166 books match the query 'Native American' and 11 start with b

cover of Baskets from the Seri Coast: Comcaac Weavers and Their Craft

Baskets from the Seri Coast

Comcaac Weavers and Their Craft

David Burckhalter

University of Arizona Press, 2026

This stunning exploration of Seri (Comcaac) basket weaving reveals the resilience and creativity of the weavers as seen through the lens of documentary photographer David Burckhalter, who has spent five decades cultivating friendships and documenting Seri traditions, landscapes, and basketry in Sonora, Mexico. 

Blending striking photography with reflections from years as a trader and observer of Seri culture, Burckhalter traces the evolution of Seri basketry from a utilitarian craft to a celebrated art form. The book examines how Seri weavers have navigated the influences of the craft economy, outside forces like anthropologists, and changing traditions, while preserving their unique oral history and spiritual connections. With detailed insights into the artistry, labor, and legends surrounding Seri baskets, this work is a tribute to the resilience and creativity of Seri women, whose weaving continues to be passed on to future generations.

Featuring more than two hundred color photographs and historic images, Baskets from the Seri Coast: Comcaac Weavers and Their Craft offers readers a visual feast that celebrates the intricate craftsmanship and cultural significance of a timeless art and the people who make it.
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cover of Bear Tracks: Memories of a Ho-Chunk Elder

Bear Tracks

Memories of a Ho-Chunk Elder

Sherman Funmaker

Wisconsin Historical Society Press, 2026

Poems, essays, and photos reveal the life, art, and inspirations of a Ho-Chunk elder.

“For me, writing is a form of therapy. I write thoughts down and send them out to the universe. I miss the ones I loved, and when I write about them it feels good to put these stories onto paper. It allows me to visit them when I need to.”

Sherman Funmaker—poet and musician, designer and teacher, son and brother—shares his life story in his intensely personal debut, Bear Tracks: Memories of a Ho-Chunk Elder. In this collection of poems and short essays, Funmaker explores themes of childhood and familial ties, finding and leaving home, coming of age, experiencing love and loss, creating art, and seeking belonging.

A Ho-Chunk Nation Bear Clan elder and grandson of renowned Ho-Chunk storyteller Xéhachiwinga (Mountain Wolf Woman), Funmaker illuminates how his Ho-Chunk culture has had a lasting impact on his life, self-expression, and point of view. With emotional depth and clarity, Bear Tracks confronts hard topics, such as poverty, racism, and personal loss, leavening them with optimism and a wry sense of humor.

Family photos from across generations accompany Funmaker’s reflections on the people and places that have shaped his life and art. Bear Tracks concludes with a reader’s guide offering additional topics for discussion and reflection.

With a voice both distinct and entirely relatable, Funmaker creates space for readers to find resilience and hope for the future while reckoning with the struggles of their past.
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cover of Beliefs and Rituals in Archaic Eastern North America: An Interpretive Guide

Beliefs and Rituals in Archaic Eastern North America

An Interpretive Guide

Cheryl Claassen

University of Alabama Press, 2015

A comprehensive and essential field reference, Beliefs and Rituals in Archaic Eastern North America reveals the spiritual landscape in the American Archaic period.

Beliefs and Rituals in Archaic Eastern North America describes, illustrates, and offers nondogmatic interpretations of rituals and beliefs in Archaic America. In compiling a wealth of detailed entries, author Cheryl Claassen has created both an exhaustive reference as well as an opening into new archaeological taxonomies, connections, and understandings of Native American culture.

The material is presented in an introductory essay about Archaic rituals followed by two sections of entries that incorporate reports and articles discussing archaeological sites; studies of relevant practices of ritual and belief; data related to geologic features, artifact attributes, and burial settings; ethnographies; and pilgrimages to specific sites. Claassen’s work focuses on the American Archaic period (marked by the end of the Ice Age approximately 11,000 years ago) and a geographic area bounded by the edge of the Great Plains, Newfoundland, and southern Florida. This period and region share specific beliefs and practices such as human sacrifice, dirt mound burial, and oyster shell middens.

This interpretive guide serves as a platform for new interpretations and theories on this period. For example, Claassen connects rituals to topographic features and posits the Pleistocene-Holocene transition as a major stimulus to Archaic beliefs. She also expands the interpretation of existing data previously understood in economic or environmental terms to include how this same data may also reveal spiritual and symbolic practices. Similarly, Claassen interprets Archaic culture in terms of human agency and social constraint, bringing ritual acts into focus as drivers of social transformation and ethnogenesis.
 
