905 books match the query 'Literary' and 38 start with b

cover of Bait

Bait

David Albahari

Northwestern University Press, 2001

In self-exile in Canada after the collapse of Yugoslavia and his mother's death, the narrator of Bait is listening to a series of tapes he recorded of his mother years before. As her story is told, he reflects on her life and their relationship, attempting to come to terms with his Jewishness and his own new life in a foreign culture.
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cover of Ballad of Another Time: A Novel

Ballad of Another Time

A Novel

Jose Luis Gonzalez; Translated by Asa Zatz

University of Wisconsin Press, 2004

“A haunting, almost uncanny tale of love and honor in which the three main characters move through a world of secret passions and silences. . . .  [Set in Puerto Rico], scenes of impoverished farmers, madwomen, and men in coffee shops and cafes combine to form a blend of voices and landscapes whose essence can be distilled into three words: tobacco, coffee, and sugar. . . . Asa Zatz must be praised for bringing into his English version the beauty and melody of [González’s] Spanish original.”—Marjorie Agosin, New York Times Book Review
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Ballad of Descent

Martin Vopenka

Northwestern University Press, 1995

Martin and Tomas leave Prague on Christmas Day for "that other country." Although their destination is the mountains, their departure has been initiated by a search for their own identity—people in their country have become alike, losing their individuality and becoming products of a totalitarian regime. The pair become the guests of a high school teacher, but Martin falls in love with the teacher's daughter only to lose her in a police suppression, and the Other Country is revealed as a merciless machine of oppression that throws its people into despair.
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cover of Barbarian Spring

Barbarian Spring

Jonas Lüscher

Haus Publishing, 2014

On a business trip to Tunisia, Preising, a leading Swiss industrialist, is invited to spend the week with the daughter of a local gangster. He accompanies her to the wedding of two London city traders at a desert luxury resort that was once the site of an old Berber oasis. With the wedding party in full swing and the bride riding up the aisle on a camel, no one is aware that the global financial system stands on the brink of collapse. As the wedding guests nurse their hangovers, they learn that the British pound has depreciated tenfold, and their world begins to crumble around them.

So begins Barbarian Spring, the debut novel from Jonas Lüscher, a major emerging voice in European fiction. The timely and unusual novel centers on a culture clash between high finance and the value system of the Maghreb. Provocative and entertaining, Barbarian Spring is a refreshingly original and all-too-believable satire for our times.
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cover of Barren Island

Barren Island

Carol Zoref

New Issues Poetry and Prose, 2017

How does one remember a world that literally no longer exists? How do the moral imperatives to do so correspond to the personal needs that make it possible? Told from the point-of-view of Marta Eisenstein Lane on the occasion of her 80th birthday, Barren Island is the story of a factory island in New York’s Jamaica Bay, where the city’s dead horses and other large animals were rendered into glue and fertilizer from the mid-19th century until the 1930’s. The island itself is as central to the story as the members of the Jewish, Greek, Italian, Irish, and African-American factory families that inhabit it, including those who live their entire lives steeped in the smell of burning animal flesh. The story begins with the arrival of the Eisenstein family, immigrants from Eastern Europe, and explores how the political and social upheavals of the 1930’s affect them and their neighbors in the years between the stock market crash of October 1929 and the start of World War II ten years later. Labor strife, union riots, the New Deal, the World’s Fair, and the struggle to save European Jews from the growing threat of Nazi terror inform this novel as much as the explosion of civil and social liberties between the two World Wars. Barren Island, finally, is a novel in which the existence of God is argued with a God that may no longer exist or, perhaps, never did.
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cover of Be Faithful Unto Death

Be Faithful Unto Death

Zsigmond Móricz

Central European University Press, 1996

Be Faithful unto Death is the moving story of a bright and sensitive schoolboy growing up in an old-established boarding school in the city of Debrecen in eastern Hungary. Misi, a dreamer and would-be writer, is falsely accused of stealing a winning lottery ticket. The torments through which he goes – and grows – are superbly described.

The novel is brimming with vivid detail from the provincial life that Móricz knew so well and shot through with a sense of the tragic fate of a newly truncated Hungary.

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cover of Bealport: A Novel of a Town

Bealport

A Novel of a Town

Jeffrey Lewis

Haus Publishing, 2018

Bealport, Maine is one of the forgotten towns of America, a place that all too often seems to have its best days behind it. And perhaps nothing symbolizes that more than the old shoe factory—“NORUMBEGA Makers of Fine Footwear Since 1903”—that has been perpetually on the brink of failure, and is now up for sale. But maybe there’s hope? A private equity savant with a fondness for the factory’s shoes buys it—and thus sets in motion a story with profound implications for the town, and for the larger question of how we live today. The factory is a hobby for him, but it represents infinitely more for the residents of Bealport: not only their livelihoods but their self-respect, their connectedness, their sense of self-sufficiency are all bound up in it. Can this high-flying outsider understand that? How will he negotiate the complicated long-term relationships that define the town and its families?

