5550 books match the query 'Biography & Autobiography' and 296 start with b
Carmen Giménez Smith
University of Arizona Press, 2010
Jose Gamaliel Gonzalez, Edited and with an Introduction by Marc Zimmerman
University of Illinois Press, 2010
Juliet C. Stromberg
University of Arizona Press, 2023
Gerald L. Gutek and Patricia A. Gutek
University of Alabama Press, 2016
2016 CHOICE OUTSTANDING ACADEMIC TITLE
The remarkable story of how Montessori education crossed the Atlantic and transformed American educational thought.
Born on the Adriatic, Montessori first entered the world stage in 1906 as the innovator of a revolutionary teaching method that creates an environment where children learn at their own pace and initiate skills like reading and writing in a spontaneous way. As her school in Rome swiftly attracted attention, curiosity, and followers, Montessori recruited disciples whom she immersed in a rigorous and detailed teacher-training regimen of her own creation.
McClure was an Irish-born media baron of America’s Gilded Age, best known as the founder and publisher of McClure’s Magazine. Against the backdrop of Theodore Roosevelt’s Bull Moose insurgency, the brilliant and mercurial McClure used his flagship publication as a vehicle to advance Progressive Party causes. After meeting in 1910, McClure and Montessori embarked on a five-year collaboration to introduce Montessori’s innovative teaching style in the United States.
Gerald and Patricia Gutek trace the dramatic arc of the partnership between the Italian teacher and American publisher united by a vision of educational change in the United States. After her triumphal lecture tour in 1913, Montessori, secure in her trust of her American partner, gave McClure her power of attorney and returned to Italy. The surge in popularity of Montessori education in America, however, deeply concerned Montessori, who had heretofore exerted total control over her method, apparatus, schools, and teacher training. The American entrepreneurial spirit, along with a desire to disseminate the Montessori method quickly, led to major conflicts between the Italian educator and American businesspeople, particularly McClure. Feeling betrayed, Montessori ended her relationship with her erstwhile collaborator.
Gutek and Gutek describe the fascinating story of this first wave of Montessori education in the United States, which did not sustain itself during Montessori’s lifetime. It would not be until the 1950s that Montessori education was revived with the successful establishment of Montessori academies throughout the United States.
Edited by Larry Bennett, John D. Fairfield, and Patricia Mooney-Melvin
Temple University Press, 2022
With the passing of Zane L. Miller in 2016, academia lost a renowned scholar and one of the key founders of new urban history—a branch of the discipline that placed urban life at the center of American history and treated the city as an arena for civic and political action. He was a devoted, tireless mentor who published or fostered dozens of books and articles on urban history. He also co-founded Temple University Press’ foundational series Urban Life, Landscape, and Policy.
Bringing the Civic Back In provides a critical overview, appreciation, and extension of Miller’s work as scholar, editor, mentor, colleague, and citizen. Included are three excerpts from Miller’s final, unfinished work, in which he presented cities as the source of a civic nationalism he viewed as fundamental to the development of American democracy. The editors—along with contributors Robert B. Fairbanks and Charles Lester—reflect on the life and work of their friend as well as his role in creating a Cincinnati school of urban history. These original essays by practitioners of Miller’s approach highlight the power of ideas to shape social change.
Donald N. Hagist
Westholme Publishing, 2012
David Matthews
Haus Publishing, 2013
Kitty Ledbetter
University of Arkansas Press, 2024
“It’s good to see Si Siman and the Ozark Jubilee get their due in Broadcasting the Ozarks.”
—Willie Nelson
Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955–60), the first regularly broadcast live country music show on network television. Dubbed the “king of the televised barn dances,” the show introduced the Ozarks to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry—with the Jubilee’s producer, Si Siman, at the helm.
Siman’s life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee’s five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee’s signature hit, “I’m Sorry,” and Wayne Carson, who wrote Willie Nelson’s “Always on My Mind.” Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his hometown in the Ozarks.
Edited by Jerry Dickey and Miriam Lopez-Rodriguez
Southern Illinois University Press, 2006
This collection of plays, fiction, and journalistic essays by Sophie Treadwell provides an engaging portrait of one of America’s most innovative yet neglected feminists. Broadway’s Bravest Woman: Selected Writings of Sophie Treadwell is the first critical compilation of her prose and drama and highlights the most significant and formerly unavailable pieces of her work. Editors Jerry Dickey and Miriam López-Rodriguez place Treadwell within the context of the early twentieth century and outline four themes that infused her feminist ideology: the social positioning of women, ethnic identity in the United States, tensions between modern progressivism and conservatism, and the individual’s role in the face of social justice.
