8642 books match the query '20th Century' and 836 start with a

cover of A Theory of Parody: The Teachings of Twentieth-Century Art Forms

A Theory of Parody

The Teachings of Twentieth-Century Art Forms

Linda Hutcheon

University of Illinois Press, 1985

In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.
Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.
In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect-–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.
 
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cover of A Thirsty Land: The Fight for Water in Texas

A Thirsty Land

The Fight for Water in Texas

By Seamus McGraw

University of Texas Press, 2018

As a changing climate threatens the whole country with deeper droughts and more furious floods that put ever more people and property at risk, Texas has become a bellwether state for water debates. Will there be enough water for everyone? Is there the will to take the steps necessary to defend ourselves against the sea? Is it in the nature of Americans to adapt to nature in flux?

The most comprehensive—and comprehensible—book on contemporary water issues, A Thirsty Land delves deep into the challenges faced not just by Texas but by the nation as a whole, as we struggle to find a way to balance the changing forces of nature with our own ever-expanding needs. Part history, part science, part adventure story, and part travelogue, this book puts a human face on the struggle to master that most precious and capricious of resources, water. Seamus McGraw goes to the taproots, talking to farmers, ranchers, businesspeople, and citizen activists, as well as to politicians and government employees. Their stories provide chilling evidence that Texas—and indeed the nation—is not ready for the next devastating drought, the next catastrophic flood. Ultimately, however, A Thirsty Land delivers hope. This deep dive into one of the most vexing challenges facing Texas and the nation offers glimpses of the way forward in the untapped opportunities that water also presents.

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cover of A Thousand and One Afternoons in Chicago

A Thousand and One Afternoons in Chicago

Ben Hecht

University of Chicago Press, 1992

In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

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cover of A Thousand and One Afternoons in Chicago

A Thousand and One Afternoons in Chicago

Ben Hecht

University of Chicago Press, 2009

In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.

“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement

 

 

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cover of A Tiger Remembers: The Way We Were in Singapore

A Tiger Remembers

The Way We Were in Singapore

Ann Wee

National University of Singapore Press, 2017

Born in the Year of the Fire Tiger, Ann Wee moved to Singapore in 1950 to marry into a Singaporean Chinese family, entering into a new world of cultural expectations and domestic rituals. She went on to become a pioneer in Singapore’s fledging social welfare department and is often described as the founding mother of social work in Singapore. In A Tiger Remembers, she draws on her decades of experience getting to know the many shapes and forms of the Singapore family and witnessing how they transformed since the ’50s.
 
Wee’s talent is for remembering and paying homage to the things history books often deem insignificant—things that can contain some of the most illuminating details about the day to day inner workings of families from many backgrounds, such as terms of endearment; the emotional nuance in social relations; questions of hygiene; the stories of convicts; tales of ghost wives and changeling babies; anecdotes from rural clan settlements and migrant dormitories; and the migration of families from squatter settlements into public housing. Affectionately observed and wittily narrated, with a deep appreciation of how far Singapore has come, this book brings to life generations of social change through a focus on the institution of the family.
 
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cover of A Time for Tea: Women, Labor, and Post/Colonial Politics on an Indian Plantation

A Time for Tea

Women, Labor, and Post/Colonial Politics on an Indian Plantation

Piya Chatterjee

Duke University Press, 2001

In this creative, ethnographic, and historical critique of labor practices on an Indian plantation, Piya Chatterjee provides a sophisticated examination of the production, consumption, and circulation of tea. A Time for Tea reveals how the female tea-pluckers seen in advertisements—picturesque women in mist-shrouded fields—came to symbolize the heart of colonialism in India. Chatterjee exposes how this image has distracted from terrible working conditions, low wages, and coercive labor practices enforced by the patronage system.
Allowing personal, scholarly, and artistic voices to speak in turn and in tandem, Chatterjee discusses the fetishization of women who labor under colonial, postcolonial, and now neofeudal conditions. In telling the overarching story of commodity and empire, A Time for Tea demonstrates that at the heart of these narratives of travel, conquest, and settlement are compelling stories of women workers. While exploring the global and political dimensions of local practices of gendered labor, Chatterjee also reflects on the privileges and paradoxes of her own “decolonization” as a Third World feminist anthropologist. The book concludes with an extended reflection on the cultures of hierarchy, power, and difference in the plantation’s villages. It explores the overlapping processes by which gender, caste, and ethnicity constitute the interlocked patronage system of villages and their fields of labor. The tropes of coercion, consent, and resistance are threaded through the discussion.
A Time for Tea will appeal to anthropologists and historians, South Asianists, and those interested in colonialism, postcolonialism, labor studies, and comparative or international feminism.

Designated a John Hope Franklin Center book by the John Hope Franklin Seminar Group on Race, Religion, and Globalization.

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cover of A Time of Youth: San Francisco, 1966–1967

A Time of Youth

San Francisco, 1966–1967

William Gedney

Duke University Press, 2021

A year before 1967's famed Summer of Love, documentary photographer William Gedney set out for San Francisco on a Guggenheim Fellowship to record “aspects of our culture which I believe significant and which I hope will become, in time, part of the visual record of American history.” A Time of Youth brings together eighty-seven of the more than two thousand photographs Gedney took in San Francisco's Haight-Ashbury neighborhood between October 1966 and January 1967. In these photographs Gedney documents the restless and intertwined lives of the disenchanted youth who flocked to what became the epicenter of 1960s counterculture. Gedney lived among these young people in their communal homes, where he captured the intimate and varied contours of everyday life: solitude and companionship, joyous celebration and somber quiet, cramped rooms and spacious parks, recreation and contemplation. In these images Gedney presents a portrait of a San Francisco counterculture that complicates popular depictions of late 1960s youth as carefree flower children. The book also includes facsimiles of handwritten descriptions of the scenes Gedney photographed, his thoughts on organizing the book, and other ephemera.
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cover of A Time to Speak: The Story of a Young American Lawyer's Struggle for His City—and Himself

A Time to Speak

The Story of a Young American Lawyer's Struggle for His City—and Himself

Charles Morgan Jr., With a New Foreword by Senator Doug Jones

University of Alabama Press, 2022

Brings back into print a classic account of courage and calamity in the long march toward racial justice in the South, and the nation

On September 15, 1963, a bomb exploded at the Sixteenth Street Baptist Church in Birmingham, Alabama, killing four young Black girls. The very next day, a prominent white lawyer named Charles Morgan Jr. was scheduled to speak at a luncheon held by the Young Men’s Business Club of Birmingham. A well-regarded figure in the city’s legal and business establishment, Morgan had been mentioned frequently as a candidate for political office. To the shock of his longtime friends and associates, Morgan deviated from his planned remarks, instead using his platform to place the blame for the murder of the four young girls squarely on the shoulders of the city’s white middle-class establishment, those seated before him.