In Bealport, Jeffrey Lewis takes us inside the town, revealing its secrets, acknowledging its problems, and honoring its ambitions. Brilliantly deploying a large cast from all walks of life, this novel reveals small town America in the early twenty-first century through the interwoven secrets and desires of its residents, and through them delivers a striking portrait of America at a moment of national uncertainty.

Bealport, called “a hugely satisfying read” by the Evening Standard and “deeply appealing” by the Times Literary Supplement, is now available in paperback.
 
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cover of Bear County, Michigan: Stories

Bear County, Michigan

Stories

John Counts

Northwestern University Press, 2025

Following desperate characters in desperate circumstances in the rural Midwest

In these colorful, darkly comic stories, veteran journalist and crime reporter John Counts takes readers to an often-ignored part of the country: a fictional Great Lakes coastal town in northern Michigan defined by beauty and bleakness. The cast of characters in these connected stories ranges from addicts to backwoods misfits to ruined lumber families, all bound together by their desire to obtain something just out of reach. Big Frank breaks out of a rehab facility trying to outrun grief. The women in the village of Brotherhood grapple with sterility resulting from an environmental calamity. A local politician must convince her mother to leave a nudist colony. And in the final, sweeping story, a splinter group from the local tribe attempts to reclaim its ancestral land by force. The people of Bear County and their predicaments encompass the wildly original and yet totally ordinary truths about American life off the beaten track.

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cover of Beautiful Women

Beautiful Women

Giuseppe Antonio Borgese

Northwestern University Press, 2001

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cover of Beirut '75

Beirut '75

Ghadah Samman

University of Arkansas Press, 1995

Ghada Samman’s first full-length novel, originally published in Arabic in 1974, is a creative and daring work prophetically depicting the social and political causes of the Lebanese civil war in 1975. The story opens in a taxi in which we meet the five central characters, each seeking something to give life meaning: security, fame, wealth, dignity, recognition, freedom from fear and from tradition-sanctioned, dehumanizing practices. Once they reach the capital city of Beirut, on which they’ve pinned their hopes, they all discover, man and woman alike, that they are victims of forces either partially or completely beyond their control, such as political corruption, class discrimination, economic and sexual exploitation, destruction of the natural environment, and blind allegiance to tradition.

Beirut ’75 addresses struggles of Arab society, particularly the Lebanese, but the message is one of the universal human condition. Thus, in addition to this superb English-language presentation, Samman’s novel has already appeared in German (two editions), French, and Italian versions.

Winner of The University of Arkansas Press Award for Arabic Literature in Translation.

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cover of Benefit Street: A Novel

Benefit Street

A Novel

Adria Bernardi

University of Alabama Press, 2022

WINNER OF FC2's CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE

A universal story of exile, of the refugee and emigrant, and of all those displaced who can reconstruct a sense of home only by weaving a new fabric of the imagination

For nearly two decades, Şiva has met after work on Tuesdays with four friends at a teahouse called the Kafiye. In interrupted conversations, the women explore what it is to live engaged lives inside and outside the home. Amidst joking and complaints, while drinking too much tea and eating too many sweets, they tell of their days: a son’s ninth birthday, the bruise on the arm of an aging parent, soldiers stationed outside the school, the funeral of an opposition political leader killed in a mysterious car accident.

Set in an unnamed provincial capital of an unnamed country, Benefit Street tells of a wide circle of friends—teachers, lawyers, missionaries, doctors, artisans—in a time of gathering and dispersal. It tells the story of mothers, daughters, sisters, wives, colleagues, and neighbors, as war to the East threatens and constitutional rights are daily eroded by an increasingly authoritarian regime.

The ideals of youth, freedom, and coexistence are severely tested with the shocking revelation that the charismatic leader of their group has sexually abused the women under his care. The limits of reconciliation are tested as Şiva makes an arduous journey into the mountains to meet an estranged mother with a genius for weaving complex rugs.
 

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cover of Berlin Cantata

Berlin Cantata

Jeffrey Lewis

Haus Publishing, 2013

A city that has lost one of its limbs and is receiving a miraculous gift, a little bump under the flesh, where the limb is just beginning to grow back. Thus does the American girl in Jeffrey Lewis's remarkable polyphonic novel describe Berlin and the "remnant Jews, secret GDR Jews...Soviet Jews...Jews who'd fled and come back with the victors, Jews who were lost mandarins now, Jews who'd believed in the universality of man and maybe still did" whom she finds at a Day of Atonement gathering in the eastern part of the city in a year soon after the Wall fell. Berlin Cantata deploys thirteen voices to tell a story not only of atonement, but of discovery, loss, identity, intrigue, mystery, insanity, sadomasochism and lies. At its centre is a country house owned successively by Jews, Nazis and Communists. In the country house, the American girl seeks her hidden past. In the girl, a local reporter seeks redemption. In the reporter, a false hero of the past seeks exposure. In the false hero, the American girl seeks a guide. And so it goes, a round of conspiracy and desire. Even as he describes his native city, the false hero describes the characters of Berlin Cantata: "We dined on wreckage. We were not afraid to beg. We continued our long tradition of believing either in nothing or too much."
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cover of Bhopal Dance: A Novel

