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527 books match the query 'Feminism & Feminist Theory' and 37 start with b

cover of Bad Girls Dirty Pictures: The Challenge to Reclaim Feminism

Bad Girls Dirty Pictures

The Challenge to Reclaim Feminism

Alison Assiter and Avedon Carol

Pluto Press, 1993

For well over a decade, half-baked analysis and phony science have been used by some feminists to side-track the women's movement into puritanical campaigns against sexual material and imaginative sexual exploration.

Many feminists would say that this widely publicised version of feminism is itself sexist, and that the increasingly vocal anti-pornography campaigns are founded on theoretical dead-ends that have allowed feminists to deviate drastically from the basic goals of women's liberation.

Bad Girls & Dirty Pictures puts these anti-sex, anti-porn arguments under the microscope of a more thorough and considered feminist analysis. It examines the flaws in the research that purports to prove the harm of pornography and warns against the continuing use of censorship by politicians and the moral right, as well as exposing the dangers of anti-porn feminist arguments.

Contributions from a wide range of women, including sex workers and academics, remind us that pornography does not have a special place in our oppression, and that censorship must still be seen as dangerous enemy of women. Bad Girls & Dirty Pictures is a much-needed antidote to falsehoods, shabby thinking, and patronising sexism that have fuelled anti-pornography campaigns and misled the women's movement.
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cover of Bad Object

Bad Object

Elizabeth Weed and Ellen Rooney, special issue editors

Duke University Press, 2017

Before her death in 2001, Naomi Schor was a leading scholar in feminist and critical theory and a founding coeditor of differences: A Journal of Feminist Cultural Studies. This issue takes as its starting point Schor’s book Bad Objects: Essays Popular and Unpopular (1995), in which she discussed her attraction to the “bad objects” the academy had overlooked or ignored: universalism, essentialism, and feminism. Underpinning these bad objects was her mourning of the literary, a sense that her work—and feminist theory more generally—had departed from the textual readings in which they were grounded.  

Schor’s question at the time was “Will a new feminist literary criticism arise that will take literariness seriously while maintaining its vital ideological edge?” The contributors take literariness—the “bad object” of this issue—seriously.  They do not necessarily engage in debates about reading, theorize new formalisms, or thematize language; rather, they invigorate and unsettle the reading experience, investigating the relationship between language and meaning.

Contributors. Lee Edelman, Frances Ferguson, Peggy Kamuf, Ramsey McGlazer, Thangam Ravindranathan, Denise Riley, Ellen Rooney, Elizabeth Weed
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cover of Badass Feminist Politics: Exploring Radical Edges of Feminist Theory, Communication, and Activism

Badass Feminist Politics

Exploring Radical Edges of Feminist Theory, Communication, and Activism

Sarah Jane Blithe

Rutgers University Press, 2022

In the late 2010s, the United States experienced a period of widespread silencing. Protests of unsafe drinking water have been met with tear gas; national park employees, environmentalists, and scientists have been ordered to stop communicating publicly. Advocates for gun control are silenced even as mass shootings continue. Expressed dissent to political power is labeled as “fake news.” DREAMers, Muslims, Trans military members, women, black bodies, the LGBTQI+ community, Latina/o/x communities, rape survivors, sex workers, and immigrants have all been systematically silenced. During this difficult time and despite such restrictions, advocates and allies persist and resist, forming dialogues that call to repel inequality in its many forms. Addressing the oppression of women of color, white women, women with (dis)abilities, and LBTQI+ individuals across cultures and contexts remains a central posit of feminist struggle and requires “a distinctly feminist politics of recognition.” However, as second wave debates about feminism have revealed, there is no single way to express a feminist politic. Rather, living feminist politics requires individual interpretation and struggle, collective discussion and disagreement, and recognizing difference among women as well as points of convergence in feminist struggle.
 
Badass Feminist Politics includes a diverse range of engaging feminist political projects to not only analyze the work being done on the ground but provide an overview for action that can be taken on by those seeking to engage in feminist activism in their own communities. Contributors included here are working for equality and equity and resisting violent, racist, homophobic, transphobic, xenophobic, and sexist language and action during this tension-filled political moment. Collectively, the book explores what it means to live and communicate feminist politics in everyday choices and actions, and how we can facilitate learning by analyzing these examples. Taking up current issues and new theoretical perspectives, the authors offer novel perspectives into what it means to live feminist politics. This book is a testament to resilience, resistance, communication, and forward thinking about what these themes all mean for new feminist agendas. Learning how to resist oppressive structures through words and actions is particularly important for students. Badass Feminist Politics features scholars from non-dominant groups taking up issues of marginalization and oppression, which can help people accomplish their social justice goals of inclusivity on the ground and in the classroom.
 
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cover of Become Ungovernable: An Abolition Feminist Ethic for Democratic Living

Become Ungovernable

An Abolition Feminist Ethic for Democratic Living

H.L.T. Quan

Pluto Press, 2004

'Phenomenal ... Offers us possibilities for rescuing the concept of democracy from its fatal entanglement with racial, heteropatriarchal capitalism' -- Angela Y. Davis

'Embraces the unruliness of collective struggle, and recognizes freedom not as a destination but practice—an abolitionist, feminist, anticapitalist, antiracist, radically inclusive practice' -- Robin D.G. Kelley, author of Freedom Dreams

'A compelling and inspiring book that belongs in our movements and our classrooms' -- Chandra Talpade Mohanty, author of Feminism Without Borders

'An elegantly written masterpiece' -- Barbara Ransby, author of Making All Black Lives Matter 

Become Ungovernable is a provocative new work of political thought setting out to reclaim “freedom”, “justice”, and “democracy”, revolutionary ideas that are all too often warped in the interests of capital and the state. Revealing the mirage of mainstream democratic thought and the false promises of liberal political ideologies, H.L.T. Quan offers an alternative approach: an abolition feminism drawing on a kaleidoscope of refusal praxes, and on a deep engagement with the Black Radical Tradition and queer analytics.