Treadwell’s critical reputation as a dramatist is largely based on the success of the 1928 expressionist drama Machinal, but little is known about her other dramas, much less her fiction and journalism. Drawing largely upon unpublished manuscripts, this volume documents the breadth of Treadwell’s work, from an investigative newspaper serial written in 1914 to selections from an autobiographical novel completed during World War II, which chronicled her development as a feminist.
In the introduction, Dickey and López-Rodriguez present a detailed portrait of Treadwell’s sensational but critically neglected journalistic career, from her 1915 serial on social welfare for prostitutes in San Francisco to her 1921 ground-breaking story on the Mexican revolutionary leader Pancho Villa. They also outline the personal and social factors that helped shape Treadwell’s feminist ideals.
Expanding the awareness of the feminist writer’s accomplishments, Broadway’s Bravest Woman is critical resource for students, scholars, and theatre artists. The collection, enhanced by six illustrations, not only offers the most complete portrait of Treadwell to date as a significant feminist voice in modern America but also provides a glimpse into the social life and international relations of the United States in the interwar period of the twentieth century.
Karin Finell
University of Missouri Press, 2012
“It all began with the bite of a mosquito. Yes, with a bite of this pesky, but seemingly so innocuous little insect that had been sucking her blood. Not just one, but hundreds had punctured her arms and legs with red marks which later swelled to small welts. Who would ever have thought that our family's life would become derailed, that its tightly woven fabric would eventually fray and break—all from the bite of a mosquito?”
Richard D. Kahlenberg
University of Massachusetts Press, 1999
In 1986, 70 percent of the first-year class of Harvard Law School wanted to pursue careers in public-interest law. Ten years later, the same percentage of this class was pursuing careers in private corporate firms. How is it that these students began their careers interested in using law as a vehicle for social change, but ended up in those very law firms most resistant to change? How are law students able to reconcile liberal politics with careers in corporate law?
Richard D. Kahlenberg's Broken Contract serves to warn prospective law students on the transformation that happens during the second and third years. His memoir explores the intense competitiveness and insidious pressure leading to jobs that are lucrative, prestigious, and challenging, but ultimately unsatisfying.
Though Broken Contract doesn't seek to convince every law student to go into public service, Kahlenberg means to challenge and restructure our social institutions to make it easier to follow our impulses toward good instead of toward the goods.

Irina Nijinska, Jean Rawlinson, eds. and trans.
Duke University Press, 1992
Brooke Wunnicke
University Press of Colorado, 2023
Zalman Newfield
Temple University Press, 2026
Growing up in Crown Heights, Brooklyn as a member of the Chabad-Lubavitch Hasidic Orthodox Jewish community, Zalman Newfield was raised in an atmosphere of strict gender segregation, rigorous religious education, and nearly all-consuming ritual practices. Trained to be a Lubavitch emissary, he traveled around the world doing Jewish outreach to help usher in the messianic redemption. However, after exposure to the wider world, he abandoned the faith of his youth.
Brooklyn Odyssey is Newfield’s poignant and hopeful memoir about exiting Orthodoxy. He recounts asserting his individuality and taking the radical step of shaving his beard. Reflective about his upbringing, Newfield is open to and curious about a world beyond Brooklyn while also maintaining his profound bond with his family and Jewish tradition. He writes candidly about his emotional, intellectual, and social experiences in and out of the Lubavitch community.
From pivotal moments of devastation, including the illness and death of his younger brother and of his revered spiritual leader Rabbi Menachem Mendel Schneerson, to moments of joyful resolve, including the decision to pursue a doctorate and marry a non-Orthodox Jew, Newfield takes readers on his moving and impactful journey.
Harry Thomason
Parkhurst Brothers, Inc., 2019
Edgar Rice Burroughs and Herbert T. Weston
Duke University Press, 2005
The Burroughs-Weston letters trace a fascinating personal and business relationship that evolved as the two men and their wives embarked on joint capital ventures, traveled frequently, and navigated the difficult waters of child-rearing, divorce, and aging. Brother Men includes never-before-published images, annotations, and a critical introduction in which Cohen explores the significance of the sustained, emotional male friendship evident in the letters. Rich with insights related to visual culture and media technologies, consumerism, the history of the family, the history of authorship and readership, and the development of the West, these letters make it clear that Tarzan was only one small part of Edgar Rice Burroughs’s broad engagement with modern culture.