Bhopal Dance

A Novel

Jennifer Natalya Fink, Foreword by Mary Caponegro

University of Alabama Press, 2018

Winner of FC2's Catherine Doctorow Innovative Fiction Prize
 
An imaginative, erotic rethinking of Bhopal’s disaster—and perhaps our own


On the night of December 2, in the midst of the Reaganomic era, an explosion at an American-owned factory in Bhopal, India, released untold amounts of toxic gas on uncounted numbers of people, creating a human and environmental disaster of insurmountable proportions. Known as the Bhopal disaster, it once dominated international headlines, and is now barely remembered.
 
Yet Bhopal remains emblematic of all the many quickly forgotten disasters that followed, and of the permanent state of globalized disaster in which we now dwell. What does it mean when corporations instead of states control not only the means to create environmental disasters, but also the tools to bury them? How does one revolt against these unelected entities? How do our most private desires get shaped by this stateless horror? Jennifer Natalya Fink’s Bhopal Dance is an epic and epochal tale of such a horror and its buried consequences.
 
At the center of the novel is Cordelia, an owlish woman with a ménage of lovers, who leads a revolutionary Canadian political movement catalyzed by the Bhopal disaster, only to end up imprisoned with just a toilet to talk to. Who she hallucinates is her father. Who is her father. Who is the State. Who may be her mother. Or her twin/lover. Cordelia is a remarkable bird in her own right, and ‘owlishness’ is a feathery conceit deployed in both the book’s form and content, a way of exploring queer possibilities for altering the terms of one’s imprisonment. For setting corporatized corporeality alight. Ablaze. Pets and punk rock, dentists and dyslexia, Shakespeare and salsa: they all dance together here.
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cover of Big City

Big City

Marream Krollos

University of Alabama Press, 2018

A fiction of the city as a chorus of voices, an entity that is both one and many
 
Marream Krollos’s Big City is astructurally innovative work of prose composed of vignettes, verse, dialogues, monologues, and short stories. Alone, they are fragments, but together they offer a glimpse of the human condition and form a harmonized narrative of desire, loneliness, and beauty. Through language that builds, destroys, and violates, Krollos maps the geography of our contemporary condition, a haunting meditation on human togetherness and isolation.
 
Krollos plays with the tension between the voice of the lonely “I” produced by the urban experience and the polyphony of the city itself. A city is a chorus and a collection of traces; it is a way of being with others and the concretization of the social divisions that keep people apart. As a lifelong city dweller, Krollos is obsessed with the way that cities shape our experiences of the world, our ideas about inside and outside and self and other.
 
By mapping the emotional highs and lows of particular (though often anonymous) beings, the book creates a geography of the urban consciousness. The sensation of reading this lyric work of fiction is akin to how one experiences an attentive walk in an unknown city: one becomes attuned to the tenor of its many voices, how the languages lift and flourish, and how the micro and macro became integrally linked.
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cover of Billy Budd, Sailor

Billy Budd, Sailor

Herman Melville

University of Chicago Press, 1962

Hayford and Sealts's text was the first accurate version of Melville's final novel. Based on a close analysis of the manuscript, thoroughly annotated, and packaged with a history of the text and perspectives for its criticism, this edition will remain the definitive version of a profoundly suggestive story.
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cover of Billy Budd, Sailor (An Inside Narrative)

Billy Budd, Sailor (An Inside Narrative)

Herman Melville, Illustrated by Barry Moser

University of Chicago Press, 2025

An illustrated edition of Billy Budd featuring woodcuts by celebrated artist Barry Moser.
 
This edition of Billy Budd, Sailor presents Herman Melville’s iconic tale of the high seas alongside illustrations by renowned artist, publisher, and printmaker Barry Moser.
 
Throughout his fifty-year career, Moser has illustrated more than three hundred books ranging from novels to children’s stories to the Bible. Through his Pennyroyal Press, Moser designs and prints fine-press, illustrated, and occasionally oversized books in very limited editions, which are beloved by collectors and bibliophiles. To coincide with the centenary of the novella’s posthumous publication, Moser created sixteen original woodcuts illustrating the scenes and characters of Billy Budd, Sailor, and this trade edition now makes these exquisite illustrations accessible to a wide audience.

This illustrated edition adapts the text of the critical edition of the novella prepared for the Melville Electronic Library by John Bryant, Wyn Kelley, and Christopher Ohge.