As much as his stand was admired nationally, in Birmingham the results were destructive for him personally. Threats against his life and the lives of his family poured in daily by phone and mail, his political career was finished, and he was faced with financial ruin. Within weeks, he moved his family out of the state, and thenceforward committed himself to legal action in the name of racial justice. In 1964, he established the regional office of the ACLU in Atlanta. In the 1964 Supreme Court case Reynolds v. Sims, Morgan successfully argued that districts in state legislatures needed to be of nearly equal size, establishing the principle of “one man, one vote” to effectively end the use of gerrymandering.

A Time to Speak was originally published in 1964, a mere year after Morgan and his family fled Birmingham. The memoir recounts not only his speech, but his entire upbringing and the political, cultural, and social milieus in which he was raised and which gave rise to the cowardice, institutional silence, fear, and hate that those conditions nursed. This new edition features a foreword from US Senator Doug Jones.
 

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cover of A Tough Little Patch of History: Gone with the Wind and the Politics of Memory

A Tough Little Patch of History

Gone with the Wind and the Politics of Memory

Jennifer W. Dickey

University of Arkansas Press, 2014

More than seventy-five years after its publication, Gone with the Wind remains thoroughly embedded in American culture. Margaret Mitchell’s novel and the film produced by David O. Selznick have melded with the broader forces of southern history, southern mythology, and marketing to become, and remain, a cultural phenomenon.

A Tough Little Patch of History (the phrase was coined by a journalist in 1996 to describe the Margaret Mitchell home after it was spared from destruction by fire) explores how Gone with the Wind has remained an important component of public memory in Atlanta through an analysis of museums and historic sites that focus on this famous work of fiction. Jennifer W. Dickey explores how the book and film threw a spotlight on Atlanta, which found itself simultaneously presented as an emblem of both the Old South and the New South. Exhibitions produced by the Atlanta History Center related to Gone with the Wind are explored, along with nearby Clayton County’s claim to fame as “the Home of Gone with the Wind,” a moniker bestowed on the county by Margaret Mitchell’s estate in 1969. There’s a recounting of the saga of “the Dump,” the tiny apartment in midtown Atlanta where Margaret Mitchell wrote the book, and how this place became a symbol for all that was right and all that was wrong with Mitchell’s writing.

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cover of A Transforming Faith: Explorations of Twentieth-Century American Evangelicalism

A Transforming Faith

Explorations of Twentieth-Century American Evangelicalism

David Harrington Watt

Rutgers University Press, 1991

Over the course of the twentieth century, evangelicals have in a variety of ways adjusted their world view to accommodate the changes in modern life. At the same time, there are important continuities between the ideas and attitudes of evangelicals in the 1920s and those of the late 1970s. Little attention has actually been paid to changes in this important social and political group since the Scopes trial and the election of 1976, when evangelical concerns played a major role in national politics. David Watt, in this readable and persuasive book, examines what happened in that fifty-year period. This book is an intellectual history of the evangelical movement in the period of its rise to prominence and power.

What Watt finds is that changes were more striking than continuities. Many of these changes manifested themselves in shifts of focus--from an emphasis on the second coming of Christ to the family, from privatization to politicization of religious concerns, from an antipathy to therapeutic practices to an acceptance of many of the assumptions of modern psychology. Watt believes that evangelicalism, as every other "ism," is subject to the influence of conflicting ideologies.

The book explores ideas and attitudes, not practice. It is based on the popular literature produced by evangelicals. In many ways it does not develop and prove a thesis; rather, it puts what we think we know about the experience of evangelicalism in this country into the context of the lives of evangelicals themselves.

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cover of A Troubled Birth: The 1930s and American Public Opinion

A Troubled Birth

The 1930s and American Public Opinion

Susan Herbst

University of Chicago Press, 2021

Pollsters and pundits armed with the best public opinion polls failed to predict the election of Donald Trump in 2016. Is this because we no longer understand what the American public is? In A Troubled Birth, Susan Herbst argues that we need to return to earlier meanings of "public opinion" to understand our current climate.

Herbst contends that the idea that there was a public—whose opinions mattered—emerged during the Great Depression, with the diffusion of radio, the devastating impact of the economic collapse on so many people, the appearance of professional pollsters, and Franklin Roosevelt’s powerful rhetoric. She argues that public opinion about issues can only be seen as a messy mixture of culture, politics, and economics—in short, all the things that influence how people live. Herbst deftly pins down contours of public opinion in new ways and explores what endures and what doesn’t in the extraordinarily troubled, polarized, and hyper-mediated present. Before we can ask the most important questions about public opinion in American democracy today, we must reckon yet again with the politics and culture of the 1930s.
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cover of A Troubled Dream: The Promise and Failure of School Desegregation in Louisiana

A Troubled Dream

The Promise and Failure of School Desegregation in Louisiana

Carl L. Bankston

Vanderbilt University Press, 2002

Winner, Louisiana Literary Award 2003

Fifty years after Brown v. Board of Education, the United States still has a long way to go to attain true integration of our educational system.

Using extensive interviews and a wealth of statistical information, Bankston and Caldas examine the failed desegregation efforts in Louisiana as a case study to show how desegregation has followed the same unsuccessful pattern across the United States. Strong supporters of the dream of integration, Bankston and Caldas show that the practical difficulty with desegregation is that academic environments are created by all the students in a school from the backgrounds that all the students bring with them. Unfortunately, the disadvantages that minority children have to overcome affect schools more than schools can help remedy these disadvantages.

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cover of A Union Like Ours: The Love Story of F. O. Matthiessen and Russell Cheney

A Union Like Ours

The Love Story of F. O. Matthiessen and Russell Cheney

Scott Bane

University of Massachusetts Press, 2022

After a chance meeting aboard the ocean liner Paris in 1924, Harvard University scholar and activist F. O. Matthiessen and artist Russell Cheney fell in love and remained inseparable until Cheney’s death in 1945. During the intervening years, the men traveled throughout Europe and the United States, achieving great professional success while contending with serious personal challenges, including addiction, chronic disease, and severe depression.

During a hospital stay, years into their relationship, Matthiessen confessed to Cheney that “never once has the freshness of your life lost any trace of its magic for me. Every day is a new discovery of your wealth.” Situating the couple’s private correspondence alongside other sources, Scott Bane tells the remarkable story of their relationship in the context of shifting social dynamics in the United States. From the vantage point of the present day, with marriage equality enacted into law, Bane provides a window into the realities faced by same-sex couples in the early twentieth century, as they maintained relationships in the face of overt discrimination and the absence of legal protections.

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cover of A Union for Appalachian Healthcare Workers: The Radical Roots and Hard Fights of Local 1199

A Union for Appalachian Healthcare Workers

The Radical Roots and Hard Fights of Local 1199

John Hennen

West Virginia University Press, 2021

History at the intersection of healthcare, labor, and civil rights.

The union of hospital workers usually referred to as the 1199 sits at the intersection of three of the most important topics in US history: organized labor, health care, and civil rights. John Hennen’s book explores the union’s history in Appalachia, a region that is generally associated with extractive industries but has seen health care grow as a share of the overall economy.