With each chapter anchored by episodes from the long history of resistance and rebellions against tyranny, Quan calls for us to take up a feminist ethic of living rooted in the principles of radical inclusion, mutuality and friendship as part of the larger toolkit for confronting fascism, white supremacy, and the neoliberal labor regime.

H.L.T. Quan is a political theorist, award-winning filmmaker and Associate Professor of Justice and Social Inquiry in the School of Social Transformation at Arizona State University. Quan is the author of Growth Against Democracy and editor of Cedric J. Robinson.

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cover of Becoming a Place of Unrest: Environmental Crisis and Ecophenomenological Praxis

Becoming a Place of Unrest

Environmental Crisis and Ecophenomenological Praxis

Robert Booth

Ohio University Press, 2021

The key to mitigating the environmental crisis isn’t just based on science; it depends upon a profound philosophical revision of how we think about and behave in relation to the world. Our ongoing failure to interrupt the environmental crisis in a meaningful way stems, in part, from how we perceive the environment—what Robert Booth calls the "more-than-human world.” Anthropocentric presumptions of this world, inherited from natural science, have led us to better scientific knowledge about environmental problems and more science-based—yet inadequate—practical “solutions.” That’s not enough, Booth argues. Rather, he asserts that we must critically and self-reflexively revise how we perceive and consider ourselves within the more-than-human world as a matter of praxis in order to arrest our destructive impact on it. Across six chapters, Booth brings ecophenomenology—environmentally focused phenomenology—into productive dialogue with a rich array of other philosophical approaches, such as ecofeminism, new materialism, speculative realism, and object-oriented ontology. The book thus outlines and justifies why and how a specifically ecophenomenological praxis may lead to the disruption of the environmental crisis at its root. Booth’s observations and arguments make the leap from theory to practice insofar as they may influence how we fundamentally grasp the environmental crisis and what promising avenues of practical activism might look like. In Booth’s view, this is not about achieving a global scientific consensus regarding the material causes of the environmental crisis or the responsible use of “natural resources.” Instead, Booth calls for us to habitually resist our impetus to uncritically reduce more-than-human entities to “natural resources” in the first place. As Booth recognizes, Becoming a Place of Unrest cannot and does not tell us how we should act. Instead, it outlines and provides the basic means by which to instill positive and responsible conceptual and behavioral relationships with the rest of the world. Based on this, there is hope that we may begin to develop more concrete, actionable policies that bring about profound and lasting change.
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cover of Before the Fire Dogs Steal the Sun: An Elegy

Before the Fire Dogs Steal the Sun

An Elegy

Crystal Mun-hye Baik

Duke University Press, 2026

In Before the Fire Dogs Steal the Sun, Crystal Mun-hye Baik offers an intimate cultural history of war, illness, banishment, and estrangement through the experiential lens of her family. Beginning with her father's death and mother's psychiatric hold in 2022, Baik situates her parents’ lives within the enmeshed narratives of Japanese colonialism, war, and transoceanic migration, examining Korean diasporic grief as a felt form of thinking and writing, rather than an object of study. In doing so, she reckons with diasporic genealogies of precarity that have configured the everyday lives of her parents and ancestral communities. Blending different genres from narrative prose to visual essay, epistles to ancestral mourning rites, Before the Fire Dogs Steal the Sun is a meditation on the personal and ethical entanglements scholars must confront when they are implicated in the histories of violence they study.
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cover of Behind the Veil in Arabia: Women in Oman

Behind the Veil in Arabia

Women in Oman

Unni Wikan

University of Chicago Press, 1991

Through photographs and detailed case histories, Unni Wikan explores the strict segregation of women, the wearing of the burqa mask, the elaborate nuptial rituals, and the graceful quality of Oman's social relations.

"Wikan does provide insights into the real position of these secluded and segregated women. . . . All this is interesting and valuable."—Ahdaf Soueif, Times Literary Supplement

"The book is detailed, insightful, and . . . engrossing. Anyone interested in the day-to-day triumphs and sorrows of women who live 'behind the veil' will want to read this account."—Arab Book World

"Wikan, a fine ethnographer, has an eye for everything that is distinctive about the culture and . . . builds up a wholly convincing picture. Above all, there is a sustained attempt to penetrate the inner lives of these strangely serene people."—Frank H. Stewart, Wilson Quarterly

"This book will certainly be of interest to all scholars concerned with sexual identity in the Islamic world."—Henry Munson, American Anthropologist
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cover of Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined

Between Shadows and Noise

Sensation, Situatedness, and the Undisciplined

Amber Jamilla Musser

Duke University Press, 2024

In Between Shadows and Noise Amber Jamilla Musser theorizes sensation as a Black feminist method for aesthetic interpretation and criticism that uses the knowledges held by the body to access the unrepresentable. Thinking through Blackness, empire, and colonialism, Musser examines artworks ranging from Ming Smith’s Flamingo Fandango, Jordan Peele’s Us, and Katherine Dunham’s Shango to Samita Sinha’s This ember state, Titus Kaphar’s A Pillow for Fragile Fictions, and Teresita Fernández’s Puerto Rico (Burned) 6. She engages with these works from an embodied situatedness to grapple with the questions and sensations of racialization and difference that the works produce. Throughout, Musser rethinks how we consider the relationships between race, representation, and politics by dwelling in those spaces and concepts that elude Western norms of representation, objectivity, and logic. In so doing, she explores ways of being and knowing that exceed overdetermined parameters while offering a blueprint for sensing, imagining, and living otherwise.
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cover of Between Woman and Nation: Nationalisms, Transnational Feminisms, and the State

Between Woman and Nation

Nationalisms, Transnational Feminisms, and the State

Caren Kaplan, Norma Alarcón, and Minoo Moallem, eds.