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cover of Bisbee '17

Bisbee '17

Robert Houston

University of Arizona Press, 1999

Bisbee, Arizona, queen of the western copper camps, 1917. The protagonists in a bitter strike: the Wobblies (the IWW), the toughest union in the history of the West; and Harry Wheeler, the last of the two-gun sheriffs. In this class-war western, they face each other down in the streets of Bisbee, pitting a general strike against the largest posse ever assembled. Based on a true story, Bisbee '17 vividly re-creates a West of miners and copper magnates, bindlestiffs and scissorbills, army officers, private detectives, and determined revolutionaries. Against this backdrop runs the story of Elizabeth Gurley Flynn, strike organizer from the East, caught between the worlds of her ex-husband—the Bisbee strike leader—and her new lover, an Italian anarchist from New York. As the tumultuous weeks of the strike unfold, she struggles to sort out what she really feels about both of them, and about the West itself.
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cover of Blood Pact and Other Stories

Blood Pact and Other Stories

Mario Benedetti

Northwestern University Press, 1997

This collection includes the best of renowned Uruguayan writer Mario Benedetti's stories from over 40 years of publishing. In these stories of powerful sudden impact, Benedetti plumbs with deep psychological insight both the dreams and frustrations of the middle-class in a bureaucratic society, as well as the pain and disorientation of political exile. 
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cover of Blow Yourself Up: A Novel

Blow Yourself Up

A Novel

Ankur Thakkar

Northwestern University Press, 2026

A story of first love across cities spanning the decade that transformed the internet

In the halls of an elite East Coast high school, Arjun and Payal fall in love as the world begins to tilt toward the digital. Over the next eight years, their trajectories diverge as sharply as the fractured internet itself. Payal ascends to the dizzying, dopamine-fueled heights of New York’s influencer economy, finding fame on Boost, a looping video app that is as rewarding as it is demanding. Meanwhile, in a cavernous office in Chicago, Arjun, a musician whose dreams have quieted, now cleans up the same platform’s debris, moderating the internet’s darkest videos. When a brutal act of political violence against a beloved musician goes viral, this rip in reality forces the pair to confront the motivations of the platforms they inhabit. A sharp exploration of creative ambition and the multifarious nature of identity, this is a story of love in the time of infinite scroll and a look at what we sacrifice to be seen.

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cover of Blue Jewellery

Blue Jewellery

Katharina Winkler

Seagull Books, 2018

Now in paperback, Katharina Winkler’s heartbreaking saga of a tenacious woman trapped in an abusive marriage.

Blue jewelry is private property. Not to be seen. Not to be talked about. It is worn like a bracelet around the wrists, on ribs, legs, arms. Blue jewelry is another name for the marks left on women’s bodies, inflicted by the men around them.
 
This novel tells the story of Filiz and Yunus. When Filiz meets Yunus, he is young and beautiful, and Filiz is proud that he wants her. Against her father’s wishes, they marry when she is thirteen. Yunus is her entire universe, all encompassing, all powerful. Soon after the wedding, Filiz’s dream of living in the West with her husband, of escaping their small village in Anatolia for freedom and autonomy, comes crashing down around her. Yunus, only a few years older than his bride, turns their marriage into a prison of dependency and violence. Trapped in her mother-in-law’s house, Filiz is subjected to physical and mental abuse, forced to veil herself, and treated as a house slave. When she becomes pregnant, Filiz seems to have reached her breaking point. But she endures. When Yunus moves his young family first to Istanbul and then to Austria, the life he had once promised her seems to be within reach. But there is no escaping the spiral of violence and love, which, to Filiz, have become inseparable.
 
Katharina Winkler’s powerful story of a marriage dominated by violence gives voice to a tenacious young woman whose will to survive is never broken. 
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cover of Boat Number Five

Boat Number Five

Monika Kompaníková

Seagull Books, 2021

A fierce, unapologetic eye captures the universal quest for connection in post-communist Eastern Europe.

Emotionally neglected by her immature, promiscuous mother and forced to care for her cantankerous dying grandmother, twelve-year-old Jarka is left to fend for herself in the social vacuum of a post-communist concrete jungle in Bratislava. She spends her days roaming the streets and daydreaming in the only place she feels truly safe: a small garden inherited from her grandfather. One day, stopping at a suburban railway station, she impulsively abducts twin babies.

Teetering on the edge of disaster, Jarka struggles to care for the children, and in the process, begins to discover herself. Boat Number Five—which was adapted into an award-winning Slovak film—brilliantly captures the ache and emptiness of a fractured society.

