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3576 books match the query 'American' and 350 start with a

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Anarchist Modernism

Art, Politics, and the First American Avant-Garde

Allan Antliff

University of Chicago Press, 2001

The relationship of the anarchist movement to American art during the World War I era is most often described as a "tenuous affinity" between two distinct spheres: political and artistic. In Anarchist Modernism—the first in-depth exploration of the role of anarchism in the formation of early American modernism—Allan Antliff reveals that modernists participated in a wide-ranging movement that encompassed lifestyles, literature, and art, as well as politics. Drawing on a wealth of hitherto unknown information, including interviews and reproductions of lost works, he examines anarchism's influence on a telling cross-section of artists such as Robert Henri, Elie Nadelman, Man Ray, and Rockwell Kent. He also traces the interactions between cultural figures and thinkers including Emma Goldman, Alfred Stieglitz, Ezra Pound, and Ananda Coomaraswamy.

By situating American art's evolution in the progressive politics of the time, Antliff offers a richly illustrated chronicle of the anarchist movement and also revives the creative agency of those who shaped and implemented modernism for radical ends.

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Ancient Creek

A Folktale

Gurney Norman

Ohio University Press, 2012

A classic tale of heroism and revolution by celebrated Kentucky writer Gurney Norman. First published in 1975 as a spoken-word record, Gurney Norman’s classic folktale tells the story of resistance among “the folks” in a mythical “hill domain” ruled by an absurd but evil king. Told in mock-heroic language, the story employs satire, comic irony, regional speech, and “the voice of a storyteller,” as a fugitive hero, Jack, leads the people in revolt against an oppressive monarchy. Featuring cover art by eastern Kentucky artist Pam Oldfield Meade, this new edition of Ancient Creek includes four essays about the story by scholar Annalucia Accardo, writer Dee Davis, professor Kevin I. Eyster, and the late poet and scholar Jim Wayne Miller. Published in 2012 by Old Cove Press

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And All These Roads Be Luminous

Poems Selected and New

Angela Jackson

Northwestern University Press, 1997

As Angela Jackson has developed as a poet, her poetry has engaged various artistic perspectives yet always maintains a characteristic combination of compassion, grace, and daring. Drawing from earlier works contained in chapbooks, And All These Roads Be Luminous is filled with a world of characters engaged in explorations of identity, sexuality, creativity, and spirituality--all revealed through a passionate verse brimming with surprises.

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And Her Soul Out Of Nothing

Olena Kalytiak Davis

University of Wisconsin Press, 1997

Both contemporary and other-worldly, Davis's lyrical poetry is a fearless expression of the spirit which defines the very essence of our beings.

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And Here

100 Years of Upper Peninsula Writing, 1917–2017

Ronald Riekki

Michigan State University Press, 2017

Upper Peninsula literature has traditionally been suppressed or minimized in Michigan anthologies and Michigan literature as a whole. Even the Upper Peninsula itself has been omitted from maps, creating a people and a place that have become in many ways “ungeographic.” These people and this place are strongly made up of traditionally marginalized groups such as the working class, the rural poor, and Native Americans, which adds even more insult to the exclusion and forced oppressive silence. And Here: 100 Years of Upper Peninsula Writing, 1917–2017, gives voice to Upper Peninsula writers, ensuring that they are included in Michigan’s rich literary history. Ambitiously, And Here includes great U.P. writing from every decade spanning from the 1910s to the 2010s, starting with Lew R. Sarett’s (a.k.a. Lone Caribou) “The Blue Duck: A Chippewa Medicine Dance” and ending with Margaret Noodin’s “Babejianjisemigad” and Sally Brunk’s “KBIC.” Taken as a whole, the anthology forcefully insists on the geographic and literary inclusion of the U.P.—on both the map and the page.

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Angeleno Days

An Arab American Writer on Family, Place, and Politics

Gregory Orfalea

University of Arizona Press, 2009

Though he has spent half of his life elsewhere, Gregory Orfalea has remained obsessed with Los Angeles. That “brutal, beautiful city along the Pacific sea” shaped him and led to a series of essays originally published in the Los Angeles Times Magazine. These deeply moving pieces are gathered here together for the first time.

Populated with fascinating characters—the Angelenos of Orfalea’s life—these essays tell the story of the author’s trials. He returns to Los Angeles to teach, trying to reconcile the LA of his childhood with the city he now faces. He takes on progressively more difficult and painful subjects, finally confronting the memories of the shocking tragedy that took the lives of his father and sister.

