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Narratives of the 1960s typically describe an ascending arc of political activism that peaked in 1968, then began a precipitous descent as the revolutionary dreams of the New Left failed to come to fruition. The May 1970 killings at Kent State often stand as an epitaph to a decade of protest, after which the principal story becomes the resurgence of the right.

In Beyond Vietnam: The Politics of Protest in Massachusetts, 1974–1990, Robert Surbrug challenges this prevailing paradigm by examining three protest movements that were direct descendants of Vietnam-era activism: the movement against nuclear energy; the nuclear weapons freeze movement; and the Central American solidarity movement. Drawing lessons from the successes and failures of the preceding era, these movements had a significant impact on the liberal wing of the Democratic Party, which itself had been undergoing major transformations in the wake of the 1960s.

By focusing on one state—Massachusetts—Surbrug is able to illuminate the interaction between the activist left and mainstream liberalism, showing how each influenced the other and how together they helped shape the politics of the 1970s and 1980s. During these years, Massachusetts emerged as a center of opposition to nuclear power, the continuing Cold War arms race, and Ronald Reagan's interventionist policies in Central America. The state's role in national policy was greatly enhanced by prominent political figures such as Senator Edward Kennedy, Speaker of the House Thomas “Tip” O'Neill, presidential candidate Governor Michael Dukakis, Vietnam veteran Senator John Kerry, and moderate Republican Silvio Conte. 

What Beyond Vietnam shows is that the rise of the right in the aftermath of the 1960s was by no means a unilateral ascendancy. Instead it involved a bifurcation of American politics in which an increasingly strong conservative movement was vigorously contested by an activist left and a reinvigorated mainstream liberalism.

The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin’s Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who’s who of artists toward prominence. But Whiteman’s oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history.

W. Anthony Sheppard’s collection of essays confronts the racial implications of Whiteman’s career. The contributors explore Whiteman’s broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television.

Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music.

Contributors: Ryan Raul Bañagale, Stephanie Doktor, John Howland, Katherine M. Leo, Sarah Caissie Provost, W. Anthony Sheppard, Catherine Tackley, Elijah Wald, and Christi Jay Wells

An important collection of essays and scholarship by Cuban archaeologists about precontact human settlement on the island.

An important and timely collection of essays that greatly expands knowledge of the human settlement of Cuba and the activities of its indigenous peoples. The collection is a testament to the tenacity of Cuban and US scholars determined to dismantle the political and economic barriers that have impeded collaborative archaeological scholarship in Cuba. Despite economic and political challenges that have limited the pursuit of archaeological research in Cuba, these essays show that Cuban archaeology has made valuable contributions to understanding the cultural processes that have shaped life in the Caribbean in both prehispanic and historic periods and added significantly to our understanding of past Cuban peoples.

The collection, one of only a few studies of Cuban archaeology published in English in the United States, includes essays by both Cuban and US scholars that highlight trends in Cuban archaeology. It recognizes the past pioneers of joint Cuban-US archaeological projects and pays homage to those researchers, including Betty Meggers and Lourdes Dominguez, who sustained scholarly contact across the Florida Straits despite geopolitical roadblocks. 

Merrill Reese is the longest tenured radio play-by-play announcer in the history of the NFL. He has been with the Philadelphia Eagles since 1977, covering the team’s players, coaches, and owners in locker rooms, on the sidelines, and on road trips.

Beyond the Booth is a heartfelt history of the Eagles as recounted by Reese in conversation with the interviewer who knows him best—his wife, Cindy. Reese shares his memories and recollections of the team from the Dick Vermeil years through the Nick Sirianni era. (Spoiler alert: he was no Chip Kelly fan.) Cindy draws out her husband’s observations on the authenticity of the team’s personalities and leaders and how they make it successful. Merrill also describes his relationships with his broadcast colleagues and players, including Jalen Hurts.  