Richly annotated and cross-referenced for ease of use, Beliefs and Rituals in Archaic Eastern North America will benefit scholars and students of archaeology and Native American culture. Claassen’s overview of the archaeological record should encourage the development of original archaeological and historical connections and patterns. Such an approach, Claassen suggests, may reveal patterns of influence extending from early eastern Americans to the Aztec and Maya.

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cover of Billboard in the Clouds

Billboard in the Clouds

Suzanne S. Rancourt

Northwestern University Press, 2004

In this remarkable debut book of poems, winner of the Native Writers First Book Award, Suzanne S. Rancourt, presents her experience as a mixed-raced person seeking understanding through relationship with the natural world and dominant culture. Her family portraits are reminiscent of E. A. Robinson; her sensuous nature poems are imbued with love of earth as a "blessing."

Dance

my legs are explosions
expressions
of lustful wind
i converse through cracks in the walls
slipping in my true intention like a snow drift
on the inside
side of a door i pound
your chest
has become my wailing wall
i crave your tongue dusted
with words and implications
i have something you need

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cover of Blonde Indian: An Alaska Native Memoir

Blonde Indian

An Alaska Native Memoir

Ernestine Hayes

University of Arizona Press, 2006

In the spring, the bear returns to the forest, the glacier returns to its source, and the salmon returns to the fresh water where it was spawned. Drawing on the special relationship that the Native people of southeastern Alaska have always had with nature, Blonde Indian is a story about returning.

Told in eloquent layers that blend Native stories and metaphor with social and spiritual journeys, this enchanting memoir traces the author’s life from her difficult childhood growing up in the Tlingit community, through her adulthood, during which she lived for some time in Seattle and San Francisco, and eventually to her return home. Neither fully Native American nor Euro-American, Hayes encounters a unique sense of alienation from both her Native community and the dominant culture. We witness her struggles alongside other Tlingit men and women—many of whom never left their Native community but wrestle with their own challenges, including unemployment, prejudice, alcoholism, and poverty.

The author’s personal journey, the symbolic stories of contemporary Natives, and the tales and legends that have circulated among the Tlingit people for centuries are all woven together, making Blonde Indian much more than the story of one woman’s life. Filled with anecdotes, descriptions, and histories that are unique to the Tlingit community, this book is a document of cultural heritage, a tribute to the Alaskan landscape, and a moving testament to how going back—in nature and in life—allows movement forward.
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cover of Blue Corn Tongue: Poems in the Mouth of the Desert

Blue Corn Tongue

Poems in the Mouth of the Desert

Amber McCrary

University of Arizona Press, 2025

2025 Southwest Books of the Year
 
In a voice that is jubilant, irreverent, sometimes scouring, sometimes heartfelt, and always unmistakably her own, Amber McCrary remaps the deserts of Arizona through the blue corn story of a young Diné woman figuring out love and life with an O’odham man. Reflecting experiences of Indigenous joy, pain, and family, these shapeshifting poems celebrate the love between two Native partners, a love that flourishes alongside the traumas they face in the present and the past. From her ethereal connection with her saguaro muse, Hosh, to the intricate tapestry of her relationships with Diné relatives and her awakening to the complex world of toxic masculinity, McCrary brings together DIY zine aesthetics, life forms of juniper and mountains, and the beauty of Diné Bizaad to tell of the enduring bonds between people and place.

Journeying from the Colorado Plateau to the Sonoran Desert and back again, Blue Corn Tongue invokes the places, plants, and people of Diné Bikéyah and O’odham jeweḍ in a deeply honest exploration of love, memory, and intimacy confronting the legacy of land violence in these desert homelands.
 
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cover of Blue Horses Rush In: Poems and Stories

Blue Horses Rush In

Poems and Stories

Luci Tapahonso

University of Arizona Press, 1997

Wrapped in blankets and looking at the stars, a young Navajo girl listened long ago to stories that would guide her for the rest of her life. "Such summer evenings were filled with quiet voices, dogs barking far away, the fire crackling, and often we could hear the faint drums and songs of a ceremony somewhere in the distance," writes Luci Tapahonso in this compelling collection.