With more than 400,000 Arab Americans in Los Angeles—probably surpassing Detroit as the largest contingent in America—Orfalea also explores his own community and its political and social concerns. He agonizes over another destruction of Lebanon and examines in searing detail a massacre of civilians in Iraq.

Angeleno Days takes the memoir and personal essay to rare heights. Orfalea is a deeply human writer who reveals not only what it means to be human in America now, but also what it will take to remain human in the days to come. These essays soar, confound, reveal, and strike at our senses and sensibilities, forcing us to think and feel in new ways.

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Anglo-American Feminist Challenges to the Rhetorical Traditions

Virginia Woolf, Mary Daly, Adrienne Rich

Krista Ratcliffe

Southern Illinois University Press, 1996

Although women and men have different relationships to language and to each other, traditional theories of rhetoric do not foreground such gender differences. Krista Ratcliffe argues that because feminists generally have not conceptualized their language theories from the perspective of rhetoric and composition studies, rhetoric and composition scholars must construct feminist theories of rhetoric by employing a variety of interwoven strategies: recovering lost or marginalized texts; rereading traditional rhetoric texts; extrapolating rhetorical theories from such nonrhetoric texts as letters, diaries, essays, cookbooks, and other sources; and constructing their own theories of rhetoric.

Focusing on the third option, Ratcliffe explores ways in which the rhetorical theories of Virginia Woolf, Mary Daly, and Adrienne Rich may be extrapolated from their Anglo-American feminist texts through examination of the interrelationship between what these authors write and how they write. In other words, she extrapolates feminist theories of rhetoric from interwoven claims and textual strategies. By inviting Woolf, Daly, and Rich into the rhetorical traditions and by modeling the extrapolation strategy/methodology on their writings, Ratcliffe shows how feminist texts about women, language, and culture may be reread from the vantage point of rhetoric to construct feminist theories of rhetoric. She also outlines the pedagogical implications of these three feminist theories of rhetoric, thus contributing to ongoing discussions of feminist pedagogies.

Traditional rhetorical theories are gender-blind, ignoring the reality that women and men occupy different cultural spaces and that these spaces are further complicated by race and class, Ratcliffe explains. Arguing that issues such as who can talk, where one can talk, and how one can talk emerge in daily life but are often disregarded in rhetorical theories, Ratcliffe rereads Roland Barthes’ "The Old Rhetoric" to show the limitations of classical rhetorical theories for women and feminists. Discovering spaces for feminist theories of rhetoric in the rhetorical traditions, Ratcliffe invites readers not only to question how women have been located as a part of— and apart from—these traditions but also to explore the implications for rhetorical history, theory, and pedagogy.

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Anglophilia

Deference, Devotion, and Antebellum America

Elisa Tamarkin

University of Chicago Press, 2008

Anglophilia charts the phenomenon of the love of Britain that emerged after the Revolution and remains in the character of U.S. society and class, the style of academic life, and the idea of American intellectualism. But as Tamarkin shows, this Anglophilia was more than just an elite nostalgia; it was popular devotion that made reverence for British tradition instrumental to the psychological innovations of democracy. Anglophilia spoke to fantasies of cultural belonging, polite sociability, and, finally, deference itself as an affective practice within egalitarian politics.

Tamarkin traces the wide-ranging effects of anglophilia on American literature, art and intellectual life in the early nineteenth century, as well as its influence in arguments against slavery, in the politics of Union, and in the dialectics of liberty and loyalty before the civil war. By working beyond narratives of British influence, Tamarkin highlights a more intricate culture of American response, one that included Whig elites, college students, radical democrats, urban immigrants, and African Americans. Ultimately, Anglophila argues that that the love of Britain was not simply a fetish or form of shame-a release from the burdens of American culture-but an anachronistic structure of attachement in which U.S. Identity was lived in other languages of national expression.

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Angry Planet

Decolonial Fiction and the American Third World

Anne Stewart

University of Minnesota Press, 2022

Before the idea of the Anthropocene, there was the angry planet

How might we understand an earthquake as a complaint, or erosion as a form of protest—in short, the Earth as an angry planet? Many novels from the end of the millennium did just that, centering around an Earth that acts, moves, shapes human affairs, and creates dramatic, nonanthropogenic change.

In Angry Planet, Anne Stewart uses this literature to develop a theoretical framework for reading with and through planetary motion. Typified by authors like Colson Whitehead, Octavia Butler, and Leslie Marmon Silko, whose work anticipates contemporary critical concepts of entanglement, withdrawal, delinking, and resurgence, angry planet fiction coalesced in the 1990s and delineated the contours of a decolonial ontology. Stewart shows how this fiction brought Black and Indigenous thought into conversation, offering a fresh account of globalization in the 1990s from the perspective of the American Third World, construing it as the era that first made connections among environmental crises and antiracist and decolonial struggles.

