83 books match the query 'Birth' and 9 start with b

cover of Birth and Fortune: The Impact of Numbers on Personal Welfare

Birth and Fortune

The Impact of Numbers on Personal Welfare

Richard A. Easterlin

University of Chicago Press, 1987

In this influential work, Richard A. Easterlin shows how the size of a generation—the number of persons born in a particular year—directly and indirectly affects the personal welfare of its members, the make-up and breakdown of the family, and the general well being of the economy.

"[Easterlin] has made clear, I think unambiguously, that the baby-boom generation is economically underprivileged merely because of its size. And in showing this, he demonstrates that population size can be as restrictive as a factor as sex, race, or class on equality of opportunity in the U.S."—Jeffrey Madrick, Business Week
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cover of Birth of Hegemony: Crisis, Financial Revolution, and Emerging Global Networks

Birth of Hegemony

Crisis, Financial Revolution, and Emerging Global Networks

Andrew C. Sobel

University of Chicago Press, 2012

With American leadership facing increased competition from China and India, the question of how hegemons emerge—and are able to create conditions for lasting stability—is of utmost importance in international relations. The generally accepted wisdom is that liberal superpowers, with economies based on capitalist principles, are best able to develop systems conducive to the health of the global economy.
 
In Birth of Hegemony, Andrew C. Sobel draws attention to the critical role played by finance in the emergence of these liberal hegemons. He argues that a hegemon must have both the capacity and the willingness to bear a disproportionate share of the cost of providing key collective goods that are the basis of international cooperation and exchange. Through this, the hegemon helps maintain stability and limits the risk to productive international interactions. However, prudent planning can account for only part of a hegemon’s ability to provide public goods, while some of the necessary conditions must be developed simply through the processes of economic growth and political development. Sobel supports these claims by examining the economic trajectories that led to the successive leadership of the Netherlands, Britain, and the United States.
 
Stability in international affairs has long been a topic of great interest to our understanding of global politics, and Sobel’s nuanced and theoretically sophisticated account sets the stage for a consideration of recent developments affecting the United States.
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cover of Birth of a Nation: D.W. Griffith, Director

Birth of a Nation

D.W. Griffith, Director

Robert Lang

Rutgers University Press, 1993

The Birth of a Nation (1915) remains the most controversial American film ever made, and its director, D. W. Griffith, one of the most extraordinary figures in film history. It was the first true feature film and did more than any other to launch Hollywood both as an industry and as an idea. The film consolidated a trend in cinematic technique and an approach to dramatic narrative that define American cinema to this day. As a great but ideologically troubled film that offers us a reflection of ourselves as Americans, The Birth of a Nation continues to intrigue, challenge, infuriate, and awe.

Robert Lang's introduction to this volume explores in fascinating detail the warped view of history that this great film presents. Griffith, a Southerner, was intent on resurrecting, idealizing, and justifying the South. In The Birth of a Nation, it is racism that unites the white North and South; the protection or abolition of slavery is not the divisive issue. In a powerful synthesis of spectacle and narrative, Griffith seeks to give the Southern cause a sense of glamour and high purpose. Lang considers the film as a historical melodrama, and by examining Griffith's "historiography as ideological practice," he traces the way in which the bloody, traumatic reality of the Civil War and Reconstruction becomes melodramatic myth. This unparalleled guide to The Birth of a Nation offers a shot-by-shot continuity script; a biographical sketch of the director; a sampling of contemporary reviews; a series of essays by distinguished critics including James Chandler, Michael Rogin, Janet Staiger, and Mimi White; and a filmography and bibliography.
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cover of Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation

Birth of an Industry

Blackface Minstrelsy and the Rise of American Animation

Nicholas Sammond

Duke University Press, 2015

In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
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cover of Birth of the Living God: A Psychoanalytic Study

Birth of the Living God

A Psychoanalytic Study

Ana-Marie Rizzuto

University of Chicago Press, 1981

Utilizing both clinical material based on the life histories of twenty patients and theoretical insights from the works of Freud, Erikson, Fairbairn, and Winnicott, Ana-Maria Rizzuto examines the origin, development, and use of our God images. Whereas Freud postulated that belief in God is based on a child's idea of his father, Rizzuto argues that the God representation draws from a variety of sources and is a major element in the fabric of one's view of self, others, and the world.
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cover of Birth of the Other