Edited by Kathleen Pfeiffer
University of Illinois Press, 2010
The friendship of Jean Toomer and Waldo Frank was one of the most emotionally intense, racially complicated, and aesthetically significant relationships in the history of American literary modernism. Waldo Frank was an established white writer who advised and assisted the younger African American Jean Toomer as he pursued a literary career. They met in 1920, began corresponding regularly in 1922, and were estranged by the end of 1923, the same year that Toomer published his ambitiously modernist debut novel, Cane.
While individual letters between Frank and Toomer have been published separately on occasion, they have always been presented out of context. This volume presents for the first time their entire correspondence in chronological order, comprising 121 letters ranging from 200 to 800 words each. Kathleen Pfeiffer annotates and introduces the letters, framing the correspondence and explaining the literary and historical allusions in the letters themselves.
Reading like an epistolary novel, Brother Mine captures the sheer emotional force of the story that unfolds in these letters: two men discover an extraordinary friendship, and their intellectual and emotional intimacy takes shape before our eyes. This unprecedented collection preserves the raw honesty of their exchanges, together with the developing drama of their ambition, their disappointments, their assessment of their world, and ultimately, the betrayal that ended the friendship.

Christa Kamenetsky
Ohio University Press, 1993
By William Broyles, Jr.
University of Texas Press, 1996
Reviews of the Knopf edition:
"A wonderful book—fresh and intelligent. Broyles's eye for Vietnam, then and now, is unerring." —Peter Jennings
"[A] superbly written, often moving story of Broyles' journey back to the killing ground in Vietnam where he once served as a Marine lieutenant. A cool, clear meditation that stings the heart." —Kirkus Reviews
"A first-rate piece of work, infused with an ideal American common decency and common sense." —Kurt Vonnegut
"Exceptional and memorable." —Gay Talese
Nico Slate
Temple University Press, 2023
Brothers is Nico Slate’s poignant memoir about Peter Slate, aka XL, a Black rapper and screenwriter whose life was tragically cut short. Nico and Peter shared the same White American mother but had different fathers. Nico’s was White; Peter’s was Black. Growing up in California in the 1980s and 1990s, Nico often forgot about their racial differences until one night in March 1994 when Peter was attacked by a White man in a nightclub in Los Angeles.
Nico began writing Brothers with the hope that investigating the attack would bring him closer to Peter. He could not understand that night, however, without grappling with the many ways race had long separated him from his brother.
This is a memoir of loss—the loss of a life and the loss at the heart of our racial divide—but it is also a memoir of love. The love between Nico and Peter permeates every page of Brothers. This achingly beautiful memoir presents one family’s resilience on the fault lines of race in contemporary America.
Anderson, Devery S.
Signature Books, 2024
Although he served as an apostle in the Church of Jesus Christ of Latter-day Saints for only twelve and a half years, Bruce R. McConkie’s twenty-six years’ service in the First Council of Seventy had already made him a household name within the church. Called to full-time church service at age thirty-one, McConkie quickly gained a reputation as a theologian and doctrinal teacher. He became a prolific writer, and his controversial book, Mormon Doctrine, remained a bestseller for decades. His writing style, dogmatic approach, and quickness to reprimand others he believed in error made him many enemies, while others endeared themselves to him because of those very traits.
McConkie the man was far more complex than the serious and focused general authority most church members saw and heard at the pulpit. Those who knew him best experienced his profound sense of humor. His passion for jogging, rock hounding, and jewelry making occupied much of his free time. Those who witnessed his final address delivered days before his death felt compassion toward him, no matter how they had always viewed him as a writer, speaker, or leader. Truly, to understand Bruce R. McConkie one must look closely at the entire picture.