By synthesizing these major intersections of thought production in the final decades of the twentieth century, Stewart offers a recent history of dissent to the young movements of the twenty-first century. As she reveals, this knowledge is crucial to incipient struggles of our contemporary era, as our political imaginaries grapple with the major challenges of white nationalism and climate change denial.

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Animate Literacies

Literature, Affect, and the Politics of Humanism

Nathan Snaza

Duke University Press, 2019

In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.

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Anne & Alpheus, 1842–1882

Joe Survant

University of Arkansas Press, 1996

Chosen by Rachel Hadas as the winner of the  Arkansas Poetry Award, Anne & Alpheus: 1842–1882 is a compelling duet of monologues between a frontier man and woman surviving the hardships and recording the small triumphs of life in rural nineteenth-century Kentucky.

Ambitious in breadth and scope, these poems chart the loves and losses of early marriage, the terrors of civilian life during the Civil War, and the universal sorrows of aging, loneliness, and death. Through the distinct voices of Anne and Alpheus Waters, Joe Survant has fashioned a collection with all the sweep of a novel, all the dramatic intensity, poem by poem, of short fiction, and all the earthy, human lyricism of the dramatic monologue. These poems take us into the tobacco sheds, put us behind the plow, let us smell the soil, and
carry us under the stars where Anne and Alpheus walked.

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Another Day on Earth

Timothy Dekin

Northwestern University Press, 2002

This collection of poems emerges as a work of unusual emotional and spiritual clarity and beauty. Before his death Timothy Dekin fashioned a contemporary style based on the pentameter line and the song forms of the English Renaissance poets, and his confessional tone and range of experience from thoughts on mortality and self-worth, struggles with alcoholism, and failings of family love to a Buddhist-like oneness with nature make for a striking combination.

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Another Hill

AN AUTOBIOGRAPHICAL NOVEL

Milton Wolff

University of Illinois Press, 1994

Milton Wolff was the ninth and final commander of the Abraham Lincoln and Lincoln-Washington Battalions that fought for the Loyalists in the Spanish Civil War. Part autobiography, part fiction, Another Hill is his insider's account of the grueling, shattering experience of the Americans who fought against fascism while their country looked the other way.

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Another Kind of Travel

Paul Lake

University of Chicago Press, 1988

"There are bright signs that poetry is making a comeback, in form and content, at least. Paul Lake's Another Kind of Travel is a refreshing case in point."—Arkansas Times

"Lake is not content with simply being precise and original with his descriptions. He possesses another gift of the poetic mind: the ability to make his images, his simple scenes, resonate with meaning."—Wes Ziegler, Arkansas Democrat

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Another Man

Jim Whiteside

University of Wisconsin Press, 2026

Part reckoning with a father’s chronic illness, part coming of age in the Upper South, part meditation on the slow, painful accumulation of adulthood, Another Man considers issues of family, care, and inheritance. These powerful poems capture unexpected moments of lucidity among the desire and heartbreak of becoming oneself.

In his debut collection, Jim Whiteside astonishes with turns of phrases that pinpoint the beauty in the mundane—the “waterfalling bodies” of fish while stocking a pond—and the mundane in the tragic, as with the realization following his father’s death that “in the end so much is paperwork.” In revealing his origin story, Whiteside redefines the queer poem in a more nuanced and contemporary way, acknowledging queer life beyond conventional narratives. Filled with a zeal for life, a yearning for joy, and moments of sublime satisfaction, this collection shimmers with longing and freedom.

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Another Part of a Long Story

Literary Traces of Eugene O'Neill and Agnes Boulton

William Davies King

University of Michigan Press, 2010

"An engrossing biography about the marital breakdown of a major literary figure, of particular interest for what it reveals about O'Neill's creative process, activities, and bohemian lifestyle at the time of his early successes and some of his most interesting experimental work. In addition, King's discussion of Boulton's efforts as a writer of pulp fiction in the early part of the 20th century reveals an interesting side of popular fiction writing at that time, and gives insight into the lifestyle of the liberated woman."
---Stephen Wilmer, Trinity College, Dublin

Biographers of American playwright Eugene O'Neill have been quick to label his marriage to actress Carlotta Monterey as the defining relationship of his illustrious career. But in doing so, they overlook the woman whom Monterey replaced---Agnes Boulton, O'Neill's wife of over a decade and mother to two of his children. O'Neill and Boulton were wed in 1918---a time when she was a successful pulp novelist and he was still a little-known writer of one-act plays. During the decade of their marriage, he gained fame as a Broadway dramatist who rejected commercial compromise, while she mapped that contentious territory known as the literary marriage. His writing reflected her, and hers reflected him, as they tried to realize progressive ideas about what a marriage should be. But after O'Neill left the marriage, he and new love Carlotta Monterey worked diligently to put Boulton out of sight and mind---and most O'Neill biographers have been quick to follow suit.

