364 books match the query 'Michigan' and 18 start with b

cover of Backpacking in Michigan

Backpacking in Michigan

Jim DuFresne

University of Michigan Press, 2007

With 65 photographs and 77 detailed maps, this indispensable guide to the state's hiking trails gives beginners to advanced hikers all the information they need to plan their next Michigan overnight or weekend backpacking trip. Featuring 50 trails---27 in the Lower Peninsula---ranging from one-hour to multiple-day treks in both the Upper and Lower Peninsulas, Backpacking in Michigan has something for every hiker.

Information on hike length and difficulty, elevation gain, the amount of time needed to complete the hike, camping facilities, and nearby towns accompanies each of the trail listings. The author also provides extensive reference maps along with a description of scenic highlights. In addition to backcountry explorations of remote trails, Backpacking in Michigan includes classic Michigan adventures such as the Lakeshore Trail in Pictured Rocks National Lakeshore, the Greenstone Ridge Trail in Isle Royale National Park, North Manitou Island in Sleeping Bear Dunes National Lakeshore, and Jordan River Pathway in the Mackinaw State Forest.

While Backpacking in Michigan focuses primarily on the trails themselves, it also makes planning your Michigan adventure as easy as possible by providing important information on routes to and from the trailhead, as well as park fees and reservation information for shelters, walk-in cabins, rental yurts, and overnight camping.

Jim DuFresne is a Michigan native and author of more than a dozen wilderness, travel, and hiking guidebooks. He is author of Isle Royale National Park: Foot Trails and Water Routes; 50 Hikes in Michigan: The Best Walks, Hikes, and Backpacks in the Lower Peninsula; Best Hikes with Children: Michigan; Porcupine Mountains Wilderness State Park: A Backcountry Guide for Hikers, Campers, Backpackers, and Skiers; as well as The Complete Guide to Michigan Sand Dunes, copublished by the University of Michigan Press and Petoskey Publishing.

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cover of Baseball Fever: Early Baseball in Michigan

Baseball Fever

Early Baseball in Michigan

Peter Morris

University of Michigan Press, 2003

Baseball seems tailor-made for the historian, yet even today, after almost a century and a half of organized play, baseball's origins remain unclear. Most accounts focus on Eastern teams and the advent of professionals, but how the game spread across a predominantly rural America to become our national pastime is a question still largely unresolved.

In this well-researched study of Michigan baseball from the 1830s to the 1870s, baseball scholar Peter Morris offers many answers. Drawing on such sources as personal memoirs, period photographs, and an extensive, often hilarious variety of newspaper accounts, he paints a vivid portrait of a game that was widely---if erratically---played well before the Civil War and gradually evolved from an informal amusement into an activity for local groups of young men and finally into a serious, organized sport.

Baseball began with pick-up "raisin'" games---so called because they took place after rural roof-raisings---played purely for fun by any number of participants, with myriad local variations. The first amateur clubs appeared in the 1850s and were often ridiculed for playing a child's game---"baseball fever" was then a term of mockery---but as they persevered and issued challenges to other teams from nearby towns, rivalries developed, rules began to conform, and a tradition started to take shape.

Tournaments, often connected with county fairs, and increased newspaper coverage gave the game new momentum after the Civil War, and what had been sociable matches became serious contests, sometimes marred by bad blood. Enclosed grounds changed the nature of the game--most notably with respect to home runs--and allowed teams to charge admission, which introduced a new element of commercialism, community involvement, and a heightened sense of competition. Ultimately, it brought about a level of play that made the best "amateur" clubs able to challenge professional teams from the East when they toured the country.

As he traces the exploits of clubs like the Excelsiors, the Wahoos, and the Unknowns, season by season and often game by game, Morris adds a wealth of new detail to the story of baseball's early days, showing how decades of at least nominally amateur play prepared the way for the advent of the National League in the 1870s, and with it the true beginnings of the professional sport we know today. In the process, he also paints a fascinating portrait of the attitudes, values, and lives of rural Americans in the mid-nineteenth century.