Duke University Press, 1999

In Between Woman and Nation constructions such as nationalism, homeland, country, region, and locality are for the first time examined in the context of gender. The contributors—leading scholars of ethnicity, transnationalism, globalization, and feminist theory—are united in their determination to locate and describe the performative space of interactions between woman and nation. These are interactions, claim the contributors, that cannot be essentialized.
This interdisciplinarily collection investigates women in diverse locales—ranging from Quebec to Beirut. The contributors consider such subjects as Yucatan feminism, Islamic fundamentalisms, Canadian gender formations, historic Chicana/o struggles, and Israeli/Palestinian conflicts. Divided into three parts, the collection first examines constructions of nationalism and communities whose practices complicate these constructions. The second section discusses regulations of particular nation-states and how they affect the lives of women, while the third presents studies of transnational identity formation, in which contributors critique ideas such as “multicultural nationalism” and “global feminism.” Arguing provocatively that such movements and concepts inadequately represent women’s interests, contributors examine how such beliefs and their attendant organizations may actually bolster the very formations they ought to subvert.
In its demonstration of the critical possibilities of feminist alliances across discrepant and distinct material conditions, Between Woman and Nation will make a unique contribution to women’s studies, feminist theory, studies of globalization and transnationalism, ethnic studies, and cultural studies.

 

 

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cover of Beverley Ditsie's Fearless Speech: A Dialogue on the Pitfalls of Queer Struggle

Beverley Ditsie's Fearless Speech

A Dialogue on the Pitfalls of Queer Struggle

Sharad Chari with Beverley Palesa Ditsie

Temple University Press, 2027

Beverley Palesa Ditsie is a key South African Black lesbian activist, part of a world of queer activism during South Africa’s decade of transition from apartheid, when sexuality was crucial to recircuiting post-apartheid power and possibility. Part of the Gay and Lesbian Organization of the Witwatersrand (GLOW) which organized the continent’s first Pride March, she has stood steadfastly for Black lesbian self-determination and African queer representation.

Beverley Ditsie’s Fearless Speech enters this recent history of sexuality politics through an activist and a critical theorist in conversation. This book bends an account of Ditsie’s life and work in the critique of racial and sexual capitalism. Grounded in South Africa, the conversation is cut through with radical queer, materialist, and feminist critique in an internationalist frame.

Through this dialogic form, Beverley Ditsie emerges alongside other figures of fearless speech willing to stand for Black and African queer liberation, yet aware of pitfalls in these struggles that point to work that remains to be done. Beverley Ditsie’s Fearless Speech is a cautionary tale of hope for radical change in a world of deepening injustice and political homophobia.

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cover of Beyond Disaster: Building Collective Futures in Puerto Rico

Beyond Disaster

Building Collective Futures in Puerto Rico

Melissa L. Rosario

Northwestern University Press, 2025

An alternative view of Puerto Rico’s past, present, and future

How do we map the pathways to liberation where we have been taught to see only trauma, suffering, and lack? Melissa L. Rosario offers an alternative view of Puerto Rico, America’s oldest colony, removing readers from the framework of crisis to consider the deeper legacies of its current impasse. Beyond Disaster: Building Collective Futures in Puerto Rico is an intimate portrait, weaving insights from the author’s own life, research, and organizing work as a scholar in the diaspora who rematriated. Rosario bridges the genres of social history and memoir to unsettle the meaning of resistance and freedom, underscoring the deep wounds of colonialism while still uplifting the profound possibilities of embodied alternatives.

Beyond Disaster critiques the framework of debt and crisis by examining the psychological, emotional, and spiritual effects of colonialism. Rosario highlights key examples of organizing efforts to defend land and education against total enclosure, protecting life amid loss. This book offers a series of microhistories, vignettes, and prose poetry to foreground the daily practices necessary to anchor the ecological and political landscapes of our collective future.

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cover of Beyond the Black Lady: Sexuality and the New African American Middle Class

Beyond the Black Lady

Sexuality and the New African American Middle Class

Lisa B. Thompson

University of Illinois Press, 2012

In this book, Lisa B. Thompson explores the representation of black middle-class female sexuality by African American women authors in narrative literature, drama, film, and popular culture, showing how these depictions reclaim black female agency and illustrate the difficulties black women confront in asserting sexual agency in the public sphere. Thompson broadens the discourse around black female sexuality by offering an alternate reading of the overly determined racial and sexual script that casts the middle class "black lady" as the bastion of African American propriety. Drawing on the work of black feminist theorists, she examines symptomatic autobiographies, novels, plays, and key episodes in contemporary American popular culture, including works by Anita Hill, Judith Alexa Jackson, P. J. Gibson, Julie Dash, Kasi Lemmons, Jill Nelson, Lorene Cary, and Andrea Lee.
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cover of Beyond the Body Proper: Reading the Anthropology of Material Life

Beyond the Body Proper

Reading the Anthropology of Material Life

Margaret Lock and Judith Farquhar, eds.

Duke University Press, 2007

Over the past several decades, scholars in both the social sciences and humanities have moved beyond the idea that there is a “body proper”: a singular, discrete biological organism with an individual psyche. They have begun to perceive embodiment as dynamic rather than static, as experiences that vary over time and across the world as they are shaped by discourses, institutions, practices, technologies, and ideologies. What has emerged is a multiplicity of bodies, inviting a great many disciplinary points of view and modes of interpretation. The forty-seven readings presented in this volume range from classic works of social theory, history, and ethnography to more recent investigations into historical and contemporary modes of embodiment.