William Davies King has brought Agnes Boulton to light again, providing new perspectives on America's foremost dramatist, the dynamics of a literary marriage, and the story of a woman struggling to define herself in the early twentieth century. King shows how the configuration of O'Neill and Boulton's marriage helps unlock many of O'Neill's plays. Drawing on more than sixty of Boulton's published and unpublished writings, including her 1958 memoir, Part of a Long Story, and an extensive correspondence, King rescues Boulton from literary oblivion while offering the most radical revisionary reading of the work of Eugene O'Neill in a generation.

William Davies King is Professor of Theater at the University of California, Santa Barbara, and author of several books, most recently Collections of Nothing, chosen by Amazon.com as one of the Best Books of 2008.

Illustration: Eugene O'Neill, Shane O'Neill, and Agnes Boulton ca. 1923. Eugene O'Neill Collection, Beinecke Rare Book and Manuscript Library, Yale University.

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Another South

Experimental Writing in the South

Edited by Bill Lavender, with an introduction by Hank Lazer

University of Alabama Press, 2002

Gathers the best work of flourishing but often-neglected avant-garde southern poets

Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor.

Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young’s “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry.

Hank Lazer’s introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.

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Another Spring

and Other Plays

Yasmine Beverly Rana

Seagull Books, 2025

From Sarajevo to Tunisia to Rome, these five plays trace the invisible scars of exile, where memory and identity are both a burden and a lifeline.

In Another Spring and Other Plays, Yasmine Beverly Rana crafts an intricate tapestry of survival and memory in the wake of war and displacement. Spanning years and continents, these five plays trace the intimate wounds of conflict as they echo through generations. In The Fallen and Another Spring, the ghosts of war haunt the living, forcing them to navigate love, loss, and the shifting landscapes of post-war existence. At the Barre and Icarus and Amina depict the power of art as both sanctuary and rebellion against the forces of migration and exile. The collection concludes with After Rome, where two childhood friends reunite on the eve of the 25th anniversary of the siege of Sarajevo, confronting the long shadows of history.

With poetic and unwavering dialogue, Rana’s plays display the universally resonant struggles of those shaped by war. Another Spring is not just a collection of plays—it is a reflection on resilience and how trauma and art become intertwined in the search for meaning.

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Answering the Ruins

Poems

Gregory Fraser

Northwestern University Press, 2009

Gregory Fraser is an associate professor of English at the University of West Georgia. His first book of poetry, Strange Pietà (2003), won the Walt Mcdonald Poetry Prize and was a finalist for the Walt Whitman Award. A recipient of a grant from the National Endowment for the Arts, Fraser is the coauthor, with Chad Davidson, of the textbook Writing Poetry: Creative and Critical Approaches. He lives in Carrollton, Georgia.

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Antebellum American Women's Poetry

A Rhetoric of Sentiment

Wendy Dasler Johnson

Southern Illinois University Press, 2016

At a time when a woman speaking before a mixed-gender audience risked acquiring the label “promiscuous,” thousands of women presented their views about social or moral issues through sentimental poetry, a blend of affect with intellect that allowed their participation in public debate. Bridging literary and rhetorical histories, traditional and semiotic interpretations, Antebellum American Women's Poetry: A Rhetoric of Sentiment explores an often overlooked, yet significant and persuasive pre–Civil War American discourse.

Considering the logos, ethos, and pathos—aims, writing personae, and audience appeal—of poems by African American abolitionist Frances Watkins Harper, working-class prophet Lydia Huntley Sigourney, and feminist socialite Julia Ward Howe, Wendy Dasler Johnson demonstrates that sentimental poetry was an inportant component of antebellum social activism. She articulates the ethos of the poems of Harper, who presents herself as a properly domestic black woman, nevertheless stepping boldly into Northern pulpits to insist slavery be abolished; the poetry of Sigourney, whose speaker is a feisty, working-class, ambiguously gendered prophet; and the works of Howe, who juggles her fame as the reformist “Battle Hymn” lyricist and motherhood of five children with an erotic Continental sentimentalism.

Antebellum American Women's Poetry makes a strong case for restoration of a compelling system of persuasion through poetry usually dismissed from studies of rhetoric. This remarkable book will change the way we think about women’s rhetoric in the nineteenth century, inviting readers to hear and respond to urgent, muffled appeals for justice in our own day.