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cover of Bath Massacre: America's First School Bombing

Bath Massacre

America's First School Bombing

Arnie Bernstein

University of Michigan Press, 2009

"With the meticulous attention to detail of a historian and a storyteller's eye for human drama, Bernstein shines a beam of truth on a forgotten American tragedy. Heartbreaking and riveting."
---Gregg Olsen, New York Times best-selling author of Starvation Heights
 
"A chilling and historic character study of the unfathomable suffering that desperation and fury, once unleashed inside a twisted mind, can wreak on a small town. Contemporary mass murderers Timothy McVeigh, Columbine's Dylan Klebold, and Virginia Tech's Seung-Hui Cho can each trace their horrific genealogy of terror to one man: Bath school bomber Andrew Kehoe."
---Mardi Link, author of When Evil Came to Good Hart
 
On May 18, 1927, the small town of Bath, Michigan, was forever changed when Andrew Kehoe set off a cache of explosives concealed in the basement of the local school. Thirty-eight children and six adults were dead, among them Kehoe, who had literally blown himself to bits by setting off a dynamite charge in his car. The next day, on Kehoe's farm, what was left of his wife---burned beyond recognition after Kehoe set his property and buildings ablaze---was found tied to a handcart, her skull crushed. With seemingly endless stories of school violence and suicide bombers filling today's headlines, Bath Massacre serves as a reminder that terrorism and large-scale murder are nothing new.
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cover of Battle for the Soul: Mètis Children Encounter Evangelical Protestants at Mackinaw Mission, 1823-1837

Battle for the Soul

Mètis Children Encounter Evangelical Protestants at Mackinaw Mission, 1823-1837

Keith R. Widder

Michigan State University Press, 1999

In 1823 William and Amanda Ferry opened a boarding school for Métis children on Mackinac Island, Michigan Territory, setting in motion an intense spiritual battle to win the souls and change the lives of the children, their parents, and all others living at Mackinac. Battle for the Soul demonstrates how a group of enthusiastic missionaries, empowered by an uncompromising religious motivation, served as agents of Americanization. The Ferrys' high hopes crumbled, however, as they watched their work bring about a revival of Catholicism and their students refuse to abandon the fur trade as a way of life. The story of the Mackinaw Mission is that of people who held differing world views negotiating to create a "middle-ground," a society with room for all.
     Widder's study is a welcome addition to the literature on American frontier missions. Using Richard White's "middle ground" paradigm, it focuses on the cultural interaction between French, British, American, and various native groups at the Mackinac mission in Michigan during the early 19th century. The author draws on materials from the American Board of Commissioners for Foreign Missions archives, as well as other manuscript sources, to trace not only the missionaries' efforts to Christianize and Americanize the native peoples, but the religious, social, and cultural conflicts between Protestant missionaries and Catholic priests in the region. Much attention has been given to the missionaries to the Indians in other areas of the US, but little to this region.

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cover of Bear County, Michigan: Stories

Bear County, Michigan

Stories

John Counts

Northwestern University Press, 2025

Following desperate characters in desperate circumstances in the rural Midwest

In these colorful, darkly comic stories, veteran journalist and crime reporter John Counts takes readers to an often-ignored part of the country: a fictional Great Lakes coastal town in northern Michigan defined by beauty and bleakness. The cast of characters in these connected stories ranges from addicts to backwoods misfits to ruined lumber families, all bound together by their desire to obtain something just out of reach. Big Frank breaks out of a rehab facility trying to outrun grief. The women in the village of Brotherhood grapple with sterility resulting from an environmental calamity. A local politician must convince her mother to leave a nudist colony. And in the final, sweeping story, a splinter group from the local tribe attempts to reclaim its ancestral land by force. The people of Bear County and their predicaments encompass the wildly original and yet totally ordinary truths about American life off the beaten track.

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cover of Beautiful Wasteland: The Rise of Detroit as America's Postindustrial Frontier

Beautiful Wasteland

The Rise of Detroit as America's Postindustrial Frontier

Rebecca J. Kinney

University of Minnesota Press, 2016

According to popular media and scholarship, Detroit, the once-vibrant city that crumbled with the departure of the auto industry, is where dreams can be reborn. It is a place that, like America itself, is gritty and determined. It has faced the worst kind of adversity, and supposedly now it’s back. But what does this narrative of “new Detroit” leave out? Beautiful Wasteland reveals that the contemporary story of Detroit’s rebirth is an upcycled version of the American Dream, which has long imagined access to work, home, and upward mobility as race-neutral projects. They’re not. As Rebecca J. Kinney shows, the narratives of Detroit’s rise, decline, and potential to rise again are deeply steeped in material and ideological investments in whiteness. 