Beyond the Body Proper includes nine sections conceptually organized around themes such as everyday life, sex and gender, and science. Each section is preceded by interpretive commentary by the volume’s editors. Within the collection are articles and book excerpts focused on bodies using tools and participating in rituals, on bodies walking and eating, and on the female circumcision controversy, as well as pieces on medical classifications, spirit possession, the commodification of body parts, in vitro fertilization, and an artist/anatomist’s “plastination” of cadavers for display. Materialist, phenomenological, and feminist perspectives on embodiment appear along with writings on interpretations of pain and the changing meanings of sexual intercourse. Essays on these topics and many others challenge Eurocentric assumptions about the body as they speak to each other and to the most influential contemporary trends in the human sciences.

With selections by: Henry Abelove, Walter Benjamin, Janice Boddy, John Boswell, Judith Butler, Caroline Walker Bynum, Stuart Cosgrove, Michel de Certeau, Gilles Deleuze, Alice Domurat Dreger, Barbara Duden, Friedrich Engels, E. E. Evans-Pritchard, Judith Farquhar, Marcel Granet, Felix Guattari, Ian Hacking, Robert Hertz, Patricia Leyland Kaufert, Arthur Kleinman, Shigehisa Kuriyama, Jean Langford, Bruno Latour, Margaret Lock, Emily Martin, Karl Marx, Marcel Mauss, Maurice Merleau-Ponty, Nancy K. Miller, Lisa Jean Moore, John D. O’Neil, Aihwa Ong, Mariella Pandolfi, Susan Pedersen, Gregory M. Pflugfelder, Rayna Rapp, Nancy Scheper-Hughes, Kristofer Schipper, Matthew Schmidt, Peter Stallybrass, Michael Taussig, Charis Thompson, E.P. Thompson, Anna Lowenhaupt Tsing, Victor Turner, Terence Turner, Jose van Dijck, Keith Wailoo, Brad Weiss, Allon White

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cover of Beyond the Public Sphere: Film and the Feminist Imaginary

Beyond the Public Sphere

Film and the Feminist Imaginary

María Pía Lara

Northwestern University Press, 2021

In Beyond the Public Sphere: Film and the Feminist Imaginary, the renowned philosopher and critical theorist María Pía Lara challenges the notion that the bourgeois public sphere is the most important informal institution between social and political actors and the state.

Drawing on a wide range of films—including The Milk of Sorrow, Ixcanul, Wadja, The Stone of Patience, Marnie, A Streetcar Named Desire, and Talk to Her—Lara dissects cinematic images of women’s struggles and their oppression. She builds on this analysis, developing a concept of the feminist social imaginary as a broader and more complex space that provides a way of thinking through the possibilities for emancipatory social transformation in response to forms of domination perpetuated by patriarchal capitalism.

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cover of Beyond the Sword Maiden: A Storyteller's Introduction to the Heroine's Journey

Beyond the Sword Maiden

A Storyteller's Introduction to the Heroine's Journey

Dorothy Cleveland & Barbara Schutzgruber

Parkhurst Brothers, Inc., 2017

"All too often both traditional storytellers and the media regard the Hero's Journey as the "one true recipe for a good story." In this well-researched and clearly written book, Dorothy Cleveland and Barbara Schutzgruber prove that there are other kinds of stories that are just as essential to the human experience: tales of survival and transformation that we may encounter at any point in our lives. With deep knowledge and personal honesty, these two incredible women bring us the Heroine's Journey, tracing its origins and possibilities from the oldest folktales to life in the 21st century. This book is a much-needed addition to any storyteller's resource library."
 
---Csenge Virág Zalka, storyteller, author of Tales of Superhuman Powers and Dancing on Blades 
 
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cover of Big Feelings: Queer and Feminist Indie Rock After Riot Grrrl

Big Feelings

Queer and Feminist Indie Rock After Riot Grrrl

Dan DiPiero

University of Michigan Press, 2025

In the past decade, a distinctive resurgence of indie music has seen young, queer, and feminist artists reformulating the genre with strategic reappropriations of ’90s grunge and 2000s-era pop. Big Feelings offers a nuanced analysis of these musicians and the socio-political crises informing their sounds. Dan DiPiero situates this new wave of indie music within the context of the emotional sensibilities and social orientations of a young generation flattened by an endless stream of everyday traumas. Listening closely to Soccer Mommy, Indigo De Souza, Jay Som, SASAMI, The Ophelias, Vagabon, boygenius, and more, Big Feelings traces points of resonance and connection that help fans perceive politics where it might first appear absent.
 
By bringing listeners’ experiences into the analysis, DiPiero shows how indie rock feminisms have shifted since the 1990s, rejecting overt political messages in favor of sonic catharsis, and reflecting the complex, ambivalent feeling of being young while the world burns. In reprising the sounds of an alt-rock associated in public consciousness with white male pain, Big Feelings doubles down on the stereotypical association between femininity and emotionality to perform whole spectrums of feeling in varied states of overwhelm. In doing so, these artists draw attention to overlooked histories of women and queer musicians who have been forging indie rock all along, while also remaking how the music matters in the present.
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cover of Big Sister: Feminism, Conservatism, and Conspiracy in the Heartland