With a multiracial, largely female, and notably militant membership, 1199 was at labor’s vanguard in the 1970s, and Hennen traces its efforts in hospitals, nursing homes, and healthcare centers in West Virginia, eastern Kentucky, and Appalachian Ohio. He places these stories of mainly low-wage women workers within the framework of shake-ups in the late industrial and early postindustrial United States, relying in part on the words of Local 1199 workers and organizers themselves. Both a sophisticated account of an overlooked aspect of Appalachia’s labor history and a key piece of context for Americans’ current concern with the status of “essential workers,” Hennen’s book is a timely contribution to the fields of history and Appalachian studies and to the study of social movements.
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cover of A Village with My Name: A Family History of China's Opening to the World

A Village with My Name

A Family History of China's Opening to the World

Scott Tong

University of Chicago Press, 2017

When journalist Scott Tong moved to Shanghai, his assignment was to start the first full-time China bureau for “Marketplace,” the daily business and economics program on public radio stations across the United States. But for Tong the move became much more—it offered the opportunity to reconnect with members of his extended family who had remained in China after his parents fled the communists six decades prior. By uncovering the stories of his family’s history, Tong discovered a new way to understand the defining moments of modern China and its long, interrupted quest to go global.
 
A Village with My Name offers a unique perspective on the transitions in China through the eyes of regular people who have witnessed such epochal events as the toppling of the Qing monarchy, Japan’s occupation during World War II, exile of political prisoners to forced labor camps, mass death and famine during the Great Leap Forward, market reforms under Deng Xiaoping, and the dawn of the One Child Policy. Tong’s story focuses on five members of his family, who each offer a specific window on a changing country: a rare American-educated girl born in the closing days of the Qing Dynasty, a pioneer exchange student, an abandoned toddler from World War II who later rides the wave of China’s global export boom, a young professional climbing the ladder at a multinational company, and an orphan (the author’s daughter) adopted in the middle of a baby-selling scandal fueled by foreign money. Through their stories, Tong shows us China anew, visiting former prison labor camps on the Tibetan plateau and rural outposts along the Yangtze, exploring the Shanghai of the 1930s, and touring factories across the mainland.
 
With curiosity and sensitivity, Tong explores the moments that have shaped China and its people, offering a compelling and deeply personal take on how China became what it is today.
 
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cover of A Violent Peace: Media, Truth, and Power at the League of Nations

A Violent Peace

Media, Truth, and Power at the League of Nations

Carolyn N. Biltoft

University of Chicago Press, 2021

The newly born League of Nations confronted the post-WWI world—from growing stateless populations to the resurgence of right-wing movements—by aiming to create a transnational, cosmopolitan dialogue on justice. As part of these efforts, a veritable army of League personnel set out to shape “global public opinion,” in favor of the postwar liberal international order. Combining the tools of global intellectual history and cultural history, A Violent Peace reopens the archives of the League to reveal surprising links between the political use of modern information systems and the rise of mass violence in the interwar world. Historian Carolyn N. Biltoft shows how conflicts over truth and power that played out at the League of Nations offer broad insights into the nature of totalitarian regimes and their use of media flows to demonize a whole range of “others.”
 
An exploration of instability in information systems, the allure of fascism, and the contradictions at the heart of a global modernity, A Violent Peace paints a rich portrait of the emergence of the age of information—and all its attendant problems.
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cover of A Visitable Past: Views of Venice by American Artists, 1860-1915

A Visitable Past

Views of Venice by American Artists, 1860-1915

Margaretta M. Lovell

University of Chicago Press, 1988

In this ambitious and imaginative study, Margaretta M. Lovell analyzes the large body of accomplished, sometimes startling, often brilliant work of American artists drawn to Venice's ragged splendor in the last century. Including major works by such diverse and talented painters as James McNeill Whistler, John Singer Sargent, and Maurice Prendergast, these richly varied paintings portray sleepy canals, architectural monuments, and scenes of picturesque everyday life while they also reveal surprising aspects of American culture.
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cover of A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women's Innnovative Writing

A Vocabulary of Thinking

Gertrude Stein and Contemporary North American Women's Innnovative Writing

Deborah M. Mix

University of Iowa Press, 2007

Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha. By distinguishing a vocabulary-which is flexible, evolving, and simultaneously individual and communal--from a lexicon-which is recorded, fixed, and carries the burden of masculine authority--Mix argues that Stein's experimentalism both enables and demands the complex responses of these authors.
    Arguing that these authors have received relatively little attention because of the difficulty in categorizing them, Mix brings the writing of women of color, lesbians, and collaborative writers into the discussion of experimental writing. Thus, rather than exploring conventional lines of influence, she departs from earlier scholarship by using Stein and her work as a lens through which to read the ways these authors have renegotiated tradition, authority, and innovation.
    Building on the tradition of experimental or avant-garde writing in the United States, Mix questions the politics of the canon and literary influence, offers close readings of previously neglected contemporary writers whose work doesn't fit within conventional categories, and by linking genres not typically associated with experimentalism-lyric, epic, and autobiography-challenges ongoing reevaluations of innovative writing.
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cover of A Voice in Their Own Destiny: Reagan, Thatcher, and Public Diplomacy in the Nuclear 1980s

A Voice in Their Own Destiny

Reagan, Thatcher, and Public Diplomacy in the Nuclear 1980s

Anthony M. Eames

University of Massachusetts Press, 2023

On June 8, 1982, Ronald Reagan delivered a historic address to the British Parliament, promising that the United States would give people around the world “a voice in their own destiny” in the struggle against Soviet totalitarianism. While British Prime Minister Margaret Thatcher celebrated Reagan’s visit and thanked him for putting “freedom on the offensive,” over 100,000 Britons marched from Hyde Park to Trafalgar Square to protest his arrival and call for nuclear disarmament. Reagan’s homecoming was equally eventful, with 1,000,000 protesters marking his return with a rally for nuclear disarmament in Central Park—the largest protest in American history up to that point.

Employing a wide range of previously unexamined primary sources, Anthony M. Eames demonstrates how the Reagan and Thatcher administrations used innovations in public diplomacy to build back support for their foreign policy agendas at a moment of widespread popular dissent. A Voice in Their Own Destiny traces how competition between the governments of Reagan and Thatcher, the Anglo-American antinuclear movement, and the Soviet peace offensive sparked a revolution in public diplomacy.