By remapping the narratives of contemporary Detroit through an extension of America’s frontier mythology, Kinney analyzes a cross-section of twentieth and twenty-first century cultural locations—an Internet forum, ruin photography, advertising, documentary film, and print and online media. She illuminates how the stories we tell about Detroit as a frontier of possibility enable the erasure of white privilege and systemic racism. By situating Detroit as a “beautiful wasteland,” both desirable and distressed, this shows how the narrative of ruin and possibility form a mutually constituted relationship: the city is possible precisely because of its perceived ruin.

Beautiful Wasteland tackles the key questions about the future of postindustrial America. As cities around the country reckon with their own postindustrial landscapes, Rebecca Kinney cautions that development that elides considerations of race and class will only continue to replicate uneven access to the city for the poor, working class, and people of color. 

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cover of Before Motown: A History of Jazz in Detroit, 1920-60

Before Motown

A History of Jazz in Detroit, 1920-60

Lars Bjorn with Jim Gallert

University of Michigan Press, 2001

When most people think of Detroit and music, they think of the Motown sound. But what many people forget is that Detroit has a remarkable jazz history, which became a major influence in what came to be known as the Motown sound. Before Motown is the first book about the history of jazz in Detroit. It shows the significant impact Detroit has had on the development of jazz in America, with its own sound, distinct from that of the other jazz centers of Chicago, New Orleans, St. Louis, or Kansas City. Starting with the big bands in the 1920s, with groups like the McKinney's Cotton Pickers and Jean Goldkette's Orchestra, and continuing into the 1950s, Detroit experienced a golden age of modern jazz centered around clubs like the Blue Bird Inn. That jazz scene comes alive in interviews with musicians and club owners, combined with unique period photographs and advertisements. In addition, Detroit's vital jazz scene is placed in its social context, particularly within the changing relations between blacks and whites at the time. Long overdue, Before Motown tells the story of Detroit jazz as it really happened, told by the people who lived it. More importantly, it shows how life can mirror art in the most pragmatic of American cities, Detroit.
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cover of Belgians in Michigan

Belgians in Michigan

Bernard A. Cook

Michigan State University Press, 2007

At the beginning of the twenty-first century, Michigan was home to the second-largest Belgian population in the United States, and Detroit had one of the largest Belgian populations in the nation. Although immigration declined after World War I, the Belgian- American community is still prominent in the state. Political, religious, and economic conditions, including a nineteenth- century economic depression, helped motivate the move to America. Belgians brought with them the ability and willingness to innovate, as well as a tradition of hard work and devotion. The Gazette van Detroit, a Flemish-language newspaper first printed in Detroit in 1914, continues to be produced and distributed to subscribers throughout the United States and overseas. Belgian-Americans continue to incorporate traditional values with newfound American values, enabling them to forever preserve their heritage.

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cover of Beyond Pontiac's Shadow: Michilimackinac and the Anglo-Indian War of 1763

Beyond Pontiac's Shadow

Michilimackinac and the Anglo-Indian War of 1763

Keith R. Widder

Michigan State University Press, 2013

On June 2, 1763, the Ojibwe captured Michigan’s Fort Michilimackinac from the British. Ojibwe warriors from villages on Mackinac Island and along the Cheboygan River had surprised the unsuspecting garrison while playing a game of baggatiway. On the heels of the capture, Odawa from nearby L’Arbre Croche arrived to rescue British prisoners, setting into motion a complicated series of negotiations among Ojibwe, Odawa, and Menominee and other Indians from Wisconsin. Because nearly all Native people in the Michilimackinac borderland had allied themselves with the British before the attack, they refused to join the Michilimackinac Ojibwe in their effort to oust the British from the upper country; the turmoil effectively halted the fur trade. Beyond Pontiac’s Shadow examines the circumstances leading up to the attack and the course of events in the aftermath that resulted in the regarrisoning of the fort and the restoration of the fur trade. At the heart of this discussion is an analysis of French-Canadian and Indian communities at the Straits of Mackinac and throughout the pays d’en haut. An accessible guide to this important period in Michigan, American, and Canadian history, Beyond Pontiac’s Shadow sheds invaluable light on a political and cultural crisis.

