5550 books match the query 'Biography & Autobiography' and 296 start with b

cover of Bring Down the Little Birds: On Mothering, Art, Work, and Everything Else

Bring Down the Little Birds

On Mothering, Art, Work, and Everything Else

Carmen Giménez Smith

University of Arizona Press, 2010

How does a contemporary woman with a career as a poet, professor, and editor experience motherhood with one small child, another soon to be born, and her own mother suddenly diagnosed with a brain tumor and Alzheimer’s? The dichotomy between life as a mother and life as an artist and professional is a major theme in modern literature because often the two seem irreconcilable. In Bring Down the Little Birds, Carmen Giménez Smith faces this seeming irreconcilability head-on, offering a powerful and necessary lyric memoir to shed light on the difficulties—and joys—of being a mother juggling work, art, raising children, pregnancy, and being a daughter to an ailing mother, and, perhaps most important, offering a rigorous and intensely imaginative contemplation on the concept of motherhood as such.

Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a woman’s first and second journeys into motherhood. Giménez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book.

Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, Giménez Smith interrogates everything involved in becoming and being a mother for both the first and second times. She wonders what her children will one day know about her own “secret life,” meditates on the physical effects of pregnancy, and questions the myths about, nostalgia for, and glorification of motherhood.

While Giménez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means.
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cover of Bringing Aztlan to Mexican Chicago: My Life, My Work, My Art

Bringing Aztlan to Mexican Chicago

My Life, My Work, My Art

Jose Gamaliel Gonzalez, Edited and with an Introduction by Marc Zimmerman

University of Illinois Press, 2010

Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
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cover of Bringing Home the Wild: A Riparian Garden in a Southwest City

Bringing Home the Wild

A Riparian Garden in a Southwest City

Juliet C. Stromberg

University of Arizona Press, 2023

A story of ecologically guided urban gardening

When living in a large sprawling city, one may feel disconnected and adrift. Finding ways to belong and have positive effects is challenging. In Bringing Home the Wild, botanist Juliet C. Stromberg demonstrates how ecologically guided gardening develops a sense of place, restores connections to nature, and brings joy and meaning to our lives.

This book follows a two-decade journey in ecologically guided gardening on a four-acre irrigated parcel in Phoenix, Arizona, from the perspective of a retired botanist and her science historian partner. Through humor and playful use of language, Bringing Home the Wild not only introduces the plants who are feeding them, buffering the climate, and elevating their moods but also acknowledges the animals and fungi who are pollinating the plants and recycling the waste. Some of the plants featured are indigenous to the American Southwest, while others are part of the biocultural heritage of the cityscape. This book makes the case for valuing inclusive biodiversity and for respectful interactions with all wild creatures, regardless of their historical origin.

As author and partner learn to cohabit with the plants who feed them, calm them, entertain them, and protect them from the increasing heat, their desire to live sustainably, ethically, and close to the land becomes even stronger, revealing the importance of observing, appreciating, and learning from the ecosystems of which we are a part.
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cover of Bringing Montessori to America: S. S. McClure, Maria Montessori, and the Campaign to Publicize Montessori Education

Bringing Montessori to America

S. S. McClure, Maria Montessori, and the Campaign to Publicize Montessori Education

Gerald L. Gutek and Patricia A. Gutek

University of Alabama Press, 2016

2016 CHOICE OUTSTANDING ACADEMIC TITLE

The remarkable story of how Montessori education crossed the Atlantic and transformed American educational thought.

Born on the Adriatic, Montessori first entered the world stage in 1906 as the innovator of a revolutionary teaching method that creates an environment where children learn at their own pace and initiate skills like reading and writing in a spontaneous way. As her school in Rome swiftly attracted attention, curiosity, and followers, Montessori recruited disciples whom she immersed in a rigorous and detailed teacher-training regimen of her own creation.

McClure was an Irish-born media baron of America’s Gilded Age, best known as the founder and publisher of McClure’s Magazine. Against the backdrop of Theodore Roosevelt’s Bull Moose insurgency, the brilliant and mercurial McClure used his flagship publication as a vehicle to advance Progressive Party causes. After meeting in 1910, McClure and Montessori embarked on a five-year collaboration to introduce Montessori’s innovative teaching style in the United States.