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Antebellum at Sea

Maritime Fantasies in Nineteenth-Century America

Jason Berger

University of Minnesota Press, 2012

In the antebellum years, the Western world’s symbolic realities were expanded and challenged as merchant, military, and scientific activity moved into Pacific and Arctic waters. In Antebellum at Sea, Jason Berger explores the roles that early nineteenth-century maritime narratives played in conceptualizing economic and social transitions in the developing global market system and what these chronicles disclose about an era marked by immense change.

Focusing on the work of James Fenimore Cooper and Herman Melville, Berger enhances our understanding of how the nineteenth century negotiated its own tenuous progress by portraying how a wide range of maritime stories lays bare disturbing experiences of the new. Berger draws on Slavoj Žižek’s Lacanian notion of fantasy in order to reconsider the complex way maritime accounts operated in the political landscape of antebellum America, examining topics such as the function of maritime labor know-how within a transformation of scientific knowledge, anxiety produced by conflict between gender-specific and culture-specific forms of enjoyment, and how legal practices illuminate troubling juridical paradoxes at the heart of Polk-era political life.

Addressing the ideas of the antebellum age from unexpected and revealing perspectives, Berger calls on the conception of fantasy to consider how antebellum maritime literature disputes conventional views of American history, literature, and national identity.

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Anthem Speed

Christopher Bolin

University of Iowa Press, 2023

Anthem Speed affirms Christopher Bolin’s emergence as a singular stylist in twenty-first century American poetry. By turns austere, gritty, futuristic, and visionary, Bolin’s poems trace the romance between beauty and destruction like vapor trails, seeming to emerge from nowhere and yielding a lucid, unearthly glow, an evocation of absent presences and scattered signs: “among / the disinformation of the distress feeds,” Bolin writes, “a pilot hears his coordinates / being called by other planes.”

This collection evokes the vividly mysterious remnants of a lost civilization. Its preoccupations are unnervingly familiar: war, injustice, brutalization of land, air, water, and species, technologies of terror and dehumanization. Simultaneously antique and space-age, inhabiting a world of elemental rites and of artificial imaginations, Bolin tests the acoustics of operating rooms, battlefields, courtrooms, and mountainsides, and envisions—with animal acuity—a world imperiled and empowered by its leaders and myths.

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Anti-Imperialist Modernism

Race and Transnational Radical Culture from the Great Depression to the Cold War

Benjamin Balthaser

University of Michigan Press, 2015

Anti-Imperialist Modernism excavates how U.S. cross-border, multi-ethnic anti-imperialist movements at mid-century shaped what we understand as cultural modernism and the historical period of the Great Depression. The book demonstrates how U.S. multiethnic cultural movements, located in political parties, small journals, labor unions, and struggles for racial liberation, helped construct a common sense of international solidarity that critiqued ideas of nationalism and essentialized racial identity. The book thus moves beyond accounts that have tended to view the pre-war “Popular Front” through tropes of national belonging or an abandonment of the cosmopolitanism of previous decades. Impressive archival research brings to light the ways in which a transnational vision of modernism and modernity was fashioned through anti-colonial networks of North/South solidarity.

Chapters examine farmworker photographers in California’s central valley, a Nez Perce intellectual traveling to the Soviet Union, imaginations of the Haitian Revolution, the memory of the U.S.–Mexico War, and U.S. radical writers traveling to Cuba. The last chapter examines how the Cold War foreclosed these movements within a nationalist framework, when activists and intellectuals had to suppress the transnational nature of their movements, often rewriting the cultural past to conform to a patriotic narrative of national belonging.

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Antidote

Corey Van Landingham

The Ohio State University Press, 2013

One of The Believer reader survey's best works of poetry, 2013 • One of Flavorwire's 50 Essential Works of Poetry That Everyone Should Read"

In Antidote—the award-winning debut from Guggenheim Fellow and Levis Reading Prize winner Corey Van Landingham—love equates with disease, valediction becomes a contact sport, the moon turns lunatic, and someone is always watching. Here, the uncanny presses up against the intimate, so each poem undergoes a simultaneous making and unmaking, born and bound in exquisite strangeness.

Van Landingham reinvents elegy through a speaker both transgressive and tender, revealing how grief destabilizes the self and reorders perception. She tips the world upside down, shakes loose the debris, and says, I can make something with this.

Wild and surreal, driven by loss, Antidote embraces the beautiful and the brutal in equal measure, offering startling claims about love—its likeness to hibernation, a car crash, a parasite. Time, landscape, and geography dissolve, leaving behind the raw terrains of departure. Ultimately, the book insists there is no cure for heartbreak, that love can mirror violence, and that goodbye never becomes easier.

