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Hereford’s memoir stands out because of its medical and civil rights themes, and also because of its compelling account of the professional ruin Hereford encountered after 37 years of practice, as the end of segregation and the federal role in medical care placed black doctors in competition with white ones for the first time.

This is a book about two things: medical instability and Renaissance drama. Medical stories are always also social stories, and William Kerwin presents five case studies of how the fragile and dynamic relationship between the medical and the nonmedical played out in Renaissance England. Renaissance drama richly staged that process, presenting medical practitioners in ways that undermined any attempt to imagine them as self-defining. Playwrights consistently unmasked fictions of medical autonomy, emphasizing that a variety of social narratives competed in the shaping of the medical culture.

Drawing on research in the social history of medicine as well as a wide-ranging collection of primary narratives of medical encounters, Kerwin pursues the stories of several medical groups. Specifically, he examines women healers in terms of the changing place of women in the public sphere; the connections between drug sellers—apothecaries and alchemists—and an emerging modern economy; the role barbers and surgeons played in early modern concerns for protecting a new sense of privacy and interiority; the ways physicians defined their professional primacy through the language of theaters and actors; and the ways individual patients employed rhetorics of diagnosis as a way of participating in sectarian religious battles. The study moves from the dynamics of medical politics to the work drama does in exposing those dynamics. In addition to offering astute readings of works by Shakespeare and Ben Jonson, the book pays substantial attention to plays by Samuel Daniel, John Fletcher, John Ford, Thomas Heywood, John Lyly, Philip Massinger, and John Webster.

Beyond the Body complements the wealth of recent critical attention given to the body. Kerwin attends to a different sort of material politics; as the book's title suggests, he asks a reader interested in the politics of medicine to look not at the practitioner treating the body but at the social forces influencing the practitioner. Beyond the Body works to erode a widespread cultural bias toward giving medicine deference as a self-defining profession.

Adulthood in the Navajo world is marked by the onset of menstruation in females and by the deepening of the voice in males. Accordingly, young adults must accept responsibility over the powers manifest in blood and voice: for women, the forces that control reproduction and growth; for men, the powers of protection and restoration of order that come through maintaining Navajo oral tradition.

The maintenance of the latter tradition has long been held to be the function of the Navajo singer, a role usually viewed as male. But despite this longstanding assumption, women can and do fill this role. Drawing on interviews with seventeen Navajo women practitioners and five apprentices, Maureen Trudelle Schwarz explicates women's role as ceremonial practitioners and shows that it is more complex than has previously been thought. She examines gender differences dictated by the Navajo origin story, details how women came to be practitioners, and reveals their experiences and the strategies they use to negotiate being both woman and singer.

Women who choose careers as singers face complex challenges, since some rules prohibit menstruating women from conducting ceremonies and others regarding sexual continence can strain marital relationships. Additionally, oral history places men in charge of all ceremonial matters. Schwarz focuses on how the reproductive life courses of Navajo women influence their apprenticeships and practices to demonstrate how they navigate these issues to preserve time-honored traditions. Through the words of actual practitioners, she shows how each woman brings her own unique life experience to the role. While differing among individuals, these experiences represent a commitment to shared cultural symbols and result in a consensus that sustains social cohesion.

By showing the differences and similarities between the apprenticeship, initiation, and practice of men and women singers, Blood and Voice offers a better understanding of the role of Navajo women in a profession usually viewed as a male activity—and of the symbolic construction of the self in Navajo culture. It also addresses classic questions concerning the sexual division of labor, menstrual taboos, gender stereotypes, and the tension between tradition and change that will enlighten students of other cultures.

Surgeons employ craft, cunning, and technology to open, observe, and repair patient bodies. In Bodies in Formation, anthropologist Rachel Prentice enters surgical suites increasingly packed with new medical technologies to explore how surgeons are made in the early twenty-first century. Prentice argues that medical students and residents learn through practice, coming to embody unique ways of perceiving, acting, and being. Drawing on ethnographic observation in anatomy laboratories, operating rooms, and technology design groups, she shows how trainees become physicians through interactions with colleagues and patients, technologies and pathologies, bodies and persons. Bodies in Formation foregrounds the technical, ethical, and affective formation of physicians, demonstrating how, even within a world of North American biomedicine increasingly dominated by technologies for remote interventions and computerized teaching, good care remains the art of human healing.

During the 1990s, an unprecedented number of Americans turned to complementary and alternative medicine (CAM), an umbrella term encompassing chiropractic, energy healing, herbal medicine, homeopathy, meditation, naturopathy, and traditional Chinese medicine. By 1997, nearly half the US population was seeking CAM, spending at least $27 billion out of pocket.

Bounding Biomedicine centers on this boundary-changing era, looking at how consumer demand shook the health care hierarchy. Drawing on scholarship in rhetoric and science and technology studies, the book examines how the medical profession scrambled to maintain its position of privilege and prestige, even as its foothold appeared to be crumbling. Colleen Derkatch analyzes CAM-themed medical journals and related discourse to illustrate how members of the medical establishment applied Western standards of evaluation and peer review to test health practices that did not fit easily (or at all) within standard frameworks of medical research. And she shows that, despite many practitioners’ efforts to eliminate the boundaries between “regular” and “alternative,” this research on CAM and the forms of communication that surrounded it ultimately ended up creating an even greater division between what counts as safe, effective health care and what does not.

At a time when debates over treatment choices have flared up again, Bounding Biomedicine gives us a possible blueprint for understanding how the medical establishment will react to this new era of therapeutic change.