Big Sister

Feminism, Conservatism, and Conspiracy in the Heartland

Erin M. Kempker

University of Illinois Press, 2018

The mid-Seventies represented a watershed era for feminism. A historic National Women's Conference convened in Houston in 1977. The Equal Rights Amendment inched toward passage. Conservative women in the Midwest, however, saw an event like the International Year of the Woman not as a celebration, but as part of a conspiracy that would lead to radicalism and one-world government. Erin M. Kempker delves into how conspiracy theories affected--and undermined--second wave feminism in the Midwest. Focusing on Indiana, Kempker views this phenomenon within the larger history of right-wing fears of subversion during the Cold War. Feminists and conservative women each believed they spoke in women's best interests. Though baffled by the conservative dread of "collectivism," feminists compromised by trimming radicals from their ranks. Conservative women, meanwhile, proved adept at applying old fears to new targets. Kemper's analysis places the women's opposing viewpoints side by side to unlock the differences that separated the groups, explain one to the other, and reveal feminism's fate in the Midwest.
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cover of Biocultural Creatures: Toward a New Theory of the Human

Biocultural Creatures

Toward a New Theory of the Human

Samantha Frost

Duke University Press, 2016

In Biocultural Creatures, Samantha Frost brings feminist and political theory together with findings in the life sciences to recuperate the category of the human for politics. Challenging the idea of human exceptionalism as well as other theories of subjectivity that rest on a distinction between biology and culture, Frost proposes that humans are biocultural creatures who quite literally are cultured within the material, social, and symbolic worlds they inhabit. Through discussions about carbon, the functions of cell membranes, the activity of genes and proteins, the work of oxygen, and the passage of time, Frost recasts questions about the nature of matter, identity, and embodiment.  In doing so, she elucidates the imbrication of the biological and cultural within the corporeal self.  In remapping the relation of humans to their habitats and arriving at the idea that humans are biocultural creatures, Frost provides new theoretical resources for responding to political and environmental crises and for thinking about how to transform the ways we live. 
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cover of Biological Relatives: IVF, Stem Cells, and the Future of Kinship

Biological Relatives

IVF, Stem Cells, and the Future of Kinship

Sarah Franklin

Duke University Press, 2013

Thirty-five years after its initial success as a form of technologically assisted human reproduction, and five million miracle babies later, in vitro fertilization (IVF) has become a routine procedure worldwide. In Biological Relatives, Sarah Franklin explores how the normalization of IVF has changed how both technology and biology are understood. Drawing on anthropology, feminist theory, and science studies, Franklin charts the evolution of IVF from an experimental research technique into a global technological platform used for a wide variety of applications, including genetic diagnosis, livestock breeding, cloning, and stem cell research. She contends that despite its ubiquity, IVF remains a highly paradoxical technology that confirms the relative and contingent nature of biology while creating new biological relatives. Using IVF as a lens, Franklin presents a bold and lucid thesis linking technologies of gender and sex to reproductive biomedicine, contemporary bioinnovation, and the future of kinship.
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cover of Biomythography Bayou

Biomythography Bayou

Mel Michelle Lewis

Bucknell University Press, 2025

When your stories flow from the brackish waters of the Gulf South, where the land and water merge, your narratives cannot be contained or constrained by the Eurocentric conventions of autobiography. When your story is rooted in the histories of your West African, Creek, and Creole ancestors, as well as your Black, feminist, and queer communities, you must create a biomythography that transcends linear time and extends beyond the pages of a book. 
 
Biomythography Bayou is more than just a book of memoir; it is a ritual for conjuring queer embodied knowledges and decolonial perspectives. Blending a rich gumbo of genres—from ingredients such as praise songs, folk tales, recipes, incantations, and invocations—it also includes a multimedia component, with “bayou tableau” images and audio recording links. Inspired by such writers as Audre Lorde, Zora Neale Hurston, and Octavia Butler, Mel Michelle Lewis draws from the well of her ancestors in order to chart a course toward healing Afrofutures. Showcasing the nature, folklore, dialect, foodways, music, and art of the Gulf’s coastal communities, Lewis finds poetic ways to celebrate their power and wisdom.
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cover of Birth Weight and Economic Growth: Women's Living Standards in the Industrializing West

Birth Weight and Economic Growth

Women's Living Standards in the Industrializing West

W. Peter Ward

University of Chicago Press, 1993

How can the history of birth weight add to our knowledge of women's living conditions in the past? In this study of newborn weight and economic growth in Boston, Dublin, Edinburgh, Montreal, and Vienna between 1850 and 1930, W. Peter Ward explores the relation between infant size, economic development, and living standards of working-class women in the industrializing West.

Drawing on clinical records from urban maternity hospitals and outpatient services, Ward compares birth weight between cities and traces changes in fetal size during a period in which some cities experienced dramatic economic development while others stagnated. Because fetal growth is strongly affected by maternal nutrition, Ward's research sheds new light on the well-being of working-class women whose living conditions have long been obscure and exceedingly difficult to examine.

This book will interest social and economic historians, as well as scholars of women's studies and the history of medicine, and its lessons on the distribution of social benefits during economic change have immidiate relevance for today's developing countries.
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cover of Bitter Milk: Women and Teaching

Bitter Milk

Women and Teaching

Madeleine R. Grumet

University of Massachusetts Press, 1988

The text is arranged in a pattern that mirrors Grumet's argument that women who teach make this passage between the so-called public and private worlds daily and that is also what we teach children to do. The chapters go back and forth between the experience of domesticity and the experience of teaching, between being with one's own children and being with the children of others, between being the child of one's own mother and the teacher of another mother's child, between feeling and form, family and colleagues.