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cover of Black Detroit and the Rise of the UAW

Black Detroit and the Rise of the UAW

August Meier and Elliott Rudwick

University of Michigan Press, 2007

For almost two decades, August Meier and Elliott Rudwick have roamed the frontier of Afro-American history, blazing trails that others have followed. This book forges a solid link between race and class conflict in the twentieth century.---Ira Berlin, The Nation"This fact-filled study is essential to students of the labor and civil rights movements."---David Kusnet, The New Republic"A fascinating slice of history illustrating important race and class issues that are still with us."---Library Journal"By ignoring the conventional lines between labor and black history, Meier and Rudwick have found an unexplored middle ground---the net of relations between the black community and white economic institutions---that shaped the working life of blacks in Detroit's auto plants. This is a major achievement."---David Brody, Professor Emeritus of History, University of California, Davis". . . an important work . . . one of the first to apply the nitty-gritty of social and institutional history to 20th century African American and labor history." ---Eric Arnesen, University of Illinois at ChicagoBlack Detroit and the Rise of the UAW is essential reading for historians of labor and race in America, as well those interested in Detroit's importance as a crucible for American urban history.
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cover of Black Eden: The Idlewild Community

Black Eden

The Idlewild Community

Lewis Walker

Michigan State University Press, 2002

Black Eden chronicles the history of Idlewild, a Michigan black community founded during the aftermath of the Civil War. As one of the nation’s most popular black resorts, Idlewild functioned as a gathering place for African Americans, and more importantly as a touchstone of black identity and culture. Benjamin C. Wilson and Lewis Walker examine Idlewild’s significance within a historical context, as well as the town’s revitalization efforts and the need for comprehensive planning in future development. In a segregated America, Idlewild became a place where black audiences could see rising black entertainers.
     Profusely illustrated with photos from the authors’ personal collections, Black Eden provides a lengthy discussion about the crucial role that Idlewild played in the careers of artists such as Louis Armstrong, B. B. King, Sammy Davis Jr., Jackie Wilson, Aretha Franklin, and Della Reese. Fundamentally, the book explores issues involved in living in a segregated society, the consequences of the civil rights movement, the Civil Rights Act of 1964 and subsequent integration, and the consequences of integration vs. racial solidarity. The authors ask: Did integration kill Idlewild?, suggesting rather that other factors contributed to its decline.
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cover of Black Power Praxis: Theory, Practice, and Activist Intellectuals in Detroit's Black Power Movement

Black Power Praxis

Theory, Practice, and Activist Intellectuals in Detroit's Black Power Movement

Matt Birkhold

University of Michigan Press, 2026

Black Power Praxis shows how four groups of activist-intellectuals—James and Grace Lee Boggs, Richard and Milton Henry, Reverend Albert Cleage, and a group of college students called Uhuru—shifted the consciousness and political perspectives of Black Detroiters in the 1960s and 1970s. By developing theories that they could unite with community-organizing practices, these activist-intellectuals turned the focus of the grassroots movement for racial equality from Civil Rights to Black Power. Following the 1967 Detroit Rebellion, these Black Power activist-intellectuals were already positioned to harness the energy that emerged from the uprising and directed it into the city’s first citywide Black Power organization, the Citywide Citizens Action Committee.

Even as Black Power theories became dominant over Detroit’s grassroots movement, their influence faltered when they failed to develop community organizing practices corresponding to the lived experiences of Black Detroiters. Black Power Praxis reveals how the relationships between ideas, practices, leadership, material reality, and consciousness drove the historical development of Black Power. Ideal for readers curious about social movements, Detroit history, African American history, and African American Studies, the book sheds light on how, why, and when Detroit’s activist-intellectual leaders successfully showed everyday people how their power might be used in transformative ways.

