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99 books match the query 'Politics and culture' and 5 start with b

cover of Beautiful Cosmos: Performance and Belonging in the Caribbean Diaspora

Beautiful Cosmos

Performance and Belonging in the Caribbean Diaspora

Tina K. Ramnarine

Pluto Press, 2007

What are the musical sounds that people remember in the diaspora? What are the sounds they create? Recognizing the importance that people attach to musical performances, this book explores the significance of widespread Caribbean genres in diaspora politics. Ramnarine uses ethnographic approaches to unravel creative processes of memory, innovation and production and to interrogate geographies of musical canons, hybridity discourses and culture theory. She challenges us to rethink diaspora as only being about displacement, to move beyond the limits of marginalization and otherness, and to imagine the possibilities of "beautiful cosmos". Asking "where is home in the diaspora?" this book presents radical perspectives in the study of diaspora.
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cover of Becoming Reinaldo Arenas: Family, Sexuality, and The Cuban Revolution

Becoming Reinaldo Arenas

Family, Sexuality, and The Cuban Revolution

Jorge Olivares

Duke University Press, 2013

Becoming Reinaldo Arenas explores the life and work of the Cuban writer Reinaldo Arenas (1943–1990), who emerged on the Latin American cultural scene in the 1960s and quickly achieved literary fame. Yet as a political dissident and an openly gay man, Arenas also experienced discrimination and persecution; he produced much of his work amid political controversy and precarious living conditions. In 1980, having survived ostracism and incarceration in Cuba, he arrived in the United States during the Mariel boatlift. Ten years later, after struggling with poverty and AIDS in New York, Arenas committed suicide.

Through insightful close readings of a selection of Arenas's works, including unpublished manuscripts and correspondence, Olivares examines the writer's personal, political, and artistic trajectory, focusing on his portrayals of family, sexuality, exile, and nostalgia. He documents Arenas's critical engagement with cultural and political developments in revolutionary Cuba and investigates the ways in which Arenas challenged literary and national norms. Olivares's analysis shows how Arenas drew on his life experiences to offer revealing perspectives on the Cuban Revolution, the struggles of Cuban exiles, and the politics of sexuality.


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cover of Becoming a Nazi Town: Culture and Politics in Göttingen between the World Wars

Becoming a Nazi Town

Culture and Politics in Göttingen between the World Wars

David Imhoof

University of Michigan Press, 2013

Becoming a Nazi Townreveals the ways in which ordinary Germans changed their cultural lives and their politics from the mid-1920s to the mid-1930s. Casting the origins of Nazism in a new light, David Imhoof charts the process by which Weimar and Nazi culture flowed into each other. He analyzes this dramatic transition by looking closely at three examples of everyday cultural life in the mid-sized German city of Göttingen: sharpshooting, an opera festival, and cinema.

Imhoof draws on individual and community experiences over a series of interwar periods to highlight and connect shifts in culture, politics, and everyday life. He demonstrates how Nazi leaders crafted cultural policies based in part on homegrown cultural practices of the 1920s and argues that overdrawn distinctions between “Weimar” and “Nazi” culture did not always conform to most Germans’ daily lives. Further, Imhoof presents experiences in Göttingen as a reflection of the common reality of many German towns beyond the capital city of Berlin.

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cover of Beyond Glasnost: The Post-Totalitarian Mind

Beyond Glasnost

The Post-Totalitarian Mind

Jeffrey C. Goldfarb

University of Chicago Press, 1992

"Beyond Glasnost is a thoughtful exploration of the past decade's cultural and political ferment in Eastern Europe. It is also something else: an argument—in a deceptively unassuming, anti-ideological voice—about how to conceive of and move toward freedom; an argument that could hardly be more relevant to the roiling debates on the Western left."—Ellen Willis, Village Voice

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cover of Black Cultural Production after Civil Rights

Black Cultural Production after Civil Rights

Edited by Robert J. Patterson

University of Illinois Press, 2019

The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics.

This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.

Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork

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