With her insider perspective, Cindy knows what to ask for Merrill to share his thoughts on his connection with the fans and success as a broadcaster, such as how performing in TV commercials as a child helped him develop his keen memorization skills. (She uses flashcards to test Merrill on players.)

Reese’s passion for the game, shared by his wife, is infectious. Beyond the Booth will excite every Eagles fan. 

During the last decade, the South American continent has seen a strong push for transnational integration, initiated by the former Brazilian president Fernando Henrique Cardoso, who (with the endorsement of eleven other nations) spearheaded the Initiative for the Integration of Regional Infrastructure in South America (IIRSA), a comprehensive energy, transport, and communications network. The most aggressive transcontinental integration project ever planned for South America, the initiative systematically deploys ten east-west infrastructural corridors, enhancing economic development but raising important questions about the polarizing effect of pitting regional needs against the colossal processes of resource extraction. Providing much-needed historical contextualization to IIRSA’s agenda, Beyond the City ties together a series of spatial models and offers a survey of regional strategies in five case studies of often overlooked sites built outside the traditional South American urban constructs.

Implementing the term “resource extraction urbanism,” the architect and urbanist Felipe Correa takes us from Brazil’s nineteenth-century regional capital city of Belo Horizonte to the experimental, circular, “temporary” city of Vila Piloto in Três Lagoas. In Chile, he surveys the mining town of María Elena. In Venezuela, he explores petrochemical encampments at Judibana and El Tablazo, as well as new industrial frontiers at Ciudad Guayana. The result is both a cautionary tale, bringing to light a history of societies that were “inscribed” and administered, and a perceptive examination of the agency of architecture and urban planning in shaping South American lives.

This volume offers a nuanced picture with specific instances of religion and politics in Muslim, Jewish, Christian, Buddhist, and Hindu contexts, broadly presenting the phenomenon of religion and politics via country and thematic case studies. Qualitative, quantitative, material, philosophical, and theological analyses draw upon social theory to show how (and why) religion matters deeply in each time and place.  

The authors and contributors demonstrate that religion is a significant force that drives societies and polities around the world, and that a radical change in the Western understanding of value-driven global politics is needed. Beyond the Death of God offers new, local voices to Western audiences—through essays that suggest the need for an appreciation of Divinity as a quintessence holding a significant place in the hearts, minds, social orders, and political organization of polities around the world.

Played by both migrants and native-born Americans, soccer created communities across the United States. Brian D. Bunk ranges from Pawtucket to Honolulu as he illuminates the deep and diverse origins of the American sport.

Soccer took root as immigration, urbanization, and industrialization triggered immense changes across society. Matches built local pride as teams battled rival neighborhoods and towns. Teammates and supporters shared meals, raised money for fallen players, and attended each other’s weddings and funerals. If sometimes damaged by economic depression or shattered by war, clubs often bounced back to provide a steadying, resilient force in their towns. Bunk follows the story from the 1880s through World War I by profiling the struggles and joys of players while also tracing the overlooked impact of people of African, Chinese, Hawaiian, Jewish, and Filipino descent on American soccer culture.

Engaging and rich in detail, Beyond the Field draws on extensive original research to expand our idea of the people and places that formed the American game.

Beyond the Fourth Wall of War sheds light on forms of embodied performance that emerge in the aftermath of structural violence—war, displacement, and militarism—as individual bodies and bodies politic are shaped by communal disorders. As Elise R. Morrison argues that theater that addresses audiences directly by breaking the so-called “fourth wall”—which allows spectators to see but not interact with the events onstage—can offer embodied frameworks for reckoning with war trauma that move beyond traditions of illusionism and spectatorial distance.