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cover of Border State

Border State

Tonu Onnepalu

Northwestern University Press, 2000

Winner of the 1993 Baltic Assembly Prize

An immediate sensation upon its 1993 publication in Europe, already translated into more than a dozen languages, Border State is a brilliantly realized account of a man in the grip of Western excess, emotionally crippled by a world that is subsuming his own and inhabiting a West in which "all countries have become imaginary deserts of ruins where crowds of nomads roam from one attraction to the other." His tale, in which disillusion and murder become inextricably linked, is a compelling exploration of scarcity, longing, and madness.
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cover of Boy Meets Girl

Boy Meets Girl

Christie Hodgen

New Issues Poetry and Prose, 2022

Told in two alternating timelines, this novel follows a friendship over twenty-five years.

Boy Meets Girl is the story of a twenty-five-year friendship between Sammy Browne (young, idealistic, and broke) and Ben Eisenberg (older, jaded, and almost unimaginably rich)—two characters drawn together, and ultimately torn apart, by their differences. This novel tells the story of their relationship over the decades—from youthful flirtation to unrequited love, to long-term friendship that flourishes in middle age, to estrangement and then reunion. The novel unfolds in alternating chapters, toggling back and forth between Ben and Sammy as young people and in middle age, showing everything the characters hoped to become and how things turned out for them. Boy Meets Girl unfolds against the political and social backdrop of the last three decades, with Bill Clinton’s election, the events of September 11, the wars in Iraq and Afghanistan, and even the Trump era providing context and contrast for the personal stories of the main characters.
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cover of Boys of Love

Boys of Love

Ghazi Rabihavi

University of Wisconsin Press, 2024

During a wedding celebration, Jamil, the sole heir of a rich landowner, meets Naji, who sells hay for a living. The novel follows the boys’ escape from their village in the hopes of finding a place where they can be together freely. Even as their love evolves, their strong connection remains, which helps see them through the upheavals of the Islamic Revolution and the Iran–Iraq War. 

In Boys of Love, Ghazi Rabihavi offers both a universal story about the ups and downs of all relationships and a clear-eyed portrait of same-sex desire in Iran, where homosexuality remains punishable by death. Banned in Iran, the novel was initially published in Farsi in the UK, then translated into French and shortlisted for the Prix Médicis étranger. Rabihavi avoids both lasciviousness and exoticism in depicting a deep love between male characters living through the Iranian Cultural Revolution. Ultimately, this story challenges preconceived notions about marginalized communities in the Middle East.
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cover of Bratwurst Haven: Stories

Bratwurst Haven

Stories

Rachel King

West Virginia University Press, 2022

2023 Colorado Book Award Winner, Literary Fiction
“An excellent collection that’s likely to appeal to fans of Alice Munro and Tobias Wolff.” —Kirkus Reviews


It’s almost a decade after the Great Recession, and in Colorado, St. Anthony Sausage has not recovered. Neither have its employees: a laid-off railway engineer, an exiled computer whiz, a young woman estranged from her infant daughter, an older man with cancer who lacks health care. As these low-wage workers interact under the supervision of the factory’s owner and his quietly rebellious daughter, they come to understand that in America’s postindustrial landscape, although they may help or comfort each other, they also have to do what’s best for themselves.

Over the course of these twelve interrelated stories, Rachel King gives life to diverse, complex, and authentic characters who are linked through the sausage factory and through their daily lives in a vividly rendered small town in Boulder County. The internal and external struggles of Bratwurst Haven’s population are immediately and intimately relatable and resonant: these people seek answers within the world they inhabit while questioning what it means to want more from their lives.
 
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cover of Breach of Trust/Abuso de confianza

Breach of Trust/Abuso de confianza

Ángel Escobar with Translation by Kristin Dykstra

University of Alabama Press, 2016

The best-known work by acclaimed Cuban poet Ángel Escobar

Ángel Escobar’s Breach of Trust / Abuso de confianza is known by many as the most devastating book of his poetic generation. It is his first to be offered to an English-speaking audience. Merging personal and collective meditations, these twenty-three poems perform an indictment of violence. Escobar’s poetry delineates lacerations etched on bodies and minds by the sanguinary twentieth century, which unfolded out of a longer modernity spanning the Americas.

Breach of Trust / Abuso de confianza outlived its author, who took his own life in 1997. Brief and implicit appeals for justice and love offset the book’s abject theatricality. Escobar’s tragic masterpiece deftly interweaves themes into a striking synthesis offered in the spirit of survival.

Award-winning translator Kristin Dykstra introduces this collection with a comprehensive examination of Escobar’s life, work, and the times within which he wrote. Dykstra situates Escobar’s poetic abjection as his drive to confront thingification face to (non)face.

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cover of Bread for the Departed

Bread for the Departed

Bogdan Wojdowski

Northwestern University Press, 1997

Bread for the Departed details the experience of the Jewish community in Warsaw between 1940 and 1942; the final chapters take place during the mass deportation of Warsaw's Jewish community to death camps. Episodic, chaotic as the teeming ghetto itself, the novel records the inexorable breakdown of morals and loyalties that accompanied the physical deterioration of the ghetto population.
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cover of Brezhat: A Novella

Brezhat

A Novella

Michael Holt

University of Alabama Press, 2027

Three Sams, one impossible building, and a mystery echoing across worlds, lifetimes, and dreams.