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Anyone

Nate Klug

University of Chicago Press, 2015

Milton’s God
Where I-95 meets The Pike,
a ponderous thunderhead flowered—

stewed a minute, then flipped
like a flash card, tattered
edges crinkling in, linings so dark
with excessive bright

that, standing, waiting, at the overpass edge,
the onlooker couldn’t decide

until the end, or even then,
what was revealed and what had been hidden.

Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment upon small scenes—natural and domestic, political and religious—across America’s East and Midwest. The book’s title foregrounds the anonymity it seeks through several means: first, through close observation (a concrete saw, a goshawk, a bicyclist); and, second, via translation (satires from Horace and Catullus, and excerpts from Virgil’s Aeneid). Uniquely among contemporary poetry volumes, Anyone demonstrates fluency in the paradoxes of a religious existence: “To stand sometime / outside my faith . . . or keep waiting / to be claimed in it.” Engaged with theology and the classics but never abstruse, all the while the poems remain grounded in the phenomenal, physical world of “what it is to feel: / moods, half moods, / swarming, then darting loose.”

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Apocalypse South

Judgment, Cataclysm, and Resistance in the Regional Imaginary

Anthony Dyer Hoefer

The Ohio State University Press, 2012

While John Winthrop might have famously uttered the phrase “city upon a hill” on the way to Massachusetts, the strands of millennialism and exceptionalism that remain so central to U.S. political discourse are now dominated by eschatological visions that have emerged from the particular historical experiences of the U.S. South. Despite the strategic exploitation of this reality by political communicators, scholars in the humanities have paid little attention to the eschatological visions offered by southern religious culture.

Fortunately, writers and artists have not ignored such matters; compared to their academic counterparts, southern novelists have been far better attuned to a southern apocalyptic imaginary—a field of reference, drawn from the cosmology of southern evangelical Protestantism, that maps the apocalyptic possibilities of cataclysm, judgment, deliverance, and even revolution onto the landscape of the region. Apocalypse South rectifies the omissions in existing scholarship by interrogating the role of apocalyptic discourse in selected works of fiction by four southern writers—William Faulkner, Richard Wright, Randall Kenan, and Dorothy Allison. In doing so, it reinvigorates discussions of religion in southern literary scholarship and introduces a new element in the ongoing investigation into how regional identities function in notions of national mission and American exceptionalism. Engaging concerns of religion, race, sexuality, and community in fiction from the 1930s to the present, Apocalypse South offers a new conceptual framework for considering what has long been considered “southern Gothic literature”—a framework less concerned with the conventions of a particular literary genre than with the ways in which literature exposes and even tries to make sense of the contradictions within cultures.

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Apocalypse, Darling

Barrie Jean Borich

The Ohio State University Press, 2018

From award-winning author Barrie Jean Borich comes Apocalypse, Darling, a narrative, lyric exploration of the clash between old and new. Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich’s return to a decimated landscape for a misbegotten wedding in which her spouse’s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities, but also one of the most toxic environmental sites in the world.

As concise as a poem and as sweeping as an epic novel, Apocalypse, Darling explores the intersection of American traditional and self-invented social identities and the destruction and re-greening of industrial cityscapes. Borich asks: can toxic landscapes actually be remediated and can patriarchal fathers ever really be forgiven? In a political climate where Borich is forced to daily re-enter the toxic wastelands she thought she’d long left behind, Apocalypse, Darling is an urgent collision of broken spaces, dysfunctional affections, and the reach toward familial and environmental repair.

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Appetite for Change

Soulful Recipes from a North Minneapolis Kitchen

Beth Appetite for Change

University of Minnesota Press, 2024

The delicious recipes and community spirit that have made Appetite for Change a force for good in North Minneapolis

Feed someone a delicious meal, and you've satisfied a moment’s hunger. Show someone how to cultivate, cook, and share good food, and you satisfy the hungry soul of a whole community. Feeding the soul is what Appetite for Change does, working to improve the foodscape in its Northside community through youth-led urban gardens and farmers markets, cooking workshops and a meal box delivery service, and the Breaking Bread Cafe. Sharing both enticing recipes and heartfelt stories of sustenance, Appetite for Change is filled with soul food classics that feature light twists and local touches and show how multiple cultures can commingle within one cookbook—and even one plate.