Grounded in performance studies, this interdisciplinary study also draws deeply from digital media studies, peace studies, neuroscientific research in embodied cognition and trauma, and drama therapy. Through a comparative analysis of somatic, interactive methodologies in contemporary trauma-informed therapies, Morrison reveals the capacity of theatrical performance to model “somatic witnessing” and kinesthetic empathy and to cultivate communal practices of repair in response to state-sanctioned violence. Underlying this work is a broader inquiry into war’s performative nature, as participatory theater uniquely reorients spectatorship toward rehearsing “performative ethics” in representational and militarized “theaters of war.” Beyond the Fourth Wall of War makes novel interventions into discourses of contemporary warfare by extending the lens of trauma beyond the battlefield to civilian publics who observe conflict from a distance, yet remain entangled in its machinery.

Maggie Rivas-Rodríguez 's edited volume Mexican Americans & World War II brought pivotal stories from the shadows, contributing to the growing acknowledgment of Mexican American patriotism as a meaningful force within the Greatest Generation. In this latest anthology, Rivas-Rodríguez and historian Emilio Zamora team up with scholars from various disciplines to add new insights. Beyond the Latino World War II Hero focuses on home-front issues and government relations, delving into new arenas of research and incorporating stirring oral histories.

These recollections highlight realities such as post-traumatic stress disorder and its effects on veterans' families, as well as Mexican American women of this era, whose fighting spirit inspired their daughters to participate in Chicana/o activism of the 1960s and 1970s. Other topics include the importance of radio as a powerful medium during the war and postwar periods, the participation of Mexican nationals in World War II, and intergovernmental negotiations involving Mexico and Puerto Rico. Addressing the complexity of the Latino war experience, such as the tandem between the frontline and the disruption of the agricultural migrant stream on the home front, the authors and contributors unite diverse perspectives to harness the rich resources of an invaluable oral history.

In Beyond the Public Sphere: Film and the Feminist Imaginary, the renowned philosopher and critical theorist María Pía Lara challenges the notion that the bourgeois public sphere is the most important informal institution between social and political actors and the state.

Drawing on a wide range of films—including The Milk of Sorrow, Ixcanul, Wadja, The Stone of Patience, Marnie, A Streetcar Named Desire, and Talk to Her—Lara dissects cinematic images of women’s struggles and their oppression. She builds on this analysis, developing a concept of the feminist social imaginary as a broader and more complex space that provides a way of thinking through the possibilities for emancipatory social transformation in response to forms of domination perpetuated by patriarchal capitalism.

This memoir about the experiences of German occupation during the siege of Leningrad (now Saint Petersburg) was written by Moscow-born Evdokiia Vasil’evna Baskakova-Bogacheva (1888–1976), an émigré in Australia, at the age of eighty-one. The text had been forgotten in the Museum of Russian Culture in San Francisco since 1970 until the editors of this volume discovered it.

In the memoirs, after accounting on her youth spent against the background of the First World War and of the two Russian revolutions of 1917, Evdokiia describes the inferno of the Nazi occupation as experienced in a suburb of Leningrad in 1941-43. She survived for nearly two years almost on the front line, within a few kilometers of the blockade ring. As a medical practitioner, she became useful for the occupational authorities and the ever-shrinking town population, until her family was evacuated to the west in October 1943. Besides hunger, discord, disease, the hunt for food and firewood, along with violence and death, Evdokiia’s account deals with various forms of cooperation between Soviet citizens and the new authorities.

All the events she recalls can be confirmed through other sources. The introduction and the detailed notes to the text help the reader to locate Evdokiia’s recollections in time and place, and situate them in their historical context. 

A provocative rethinking of national cinema, authorship, and the discipline of film studies

Examining European art films of the 1950s and 1960s, Mark Betz argues that it is time for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.

A handbook for biblical scholars and historians of the Ancient Near East

William G. Dever offers a welcome perspective on ancient Israel and Judah that prioritizes the archaeological remains to render history as it was—not as the biblical writers argue it should have been. Drawing from the most recent archaeological data as interpreted from a nontheological point of view and supplementing that data with biblical material only when it converges with the archaeological record, Dever analyzes all the evidence at hand to provide a new history of ancient Israel and Judah that is accessible to all interested readers.