Brezhat is a thrilling, puzzle-like novella that unfolds across three overlapping worlds, all occurring within the same haunted building. In one timeline, the building is a school where children's dreams are recorded. In another, an orphanage tied to a glass factory. In the third, a postapocalyptic ruin inhabited by a community of eccentric survivors.

Within its shifting halls live three versions of the same person, all named Sam. Though separated by time and circumstance, the Sams share dreams, sensations, and fleeting encounters that bind their lives together in unsettling ways. As they wander through forgotten corridors and forbidden rooms, the Sams undertake tasks both ordinary and uncanny. They deliver life-saving serum, reassemble the body of a broken friend, talk with the dead, and bury dead mice. Along the way, they are guided, taught, and sometimes misled by an unforgettable cast of adults: teachers, nuns, scientists, artists, a librarian, and the inscrutable Mr. Jones, a janitor who seems to exist outside of time altogether. Threaded through each timeline is the shadow of a former friend whose acts of violence echo across worlds, causing old wounds to recur in new forms. Blending speculative fiction, psychological insight, and gothic atmosphere, Brezhat is a mesmerizing novella steeped in mystery, unraveling the stories we inherit, the selves we might have been, and the strange ways pain reverberates across a lifetime.
 

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cover of Bricks Without Straw: A Novel

Bricks Without Straw

A Novel

Albion W. Tourgée

Duke University Press, 2009

A classic of American political fiction first published in 1880, a mere three years after Reconstruction officially ended, Bricks Without Straw offers an inside view of the struggle to create a just society in the post-slavery South. It is unique among the white-authored literary works of its time in presenting Reconstruction through the eyes of emancipated slaves. As a leading Radical Republican, the author, Albion W. Tourgée, played a key role in drafting a democratized Constitution for North Carolina after the Civil War, and he served as a state superior court judge during Reconstruction. Tourgée worked closely with African Americans and poor whites in the struggle to transform North Carolina’s racial and class politics. He saw the ravages of the Ku Klux Klan firsthand, worked to bring the perpetrators of Klan atrocities to justice, and fought against what he called the “counter-revolution” that destroyed Reconstruction.

Bricks Without Straw is Tourgée’s fictionalized account of how Reconstruction was sabotaged. It is a chilling picture of violence against African Americans condoned, civil rights abrogated, constitutional amendments subverted, and electoral fraud institutionalized. Its plot revolves around a group of North Carolina freedpeople who strive to build new lives for themselves by buying land, marketing their own crops, setting up a church and school, and voting for politicians sympathetic to their interests, until Klan terrorism and the ascendancy of a white supremacist government reduce them to neo-slavery. This edition of Bricks Without Straw is enhanced by Carolyn L. Karcher’s introduction, which sets the novel in historical context and provides an overview of Albion W. Tourgée’s career, a chronology of the significant events of both the Reconstruction era and Tourgée’s life, and explanatory notes identifying actual events fictionalized in the novel.

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cover of Bride of the Mountains

Bride of the Mountains

František Švantner

Karolinum Press, 2026

A classic work of twentieth-century Slovak literature that blends naturalism and depictions of rural life with the supernatural.

After many years, Libor returns to his native village, where he has been appointed gamekeeper. His childhood sweetheart, Zuna, is waiting for him there. But his homecoming is far from idyllic. He has “tasted city life” and soon becomes an outsider to the villagers. According to them, Zuna has become a local prostitute who sleeps with anyone who pays her. Zuna’s father, an old miller, has gone blind because he made a pact with the devil. The mill where Libor and Zuna used to play as children has fallen into disrepair and ruin. The more Libor gets to know the world that he has returned to, the more confused he becomes. The village is full of superstitions, secrets, and hostility. He meets the charcoal burner Tavo, who lives high in the mountains, and learns from him the mysterious and bloody story of Zuna’s birth. He also learns what matters most to him: Zuna is pure and innocent. Libor starts a relationship with her from scratch. But just when their forgotten love might finally come to fruition, He appears—a vagabond who can transform into a wolf—and Libor discovers that Zuna is meeting with him. Is it a monster that gouges people’s eyes out? The devil, or our immaterial, dark alter ego? Reality, dreams, and fantasy blend in Libor’s mind as his hopes seem crushed beyond redemption.