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cover of Blackbird's Song: Andrew J. Blackbird and the Odawa People

Blackbird's Song

Andrew J. Blackbird and the Odawa People

Theodore J. Karamanski

Michigan State University Press, 2012

For much of U.S. history, the story of native people has been written by historians and anthropologists relying on the often biased accounts of European-American observers. Though we have become well acquainted with war chiefs like Pontiac and Crazy Horse, it has been at the expense of better knowing civic-minded intellectuals like Andrew J. Blackbird, who sought in 1887 to give a voice to his people through his landmark book History of the Ottawa and Chippewa People. Blackbird chronicled the numerous ways in which these Great Lakes people fought to retain their land and culture, first with military resistance and later by claiming the tools of citizenship. This stirring account reflects on the lived experience of the Odawa people and the work of one of their greatest advocates.

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cover of Bloodstoppers and Bearwalkers: Folk Traditions of Michigan’s Upper Peninsula

Bloodstoppers and Bearwalkers

Folk Traditions of Michigan’s Upper Peninsula

Richard M. Dorson

University of Wisconsin Press, 2008

Remote and rugged, Michigan’s Upper Peninsula (fondly known as “the U.P.”) has been home to a rich variety of indigenous peoples and Old World immigrants—a heritage deeply embedded in today’s “Yooper” culture. Ojibwes, French Canadians, Finns, Cornish, Poles, Italians, Slovenians, and others have all lived here, attracted to the area by its timber, mineral ore, and fishing grounds. Mixing local happenings with supernatural tales and creatively adapting traditional stories to suit changing audiences, the diverse inhabitants of the U.P. have created a wealth of lore populated with tricksters, outlaws, cunning trappers and poachers, eccentric bosses of the mines and lumber camps, “bloodstoppers” gifted with the lifesaving power to stop the flow of blood, “bearwalkers” able to assume the shape of bears, and more.
            For folklorist Richard M. Dorson, who ventured into the region in the late 1940s, the U.P. was a living laboratory, a storyteller’s paradise. Bloodstoppers and Bearwalkers, based on his extensive fieldwork in the area, is his richest and most enduring work. This new edition, with a critical introduction and an appendix of additional tales selected by James P. Leary, restores and expands Dorson’s classic contribution to American folklore. Engaging and well informed, the book presents and ponders the folk narratives of the region’s loggers, miners, lake sailors, trappers, and townsfolk. Unfolding the variously peculiar and raucous tales of the U.P., Bloodstoppers and Bearwalkers reveals a vital component of Upper Midwest culture and a fascinating cross-section of American society.
 
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cover of Blues in Black and White: The Landmark Ann Arbor Blues Festivals

Blues in Black and White

The Landmark Ann Arbor Blues Festivals

As photographed by Stanley Livingston with Text and a History of the Ann Arbor Blues Festival by Michael Erlewine

University of Michigan Press, 2010

"This was really the first time that blues music, especially Chicago/urban blues, was showcased in this way. Sadly, the festivals were not recorded professionally. So Mr. Livingston's photos are the best record of the festivals."
---Michael Jewett, longtime weekday afternoon host of 89.1 Jazz and host of "Blues & Some Uthuh Stuff"

"The photos are works of art. It is great to see photos of musicians such as Buddy Guy and James Cotton looking so young and vibrant. And it is great to see photos of blues legends such as John Lee Hooker, Roosevelt Sykes, Howlin' Wolf, and Son House, who have long since passed away."
---Peter Madcat Ruth, Grammy-winning blues harmonica player

"If Woodstock was one of the Fifty Moments That Changed Rock 'n' Roll History, as honored in Rolling Stone magazine, then the Ann Arbor Blues Festival was the coronation for the blues roots that sired rock to begin with. . . . finally we have this amazing book of Stanley Livingston's priceless images, along with Michael Erlewine's detailed chronology."
---From the foreword by Jim O'Neal, Cofounder, Living Blues Magazine

In 1969 and 1970, the first Ann Arbor Blues Festivals brought together the greatest-ever selection of blues performers---an enormous blues party that seemed to feature every big name in the world of blues.

The Ann Arbor Blues Festival was just that: a festival and celebration of city blues. It helped to mark the discovery of modern blues music (and the musicians who made that music) by a much larger audience. The festival, however, was something more than just a white audience discovering black music.

