of islands in the same way again.’ – Kimberley Peters, University of Oldenburg

‘ … a unique journey into the Anthropocene. Critical, generous and compelling’. — Nigel Clark, Lancaster University

The island has become a key figure of the Anthropocene – an epoch in which human entanglements with nature come increasingly to the fore. For a long time, islands were romanticised or marginalised, seen as lacking modernity’s capacities for progress, vulnerable to the effects of catastrophic climate change and the afterlives of empire and coloniality. Today, however, the island is increasingly important for both policy-oriented and critical imaginaries that seek, more positively, to draw upon the island’s liminal and disruptive capacities, especially the relational entanglements and sensitivities its peoples and modes of life are said to exhibit.

Anthropocene Islands: Entangled Worlds explores the significant and widespread shift to working with islands for the generation of new or alternative approaches to knowledge, critique and policy practices. It explains how contemporary Anthropocene thinking takes a particular interest in islands as ‘entangled worlds’, which break down the human/nature divide of modernity and enable the generation of new or alternative approaches to ways of being (ontology) and knowing (epistemology). The book draws out core analytics which have risen to prominence (Resilience, Patchworks, Correlation and Storiation) as contemporary policy makers, scholars, critical theorists, artists, poets and activists work with islands to move beyond the constraints of modern approaches. In doing so, it argues that engaging with islands has become increasingly important for the generation of some of the core frameworks of contemporary thinking and concludes with a new critical agenda for the Anthropocene.

This is by far the best and most comprehensive manual and illustrated guide to native and naturalized vascular plants—ferns, conifers, and flowering plants—growing in aquatic and wetland habitats in northeastern North America, from Newfoundland west to Minnesota and south to Virginia and Missouri. Published in two volumes, this long-awaited work completely revises and greatly expands Norman Fassett’s 1940 classic A Manual of Aquatic Plants, yet retains the features that made Fassett’s book so useful.

 Features include:
 *  coverage of 1139 plant species, 1186 taxa, 295 genera, 109 families
 *  more than 600 pages of illustrations, and illustrations for more than 90% of the taxa
 *  keys for each species include references to corresponding illustrations
 *  habitat information, geographical ranges, and synonomy
 *  a chapter on nuisance aquatic weeds
 *  glossaries of botanical and habitat terms
 *  a full index for each volume

Wetland ecologists, botanists, resource managers, public naturalists, and environmentalists concerned with the preservation of wetland areas, which are increasingly threatened, will welcome this clear, workable, and comprehensive guide.

This is by far the best and most comprehensive manual and illustrated guide to native and naturalized vascular plants—ferns, conifers, and flowering plants—growing in aquatic and wetland habitats in northeastern North America, from Newfoundland west to Minnesota and south to Virginia and Missouri. Published in two volumes, this long-awaited work completely revises and greatly expands Norman Fassett’s 1940 classic A Manual of Aquatic Plants, yet retains the features that made Fassett’s book so useful.

 Features include:
 *  coverage of 1139 plant species, 1186 taxa, 295 genera, 109 families
 *  more than 600 pages of illustrations, and illustrations for more than 90% of the taxa
 *  keys for each species include references to corresponding illustrations
 *  habitat information, geographical ranges, and synonomy
 *  a chapter on nuisance aquatic weeds
 *  glossaries of botanical and habitat terms
 *  a full index for each volume

Wetland ecologists, botanists, resource managers, public naturalists, and environmentalists concerned with the preservation of wetland areas, which are increasingly threatened, will welcome this clear, workable, and comprehensive guide.

Exploring the frozen past to rethink our warming future
 

Do we really know what cold is? In Arcticologies, Lowell Duckert delves into early modern European texts to trace how representations of frigidity from the sixteenth and seventeenth centuries have contributed to historical understandings of climate and contemporary debates on climate change. Arguing that human culture and science are, in fact, indebted to the cold, Duckert suggests that these early depictions offer critical terms for advancing the aims of climate-change activism and assisting in counterapocalyptic thinking.

An imaginative and intellectual journey, Arcticologies reveals the enduring role of cold in wide-ranging storytelling traditions. It draws on Shakespeare’s Hamlet and Othello and the works of Thomas Dekker, René Descartes, and Thomas Hobbes and is informed throughout by contemporary Indigenous writing, including that of Sheila Watt-Cloutier and Leanne Betasamosake Simpson. In reflecting on these assorted accounts, Duckert sees cold as not only an environmental hardship but a source of cultural creativity and resilience, highlighting moments of collaboration between humans and the icy world, from arctic exploration to urban fairs on frozen rivers.

Cold, Duckert makes clear, is more than the absence of warmth. Situating our contemporary obsession with impending planetary meltdown within the mazelike arcticologies of the past, Duckert shows how early modern cold brought about forms of curiosity, vocabulary, and interspecies relationality that can serve us today. In doing so, he asks us to identify what has been lost and who is at risk in today’s thinning cold—while also urging us to imagine alternative futures focused not on inevitable and total collapse but on adaptation and preserving what remains.

A collection of essays on the ecology, biodiversity, and restoration of the Texas Hill Country.

For most of five decades, evolutionary biologist David Hillis has studied the biodiversity of the Texas Hill Country. Since the 1990s, he has worked to restore the natural beauty and diversity of his Mason County ranch, the Double Helix. In his excursions around his ranch and across the Edwards Plateau, Hillis came to realize how little most people know about the plants and animals around them or their importance to our everyday lives. He began thinking about how natural history is connected to our enjoyment of life, especially in a place as beautiful and beloved as the Hill Country, which, not coincidentally, happens to be one of the most biodiverse parts of Texas.

Featuring short nontechnical essays accompanied by vivid color photos, Armadillos to Ziziphus is a charming and casual introduction to the environment of the region. Whether walking the pasture with his Longhorn cattle, explaining the ecological significance of microscopic organisms in springtime mud puddles, or marveling at the local Ziziphus (aka Lotebush, a spiny shrub), Hillis guides first-time visitors and long-term residents alike in an appreciation for the Hill Country’s natural beauty and diversity.

From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society.

In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.

Approximately 75 percent of all fungi that have been described to date belong to the phylum Ascomycota. They are usually referred to as Ascomycetes and are commonly found and collected by mushroom enthusiasts. Ascomycetes exhibit a remarkable range of biodiversity, are beautiful and visually complex, and some, including morels and truffles, are highly prized for their edibility. Many play significant roles in plant ecology because of the mycorrhizal associations that they form. Thus it is remarkable that no book dedicated to describing and illustrating the North American Ascomycetes has been published in over sixty years.

Filling the gap between technical publications and the limited representation of Ascomycetes in general mushroom field guides, Ascomycete Fungi of North America is a scientifically accurate work dedicated to this significant group of fungi. Because it is impossible to describe and illustrate the tens of thousands of species that occur in North America, the authors focus on species found in the continental United States and Canada that are large enough to be readily noticeable to mycologists, naturalists, photographers, and mushroom hunters. They provide 843 color photographs and more than 600 described species, many of which are illustrated in color for the first time. While emphasizing macroscopic field identification characteristics for a general audience, the authors also include microscopic and other advanced information useful to students and professional mycologists. In addition, a color key to the species described in this book offers a visual guide to assist in the identification process.