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cover of A Wall Is Just a Wall: The Permeability of the Prison in the Twentieth-Century United States

A Wall Is Just a Wall

The Permeability of the Prison in the Twentieth-Century United States

Reiko Hillyer

Duke University Press, 2024

Throughout the twentieth century, even the harshest prison systems in the United States were rather porous. Incarcerated people were regularly released from prison for Christmas holidays; the wives of incarcerated men could visit for seventy-two hours relatively unsupervised; and governors routinely commuted the sentences of people convicted of murder. By the 1990s, these practices had become rarer as politicians and the media—in contrast to corrections officials—described the public as potential victims who required constant protection against the threat of violence. In A Wall Is Just a Wall Reiko Hillyer focuses on gubernatorial clemency, furlough, and conjugal visits to examine the origins and decline of practices that allowed incarcerated people to transcend prison boundaries. Illuminating prisoners’ lived experiences as they suffered, critiqued, survived, and resisted changing penal practices, she shows that the current impermeability of the prison is a recent, uneven, and contested phenomenon. By tracking the “thickening” of prison walls, Hillyer historicizes changing ideas of risk, the growing bipartisan acceptance of permanent exile and fixing the convicted at the moment of their crime as a form of punishment, and prisoners’ efforts to resist.
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cover of A War for the Soul of America, Second Edition: A History of the Culture Wars

A War for the Soul of America, Second Edition

A History of the Culture Wars

Andrew Hartman

University of Chicago Press, 2019

When it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account of the way they developed and came to define American politics as the twentieth century drew to its close. Receiving nearly as much attention, however, was Hartman’s declaration that the culture wars were over—and the left had won. In the wake of Trump’s rise, which was driven in large part by aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date, detailing the ways in which Trump’s success, while undeniable, represents the last gasp of culture war politics—and how the reaction he has elicited can show us early signs of the very different politics to come.
 “As a guide to the late twentieth-century culture wars, Hartman is unrivalled. . . . Incisive portraits of individual players in the culture wars dramas. . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.”—New Republic
 
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cover of A War for the Soul of America: A History of the Culture Wars

A War for the Soul of America

A History of the Culture Wars

Andrew Hartman

University of Chicago Press, 2015

When Patrick Buchanan took the stage at the Republican National Convention in 1992 and proclaimed, “There is a religious war going on for the soul of our country,” his audience knew what he was talking about: the culture wars, which had raged throughout the previous decade and would continue until the century’s end, pitting conservative and religious Americans against their liberal, secular fellow citizens. It was an era marked by polarization and posturing fueled by deep-rooted anger and insecurity.
 
Buchanan’s fiery speech marked a high point in the culture wars, but as Andrew Hartman shows in this richly analytical history, their roots lay farther back, in the tumult of the 1960s—and their significance is much greater than generally assumed. Far more than a mere sideshow or shouting match, the culture wars, Hartman argues, were the very public face of America’s struggle over the unprecedented social changes of the period, as the cluster of social norms that had long governed American life began to give way to a new openness to different ideas, identities, and articulations of what it meant to be an American. The hot-button issues like abortion, affirmative action, art, censorship, feminism, and homosexuality that dominated politics in the period were symptoms of the larger struggle, as conservative Americans slowly began to acknowledge—if initially through rejection—many fundamental transformations of American life.
 
As an ever-more partisan but also an ever-more diverse and accepting America continues to find its way in a changing world, A War for the Soul of America reminds us of how we got here, and what all the shouting has really been about.
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cover of A World More Concrete: Real Estate and the Remaking of Jim Crow South Florida

A World More Concrete

Real Estate and the Remaking of Jim Crow South Florida

N. D. B. Connolly

University of Chicago Press, 2014

Many people characterize urban renewal projects and the power of eminent domain as two of the most widely despised and often racist tools for reshaping American cities in the postwar period. In A World More Concrete, N. D. B. Connolly uses the history of South Florida to unearth an older and far more complex story.  Connolly captures nearly eighty years of political and land transactions to reveal how real estate and redevelopment created and preserved metropolitan growth and racial peace under white supremacy.  Using a materialist approach, he offers a long view of capitalism and the color line, following much of the money that made land taking and Jim Crow segregation profitable and preferred  approaches to governing cities throughout the twentieth century.

A World More Concrete argues that black and white landlords, entrepreneurs, and even liberal community leaders used tenements and repeated land dispossession to take advantage of the poor and generate remarkable wealth.  Through a political culture built on real estate, South Florida’s landlords and homeowners advanced property rights and white property rights, especially, at the expense of more inclusive visions of equality. For black people and many of their white allies, uses of eminent domain helped to harden class and color lines.  Yet, for many reformers, confiscating certain kinds of real estate through eminent domain also promised to help improve housing conditions, to undermine the neighborhood influence of powerful slumlords, and to open new opportunities for suburban life for black Floridians.

Concerned more with winners and losers than with heroes and villains, A World More Concrete offers a sober assessment of money and power in Jim Crow America.  It shows how negotiations between powerful real estate interests on both sides of the color line gave racial segregation a remarkable capacity to evolve, revealing property owners’ power to reshape American cities in ways that can still be seen and felt today.
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cover of A World in Flames: A Concise Military History of World War II

A World in Flames

A Concise Military History of World War II

Martha Byrd

University of Alabama Press, 2008

An essential, accessible guide to the greatest conflict in human history.

A World in Flames by Martha Byrd offers a clear, compelling, and comprehensive chronicle of World War II, guiding readers through the defining battles, strategies, and turning points that reshaped the modern world. Emphasizing the military history of the conflict, Byrd structures the narrative as a battle‑by‑battle survey, covering major campaigns including Stalingrad, Omaha Beach, and the Battle of the Atlantic, each presented with clarity and precision. 

Beginning with the prelude to war and the rising tensions across Europe and Asia, the book traces Germany’s swift subjugation of Holland, Belgium, and France before shifting to Britain’s determined resistance. As the conflict expands, Byrd explores Japan’s entry into the war, the rapid advances across the Pacific, and the United States’ pivotal role in reversing Axis momentum. 

Byrd’s accessible style makes complex military operations understandable without sacrificing depth, offering readers both a broad overview and meaningful detail. Maps, campaign analyses, and vivid summaries of naval, air, and ground operations provide context for the global scale of the conflict. From the brutal Eastern Front to the island‑hopping campaigns of the Pacific, the book highlights the strategic decisions and human costs that defined the war’s progression. 

Concluding with the collapse of Axis power and the war’s final climactic battles in Europe and the Pacific, A World in Flames stands as an excellent introduction for readers seeking a concise but thorough account of World War II—one praised for its balance of readability, accuracy, and narrative drive. 

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cover of A World of Homeowners: American Power and the Politics of Housing Aid

A World of Homeowners

American Power and the Politics of Housing Aid

Nancy H. Kwak

University of Chicago Press, 2015

Is there anything more American than the ideal of homeownership? In this groundbreaking work of transnational history, Nancy H. Kwak reveals how the concept of homeownership became one of America’s major exports and defining characteristics around the world. In the aftermath of World War II, American advisers urged countries to pursue greater access to homeownership, arguing it would give families a literal stake in their nations, jumpstart a productive home-building industry, fuel economic growth, and raise the standard of living in their countries, helping to ward off the specter of communism.