There are recipes here for everyone: side dishes like Caribbean Coleslaw, Okra Succotash, and Curried Potato Bites; salads, including Purple Rain Salad and Beet It Salad, both created by AFC youth members to sell at Twins baseball games; small plates, from Jackfruit Nachos to Fried Green Tomatoes; and family-favorite soups and stews, like Lentil Sweet Potato Stew and Jambalaya. There are even breakfast options—including Jerk Shrimp and Cheese Grits, Banana Pecan Bread, and a Big, Beautiful Frittata—and desserts ranging from Flourless Chocolate Cake to Cranberry Cream Cheese Bars. And when it’s time to feed a crowd, look no further than the “Community Feasts” chapter, chock-full of recipes as familiar as Fried Chicken and as singular as Delicata Black Bean Tacos.

Healthy, affordable, easy, and delicious, all of the recipes shared here connect with stories of how the people and purpose behind Appetite for Change have brought nourishing hope and new life to an entire community.

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Apple Betty and Sloppy Joe

Stirring Up the Past with Family Recipes and Stories

Susan Sanvidge

Wisconsin Historical Society Press, 2007

Compiled by four sisters and based on their recollections of their childhood in Oshkosh, Wisconsin, Apple Betty & Sloppy Joe captures the glow of memories formed while growing up in a midwestern kitchen. From Lemon Meringue Pie to Tomato Soup Cake, from Mom's Chicken Pie to Grandma Noffke's Sliced Cucumber Pickles, this charming book features hundreds of recipes (some classic, some quirky), plus dozens of food and cooking-related anecdotes, memories, humorous asides, and period photos that transport readers back to Mom's or Grandma's kitchen, circa 1950.

The Sanvidges share a legacy of beloved dishes and food memories that resonate not just for their family, but for readers everywhere who grew up in a small midwestern town - or wish they had. Nostalgic, funny, and warmhearted, Apple Betty & Sloppy Joe celebrates the ways food and food memories link us to our past, and to each other. A delightful gift for food lovers of any generation.

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Approaching the Millennium

Essays on Angels in America

Deborah R. Geis and Steven F. Kruger, Editors

University of Michigan Press, 1997

Tony Kushner's complex and demanding play Angels in America: A Gay Fantasia on National Themes has been the most talked about, analyzed, and celebrated play of the decade. The critic Harold Bloom has included Kushner's play in his "Western canon" alongside Shakespeare and the Bible, and drama scholar John M. Clum has termed it "a turning point in the history of gay drama, the history of American drama, and of American literary culture." While we might be somewhat wary of the instant canonization that such critical assessments confer, clearly Kushner's play is an important work, honored by the Pulitzer Prize, thought worthy of recognition on "purely aesthetic" grounds at the same time that it has been embraced--and occasionally rejected--for its politics.

Kushner's play explicitly positions itself in the current American conflict over identity politics, yet also situates that debate in a broader historical context: the American history of McCarthyism, of immigration and the "melting pot," of westward expansion, and of racist exploitation. Furthermore, the play enters into the politically volatile struggles of the AIDS crisis, struggles themselves interconnected with the politics of sexuality, gender, race, and class.

The original essays in Approaching the Millennium explore the complexities of the play and situate it in its particular, conflicted historical moment. The contributors help us understand and appreciate the play as a literary work, as theatrical text, as popular cultural phenomenon, and as political reflection and intervention. Specific topics include how the play thematizes gender and sexuality, race and ethnicity; the postmodern incarnation of the Brechtian epic; AIDS and the landscape of American politics. The range of different international productions of Angels in America provides a rich basis for discussion of its production history, including the linguistic and cultural shifts required in its "translation" from one stage to the next.

The last section of Approaching the Millennium includes interviews with Tony Kushner and other key creators and players involved in the original productions of Angels. The interviews explore issues raised earlier in the volume and dialogues between the creative artists who have shaped the play and the critics and "theatricians" engaged in responding to it.

Contributors to this volume are Arnold Aronson, Art Borreca, Gregory W. Bredbeck, Michael Cadden, Nicholas de Jongh, Allen J. Frantzen, Stanton B. Garner, Deborah R. Geis, Martin Harries, Steven F. Kruger, James Miller, Framji Minwalla, Donald Pease, Janelle Reinelt, David Román, David Savran, Ron Scapp, and Alisa Solomon.

Deborah Geis is Associate Professor of English, Queens College, City University of New York. Steven F. Kruger is Professor and Chair of the Department of English, Queens College, City University of New York.

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Apropos of Something

A History of Irrelevance and Relevance

Elisa Tamarkin

University of Chicago Press, 2022

A history of the idea of “relevance” since the nineteenth century in art, criticism, philosophy, logic, and social thought.