Never before had such a far-reaching list of performers been assembled, including the grandfathers of southern country blues and the hottest electric bands from Chicago. These groundbreaking festivals were the seed that grew into the Ann Arbor Blues and Jazz Festival, which was continued annually for many years. To name just a few of the dozens of artists who performed at the festival: Luther Allison, John Lee Hooker, Howlin' Wolf, B.B. King, Muddy Waters, Otis Rush, Hound Dog Taylor, Big Mama Thorton, T-Bone Walker, Sippie Wallace, Junior Wells, and Mighty Joe Young.

Stanley Livingston, a professional photographer from Ann Arbor, captured these legendary performances onstage---as well as the goings-on backstage. Livingston's thousands of photographs from these festivals, previously unpublished and known only to a few, are among the finest candid blues shots ever taken. Together with editor and archivist Michael Erlewine's text accompaniments, these photographs, reproduced here as high-quality duotones, comprise a visual history and important keepsake for blues aficionados everywhere.

Stanley Livingston was an award-winning photographer living and working in Ann Arbor until he passed away in 2010, after the book was released.

Michael Erlewine, also from Ann Arbor, is a renowned archivist of popular culture and founder of the All-Music Guide (allmusic.com) and editor of a number of books on blues and jazz.

Cover photo of B.B. King by Stanley Livingston

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cover of Borne of the Wind: Michigan Sand Dunes

Borne of the Wind

Michigan Sand Dunes

Dennis A. Albert

University of Michigan Press, 2006

Sand dunes are among the most rugged and beautiful natural wonders of Michigan's shorelines. These sandy edifices-at once substantial and ephemeral-are the most extensive freshwater dunes in the world, so immense they are visible from outer space. The coastal dunes are also extraordinarily fertile, supporting a multitude of plants and animals.

Borne of the Wind describes the environmental factors necessary for dune creation in an easy-to-understand format, introducing readers to the rich ecology of Michigan's dunes. Each of the distinct types of dunes encountered along the Great Lakes shoreline is explained and illustrated with color photographs and line drawings, while color photographs of the plants and animals found in duneland areas complement the story of these fragile, ever-changing landscapes.

For scholars and enthusiasts alike, Borne of the Wind provides a comprehensive and colorful introduction to one of our finest yet least-understood natural features.
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cover of Building a Social Contract: Modern Workers' Houses in Early-Twentieth Century Detroit

Building a Social Contract

Modern Workers' Houses in Early-Twentieth Century Detroit

McCulloch, Michael

Temple University Press, 2023

The dream of the modern worker’s house emerged in early twentieth-century America as wage earners gained access to new, larger, and better-equipped dwellings. Building a Social Contract is a cogent history of the houses those workers dreamed of and labored for. Michael McCulloch chronicles the efforts of employers, government agencies, and the building industry who, along with workers themselves, produced an unprecedented boom in housing construction that peaked in the mid-1920s.

Through oral histories, letters, photographs, and period fiction, McCulloch traces wage earners’ agency in negotiating a new implicit social contract, one that rewarded hard work with upward mobility in modern houses. This promise reflected workers’ increased bargaining power but, at the same time, left them increasingly vulnerable to layoffs.

Building a Social Contract focuses on Detroit, the quintessential city of the era, where migrant workers came and were Americanized, and real estate agents and the speculative housebuilding industry thrived. The Motor City epitomized the struggle of Black workers in this period, who sought better lives through industrial labor but struggled to translate their wages into housing security amid racist segregation and violence. When Depression-era unemployment created an eviction crisis, the social contract unraveled, and workers rose up—at the polls and in the streets—to create a labor movement that reshaped American capitalism for decades.

Today, the lessons McCulloch provides from early twentieth-century Detroit are a necessary reminder that wages are not enough, and only working-class political power can secure affordable housing.
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cover of Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit

Butch Queens Up in Pumps

Gender, Performance, and Ballroom Culture in Detroit

Marlon M. Bailey

University of Michigan Press, 2013

Butch Queens Up in Pumpsexamines Ballroom culture, in which inner-city LGBT individuals dress, dance, and vogue to compete for prizes and trophies. Participants are affiliated with a house, an alternative family structure typically named after haute couture designers and providing support to this diverse community. Marlon M. Bailey’s rich first-person performance ethnography of the Ballroom scene in Detroit examines Ballroom as a queer cultural formation that upsets dominant notions of gender, sexuality, kinship, and community.

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