A World of Homeowners charts the emergence of democratic homeownership in the postwar landscape and booming economy; its evolution as a tool of foreign policy and a vehicle for international investment in the 1950s, ’60s, and ’70s; and the growth of lower-income homeownership programs in the United States from the 1960s to today. Kwak unravels all these threads, detailing the complex stories and policy struggles that emerged from a particularly American vision for global democracy and capitalism. Ultimately, she argues, the question of who should own homes where—and how—is intertwined with the most difficult questions about economy, government, and society.
[more]
cover of A World of Turmoil: The United States, China, and Taiwan in the Long Cold War

A World of Turmoil

The United States, China, and Taiwan in the Long Cold War

stephen hartnett

Michigan State University Press, 2021

The United States, the People’s Republic of China, and Taiwan have danced on the knife’s edge of war for more than seventy years. A work of sweeping historical vision, A World of Turmoil offers case studies of five critical moments: the end of World War II and the start of the Long Cold War; the almost-nuclear war over the Quemoy Islands in 1954–1955; the détente, deceptions, and denials surrounding the 1972 Shanghai Communiqué; the Taiwan Strait Crisis of 1995–1996; and the rise of postcolonial nationalism in contemporary Taiwan. Diagnosing the communication dispositions that structured these events reveals that leaders in all three nations have fallen back on crippling stereotypes and self-serving denials in their diplomacy. The first communication-based study of its kind, this book merges history, rhetorical criticism, and advocacy in a tour de force of international  scholarship. By mapping the history of miscommunication between the United States, China, and Taiwan, this provocative study shows where and how our entwined relationships have gone wrong, clearing the way for renewed dialogue, enhanced trust, and new understandings.
[more]
cover of A Year In Place

A Year In Place

W Scott Olsen

University of Utah Press, 2001

W. Scott Olsen and Bret Lott invited a dozen friends to consider one particular calendar month in the place they call home. The result is A Year in Place, a captivating collection of new writing by twelve eminent American writers.

More than a montage of voices and experiences, A Year in Place illustrates, as Olsen and Lott explain in their introduction, the trends in American thinking about who we are and what we care about. Rick Bass takes us to the Yaak Valley of Montana in June, where fawns are arriving, "newly-emerged, knocked-legged and groggy, legs still unfolding from that long sleeping passage." Peggy Shumaker explores the special social and cultural time that is March in Fairbanks, Alaska, where a long winter has whetted the psychic despair of inhabitants who find in the "sky’s unbearable brightness . . . a waking pain beyond endurance." Michael Martone transports us through memory to Indiana in the 1950s where each May a blimp "yawed and floated up," wallowing above a suburban neighborhood on its way to the Indianapolis 500.

These and nine other contributions yield an unforgettable book about "the places we find ourselves blessed enough to be."

[more]
cover of A Year at the Supreme Court

A Year at the Supreme Court

Neal Devins and Davison M. Douglas, eds.

Duke University Press, 2004

The United States Supreme Court’s 2002–03 term confounded Court watchers. The same Rehnquist Court that many had seen as solidly conservative and unduly activist—the Court that helped decide the 2000 presidential election and struck down thirty-one federal statutes since 1995—issued a set of surprising, watershed rulings. In a term filled with important and unpredictable decisions, it upheld affirmative action, invalidated a same-sex sodomy statute, and reversed a death sentence due to ineffective assistance of counsel. With essays focused on individual Justices, Court practices, and some of last year’s most important rulings, this volume explores the meaning and significance of the Court’s 2002–03 term. Seasoned Supreme Court advocates and journalists from The New Republic, The Los Angeles Times, Newsweek, National Journal, Slate, and Legal Times grapple with questions about the Rehnquist Court’s identity and the Supreme Court’s role in the political life of the country.

Some essays consider the role of “swing” Justices Sandra Day O’Connor and Anthony Kennedy within a Court that divides 5–4 more than any other group of Justices in the nation’s history. Others examine the political reaction to and legal context of the Court’s Lawrence v. Texas decision declaring a Texas law criminalizing homosexual sodomy unconstitutional. Contributors analyze the Court’s rulings on affirmative action and reassess its commitment to states’ rights. Considering the Court’s practices, one advocate explores the use and utility of amicus curiae, or “friend of the court” briefs, while another reflects on indications of an increased openness by the Court to public scrutiny. Two advocates who argued cases before the Court—one related to hate speech and the other to a “three strikes and you’re out” criminal statute—offer vivid accounts of their experiences. Intended for general readers, A Year at the Supreme Court is for all those who want to understand the Rehnquist Court and its momentous 2002–03 term.

Contributors
Erwin Chemerinsky
Neal Devins
Davison M. Douglas
David J. Garrow
Dahlia Lithwick
Tony Mauro
Carter Phillips
Ramesh Ponnuru
Jeffrey Rosen
David G. Savage
Rodney A. Smolla
Stuart Taylor Jr.

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cover of A Young Palestinian's Diary, 1941–1945: The Life of Sami 'Amr

A Young Palestinian's Diary, 1941–1945

The Life of Sami 'Amr

Translated, annotated, and with an introduction by Kimberly Katz

University of Texas Press, 2009

Writing in his late teens and early twenties, Sāmī ‘Amr gave his diary an apt subtitle: The Battle of Life, encapsulating both the political climate of Palestine in the waning years of the British Mandate as well as the contrasting joys and troubles of family life. Now translated from the Arabic, Sāmī's diary represents a rare artifact of turbulent change in the Middle East.

Written over four years, these ruminations of a young man from Hebron brim with revelations about daily life against a backdrop of tremendous transition. Describing the public and the private, the modern and the traditional, Sāmī muses on relationships, his station in life, and other universal experiences while sharing numerous details about a pivotal moment in Palestine's modern history. Making these never-before-published reflections available in translation, Kimberly Katz also provides illuminating context for Sāmī's words, laying out biographical details of Sāmī, who kept his diary private for close to sixty years. One of a limited number of Palestinian diaries available to English-language readers, the diary of Sāmī ‘Amr bridges significant chasms in our understanding of Middle Eastern, and particularly Palestinian, history.

[more]
cover of A&R Pioneers: Architects of American Roots Music on Record

A&R Pioneers

Architects of American Roots Music on Record

Brian Ward

Vanderbilt University Press, 2018

Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019

A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer."

Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.
[more]
cover of A. Philip Randolph and the Struggle for Civil Rights

A. Philip Randolph and the Struggle for Civil Rights

Cornelius L. Bynum

University of Illinois Press, 2010

A. Philip Randolph's career as a trade unionist and civil rights activist fundamentally shaped the course of black protest in the mid-twentieth century. Standing alongside W. E. B. Du Bois, Marcus Garvey, and others at the center of the cultural renaissance and political radicalism that shaped communities such as Harlem in the 1920s and into the 1930s, Randolph fashioned an understanding of social justice that reflected a deep awareness of how race complicated class concerns, especially among black laborers. Examining Randolph's work in lobbying for the Brotherhood of Sleeping Car Porters, threatening to lead a march on Washington in 1941, and establishing the Fair Employment Practice Committee, Cornelius L. Bynum shows that Randolph's push for African American equality took place within a broader progressive program of industrial reform. Some of Randolph's pioneering plans for engineering change--which served as foundational strategies in the civil rights movement of the 1950s and 1960s--included direct mass action, nonviolent civil disobedience, and purposeful coalitions between black and white workers. Bynum interweaves biographical information on Randolph with details on how he gradually shifted his thinking about race and class, full citizenship rights, industrial organization, trade unionism, and civil rights protest throughout his activist career.
[more]
cover of AFRICOBRA: Experimental Art toward a School of Thought

AFRICOBRA

Experimental Art toward a School of Thought

Wadsworth A. Jarrell

Duke University Press, 2020

Formed on the South Side of Chicago in 1968 at the height of the civil rights, Black power, and Black arts movements, the AFRICOBRA collective created a new artistic visual language rooted in the culture of Chicago's Black neighborhoods. The collective's aesthetics, especially the use of vibrant color, capture the rhythmic dynamism of Black culture and social life. In AFRICOBRA, painter, photographer, and collective cofounder Wadsworth A. Jarrell tells the definitive story of the group's creation, history, and artistic and political principles. From accounts of the painting of the groundbreaking Wall of Respect mural and conversations among group members to documentation of AFRICOBRA's exhibits in Chicago, New York, and Boston, Jarrell outlines how the collective challenged white conceptions of art by developing an artistic philosophy and approach wholly divested of Western practices. Featuring nearly one hundred color images of artworks, exhibition ephemera, and photographs, this book is at once a sourcebook history of AFRICOBRA and the story of visionary artists who rejected the white art establishment in order to create uplifting art for all Black people.
[more]
cover of AFSCME's Philadelphia Story: Municipal Workers and Urban Power in the Twentieth Century

AFSCME's Philadelphia Story

Municipal Workers and Urban Power in the Twentieth Century

Francis Ryan

Temple University Press, 2011

AFSCME's Philadelphia Story provides the most comprehensive account of the early years of the American Federation of State, County and Municipal Employees, which is one of the nation’s largest and most politically powerful unions in the AFL-CIO. Author Francis Ryan details the emergence of the Quaker City's interracial union, charting its beginnings in the political patronage system of one of the nation's most notorious political machines to the first decade of the twenty-first century. Ryan provides new insight into the working class origins of African American political power in the late twentieth century as well as a thorough overview of the role the municipal state played in the urban economy of one of the nation's largest cities.

Ryan describes the work processes and how they changed, and uses workers' testimonies to ground the detailed accounts of issues and negotiations. Beginning in the 1920s and ending in the 2000s, Ryan's study offers a long-term analysis of the growth of a single union in a major American city.

[more]
cover of ANY FRIEND OF THE MOVEMENT: NETWORKING FOR BIRTH CONTROL 1920-1940

ANY FRIEND OF THE MOVEMENT

NETWORKING FOR BIRTH CONTROL 1920-1940

JIMMY ELAINE WILKINS MEYER

The Ohio State University Press, 2004

[more]
cover of ASML and Dutch Physics: A History of the Advanced Research Center for Nanolithography (ARCNL), 2014-2024

ASML and Dutch Physics

A History of the Advanced Research Center for Nanolithography (ARCNL), 2014-2024

Hein Brookhuis

Amsterdam University Press, 2025

In 2014, the global market leader in advanced chipmaking machines ASML joined forces with NWO, AMOLF, the University of Amsterdam, and Vrije Universiteit to establish a new research institute in the Netherlands: the Advanced Research Center for Nanolithography (ARCNL). ARCNL represents a unique form of public-private collaboration in science, aligned with a political climate that actively encouraged partnerships between academia and industry. How did this collaboration come into being, and how did it function in practice? And what consequences did this institutional arrangement have for the scientists involved?
ASML and Dutch Physics draws on archival research and interviews to offer insight into how science and industry interact, the motivations that drive such partnerships, and how scientific and technological perspectives are balanced. It reveals how the political and societal context of the twenty-first century imposes new demands on contemporary scientists.
[more]
cover of Aaron Copland in Latin America: Music and Cultural Politics

Aaron Copland in Latin America

Music and Cultural Politics

Carol A. Hess

University of Illinois Press, 2023

Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.
[more]
cover of Aaron Henry of Mississippi: Inside Agitator

Aaron Henry of Mississippi

Inside Agitator

Minion K. C. Morrison

University of Arkansas Press, 2015

Winner of the 2016 Lillian Smith Book Award

When Aaron Henry returned home to Mississippi from World War II service in 1946, he was part of wave of black servicemen who challenged the racial status quo. He became a pharmacist through the GI Bill, and as a prominent citizen, he organized a hometown chapter of the NAACP and relatively quickly became leader of the state chapter.

From that launching pad he joined and helped lead an ensemble of activists who fundamentally challenged the system of segregation and the almost total exclusion of African Americans from the political structure. These efforts were most clearly evident in his leadership of the integrated Mississippi Freedom Democratic Party delegation, which, after an unsuccessful effort to unseat the lily-white Democratic delegation at the Democratic National Convention in 1964, won recognition from the national party in 1968.

The man who the New York Times described as being “at the forefront of every significant boycott, sit-in, protest march, rally, voter registration drive and court case” eventually became a rare example of a social-movement leader who successfully moved into political office. Aaron Henry of Mississippi covers the life of this remarkable leader, from his humble beginnings in a sharecropping family to his election to the Mississippi house of representatives in 1979, all the while maintaining the social-change ideology that prompted him to improve his native state, and thereby the nation.
[more]
cover of Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel

Abandoning the Black Hero

Sympathy and Privacy in the Postwar African American White-Life Novel

Charles, John C

Rutgers University Press, 2012

Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby.

John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency.

In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.

[more]
cover of Abbie Hoffman: American Rebel

Abbie Hoffman

American Rebel

Jezer, Marty

Rutgers University Press, 1993

In this sympathetic history of a maligned decade, Marty Jezer, a fellow antiwar activist, details Abbie Hoffman's humor, manic energy, depressive spells, political skills, & above all, his incurable & still contagious optimism. He presents a thoughtful, solidly researched biography of the wildly creative & iconoclastic Yippie, portraying Hoffman as a fresh force in American political culture. Jezer surveys in detail the politics, philosophies, & struggles of the antiwar movement.

"... Abbie, more than any other radical, showed potheads how to demonstrate and radicals how to dance." -- Chicago Tribune

"... deeply sympathetic and scrupulously detached-a triumph of judicious empathy." -- MARTIN DUBERMAN, Distinguished Professor of History, Lehman/The Graduate School, C.U.N.Y.

"... details Hoffman's humor, manic energy, depressive spells, political skills, and above all, his Incurable and still contagious optimism." -- Entertainment Weekly

"Here's the Abbie I knew and loved! Marty Jezer has captured him in all his complexity, dedication, humor, and heart." -- ANITA HOFFMAN
[more]
cover of Aberrations In Black: Toward a Queer of Color Critique

Aberrations In Black

Toward a Queer of Color Critique

Roderick A. Ferguson

University of Minnesota Press, 2003

A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture

The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture—sexual difference—can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology—Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson—has measured African Americans’s unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans’s culture and behavior deviated from those norms, they would not achieve economic and racial equality.