Claude-Henri Rocquet
University of Chicago Press, 1991
Annabel Gillings
Haus Publishing, 2006
University of Wisconsin Press, 2000
Bryher (born Annie Winifred Ellerman) is perhaps best known today as the lifelong partner of the poet H.D. She was, however, a central figure in modernist and avant-garde cultural experimentation in the early twentieth century; a prolific producer of poetry, novels, autobiography, and criticism; and an intimate and patron of such modernist artists as Gertrude Stein, Marianne Moore, and Dorothy Richardson. Bryher’s own path-breaking writing has remained largely neglected, long out of print, and inaccessible to those interested in her oeuvre. Now, for the first time since their original publication in the early 1920s, two of Bryher's pioneering works of fictionalized autobiography, titled Development and Two Selves, are reprinted in one volume for a new audience of readers, scholars, and critics.
Blending poetry, prose, and autobiographical details, Development and Two Selves together constitute a compelling bildungsroman that is among the first ever to follow a young woman's process of coming out. Through the fictionalized character Nancy, the novels trace Bryher’s life through her childhood and young adulthood, giving the reader an account of the development of a unique lesbian, feminist, and modernist consciousness. Development and Two Selves recover significant work by one of the first experimenters of the modernist movement and are a welcome reintroduction of the enigmatic Bryher.
Drew Bratcher
University of Iowa Press, 2022
Stephane Elise Booth
Ohio University Press, 2001
By the last two decades of the twentieth century, Ohio women had held positions as university presidents, chief executive officers, judges, superintendents of schools, and lieutenant governor. They had won Pulitzer Prizes and, in one case, the Nobel Prize for Literature.
But these women stood on the shoulders of those who came before: the pioneering women who helped tame the Ohio frontier, who filled the breach, who worked for reform, and who struggled for their own rights as citizens of one of the most prosperous states in the Union.
Buckeye Women is an accessible and comprehensive account of the role Ohio women have assumed in the history of the state and a narrative of their hardships and of the victories that have been won in the past two hundred years.
In this timely contribution to the Ohio Bicentennial Series, Professor Stephane Booth has written a rich and well-researched volume, providing for the first time a record of the vast and pivotal accomplishments shared by the women of Ohio over the last two centuries and documenting their contribution to the state’s remarkable heritage.
Steve Fishell
University of Illinois Press, 2022
Steve Fishell’s merger of biography and memoir draws extensively on in-depth interviews with Emmons and the artist's autobiographical writings. Emmons went from playing strip clubs to a Grand Ole Opry debut with Little Jimmy Dickens at age 18. His restless experimentation led to work with Ernest Tubb and Ray Price--and established him in a career that saw him play alongside a who’s who of American music. Fishell weaves in stories and anecdotes from Willie Nelson, Brenda Lee, Linda Ronstadt, Pat Martino, and many others to provide a fascinating musical and personal portrait of an innovator whose peerless playing and countless recordings recognized no boundaries.
A one-of-a-kind life story, Buddy Emmons expands our view of a groundbreaking artist and his impact on country music, jazz, and beyond.
Ann Darby Getty
Gallaudet University Press, 2014
Polly Wynn Allen
University of Massachusetts Press, 1988
Building Domestic Liberty offers a critical and admiring analysis of feminist philosopher Charlotte Perkins Gilman (1860–1935). Polly Allen examines Gilman's approach to architecture, landscape, and neighborhood design and discusses Gilman's case against prevailing household design and looks at her philosophy of world improvement.
Ron McCrea
Wisconsin Historical Society Press, 2012
John L. Tishman and Tom Shachtman
University of Michigan Press, 2011
"John Tishman is a true pioneer in the Construction Management industry. Through his CM leadership, some of America's most well-known buildings have been brought to successful completion."
---Bruce D'Agostino, president and chief executive, Construction Management Association of America
"Building Tall will provide readers with insights into John Tishman's career as a visionary engineer, landmark builder, and great businessman. Responsible for some of the construction world's most magnificent projects, John is one of the preeminent alumni in the history of Michigan Engineering. His perspectives have helped me throughout my time as dean, and his impact will influence generations of Construction Management professionals and students."
---David C. Munson, Jr., Robert J. Vlasic Dean of Engineering, University of Michigan
In this memoir, University of Michigan graduate John L. Tishman recounts the experiences and rationale that led him to create the entirely new profession now recognized and practiced as Construction Management. It evolved from his work as the construction lead of the "owner/builder" firm Tishman Realty and Construction, and his personal role as hands-on Construction Manager in the building of an astonishing array of what were at the time the world's tallest and most complex projects. These include
Tishman interweaves the stories behind the construction of these and many other important buildings and projects with personal reminiscences of his dealings with Henry Ford, Jr., Disney's Michael Eisner, casino magnate Steve Wynn, and many others into a practical history of the field of Construction Management, which he pioneered.