Gerald and Patricia Gutek trace the dramatic arc of the partnership between the Italian teacher and American publisher united by a vision of educational change in the United States. After her triumphal lecture tour in 1913, Montessori, secure in her trust of her American partner, gave McClure her power of attorney and returned to Italy. The surge in popularity of Montessori education in America, however, deeply concerned Montessori, who had heretofore exerted total control over her method, apparatus, schools, and teacher training. The American entrepreneurial spirit, along with a desire to disseminate the Montessori method quickly, led to major conflicts between the Italian educator and American businesspeople, particularly McClure. Feeling betrayed, Montessori ended her relationship with her erstwhile collaborator.

Gutek and Gutek describe the fascinating story of this first wave of Montessori education in the United States, which did not sustain itself during Montessori’s lifetime. It would not be until the 1950s that Montessori education was revived with the successful establishment of Montessori academies throughout the United States.

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cover of Bringing the Civic Back In: Zane L. Miller and American Urban History

Bringing the Civic Back In

Zane L. Miller and American Urban History

Edited by Larry Bennett, John D. Fairfield, and Patricia Mooney-Melvin

Temple University Press, 2022

With the passing of Zane L. Miller in 2016, academia lost a renowned scholar and one of the key founders of new urban history—a branch of the discipline that placed urban life at the center of American history and treated the city as an arena for civic and political action. He was a devoted, tireless mentor who published or fostered dozens of books and articles on urban history. He also co-founded Temple University Press’ foundational series Urban Life, Landscape, and Policy. 

Bringing the Civic Back In provides a critical overview, appreciation, and extension of Miller’s work as scholar, editor, mentor, colleague, and citizen. Included are three excerpts from Miller’s final, unfinished work, in which he presented cities as the source of a civic nationalism he viewed as fundamental to the development of American democracy. The editors—along with contributors Robert B. Fairbanks and Charles Lester—reflect on the life and work of their friend as well as his role in creating a Cincinnati school of urban history. These original essays by practitioners of Miller’s approach highlight the power of ideas to shape social change.

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cover of British Soldiers, American War: Voices of the American Revolution

British Soldiers, American War

Voices of the American Revolution

Donald N. Hagist

Westholme Publishing, 2012

Advisor for Ken Burns The American Revolution on PBS®
Nine Rare and Fascinating First-Person Profiles of Soldiers Who Fought for the British Crown
Much has been written about the colonists who took up arms during the American Revolution and the army they created. Far less literature, however, has been devoted to their adversaries. The professional soldiers that composed the British army are seldom considered on a personal level, instead being either overlooked or inaccurately characterized as conscripts and criminals. Most of the British Redcoats sent to America in defense of their government’s policies were career soldiers who enlisted voluntarily in their late teens or early twenties. They came from all walks of British life, including those with nowhere else to turn, those aspiring to improve their social standing, and all others in between. Statistics show that most were simply hardworking men with various amounts of education who had chosen
the military in preference to other occupations. Very few of these soldiers left writings from which we can learn their private motives and experiences.
British Soldiers, American War: Voices of the American Revolution is the first collection of personal narratives by British common soldiers ever assembled and published. Author Don N. Hagist has located first-hand accounts of nine soldiers who served in America in the 1770s and 1780s. In their own words we learn of the diverse population—among them a former weaver, a boy who quarelled with his family, and a man with wanderlust—who joined the army and served tirelessly and dutifully, sometimes faithfully and sometimes irresolutely, in the uniform of their nation. To accompany each narrative, the author provides a contextualizing essay based on archival research giving background on the soldier and his military service. Taken as a whole these true stories reveal much about the individuals who composed what was, at the time, the most formidable fighting force in the world.
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cover of Britten: Centenary Edition

Britten

Centenary Edition

David Matthews

Haus Publishing, 2013

Benjamin Britten was one of the outstanding British composers of the 20th century. He shot to international fame with his operas, performed by his own English Opera Group, and a series of extraordinary instrumental works. His music won a central place in the repertoire and the affection of successive generations of listeners. David Matthews brings to this biography his special insight as a fellow composer, former assistant and life-long friend of Britten to produce a uniquely personal, sensitive and authoritative account.
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cover of Broadcasting the Ozarks: Si Siman and Country Music at the Crossroads

Broadcasting the Ozarks

Si Siman and Country Music at the Crossroads

Kitty Ledbetter

University of Arkansas Press, 2024

“It’s good to see Si Siman and the Ozark Jubilee get their due in Broadcasting the Ozarks.”
—Willie Nelson

Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955–60), the first regularly broadcast live country music show on network television. Dubbed the “king of the televised barn dances,” the show introduced the Ozarks to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry—with the Jubilee’s producer, Si Siman, at the helm.