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Bronstein's Children

Jurek Becker

University of Chicago Press, 1999

"East Berlin, 1973: an 18-year-old Jew discovers that his father's friends are holding prisoner a former Nazi concentration camp guard in the family cottage. The three older men have handcuffed the ex-Nazi to the bed and are interrogating and torturing him in an attempt to get him to admit to his war crimes. . . . Becker keenly shows the tension between members of the Holocaust generation and their children, who are unable to understand the complexity of that nightmarish era of human history."—Booklist

"[A] chilly, disquieting novel about historical slippage; about the seemingly inevitable decline of horror into a vague and generic recollection. The East German writer has devised something between story and allegory to evoke the cold generational millennium that separates a father, with his concentration-camp memories, from a son, adrift in a society with no memories whatsoever."—Richard Eder, Los Angeles Times Book Review

"Mr. Becker, writing simply and clearly in an unstrained narrative, speaks with the voice of knowledge, and we do well to listen to him."—Eva Figes, New York Times Book Review

Jurek Becker (1937-1998) is the author of Jacob the Liar, Sleepless Days, The Boxer, and Amanda Herzlos.
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cover of Bronx Accent: A Literary and Pictorial History of the Borough

Bronx Accent

A Literary and Pictorial History of the Borough

Ultan, Lloyd

Rutgers University Press, 2000

For the last three hundred years, and through all its social and economic transformations, The Bronx has been a major literary center that many prominent writers have called home.

Bringing together a variety of past literary figures as well as emerging talents, this comprehensive book captures the Zeitgeist of the neighborhood through the eyes of its writers. Included are selections from the writings of Jack Kerouac, Mark Twain, James Baldwin, James Fenimore Cooper, Tom Wolfe, Herman Wouk, Theodore Dreiser, Washington Irving, Clifford Odets, Cynthia Ozick, Grace Paley, Edgar Allan Poe, Chaim Potok, Kate Simon, Leon Trotsky, and Sholem Aleichem.

Lloyd Ultan and Barbara Unger place the literature of these and other writers in historical context and reproduce one hundred vintage photographs that bring the writings to life. Filtered through the imaginations of authors of different times, ethnic groups, social classes, and literary styles, the borough of The Bronx emerges not only as a shaper of destinies and lives, but as an important literary mecca.
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cover of Brown River, White Ocean: An Anthology of Twentieth-Century Philippine Literature in English

Brown River, White Ocean

An Anthology of Twentieth-Century Philippine Literature in English

Francia, Luis H

Rutgers University Press, 1993

English is often a primary literary language for Filipino writers--not only for those in the Philippines but for those resident in the US; both groups are included in this anthology of 31 stories and 108 poems documenting a tradition that began at the turn-of-the-century. Manila-born poet and writer Francia, an editor at the Village Voice, gathers and validates creative work that has had limited distribution not only here but in Asia. ``In the Philippine context, what is foreign and what is indigenous has always been a tricky and ultimately impossible subject,'' Francia writes in his introduction. ``Filipinos have unconsciously perfected the art of mixing the two up....'' Readers who expect Filipino English to have the unexpected inflections and inventiveness of Indian or Caribbean English will be disappointed: the Filipino writer uses standard American English as a native language, but spices it naturally with words form indigenous and adopted tongues: Tagalog, Spanish, Ilokano, etc. Stories look at unrequited passion (in which the sensual tropical ambiance is at odds with society's rules); village life; the different cultures that have settled in the archipelago--Chinese, Japanese, Spanish, Hindu Indian; and the consequences of military, colonial, and economic occupation. Both poems and stories consider the experience of Filipinos--some intellectual, some humble--in the US. Among the more familiar contributors: Carlos Bulosan, Jos‚ Garc¡a Villa, Jessica Hagedorn, and Ninotchka Rosca. While the prose selected here is more consistent in quality than the poetry, the poems seem more wide-ranging; like the fiction writers, the poets consider love, politics, and metaphysics but move as well into experimentation and the modernist realm. A satisfying and worthwhile project.
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cover of Bruna and Her Sisters in the Sleeping City

Bruna and Her Sisters in the Sleeping City

Alicia Yánez Cossío, Translated from the Spanish by Kenneth J. A. Wishnia

Northwestern University Press, 1999

Bruna and Her Sisters in the Sleeping City chronicles a wealthy, eccentric family with an ancient presence in northern Ecuador. Bruna’s past is dominated by ghosts and scandals that linger in the old family home in the mountains. As she pieces together the outrageous adventures of her ancestors and relatives, Bruna emerges from the husk of tradition to achieve a balance between the best of the old and the new. Tracing the complete history of Ecuador from the Conquest through the 1970s, the book is a seriocomic examination of the tensions and conflicts inherent in a world that wavers between its oppressive colonial past and its future as a modern society obsessed with material gain.
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cover of Buddhism for Western Children

Buddhism for Western Children

Kirstin Allio

University of Iowa Press, 2018

Set on the coast of Maine and in the high desert of New Mexico in the late 1970s through the early 80s, Buddhism for Western Children is a universal and timeless story of a boy who must escape subjugation, tell his story, and reclaim his soul. 

In search of community and transcendence, ten-year-old Daniel’s family is swept into the thrall of a potent and manipulative guru. To his followers, Avadhoot Master King Ivanovich is a living god, a charismatic leader who may reveal enlightenment as he mesmerizes, and alchemizes, Eastern and Western spiritual traditions. 