Aberrations in Black tells the story of canonical sociology’s regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories—the narrative of capital’s emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture—works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story—one in which people who presumably manifest the dysfunctions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery—a never-published chapter of Invisible Man that deals with a gay character in a way that complicates and illuminates Ellison’s project.

Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson’s work introduces a new mode of discourse—which Ferguson calls queer of color analysis—that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology.

[more]
cover of Abortion at Work: Ideology and Practice in a Feminist Clinic

Abortion at Work

Ideology and Practice in a Feminist Clinic

Simonds, Wendy

Rutgers University Press, 1996

How do feminist identity and abortion politics intersect? Specifically, what does feminism mean to women working to feminist health care and abortion services in the late 1980s and early 1990s? What are the ideological consequences and emotional tolls of doing such work in a hostile socio-cultural environment? Can feminism and bureaucracy coexist productively? How do feminists confront the anti-feminist opposition, from anti-abortion protesters outside to racism within feminist organizations?

These are the questions that drive Wendy Simonds' Abortion at Work. Simonds documents the ways in which workers at a feminist clinic construct compelling feminist visions, and also watch their ideals fall short in practice. Simonds interprets these women's narratives to get at how abortion works on feminism, and to show what feminism can gain by rethinking abortion utilizing these activists' terms. In thoroughly engaging prose, Simonds frames her analysis with a moving account of her own personal understanding of the issues.
[more]
cover of Abortion, Choice, and Contemporary Fiction: The Armageddon of the Maternal Instinct

Abortion, Choice, and Contemporary Fiction

The Armageddon of the Maternal Instinct

Judith Wilt

University of Chicago Press, 1990

In recent years, public debate has raged over the issue of maternal choice. While personal testimony and political argument have received widespread attention, artistic representations of birth and abortion have been submerged. Judith Wilt offers the first look at how contemporary writers tell and retell the stories that shape our perceptions about abortion. She reveals that the struggle to plot these painful, complex narratives of choice, control, guilt, loss, and liberation has preoccupied an astonishing number of our most distinguished novelists, male and female alike. Readers of twentieth-century novels are more likely to encounter plots centered on maternal choice than those dealing with the more traditional problems of courtship and marriage.

In the opening of the book, Wilt discusses real case histories of several women. After studying the ambiguities of their decisions, she turns to their counterpoints depicted in contemporary fiction. Working from a feminist perspective, Wilt traces the theme of maternal choice in works by Margaret Atwood, Margaret Drabble, Joan Didion, Mary Gordon, Alice Walker, Toni Morrison, Gloria Naylor, Marge Piercy, Thomas Keneally, Graham Swift, Ernest Hemingway, William Faulkner, John Barth, John Irving, and others.

Behind the political, medical, and moral debates on abortion, Wilt argues, is a profound psychocultural shock at the recognition that maternity is passing from the domain of instinct to that of conscious choice. Although never wholly instinctual, maternity's potential capture by consciousness raises complex questions. The novels Wilt discusses portray worlds in which principles are endangered by sexual inequality, male power and hidden male fear of abandonment, impotence, female submission, and covert rage, and, in the case of black maternity, the hideous aftermath of slavery.

Wilt provides a resonant new context for debates—whether political or personal—on the issue of abortion and maternal choice. Ultimately she enables us to rethink how we shape our own identities and lives.
[more]
cover of Above All, We Are Jews: A Biography of Rabbi Alexander Schindler

Above All, We Are Jews

A Biography of Rabbi Alexander Schindler

Michael A. Meyer

Central Conference of American Rabbis, 2025

Rabbi Alexander Schindler (1925–2000) was an extraordinarily influential leader in the history of Reform Judaism. From 1973 to 1996, he served as president of the Union of American Hebrew Congregations (today’s Union for Reform Judaism), where his charisma and vision raised the Reform Movement to unprecedented influence. Never afraid to be controversial, he argued for recognizing patrilineal descent, institutionalized outreach to interfaith families and non-Jews, and championed LGBTQ rights and racial equality. He was a tireless advocate for Israel while maintaining diaspora Jews’ right to speak out independently on the Jewish state. In this nuanced biography, historian Michael A. Meyer draws on extensive archival research and interviews to paint a definitive portrait of Schindler’s life. A foreword by Jonathan D. Sarna situates Schindler in American Jewish history, and Rabbi Rick Jacobs’s afterword reflects on his legacy.
[more]
cover of Above the Fray: The Red Cross and the Making of the Humanitarian NGO Sector

Above the Fray

The Red Cross and the Making of the Humanitarian NGO Sector

Shai M. Dromi

University of Chicago Press, 2020

From Lake Chad to Iraq, nongovernmental organizations (NGOs) provide relief around the globe, and their scope is growing every year. Policy makers and activists often assume that humanitarian aid is best provided by these organizations, which are generally seen as impartial and neutral. In Above the Fray, Shai M. Dromi investigates why the international community overwhelmingly trusts humanitarian NGOs by looking at the historical development of their culture. With a particular focus on the Red Cross, Dromi reveals that NGOs arose because of the efforts of orthodox Calvinists, demonstrating for the first time the origins of the unusual moral culture that has supported NGOs for the past 150 years.

Drawing on archival research, Dromi traces the genesis of the Red Cross to a Calvinist movement working in mid-nineteenth-century Geneva. He shows how global humanitarian policies emerged from the Red Cross founding members’ faith that an international volunteer program not beholden to the state was the only ethical way to provide relief to victims of armed conflict. By illustrating how Calvinism shaped the humanitarian field, Dromi argues for the key role belief systems play in establishing social fields and institutions. Ultimately, Dromi shows the immeasurable social good that NGOs have achieved, but also points to their limitations and suggests that alternative models of humanitarian relief need to be considered.
[more]
cover of Abraham Epstein: The Forgotten Father of Social Security

Abraham Epstein

The Forgotten Father of Social Security

Pierre Epstein

University of Missouri Press, 2006

Social Security has long been called the third rail of American politics—an unassailable institution for which we can thank Franklin Delano Roosevelt. Or can we?
Abraham Epstein was a major figure in American social reform during the first half of the twentieth century. His name and his theories appear in almost every book written on Social Security and the New Deal, but a full account of his life has never been made. Epstein’s son, Pierre, now secures his legacy in this book that tells for the first time the story of his father’s role in the conception and enactment of Social Security and sheds new light on the inner workings of the Roosevelt administration.
Combining memoir and intellectual history, Pierre Epstein takes readers behind the scenes of New Deal legislation to tell how his father’s fast-moving career led him to become the real architect of Social Security—he even came up with those two words to explain his theories. A prolific journalist, founder of the American Association for Social Security, and author of numerous books, including Insecurity: A Challenge to America, Abe Epstein fought desperately with FDR to remedy the failings of the original Social Security Act—only to be cast aside by political machinations. Nonetheless, the exclusion did not stop him from making significant contributions to the 1939 amendments that solidified Social Security for coming generations of Americans.
In this book readers will meet a colorful and tenacious player in the history of this critical piece of social insurance legislation—an obsessed reformer who mobilized support from the bottom up for his vision of Social Security. They will also meet his family and learn of the struggles and frustrations Abe Epstein faced in making his way in America as an immigrant Russian Jew.
This engaging book fills a major gap in the historical record, showing that Social Security is more than a technical subject about finance and actuarial statistics, that it is primarily a human idea with deep philosophical roots. In the face of today’s privatization controversy, Abraham Epstein’s theories have much to tell us about the current debate while Pierre Epstein’s insightful narrative shows us the underlying importance of one man’s indelible legacy.
[more]
cover of Abraham Lincoln in the Post-Heroic Era: History and Memory in Late Twentieth-Century America