Siman’s life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee’s five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee’s signature hit, “I’m Sorry,” and Wayne Carson, who wrote Willie Nelson’s “Always on My Mind.” Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his hometown in the Ozarks.

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cover of Broadway's Bravest Woman: Selected Writings of Sophie Treadwell

Broadway's Bravest Woman

Selected Writings of Sophie Treadwell

Edited by Jerry Dickey and Miriam Lopez-Rodriguez

Southern Illinois University Press, 2006

This collection of plays, fiction, and journalistic essays by Sophie Treadwell provides an engaging portrait of one of America’s most innovative yet neglected feminists. Broadway’s Bravest Woman: Selected Writings of Sophie Treadwell is the first critical compilation of her prose and drama and highlights the most significant and formerly unavailable pieces of her work. Editors Jerry Dickey and Miriam López-Rodriguez place Treadwell within the context of the early twentieth century and outline four themes that infused her feminist ideology: the social positioning of women, ethnic identity in the United States, tensions between modern progressivism and conservatism, and the individual’s role in the face of social justice.

Treadwell’s critical reputation as a dramatist is largely based on the success of the 1928 expressionist drama Machinal, but little is known about her other dramas, much less her fiction and journalism. Drawing largely upon unpublished manuscripts, this volume documents the breadth of Treadwell’s work, from an investigative newspaper serial written in 1914 to selections from an autobiographical novel completed during World War II, which chronicled her development as a feminist.

In the introduction, Dickey and López-Rodriguez present a detailed portrait of Treadwell’s sensational but critically neglected journalistic career, from her 1915 serial on social welfare for prostitutes in San Francisco to her 1921 ground-breaking story on the Mexican revolutionary leader Pancho Villa. They also outline the personal and social factors that helped shape Treadwell’s feminist ideals.

Expanding the awareness of the feminist writer’s accomplishments, Broadway’s Bravest Woman is critical resource for students, scholars, and theatre artists. The collection, enhanced by six illustrations, not only offers the most complete portrait of Treadwell to date as a significant feminist voice in modern America but also provides a glimpse into the social life and international relations of the United States in the interwar period of the twentieth century.

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cover of Broken Butterfly: My Daughter's Struggle with Brain Injury

Broken Butterfly

My Daughter's Struggle with Brain Injury

Karin Finell

University of Missouri Press, 2012

“It all began with the bite of a mosquito. Yes, with a bite of this pesky, but seemingly so innocuous little insect that had been sucking her blood. Not just one, but hundreds had punctured her arms and legs with red marks which later swelled to small welts. Who would ever have thought that our family's life would become derailed, that its tightly woven fabric would eventually fray and break—all from the bite of a mosquito?”

In November of 1970, the Finell family’s lives were changed forever by a family vacation to Acapulco. Seven-year-old Stephanie fell ill soon after their return to the United States, but her mother, Karin, thinking it was an intestinal disorder, kept her home from school for a few days. She was completely unprepared when Stephanie went into violent convulsions on a Friday morning. Following a series of tests at the hospital, doctors concluded she had contracted viral equine encephalitis while in Mexico.
After a string of massive seizures—one leading to cardiac arrest—Stephanie fell into a six-week coma. When she awoke, her world had changed from predictable and comforting to one where the ground was shaking. Due to the swelling of her brain from encephalitis, she suffered serious brain damage. Doctors saw little hope of recovery for Stephanie and encouraged her parents to place her in an institution, but they refused.
In Broken Butterfly, Karin Finell recounts the struggles faced by both her and her daughter, as well as the small victories won over the ensuing years. Little was known about brain injuries during that time, and Karin was forced to improvise, relying on her instincts, to treat Stephanie. Despite the toll on the family—alcoholism, divorce, and estrangement—Karin never gave up hope for Stephanie’s recovery. By chance, Karin heard of the Marianne Frostig Center of Educational Therapy, where Dr. Frostig herself took over the “reprogramming” of Stephanie’s brain. This, in time, led her to regain her speech and some motor skills.
Unfortunately, Stephanie’s intermittent seizures hung like the proverbial “Sword of Damocles” over their lives. And while Stephanie grew into a lovely young woman, her lack of judgment resulting from her injury led her into situations of great danger that required Karin to rescue her.
Karin’s love for her daughter guided her to allow Stephanie to fill her life with as many positive experiences as possible. Stephanie learned and matured through travel and exposure to music and plays,acquiring a knowledge she could not learn from books.
Stephanie wished above all to teach other brain injured individuals to never look down on themselves but to live their lives to the fullest. Through Stephanie’s story, her mother has found a way to share that optimism and her lessons with the world.
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cover of Broken Contract: A Memoir of Harvard Law School

Broken Contract

A Memoir of Harvard Law School

Richard D. Kahlenberg

University of Massachusetts Press, 1999

In 1986, 70 percent of the first-year class of Harvard Law School wanted to pursue careers in public-interest law. Ten years later, the same percentage of this class was pursuing careers in private corporate firms. How is it that these students began their careers interested in using law as a vehicle for social change, but ended up in those very law firms most resistant to change? How are law students able to reconcile liberal politics with careers in corporate law? 

