156 books match the query 'Los Angeles' and 10 start with b

cover of Bad Nature: How Rat Control Shapes Human and Nonhuman Worlds

Bad Nature

How Rat Control Shapes Human and Nonhuman Worlds

Andrew McCumber

University of Chicago Press, 2025

Offers insights into the social and cultural implications of humans’ relationships with rats and the natural world.
 
Apart from the occasional pet owner who has rats, most people regard rats as disease-carrying nocturnal pests, scurrying around dumpsters and dragging slices of pizza through New York City subways. Since rats are seemingly omnipresent in human life, why do we harbor such negative feelings about them, and why are they among the creatures most frequently targeted for systematic extermination?

In Bad Nature, sociologist Andrew McCumber draws out the cultural underpinnings of rat extermination across three countries and two continents. Drawing from ethnographic, interview, and textual data from the frigid prairie of Alberta, Canada; the heart of downtown Los Angeles, California; and the iconic Galápagos Islands of Ecuador, McCumber studies how humans have sought to suppress and exterminate rat populations in a variety of environmental, social, and political situations. He shows how, in these disparate locations, rat control is a social practice that draws and clarifies the spatial and symbolic boundaries between “good” and “bad” forms of nature. Rats are near the bottom of a symbolic hierarchy of species that places human life at the top, companion animals and majestic wildlife just below them, and the “invasive species” that call for systematic extermination at the very bottom. This hierarchy of living things that places rats at the bottom, McCumber argues, mirrors human systems of social inequalities and power dynamics.  

Both original and engaging, Bad Nature urges readers to consider, when charting a just and sustainable future, where will the rats be placed in the worlds we envision?
 
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cover of Barrio Gangs: Street Life and Identity in Southern California

Barrio Gangs

Street Life and Identity in Southern California

By James Diego Vigil

University of Texas Press, 1988

Within the Mexican American barrios of Los Angeles, gang activity, including crime and violent acts, has grown and flourished. In the past, community leaders and law enforcement officials have approached the problem, not as something that needs to be understood, but only as something to be gotten rid of. Rejecting that approach, James D. Vigil asserts that only by understanding the complex factors that give birth and persistence to gangs can gang violence be ended.

Drawing on many years of experience in the barrios as a youth worker, high school teacher, and researcher, Vigil identifies the elements from which gangs spring: isolation from the dominant culture, poverty, family stress and crowded households, peer pressure, and the adolescent struggle for self-identity. Using interviews with actual gang members, he reveals how the gang often functions as parent, school, and law enforcement in the absence of other role models in the gang members' lives. And he accounts for the longevity of gangs, sometimes over decades, by showing how they offer barrio youth a sense of identity and belonging nowhere else available.

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cover of Barrio Rhythm: Mexican American Music in Los Angeles

Barrio Rhythm

Mexican American Music in Los Angeles

Steven Loza

University of Illinois Press, 1993

The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican American community in East Los Angeles. The "Eastside Renaissance" in the region gave barrio music a symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to life, demonstrating the music's essential role in the cultural development of East Los Angeles and its influence on mainstream popular culture. Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth century to the present and offers in-depth profiles of nine Mexican American artists, groups, and entrepreneurs in Southern California from the post-World War II era to the present. His interviews with many of today's most influential barrio musicians, including members of Los Lobos, chronicle the cultural forces active in this complex urban community.
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cover of Before Crips: Fussin', Cussin', and Discussin' among South Los Angeles Juvenile Gangs

Before Crips

Fussin', Cussin', and Discussin' among South Los Angeles Juvenile Gangs

John C. Quicker and Akil S. Batani-Khalfani

Temple University Press, 2022

This groundbreaking book opens the door on the missing record of South Los Angeles juvenile gangs. It is the result of the unique friendship that developed between John Quicker and Akil Batani-Khalfani, aka Bird, who collaborated to show how structural marginality transformed hang-out street groups of non-White juveniles into gangs, paving the way for the rise of the infamous Crips and Bloods. Before Crips uses a macro historical analysis to sort through political and economic factors to explain the nature of gang creation.

The authors mine a critical archive, using direct interviews with original gang members as well as theory and literature reviews, to contextualize gang life and gang formation. They discuss (and fuss and cuss about) topics ranging from the criminal economy and conceptions of masculinity to racial and gendered politics and views of violence. Their insider/outsider approach not only illuminates gang values and organization, but what they did and why, and how they grew in a backdrop of inequality and police brutality that came to a head with the 1965 Watts Rebellion.