Before 1800 nothing was irrelevant. So argues Elisa Tamarkin’s sweeping meditation on a key shift in consciousness: the arrival of relevance as the means to grasp how something that was once disregarded, unvalued, or lost to us becomes interesting and important. When so much makes claims to our attention every day, how do we decide what is most valuable right now?

Relevance, Tamarkin shows, was an Anglo-American concept, derived from a word meaning “to raise or to lift up again,” and also “to give relief.” It engaged major intellectual figures, including Ralph Waldo Emerson and pragmatists and philosophers—William James, Alain Locke, John Dewey, and Alfred North Whitehead—as well as a range of critics, phenomenologists, linguists, and sociologists. Relevance is a struggle for recognition, especially in the worlds of literature, art, and criticism. Poems and paintings in the nineteenth century could now be seen as pragmatic works that make relevance and make interest—that reveal versions of events that feel apropos of our lives the moment we turn to them.

Vividly illustrated with paintings by Winslow Homer, Henry Ossawa Tanner, and others, Apropos of Something is a searching philosophical and poetic study of relevance—a concept calling for shifts in both attention and perceptions of importance with enormous social stakes. It remains an invitation for the humanities and for all of us who feel tasked every day with finding the point.

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Archetypal Light

Poems

Elizabeth Dodd

University of Nevada Press, 2001

Poet Elizabeth Dodd’s world stretches from the lightless cave home of the eyeless, transparent fish known as a blindcat to the imagination of painter Georgia O’Keeffe. In this brilliantly crafted collection, Dodd reveals her mastery of the medium—her closely observed images, compelling metaphors, and deep understanding of and sympathy for the natural world; the rhythms of geologic time; and the seasons of the living year. Dodd possesses the rare gift that links the vagaries of the human experience with the mysterious truths of universal life, the vastness of the night sky with the equally vast potentials of the human heart.

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Archipelagic American Studies

Brian Russell Roberts and Michelle Ann Stephens, editors

Duke University Press, 2017

Departing from conventional narratives of the United States and the Americas as fundamentally continental spaces, the contributors to Archipelagic American Studies theorize America as constituted by and accountable to an assemblage of interconnected islands, archipelagoes, shorelines, continents, seas, and oceans. They trace these planet-spanning archipelagic connections in essays on topics ranging from Indigenous sovereignty to the work of Édouard Glissant, from Philippine call centers to US militarization in the Caribbean, and from the great Pacific garbage patch to enduring overlaps between US imperialism and a colonial Mexican archipelago. Shaking loose the straitjacket of continental exceptionalism that hinders and permeates Americanist scholarship, Archipelagic American Studies asserts a more relevant and dynamic approach for thinking about the geographic, cultural, and political claims of the United States within broader notions of America.

Contributors
Birte Blascheck, J. Michael Dash, Paul Giles, Susan Gillman, Matthew Pratt Guterl, Hsinya Huang, Allan Punzalan Isaac, Joseph Keith, Yolanda Martínez-San Miguel, Brandy Nālani McDougall, Ifeoma Kiddoe Nwankwo, Craig Santos Perez, Brian Russell Roberts, John Carlos Rowe, Cherene Sherrard-Johnson, Ramón E. Soto-Crespo, Michelle Ann Stephens, Elaine Stratford, Etsuko Taketani, Alice Te Punga Somerville, Teresia Teaiwa, Lanny Thompson, Nicole A. Waligora-Davis

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Architect

Alison Thumel

University of Arkansas Press, 2024

Finalist, 2025 Kate Tufts Discovery Award

“When he died, my brother became the architect of the rest of my life,” writes Alison Thumel in Architect, which interweaves poems, lyric essays, and visual art to great emotional effect. In this debut collection, the buildings of Frank Lloyd Wright become a blueprint for elegy, as Thumel overlays the language of architecture with the language of grief to raze and reconstruct memories, metaphors, and myths. With obsessive and exacting focus, the poet leads us through room after room in a search to answer whether it is possible to rebuild in the wake of loss. Meanwhile, the midwestern landscape beyond these rooms—the same landscape that infuses the low, horizontal forms of Wright’s Prairie Style buildings—shapes the figures in Architect as well as their fates: “For years after my brother’s death, I collected news articles on people who died young and tragically in landlocked states. Prairie Style deaths—boys sucked down into grain silos or swept up by tornadoes or fallen through a frozen pond. The boys I didn’t know, but the landscape I did. The dread of it. How many miles you can look ahead. For how long you see what is coming.”

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Archive of Style

New and Selected Poems

Cheryl Clarke

Northwestern University Press, 2024

A new retrospective of a titan of LGBTQ literature, activism, and Black feminism

Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.

Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.

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