100 books match the query 'Monographs' and 3 start with b

cover of Background Artist: The Life and Work of Tyrus Wong

Background Artist

The Life and Work of Tyrus Wong

Karen Fang

Rutgers University Press, 2025

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cover of Bertrand Meniel: Paintings, 1996-2024

Bertrand Meniel

Paintings, 1996-2024

Bertrand Meniel

The Artist Book Foundation, 2024

Using composite digital photography, self-taught artist Bertrand Meniel incorporates more detail into each of his cityscapes than any other Photorealist to date.

Photorealism is a genre of painting that developed in the United States and Europe using high-resolution photography as its primary source material. Embracing digital photography perhaps more than any other artist working in this genre, Bertrand Meniel is able to incorporate an astonishing amount of detail into his renderings of cityscapes in New York City, Miami, and Paris. Using a variety of photographs of his chosen subject, he manipulates an image to perfection, focusing simultaneously on the foreground and background by combining hundreds of shots on a computer screen.

His choice to depict iconic American scenes in his paintings, particularly those associated with the “American Way of Life,” reflects not just a technical mastery of Photorealism but a deep emotional connection to the culture that captivated him during his youth. His unique perspective, influenced by French artistic traditions and shaped by exposure to American pop culture, allows him to capture in his art the essence of what may be best described as the “New York State of Mind."

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cover of Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s

Bloodflowers

Rotimi Fani-Kayode, Photography, and the 1980s

W. Ian Bourland

Duke University Press, 2019

In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.
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