Providing an essential understanding of early South Los Angeles gang life, Before Crips explains what has remained constant, what has changed, and the roots of the violence that continues.

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cover of Believing in South Central: Everyday Islam in the City of Angels

Believing in South Central

Everyday Islam in the City of Angels

Pamela J. Prickett

University of Chicago Press, 2021

The area of Los Angeles known as South Central is often overshadowed by dismal stereotypes, problematic racial stigmas, and its status as the home to some of the city’s poorest and most violent neighborhoods. Amid South Central’s shifting demographics and its struggles with poverty, sociologist Pamela J. Prickett takes a closer look, focusing on the members of an African American Muslim community and exploring how they help each other combat poverty, job scarcity, violence, and racial injustice. Prickett’s engaging ethnography relates how believers in this longstanding religious community see Islam as a way of life, a comprehensive blueprint for individual and collective action, guiding how to interact with others, conduct business, strive for progress, and cultivate faith.

Prickett offers deep insights into the day-to-day lived religion of the Muslims who call this community home, showing how the mosque provides a system of social support and how believers deepen their spiritual practice not in spite of, but through, conditions of poverty. Prickett breaks past the stigmas of urban poverty, revealing a complex and vibrant community by telling the stories of longstanding residents of South Central—like Sister Ava, who offers food to the local unhoused people and finds the sacred in her extensive DVD collection. In addition to her portraits of everyday life among Muslims in South Central, Prickett also provides vivid and accessible descriptions of Ramadan and histories of the mosque, situates this community within the larger story of the Nation of Islam, explores gender issues, and unpacks the interaction between African American Muslims and South Asian and Arab American Muslims, revealing both the global and local significance of this religious tradition.
 
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cover of Black Arts West: Culture and Struggle in Postwar Los Angeles

Black Arts West

Culture and Struggle in Postwar Los Angeles

Daniel Widener

Duke University Press, 2010

From postwar efforts to end discrimination in the motion-picture industry, recording studios, and musicians’ unions, through the development of community-based arts organizations, to the creation of searing films critiquing conditions in the black working class neighborhoods of a city touting its multiculturalism—Black Arts West documents the social and political significance of African American arts activity in Los Angeles between the Second World War and the riots of 1992. Focusing on the lives and work of black writers, visual artists, musicians, and filmmakers, Daniel Widener tells how black cultural politics changed over time, and how altered political realities generated new forms of artistic and cultural expression. His narrative is filled with figures invested in the politics of black art and culture in postwar Los Angeles, including not only African American artists but also black nationalists, affluent liberal whites, elected officials, and federal bureaucrats.

Along with the politicization of black culture, Widener explores the rise of a distinctive regional Black Arts Movement. Originating in the efforts of wartime cultural activists, the movement was rooted in the black working class and characterized by struggles for artistic autonomy and improved living and working conditions for local black artists. As new ideas concerning art, racial identity, and the institutional position of African American artists emerged, dozens of new collectives appeared, from the Watts Writers Workshop, to the Inner City Cultural Center, to the New Art Jazz Ensemble. Spread across generations of artists, the Black Arts Movement in Southern California was more than the artistic affiliate of the local civil-rights or black-power efforts: it was a social movement itself. Illuminating the fundamental connections between expressive culture and political struggle, Black Arts West is a major contribution to the histories of Los Angeles, black radicalism, and avant-garde art.

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cover of Blood Loss: A Love Story of AIDS, Activism, and Art

Blood Loss

A Love Story of AIDS, Activism, and Art

Keiko Lane

Duke University Press, 2024

In 1991, sixteen-year-old activist Keiko Lane joined the Los Angeles chapters of Queer Nation and ACT UP. Their members protested legislation aimed at dismantling rights for LGBTQ people, people living with HIV, and immigrants while fighting for needle-exchange programs, reproductive justice, safer-sex education, hospice funding, and the right to die with dignity. At the same time, the activists were a queer chosen family of friends and lovers who took care of one another in sickness and in health. Sometimes they helped each other die. By the time Lane turned twenty-two, most had died of AIDS. In her evocative memoir, Lane weaves together love stories and afterlives of queer resistance and survival against the landscape of the Rodney King Rebellion, the movement for queer rights, and the censorship of queer artists and sexualities. Lane interrogates the social construction of power against and in queer communities of color and the recovery of sexual agency in the midst and aftermath of violence. Luminous and powerfully moving, Blood Loss explores survival after those we love have died.
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cover of Blowin' Up: Rap Dreams in South Central