Abraham Lincoln in the Post-Heroic Era

History and Memory in Late Twentieth-Century America

Barry Schwartz

University of Chicago Press, 2008

By the 1920s, Abraham Lincoln had transcended the lingering controversies of the Civil War to become a secular saint, honored in North and South alike for his steadfast leadership in crisis. Throughout the Great Depression and World War II, Lincoln was invoked countless times as a reminder of America’s strength and wisdom, a commanding ideal against which weary citizens could see their own hardships in perspective.
 
But as Barry Schwartz reveals in Abraham Lincoln in the Post-Heroic Era, those years represent the apogee of Lincoln’s prestige. The decades following World War II brought radical changes to American culture, changes that led to the diminishing of all heroes—Lincoln not least among them. As Schwartz explains, growing sympathy for the plight of racial minorities, disenchantment with the American state, the lessening of patriotism in the wake of the Vietnam War, and an intensifying celebration of diversity, all contributed to a culture in which neither Lincoln nor any single person could be a heroic symbol for all Americans. Paradoxically, however, the very culture that made Lincoln an object of indifference, questioning, criticism, and even ridicule was a culture of unprecedented beneficence and inclusion, where racial, ethnic, and religious groups treated one another more fairly and justly than ever before. Thus, as the prestige of the Great Emancipator shrank, his legacy of equality continued to flourish.
 
Drawing on a stunning range of sources—including films, cartoons, advertisements, surveys, shrine visitations, public commemorations, and more—Schwartz documents the decline of Lincoln’s public standing, asking throughout whether there is any path back from this post-heroic era. Can a new generation of Americans embrace again their epic past, including great leaders whom they know to be flawed?  As the 2009 Lincoln Bicentennial approaches, readers will discover here a stirring reminder that Lincoln, as a man, still has much to say to us—about our past, our present, and our possible futures.
 
[more]
cover of Abstract Expressionism: The International Context

Abstract Expressionism

The International Context

Marter, Joan

Rutgers University Press, 2007

Over fifty years have passed since Abstract Expressionism burst onto the New York City art scene, quickly attaining singular prominence as the first school in American painting to declare its independence from European styles. New assessments of its impact and importance continue to emerge. Yet, while much has been written about the movement’s broad range of stylistic diversity, its sociological and psychological dimensions, and its cultural significance in the United States, little attention has been paid to the interaction of its artists on the international scene. Abstract Expressionism: The International Context fills this gap by providing an in-depth exploration of this truly global art movement.

Bringing together fifteen original and path-breaking essays by world-class authorities on Abstract Expressionism as well as by younger scholars, this anthology looks beyond the canonical painters to explore the broader connections among abstract artists of the post–World War II era. Moving from the margins to the center, the essays recognize the contributions of artists working far beyond New York City. Topics include Jackson Pollock’s contact with Mexican muralists and the legacy of Abstract Expressionism for leftist artists in Latin America, the relevance of Jean-Paul Sartre and Samuel Beckett as sources of philosophical thought, the significance of northern European CoBrA painters such as Asger Jorn, the impact of Japanese Gutai artists, and connections with the revolutionary art of Italy, Belgium, and France. Abstract Expressionism is also described as a model for contemporaneous developments in the former Soviet Union.

As the first book to consider the movement in relation to post–World War II abstraction on four continents, this book brings a fresh perspective to this widely studied school of painting. Scholars and students alike will find this anthology essential reading in creating a more complete and nuanced understanding of Abstract Expressionism.

[more]
cover of Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art

Abstraction in Reverse

The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art

Alexander Alberro

University of Chicago Press, 2017

During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe.

Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world. 
[more]
cover of Abuela in Shadow, Abuela in Light

Abuela in Shadow, Abuela in Light

Rigoberto González

University of Wisconsin Press, 2022

Standing over two graves, Rigoberto González studies the names “Ramon” and “María” under the family name “González.” “She was María Carrillo, not María González,” he thinks. His grandmother is missing. So begins González’s memoir, a journey to recover a more complete picture of his grandmother, who raised him following his mother’s death.
 
González travels to his abuela’s birthplace, Michoacán, Mexico, and along the way recovers his memories of a past he had tried to leave behind. A complex woman who was forced to take on maternal roles and suffered years of abuse, his grandmother simultaneously resisted traditional gender roles; she was kind yet unaffectionate, and she kept many secrets in a crowded household with little personal space. Sifting through family histories and anecdotes, González pieces together the puzzling life story of a woman who was present in her grandson’s life yet absent during his emotional journey as a young man discovering his sexuality and planning his escape from a toxic and abusive environment.
 
From fragments of memory and story, González ultimately creates a portrait of an unconventional yet memorable grandmother, a hard-working Indigenous Mexican woman who remained an enigma while she was alive. A grandmother, he shows, is more than what her descendants remember; she is also all that has been forgotten or never known. Through this candid exploration of his own family, González explores how we learn to remember and honor those we’ve lost.
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cover of Abuse of Power: How Cold War Surveillance and Secrecy Policy Shaped the Response to 9/11

Abuse of Power

How Cold War Surveillance and Secrecy Policy Shaped the Response to 9/11

Authored by Athan Theoharis

Temple University Press, 2011

Athan Theoharis, long a respected authority on surveillance and secrecy, established his reputation for meticulous scholarship with his work on the loyalty security program developed under Truman and McCarthy. In Abuse of Power, Theoharis continues his investigation of U.S. government surveillance and historicizes the 9/11 response.

Criticizing the U.S. government's secret activities and policies during periods of "unprecedented crisis," he recounts how presidents and FBI officials exploited concerns about foreign-based internal security threats.

Drawing on information sequestered until recently in FBI records, Theoharis shows how these secret activities in the World War II and Cold War eras expanded FBI surveillance powers and, in the process, eroded civil liberties without substantially advancing legitimate security interests.

Passionately argued, this timely book speaks to the costs and consequences of still-secret post-9/11 surveillance programs and counterintelligence failures. Ultimately, Abuse of Power makes the case that the abusive surveillance policies of the Cold War years were repeated in the government's responses to the September 11 attacks.

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