The first and last chapters address the familial relations that fall under the category of reproduction, a frame designed to emphasize the relations of reproduction and their importance to educational theory. The chapters closest to this margin are those that address women's work in schools, and the juxtaposition is chosen to accentuate the dialectical relation of our public and private meanings. The middle chapters are the ones most directly concerned with curriculum, that provisional ground that Grumet is naming as our mediating space, the place where we can heal. The fundamental argument of this text is that knowledge evolves in human relationships.
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cover of Black Feminism Reimagined: After Intersectionality

Black Feminism Reimagined

After Intersectionality

Jennifer C. Nash

Duke University Press, 2019

In Black Feminism Reimagined Jennifer C. Nash reframes black feminism's engagement with intersectionality, often celebrated as its primary intellectual and political contribution to feminist theory. Charting the institutional history and contemporary uses of intersectionality in the academy, Nash outlines how women's studies has both elevated intersectionality to the discipline's primary program-building initiative and cast intersectionality as a threat to feminism's coherence. As intersectionality has become a central feminist preoccupation, Nash argues that black feminism has been marked by a single affect—defensiveness—manifested by efforts to police intersectionality's usages and circulations. Nash contends that only by letting go of this deeply alluring protectionist stance, the desire to make property of knowledge, can black feminists reimagine intellectual production in ways that unleash black feminist theory's visionary world-making possibilities.
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cover of Black Feminist Anthropology, 25th Anniversary Edition: Theory, Politics, Praxis, and Poetics

Black Feminist Anthropology, 25th Anniversary Edition

Theory, Politics, Praxis, and Poetics

Irma McClaurin

Rutgers University Press, 2025

Black Feminist Anthropology: Theory, Politics, Praxis and Poetics is a groundbreaking collection that centers the imaginative intellectual perspectives, voices, and experiences of Black American feminist anthropologists.  Twenty-five years ago, as the Foreword states, this book dared to put three words together in the title—Black. Feminist. Anthropology— “that have not always kept company with each other—and in the minds of many both in and outside of the academy, they should remain separate.” Standing the test of time, it is still a bold reimagining of anthropology, and all social sciences, as inclusive and decolonized, while establishing a new Black feminist anthropology canon that decades later is too often taken for granted as normative. Black Feminist Anthropology is filled with a message of theoretical possibilities that anyone who enters its pages will find “healing,” “life-saving,” and an affirmation that Black women anthropologists have contributed much to the theory, politics, praxis and poetics of anthropology, gender and women’s studies, masculinity studies, queer studies, the social sciences generally, and any other discipline that seeks transformation from the inside out. It is both an archive and a legacy for the next generation.
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cover of Black Feminist Anthropology: Theory, Politics, Praxis, and Poetics

Black Feminist Anthropology

Theory, Politics, Praxis, and Poetics

McClaurin, Irma

Rutgers University Press, 2001

In the discipline's early days, anthropologists by definition were assumed to be white and male. Women and black scholars were relegated to the field's periphery. From this marginal place, white feminist anthropologists have successfully carved out an acknowledged intellectual space, identified as feminist anthropology. Unfortunately, the works of black and non-western feminist anthropologists are rarely cited, and they have yet to be respected as significant shapers of the direction and transformation of feminist anthropology.

In this volume, Irma McClaurin has collected-for the first time-essays that explore the role and contributions of black feminist anthropologists. She has asked her contributors to disclose how their experiences as black women have influenced their anthropological practice in Africa, the Caribbean, and the United States, and how anthropology has influenced their development as black feminists. Every chapter is a unique journey that enables the reader to see how scholars are made. The writers present material from their own fieldwork to demonstrate how these experiences were shaped by their identities. Finally, each essay suggests how the author's field experiences have influenced the theoretical and methodological choices she has made throughout her career.

Not since Diane Wolf's Feminist Dilemmas in the Field or Hortense Powdermaker's Stranger and Friend have we had such a breadth of women anthropologists discussing the critical (and personal) issues that emerge when doing ethnographic research.
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cover of Black Girl Autopoetics: Agency in Everyday Digital Practice

Black Girl Autopoetics

Agency in Everyday Digital Practice

Ashleigh Greene Wade

Duke University Press, 2024

In Black Girl Autopoetics Ashleigh Greene Wade explores how Black girls create representations of themselves in digital culture with the speed and flexibility enabled by smartphones. She analyzes the double bind Black girls face when creating content online: on one hand, their online activity makes them hypervisible, putting them at risk for cyberbullying, harassment, and other forms of violence; on the other hand, Black girls are rarely given credit for their digital inventiveness, rendering them invisible. Wade maps Black girls’ everyday digital practices, showing what their digital content reveals about their everyday experiences and how their digital production contributes to a broader archive of Black life. She coins the term Black girl autopoetics to describe how Black girls’ self-making creatively reinvents cultural products, spaces, and discourse in digital space. Using ethnographic research into the digital cultural production of adolescent Black girls throughout the United States, Wade draws a complex picture of how Black girls navigate contemporary reality, urging us to listen to Black girls’ experience and learn from their techniques of survival.
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Black Marriage

Ann duCille, special issue editor

Duke University Press, 2018

Marriage has been a contested term in African American studies. Contributors to this special issue address the subject of “black marriage,” broadly conceived and imaginatively considered from different vantage points. Historically, some scholars have maintained that the systematic enslavement of Africans completely undermined and effectively destroyed the institutions of heteropatriarchal marriage and family, while others have insisted that slaves found creative ways to be together, love each other, and build enduring conjugal relationships and family networks in spite of forced separations, legal prohibitions against marriage, and other hardships of the plantation system. Still others have pointed out that not all African Americans were slaves and that free black men and women formed stable marriages, fashioned strong nuclear and extended families, and established thriving black communities in antebellum cities in both the North and the South.