Blue Horses Rush In takes its title from a poem about the birth of her granddaughter Chamisa, whose heart "pounded quickly and we recognized / the sound of horses running: / the thundering of hooves on the desert floor." Through such personal insights, this collection follows the cycle of a woman's life and underlines what it means to be Navajo in the late twentieth century. The book marks a major accomplishment in American literature for its successful blending of Navajo cultural values and forms with the English language, while at the same time retaining the Navajo character. Here, Luci Tapahonso walks slowly through an ancient Hohokam village, recalling stories passed down from generation to generation. Later in the book, she may tell a funny story about a friend, then, within a few pages, describe family rituals like roasting green chiles or baking bread in an outside oven. Throughout, Tapahonso shares with readers her belief in the power of pollen and prayer feathers and sacred songs.

Many of these stories were originally told in Navajo, taking no longer than ten minutes in the telling. "Yet, in recreating them, it is necessary to describe the land, the sky, the light, and other details of time and place," writes Tapahonso. "In this way, I attempt to create and convey the setting for the oral text. In writing, I revisit the place or places concerned and try to bring the reader to them, thereby enabling myself and other Navajos to sojourn mentally and emotionally in our home, Dinétah."
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cover of Bone & Juice

Bone & Juice

Adrian C. Louis

Northwestern University Press, 2001

Adrian C. Louis's largely autobiographical verse is characterized by a bluntness born of self-irony and self-criticism. He attacks his subjects with an emotional engagement that is both tender and honest. Within the context of fallen ideals and lost spirituality among Native Americans, he composes elegies for his mentally disabled wife and describes scenes from "Cowturdville", his name for the town near a reservation where he lived. Mesmerizing the reader with the rhythm of his lively lines, Louis demonstrates a stylistic strength that is both accessible and demanding. His candid portrayals of Native American life and his social and moral critique of American consumerism and conformity are darkly hilarious odes to the cultural boundaries between Americans and Native Americans.
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cover of Bone Dance: New and Selected Poems, 1965-1993

Bone Dance

New and Selected Poems, 1965-1993

Wendy Rose

University of Arizona Press, 1994

A prolific voice in Native American writing for more than twenty years, Rose has been widely anthologized, and is the author of eight volumes of poetry. Bone Dance is a major anthology of her work, comprising selections from her previous collections along with new poems. The 56 selections move from observation of the earth to a search for one's place and identity on it. In an introduction written for this anthology, Rose comments on the place each past collection had in her development as a poet.

"Rich in poems which enhance our awareness of the human complexity of our social and moral dilemmas." —Book Review Digest

"There is a whisper in the wind among the chapters . . . and a singing rain beyond the window." —American Indian Culture Research Journal
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cover of Bright Raft in the Afterweather: Poems

Bright Raft in the Afterweather

Poems

Jennifer Elise Foerster

University of Arizona Press, 2018

In her dazzling new book, Jennifer Elise Foerster announces a frightening new truth: “the continent is dismantling.” Bright Raft in the Afterweather travels the spheres of the past, present, future, and eternal time, exploring the fault lines that signal the break of humanity’s consciousness from the earth.

Featuring recurring characters, settings, and motifs from her previous book, Leaving Tulsa, Foerster takes the reader on a solitary journey to the edges of the continents of mind and time to discover what makes us human. Along the way, the author surveys the intersection between natural landscapes and the urban world, baring parallels to the conflicts between Native American peoples and Western colonizers, and considering how imagination and representation can both destroy and remake our worlds.
Foerster’s captivating language and evocative imagery immerse the reader in a narrative of disorientation and reintegration. Each poem blends Foerster’s refined use of language with a mythic and environmental lyricism as she explores themes of destruction, spirituality, loss, and remembrance.

In a world wrought with ecological imbalance and grief, Foerster shows how from the devastated land of our alienation there is potential to reconnect to our origins and redefine the terms by which we inhabit humanity and the earth.
 
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cover of Brother Bullet: Poems

Brother Bullet

Poems

Casandra López

University of Arizona Press, 2019

Speaking to both a personal and collective loss, in Brother Bullet Casandra López confronts her relationships with violence, grief, guilt, and ultimately, endurance. Revisiting the memory and lasting consequences of her brother’s murder, López traces the course of the bullet—its trajectory, impact, wreckage—in lyrical narrative poems that are haunting and raw with emotion, yet tender and alive in revelations of light.

Drawing on migratory experiences, López transports the reader to the Inland Empire, Baja California, New Mexico, and Arizona to create a frame for memory, filled with imagery, through the cyclical but changing essence of sorrow. This is paralleled with surrounding environments, our sense of belonging—on her family’s porch, or in her grandfather’s orange grove, or in the darkest desert. López’s landscapes are geographical markers and borders, connecting shared experiences and memories.

Brother Bullet tugs and pulls, drawing us into a consciousness—a story—we all bear.
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