This book will be of interest not only to a general public interested in the stories and personalities behind many of the most iconic construction projects of the post–World War II period in the United States but to students of engineering and architecture and members of the new field of Construction Management.
Evelyn Searle Hess
Oregon State University Press, 2015
Brian Q. Cannon
Signature Books, 2025
Called as an apostle in 1906, David O. McKay devoted the remaining sixty-four years of his life to serving in the Church of Jesus Christ of Latter-day Saints, including nineteen as church president. That lengthy tenure, combined with his warmth, extensive personal ministry, broadmindedness, deep spirituality, and unprecedented global travel made him one of the church’s most beloved and influential leaders of all time. When he died in 1970, roughly 60 percent of the church’s membership had known no other church president. Memories of McKay’s teachings and ministry remain a taproot for the spiritual convictions and values of many Latter-day Saints.
Brian Q. Cannon’s biography offers a fresh perspective on important features of McKay’s life, showing how his mission to Scotland, round-the-world tour as an apostle, and service as president of the European Mission shaped his global vision and priorities. Building a Global Zion illuminates previously underappreciated facets of McKay’s reach, including his crusades against alcohol consumption and political corruption, his long-term administration of missionary work, his spiritual impressions, his personnel decisions, and his mediation of interpersonal impasses in administrative settings. Cannon carefully reconstructs facets of McKay’s vast ministry to individuals, highlights distinctive themes of his teachings, and explores challenges that confronted McKay’s associates as his health and acuity waned.William A. Nunnelley
University of Alabama Press, 1990
Laurie Hovell McMillin
University of Wisconsin Press, 2006
In Buried Indians, Laurie Hovell McMillin presents the struggle of her hometown, Trempealeau, Wisconsin, to determine whether platform mounds atop Trempealeau Mountain constitute authentic Indian mounds. This dispute, as McMillin subtly demonstrates, reveals much about the attitude and interaction-past and present-between the white and Indian inhabitants of this Midwestern town.
McMillin's account, rich in detail and sensitive to current political issues of American Indian interactions with the dominant European American culture, locates two opposing views: one that denies a Native American presence outright and one that asserts its long history and ruthless destruction. The highly reflective oral histories McMillin includes turn Buried Indians into an accessible, readable portrait of a uniquely American culture clash and a dramatic narrative grounded in people's genuine perceptions of what the platform mounds mean.
Magnificent Montague with Bob Baker
University of Illinois Press, 2009
Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns.
Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan.
Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up.
A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.
Thomas S. Hines
University of Chicago Press, 1979
Thomas S. Hines
University of Chicago Press, 2008
Philip R. VanderMeer, Foreword by Alfredo Gutierrez
University of Arizona Press, 2014
Rigoberto Gonzalez
University of Wisconsin Press, 2011
Winner of the American Book Award
Tom Fels
University of Massachusetts Press, 2012
Georgie Anne Geyer
University of Chicago Press, 2001
Kip Lornell and Tom Mindte
University of Illinois Press, 2026
Buzz Busby’s move to Washington, D.C., in 1951 helped launch bluegrass in the nation’s capital while the intensity of his mandolin playing drew raves for its unrelenting pace and innovative style. His high lonesome singing rivaled that of Bill Monroe. Kip Lornell and Tom Mindte draw on interviews and some fifty hours of Busby speaking about his life to tell the story of a largely forgotten bluegrass virtuoso.
Busby and his band the Bayou Boys stood front and center on a mid-1950s D.C.-area TV show that, though short-lived, catalyzed the formation of the city’s bluegrass community. Time with the Louisiana Hayride and classic if little-heard bluegrass sides like “Lonesome Wind” seemed to promise a bright future. But a devastating car wreck and a host of legal and personal troubles triggered a long decline into drug and alcohol abuse that undermined Busby’s career and led him to sum up, “I started at the top and diligently worked my way to the bottom.”
Entertaining and vivid, Buzz Busby tells the story of a musician’s musician and his hardscrabble life in bluegrass.

Rosemary Sassoon
Intellect Books, 2018
Harvey Hill
Catholic University of America Press, 2008
Todd W. Bostwick
University of Arizona Press, 2006