Against the backdrop of such scholarship, contributors look back to scholarly, legal, and literary treatments of the marriage question and address current concerns, from Beyoncé’s music and marriage to the issues of interracial coupling, marriage equality, and the much-discussed decline in African American marriage rates.

Contributors: Ann duCille, Oneka LaBennett, Mignon Moore, Kevin Quashie, Renee Romano, Hortense Spillers, Kendall Thomas, Rebecca Wanzo, Patricia Williams
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Black Trans Feminism

Marquis Bey

Duke University Press, 2022

In Black Trans Feminism Marquis Bey offers a meditation on blackness and gender nonnormativity in ways that recalibrate traditional understandings of each. Theorizing black trans feminism from the vantages of abolition and gender radicality, Bey articulates blackness as a mutiny against racializing categorizations; transness as a nonpredetermined, wayward, and deregulated movement that works toward gender’s destruction; and black feminism as an epistemological method to fracture hegemonic modes of racialized gender. In readings of the essays, interviews, and poems of Alexis Pauline Gumbs, jayy dodd, and Venus Di’Khadijah Selenite, Bey turns black trans feminism away from a politics of gendered embodiment and toward a conception of it as a politics grounded in fugitivity and the subversion of power. Together, blackness and transness actualize themselves as on the run from gender. In this way, Bey presents black trans feminism as a mode of enacting the wholesale dismantling of the world we have been given.
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Black Utopias

Speculative Life and the Music of Other Worlds

Jayna Brown

Duke University Press, 2021

In Black Utopias Jayna Brown takes up the concept of utopia as a way of exploring alternative states of being, doing, and imagining in Black culture. Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking. Brown explores the lives and work of Black women mystics Sojourner Truth and Rebecca Cox Jackson, musicians Alice Coltrane and Sun Ra, and the work of speculative fiction writers Samuel Delany and Octavia Butler as they decenter and destabilize the human, radically refusing liberal humanist ideas of subjectivity and species. Brown demonstrates that engaging in utopian practices Black subjects imagine and manifest new genres of existence and forms of collectivity. For Brown, utopia consists of those moments in the here and now when those excluded from the category human jump into other onto-epistemological realms. Black people—untethered from the hope of rights, recognition, or redress—celebrate themselves as elements in a cosmic effluvium.
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Black Women's Art Ecosystems

Sites of Wellness and Self-Care

Tanisha M. Jackson

University of Illinois Press, 2025

It is not an uncommon burden but rather a choice that Black women artists embrace creating art as a socio-political strategy to save themselves and their communities. Tanisha M. Jackson analyzes visual and personal narratives, historical archives, and artmaking practices to reveal how Black women artists facilitate wellness through creative expression and cultural knowledge. Delving into historical and contemporary practices, Jackson looks at Black women who use their artwork as acts of resistance, self-expression, and holistic wellness. Jackson’s multidisciplinary approach blends art history, Black studies, and personal narratives to examine the ways that the art ecosystems created by these women foster resilience and empowerment. Their dramatic stories underscore the transformative power of art in cultivating activism and mental, emotional, and spiritual well-being but also provide a framework for understanding how art can be a vital component of self-care and communal wellness. A meticulous portrait and inspiring roadmap, Black Women’s Art Ecosystems celebrates Black women’s artistic achievements while revealing how their work creates communities of restoration and mental health.
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Black Women’s Health in the Age of Hip Hop and HIV/AIDS

A Narrative Remix

Nghana tamu Lewis

The Ohio State University Press, 2025

In Black Women’s Health in the Age of Hip Hop and HIV/AIDS, Nghana tamu Lewis chronicles the work of five black women creators to demonstrate how hip hop feminism operates as a vital tool for interpreting and building knowledge about the lived experiences of black women and girls. Between 1996 and 2006, novelists Sapphire and Sister Souljah, television producer Mara Brock Akil, and playwrights Nikkole Salter and Danai Gurira addressed the neglect of black women’s health in mainstream biomedical and public health discourses. At a time when responses to the HIV/AIDS epidemic largely focused on gay white men, Lewis argues, these creators deployed the strategies of hip hop feminism to frame and untangle issues of self-care, risk, and the ways that caregiving roles place black women and girls at disproportionate risk of adverse health outcomes. Building on previous intersectionality and social justice advocacy scholarship, Lewis argues that Sapphire, Souljah, Brock Akil, and Salter and Gurira both documented the effects of the epidemic on black women and girls and equipped the masses with solutions-oriented responses to the crisis, thus intervening in ways that mainstream biomedical and public health research has yet to do.
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cover of Bodies of Information: Intersectional Feminism and the Digital Humanities

Bodies of Information

Intersectional Feminism and the Digital Humanities

Elizabeth Losh

University of Minnesota Press, 2018

A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanities

In recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.

Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.

Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U. 

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Body Drift

Butler, Hayles, Haraway

Arthur Kroker

University of Minnesota Press, 2012

As exemplary representatives of a form of critical feminism, the writings of Judith Butler, Katherine Hayles, and Donna Haraway offer entry into the great crises of contemporary society, politics, and culture. Butler leads readers to rethink the boundaries of the human in a time of perpetual war. Hayles turns herself into a “writing machine” in order to find a dwelling place for the digital humanities within the austere landscape of the culture of the code. Haraway is the one contemporary thinker to have begun the necessary ethical project of creating a new language of potential reconciliation among previously warring species.

According to Arthur Kroker, the postmodernism of Judith Butler, the posthumanism of Katherine Hayles, and the companionism of Donna Haraway are possible pathways to the posthuman future that is captured by the specter of body drift. Body drift refers to the fact that individuals no longer inhabit a body, in any meaningful sense of the term, but rather occupy a multiplicity of bodies: gendered, sexualized, laboring, disciplined, imagined, and technologically augmented.