Features

• A new approach to the history of ancient Israel
• Extensive bibliography
• More than eighty maps and illustrations

A story of institutionalized police brutality and how Chicago's public outcry led to long-lasting criminal justice reforms.

The malign and long-lasting influence of Chicago police commander Jon Burge cannot be overestimated, particularly as fresh examples of local and national criminal-justice abuse continue to surface with dismaying frequency. Burge’s decades-long tenure on the Chicago police force was marked by racist and barbaric interrogation methods, including psychological torture, burnings, and mock executions—techniques that went far “beyond the usual beating.” After being exposed in 1989, he became a symbol of police brutality and the unequal treatment of nonwhite people, and the persistent outcry against him led to reforms such as the abolition of the death penalty in Illinois.

But Burge hardly developed or operated in a vacuum, as Andrew S. Baer explores to stark effect here. He identifies the darkness of the Burge era as a product of local social forces, arising from a specific milieu beyond the nationwide racialized reactionary fever of the 1960s and 1970s. Similarly, the popular resistance movements that rallied in his wake actually predated Burge’s exposure but cohered with unexpected power due to the galvanizing focus on his crimes and abuses. For more than thirty years, a shifting coalition including torture survivors, their families, civil rights attorneys, and journalists helped to corroborate allegations of violence, free the wrongfully convicted, have Burge fired and incarcerated, and win passage of a municipal reparations package, among other victories. Beyond the Usual Beating reveals that though the Burge scandal underscores the relationship between personal bigotry and structural racism in the criminal justice system, it also shows how ordinary people held perpetrators accountable in the face of intransigent local power.
 

The essays in Bible Trouble all engage queer theories for purposes of biblical interpretation, a rare effort to date within biblical scholarship. The title phrase “Bible Trouble” plays on Judith Butler's Gender Trouble, gesturing toward a primary text for contemporary queer theory. The essays consider, among others, the Lazarus story, the Ethiopian eunuch, “gender trouble” in Judges 4 and 5, the Song of Songs, and an unorthodox coupling of the books of Samuel and the film Paris Is Burning. This volume “troubles” not only the boundaries between biblical scholarship and queer theory but also the boundaries between different frameworks currently used in the analysis of biblical literature, including sexuality, gender, race, class, history, and literature. The contributors are Ellen T. Armour, Michael Joseph Brown, Sean D. Burke, Heidi Epstein, Deryn Guest, Jione Havea, Teresa J. Hornsby, Lynn R. Huber, S. Tamar Kamionkowski, Joseph A. Marchal, Jeremy Punt, Erin Runions, Ken Stone, Gillian Townsley, Jay Twomey, and Manuel Villalobos.

A unique visual history of the world’s best-selling book of all time, Bibles provides a rich snapshot of the biblical bookmaking tradition through images from fifty rare and important Bibles. As the captivating and colorful images collected here reveal, in many ways the history of the Bible mirrors the history of the book and publishing.

Presented chronologically, the Bibles provide a fascinating look into the book making techniques and characteristics of their time. From the fragile papyrus fragments of the ancient world to medieval illuminated manuscripts and glorious modern printed editions, each image is accompanied by a caption which explains its particular significance. In addition, each chapter includes a short introduction that contextualizes each book within its time period. Featuring many unusual examples—some of which have never been illustrated in print before—Bibles includes many of the great biblical texts of the Eastern and Western traditions, including the Magdalen Papyrus, the Laudian Acts, the Anglo-Saxon Exodus, St Margaret’s Gospel-book, the Douce Apocalypse, the Bible Moralisée (MS. Bodley 270b), the Kennicott Bible, the Guttenberg Bible, and the King James Bible.

Drawing exclusively from one of the finest collections of Bibles in the world, which is held at the Bodleian Library at Oxford University, this book tells the remarkable story of the development of the Bible across media, language, and provenance.