Daniel’s family plunges into a world with different rules and rhythms—and with no apparent exit. They join other devotees in shunning the outside world, and fall under the absolutist authority of the guru and his lieutenants. Daniel bears witness to the relentless competition for the guru’s favor, even as he begins to recognize the perversion of his spirituality. Soon, Daniel himself is chosen to play a role. As tensions simmer and roil, darkness intrudes. Devotees overstep, placing even the children in jeopardy. Daniel struggles with conflicting desires to resist and to belong, until finally he must decide who to save and who to abandon. 

With spiraling, spellbinding language, Allio reveals a cast of vivid, often darkly funny characters, and propels us toward a shocking climax where Daniel’s story cracks open like a kaleidoscope, revealing the costs of submitting to a tyrant and the shimmering resilience of the human spirit. 
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cover of But Crime Does Punish

But Crime Does Punish

Ján Johanides

Karolinum Press, 2022

A haunting novel of post-Soviet Slovakia, centering on an enigmatic one-sided conversation.
 
“So, as you see, I am familiar with the case. However, we can’t discuss it unless you learn more about some other court cases, so that you can compare your father’s trial with other, more baffling cases, and see it in the context of the madness that reigned at the time.”

Ján Johanides’ riveting Slovak novel immediately thrusts you into the midst of a bewildering second-person dialogue, bestowing the reader with the role of a silent partner in a one-sided conversation with a mysterious archivist. As the story unfurls piece by piece, it becomes clear that the archivist, who can’t seem to stay on topic, has both a tragic history and the key to unlocking your family’s darkest secret, a secret that may or may not involve the Czechoslovak secret police, American and Soviet intelligence, Israeli politics, and a tire full of dollars.
​
Set after the fall of the Soviet Union and the dissolution of Czechoslovakia, But Crimes Do Punish is awash with paranoia, revealing how the madness of the Communist era continues to bleed into the instability of the present. Written in 1995, this haunting novel—the first work of Slovak fiction published by Karolinum Press—evokes the spirit of John le Carré and the style of Carlos Fuentes while illuminating issues that still plague post-Communist Europe.
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cover of Butter Road: A Novel

Butter Road

A Novel

Jaclyn Gilbert

Acre Books, 2026

A searing novel about a community irrevocably transformed by gun violence.

In 2006, a gunman entered a one-room Amish schoolhouse in Lancaster County, Pennsylvania, taking the students hostage and shooting ten girls before turning his weapon on himself. Set twelve years after this event, largely in the village of Nickel Mines, Butter Road explores the long-reaching ramifications of tragedy through the imagined lives of three women: Emma Walsh, an eighteen-year-old survivor of the shooting; her mother, Ruth, who lost her eldest daughter to the violence; and Sara Caldwell, an “English” outsider and wife of a doctor researching genetic disorders in the Amish population. 

At the novel's outset, Sara enlists young Emma for housework and gardening to help the Walshes alleviate the debt they’ve accumulated caring for Emma’s disabled brother, who has the rare condition Sara’s husband is studying. Over the course of several months, Sara and Emma form a bond, and as Emma explores Sara's library, she begins writing fragments of memory on the backs of old feed calendars—a process that leads her to grapple with the devastating deaths of her sister and friends, and the insularity of Amish forgiveness. The more Emma writes, the more she questions her upbringing and ingrained beliefs, ultimately seeing her relationship to Isaac Ames, the man she is destined to marry, in a new light. The story culminates with the characters making breathtaking, self-searching decisions that alter the lives of others as well as their own. 

Emotionally acute and lyrically spare, Butter Road centers on living with what we can’t control, on understanding trauma and collective grief, and on following one’s heart.

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cover of By the Time You Read This: Stories

By the Time You Read This

Stories

Yannick Murphy

University of Alabama Press, 2021

WINNER OF FC2’s CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE

A gathering of luminescent stories that illustrates how fraught and contingent the simplest of lives can be, and the often unexpected means available to each of us for our own salvation

The truths revealed and the lives upended in the 13 stories that make up Yannick Murphy’s By the Time You Read This are at once singularly foreign and uncannily familiar. A wife pens a series of suicide notes to her family that verge on the comic, hovering between the tyrannical and the absurd. A mother obsesses over what her child eats. A young girl left with caretakers in New York draws on her potent imagination with consequences in real life that are both liberating and disastrous. In a college application essay a young woman finally begins to make sense of the troubling vicissitudes of her existence. A young French girl departs for America with her reprehensible beau to find she’s as much a stranger to herself abroad as she was at home. As with her previous novels and story collections, Murphy’s keen rendering of these disparate, complex lives illuminate in ways both quiet and startling our capacity for deliverance and devastation through daring acts of self-invention.
 

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