Body drift is constituted by the blast of information culture envisioned by artists, communicated by social networking, and signified by its signs. It is lived daily by remixing, resplicing, and redesigning the codes: codes of gender, sexuality, class, ideology, and identity. The writings of Butler, Hayles, and Haraway, Kroker reveals, provide the critical vocabulary and political context for understanding the deep complexities of body drift and challenging the current emphasis on the material body.

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cover of Bread and Roses: Gender and Class Under Capitalism

Bread and Roses

Gender and Class Under Capitalism

Andrea D'Atri

Pluto Press, 2021

Is it possible to develop a radical socialist feminism that fights for the emancipation of women and of all humankind? This book is a journey through the history of feminism. Using the concrete struggles of women, the Marxist feminist Andrea D'Atri traces the history of the women's and workers' movement from the French Revolution to Queer Theory. She analyzes the divergent paths feminists have woven for their liberation from oppression and uncovers where they have hit dead ends. With the global working class made up of a disproportionate number of women, women are central in leading the charge for the next revolution and laying down blueprints for an alternative future. D’Atri makes a fiery plea for dismantling capitalist patriarchy.
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cover of Bridging: How Gloria Anzaldúa's Life and Work Transformed Our Own

Bridging

How Gloria Anzaldúa's Life and Work Transformed Our Own

Edited by AnaLouise Keating and Gloria González-López

University of Texas Press, 2011

The inspirational writings of cultural theorist and social justice activist Gloria Anzaldúa have empowered generations of women and men throughout the world. Charting the multiplicity of Anzaldúa's impact within and beyond academic disciplines, community trenches, and international borders, Bridging presents more than thirty reflections on her work and her life, examining vibrant facets in surprising new ways and inviting readers to engage with these intimate, heartfelt contributions.

Bridging is divided into five sections: The New Mestizas: "transitions and transformations"; Exposing the Wounds: "You gave me permission to fly in the dark"; Border Crossings: Inner Struggles, Outer Change; Bridging Theories: Intellectual Activism with/in Borders; and "Todas somos nos/otras": Toward a "politics of openness." Contributors, who include Norma Elia Cantú, Elisa Facio, Shelley Fisher Fishkin, Aída Hurtado, Andrea Lunsford, Denise Segura, Gloria Steinem, and Mohammad Tamdgidi, represent a broad range of generations, professions, academic disciplines, and national backgrounds. Critically engaging with Anzaldúa's theories and building on her work, they use virtual diaries, transformational theory, poetry, empirical research, autobiographical narrative, and other genres to creatively explore and boldly enact future directions for Anzaldúan studies.

A book whose form and content reflect Anzaldúa's diverse audience, Bridging perpetuates Anzaldúa's spirit through groundbreaking praxis and visionary insights into culture, gender, sexuality, religion, aesthetics, and politics. This is a collection whose span is as broad and dazzling as Anzaldúa herself.

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cover of Building Womanist Coalitions: Writing and Teaching in the Spirit of Love

Building Womanist Coalitions

Writing and Teaching in the Spirit of Love

Edited by Gary L. Lemons

University of Illinois Press, 2019

Over the last generation, the womanist idea--and the tradition blooming around it--has emerged as an important response to separatism, domination, and oppression. Gary L. Lemons gathers a diverse group of writers to discuss their scholarly and personal experiences with the womanist spirit of women of color feminisms. Feminist and womanist-identified educators, students, performers, and poets model the powerful ways that crossing borders of race, gender, class, sexuality, and nation-state affiliation(s) expands one's existence. At the same time, they bear witness to how the self-liberating theory and practice of women of color feminism changes one's life. Throughout, the essayists come together to promote an unwavering vein of activist comradeship capable of building political alliances dedicated to liberty and social justice. Contributors: M. Jacqui Alexander, Dora Arreola, Andrea Assaf, Kendra N. Bryant, Rudolph P. Byrd, Atika Chaudhary, Paul T. Corrigan, Fanni V. Green, Beverly Guy-Sheftall, Susan Hoeller, Ylce Irizarry, M. Thandabantu Iverson, Gary L. Lemons, Layli Maparyan, and Erica C. Sutherlin
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cover of Built To Win: The Female Athlete As Cultural Icon

Built To Win

The Female Athlete As Cultural Icon

Leslie Heywood

University of Minnesota Press, 2003

A timely look at the rise of women in sports

The sculpted speed of Marion Jones. The grit and agility of Mia Hamm. The slam-dunk style of Lisa Leslie. The skill and finesse of these sports figures are widely admired, no longer causing the puzzlement and discomfort directed toward earlier generations of athletic women. Built to Win explores this relatively recent phenomenon—the confident, empowered female athletes found everywhere in American popular culture.

Leslie Heywood and Shari L. Dworkin examine the role of female athletes through interviews with elementary- and high school-age girls and boys; careful readings of ad campaigns by Nike, Reebok, and others; discussions of movies like Fight Club and Girlfight; and explorations of their own sports experiences. They ask: what, if any, dissonance is there between popular images and the actual experiences of these athletes? Do these images really “redefine femininity” and contribute to a greater inclusion of all women in sport? Are sexualized images of these women damaging their quest to be taken seriously? Do they inspire young boys to respect and admire female athletes, and will this ultimately make a difference in the ways gender and power are constructed and perceived?Proposing a paradigm shift from second- to third-wave feminism, Heywood and Dworkin argue that, in the years since the passage of Title IX, gender stereotypes have been destabilized in profound ways, and they assert that female athletes and their imagery are doing important cultural work to that end. Important, refreshing, and engrossing, Built to Win examines sport in all its complexity.
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