Birth of the Other

Rosine Lefort, in collaberation with Robert Lefort

University of Illinois Press, 1994

   Originally published as Naissance de l' Autre (1980), Birth
        of the Other offers a rare look at language acquisition from a Lacanian
        perspective. In 1951-52 Rosine Lefort conducted the treatment of two largely
        preverbal children, guiding them through psychoanalysis and meticulously
        documenting their activities. Lefort has applied her subsequent training
        in Lacanian theory to these early case notes, which provide remarkably
        lucid examples of exceedingly difficult concepts.
      This exceptional work thus clarifies many misconceptions about psychoanalytic
        theory, furnishes unique insight into what Lacan calls the "time
        of analysis," and grants a clearer understanding of the relationship
        between language and the unconscious.
      "Anyone interested in
        Lacan's psychoanalytical theories should not fail to read these revealing
        clinical studies by one of Lacan's most authoritative and lucid interpreters."
        -- Herman Rapaport, author of Between the Sign and the Gaze
 
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cover of Birth: A Literary Companion

Birth

A Literary Companion

Kristin & Lynne Kovacic & Barrett

University of Iowa Press, 2002

 Parenthood is full of secrets. The pregnant body, labor, the mysteries of a new child, the transformation of relationships—men and women are themselves reborn as they become parents. Birth: A Literary Companion collects the work of fifty accomplished writers to guide new parents through this complex emotional terrain.
Arranged chronologically—from early pregnancy to late infancy— Birth can be read solidly or dipped into in the middle of the night. Here, a curious reader can find a frank, funny essay about breastfeeding, a vividly accurate story about labor, or a tender poem about the terror of holding a newborn child. Birth covers the huge emotional spectrum that new parents pass through—from fear and loathing to uncontainable joy. Embracing all kinds of parents—gay and straight, mothers and fathers, married and single, adoptive and biological—the book unlocks, through literature, the secrets of parenthood that science and society rarely reveal.
An enduring guide to the emotional and spiritual changes of parenthood, Birth will be an important addition to both parenting and literature bookshelves.
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cover of Born in the U.S.A.: Birth, Commemoration, and American Public Memory

Born in the U.S.A.

Birth, Commemoration, and American Public Memory

Seth C. Bruggeman

University of Massachusetts Press, 2012

Scores of birthplace monuments and historic childhood homes dot the American landscape. These special places, many dating to the early years of the last century, have enshrined nativity alongside patriotism and valor among the key pillars of the nation's popular historical imagination. The essays in this volume suggest that the way Americans have celebrated famous births reflects evolving expectations of citizenship as well as a willingness to edit the past when those hopes go unfulfilled. The contributors also demonstrate that the reinvention of origin myths at birthplace monuments still factors in American political culture and the search for meaning in an ever-shifting global order.

Beyond asking why it is that Americans care about birthplaces and how they choose which ones to commemorate, Born in the U.S.A. offers insights from historians, curators, interpretive specialists, and others whose experience speaks directly to the challenges of managing historical sites. Each essay points to new ways of telling old stories at these mainstays of American memory. The case of the modern house museum receives special attention in a provocative concluding essay by Patricia West.

In addition to West and the editor, contributors include Christine Arato, Dan Currie, Keith A. Erekson, David Glassberg, Anna Thompson Hajdik, Zachary J. Lechner, Paul Lewis, Hilary Iris Lowe, Cynthia Miller, Laura Lawfer Orr, Robert Paynter, Angela Phelps, and Paul Reber.
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cover of Breaks in the Air: The Birth of Rap Radio in New York City

Breaks in the Air

The Birth of Rap Radio in New York City

John Klaess

Duke University Press, 2022

In Breaks in the Air John Klaess tells the story of rap’s emergence on New York City’s airwaves by examining how artists and broadcasters adapted hip hop’s performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York’s African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.
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