Blowin' Up

Rap Dreams in South Central

Jooyoung Lee

University of Chicago Press, 2016

Dr. Dre. Snoop Dogg. Ice Cube. Some of the biggest stars in hip hop made their careers in Los Angeles. And today there is a new generation of young, mostly black, men busting out rhymes and hoping to one day find themselves “blowin’ up”—getting signed to a record label and becoming famous. Many of these aspiring rappers get their start in Leimart Park, home to the legendary hip hop open-mic workshop Project Blowed. In Blowin’ Up, Jooyoung Lee takes us deep inside Project Blowed and the surrounding music industry, offering an unparalleled look at hip hop in the making.

While most books on rap are written from the perspective of listeners and the market, Blowin’ Up looks specifically at the creative side of rappers. As Lee shows, learning how to rap involves a great deal of discipline, and it takes practice to acquire the necessary skills to put on a good show. Along with Lee—who is himself a pop-locker—we watch as the rappers at Project Blowed learn the basics, from how to hold a microphone to how to control their breath amid all those words. And we meet rappers like E. Crimsin, Nocando, VerBS, and Flawliss as they freestyle and battle with each other. For the men at Project Blowed, hip hop offers a creative alternative to the gang lifestyle, substituting verbal competition for physical violence, and provides an outlet for setting goals and working toward them.

Engagingly descriptive and chock-full of entertaining personalities and real-life vignettes, Blowin’ Up not only delivers a behind-the-scenes view of the underground world of hip hop, but also makes a strong case for supporting the creative aspirations of young, urban, black men, who are often growing up in the shadow of gang violence and dead-end jobs. 
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cover of Borrowed Bones: New Poems from the Poet Laureate of Los Angeles

Borrowed Bones

New Poems from the Poet Laureate of Los Angeles

Luis J. Rodriguez

Northwestern University Press, 2016

Foreword by Martín Espada

This chapbook collection offers new poems from the prolific career of a community leader, activist, and healer. Luis J. Rodríguez’s work asks profound questions of us as readers and fellow humans, such as, "If society cooperates, can we nurture the full / and healthy development of everyone?" In his introductory remarks, Martín Espada describes the poet as a man engaged in people and places: "Luis Rodríguez is a poet of many tongues, befitting a city of many tongues. He speaks English, Spanish, ‘Hip Hop,’ ‘the Blues,’ and ‘cool jazz.’ He speaks in ‘mad solos.’ He speaks in ‘People’s Sonnets.’ He speaks in the language of protest. He speaks in the language of praise."

 

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cover of Break the System: Criminalized Black Mothers and the Reproductive Politics of Abolition

Break the System

Criminalized Black Mothers and the Reproductive Politics of Abolition

Susila Gurusami

University of Chicago Press, 2026

Upends the “broken systems” myth and reveals how the law deliberately criminalizes and punishes Black women, inflicting lasting harm on Black communities in the process.
 
The United States has one of the highest rates of incarceration in the world, with Black Americans representing a disproportionate share of theimprisoned. Many view this statistic as evidence of a broken system. But sociologist Susila Gurusami argues that the carceral system that so disproportionately harms Black families is not broken at all. In fact, it works just as it was intended. Looking closely at the lives of formerly incarcerated Black mothers, Gurusami shows how state institutions—the criminal-legal, child welfare, and healthcare systems—keep Black mothers from their families, harming Black communities in the process. She also shows how Black women work towards conditions that seem impossible—and even utopian—as part of their everyday mothering labor, but find themselves criminalized for these same actions.
 
Drawing on ethnographic data and interviews with formerly incarcerated Black women in South Los Angeles, Gurusami challenges dominant assumptions about mothering and criminal justice reform. Gurusami finds that criminalized Black women endure multigenerational political, social, and embodied assaults–what she calls “reproductive warfare”— and still, they build networks, practices, and theories of radical care that protect Black maternal life, legacies, and futures. With incarcerated, formerly incarcerated, and system-impacted Black mothers at the forefront of the growing movement to abolish prisons and jails, Gurusami demonstrates how their everyday mothering work—what she calls “abolitionist motherwork”—is essential to imagining the end of incarceration and ultimately achieving it.
 
Written with a tender and honest voice, Break the System shares moving vignettes that underscore why we must break the system, rather than reform it, and why we must imagine a future that is radically different than the one we’re told we must accept or salvage.
 
 

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