Richard D. Kahlenberg's Broken Contract serves to warn prospective law students on the transformation that happens during the second and third years. His memoir explores the intense competitiveness and insidious pressure leading to jobs that are lucrative, prestigious, and challenging, but ultimately unsatisfying. 

Though Broken Contract doesn't seek to convince every law student to go into public service, Kahlenberg means to challenge and restructure our social institutions to make it easier to follow our impulses toward good instead of toward the goods.

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cover of Bronislava Nijinska: Early Memoirs

Bronislava Nijinska

Early Memoirs

Irina Nijinska, Jean Rawlinson, eds. and trans.

Duke University Press, 1992

Now in paperback, Bronislava Nijinska: Early Memoirs—originally published in 1981—has been hailed by critics, scholars, and dancers alike as the definitive source of firsthand information on the early life of the great Vaslav Nijinsky (1889-1950). This memoir, recounted here with verve and stunning detail by the late Bronislava Nijinska (1891–1972)—Nijinsky's sister and herself a major twentieth-century dancer and leading choreographer of the Diaghilev era—offers a season-by-season chronicle of their childhood and early artistic development. Written with feeling and charm, these insightful memoirs provide an engrossingly readable narrative that has the panoramic sweep and colorful vitality of a Russian novel.
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cover of Brooke at the Bar: Inside Our Legal System

Brooke at the Bar

Inside Our Legal System

Brooke Wunnicke

University Press of Colorado, 2023

Brooke at the Bar is a candid, lively, and sometimes humorous autobiography by Brooke Wunnicke, the first woman to be a trial and appellate attorney in Wyoming and who went on to become a legal legend in Colorado. In conversational writing, Brooke provides insights from a lawyer, mentor, and educator. She advocates that, while not perfect, the United States has the world’s best legal system and that all citizens need to understand and protect their rights, freedoms, and responsibilities.
 
Brooke shares vignettes of her early life—California in the Great Depression, college at Stanford, law school in Colorado during World War II, and the 1946 opening of her Cheyenne law office, a precedent for women in law. She vividly describes memorable and amusing experiences with clients, witnesses, lawyers, juries, and judges and explains some significant cases. She recounts important and dynamic events from her twelve years as Denver’s chief appellate deputy district attorney, an era during which she was an inestimable mentor to many young lawyers who became prominent in the private and public sectors.
 
Brooke passionately believed “the law has been and will continue to be civilization’s hope.” In her book’s final part, she demystifies many legal terms and procedures and describes the parts of a civil jury trial—including information for jurors and witnesses—and provides an enthusiastic and clear refresher on the US Constitution and Bill of Rights.
 
Brooke at the Bar is a unique and historically important contribution that will be of interest to general readers, scholars, and students interested in US law, political science, government, women’s history, twentieth-century western history, civil rights, and legal communities, including those in Wyoming and Colorado, where Brooke was “at the Bar.”
 
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cover of Brooklyn Odyssey: My Journey out of Hasidism

Brooklyn Odyssey

My Journey out of Hasidism

Zalman Newfield

Temple University Press, 2026

Growing up in Crown Heights, Brooklyn as a member of the Chabad-Lubavitch Hasidic Orthodox Jewish community, Zalman Newfield was raised in an atmosphere of strict gender segregation, rigorous religious education, and nearly all-consuming ritual practices. Trained to be a Lubavitch emissary, he traveled around the world doing Jewish outreach to help usher in the messianic redemption. However, after exposure to the wider world, he abandoned the faith of his youth.

Brooklyn Odyssey is Newfield’s poignant and hopeful memoir about exiting Orthodoxy. He recounts asserting his individuality and taking the radical step of shaving his beard. Reflective about his upbringing, Newfield is open to and curious about a world beyond Brooklyn while also maintaining his profound bond with his family and Jewish tradition. He writes candidly about his emotional, intellectual, and social experiences in and out of the Lubavitch community.  

From pivotal moments of devastation, including the illness and death of his younger brother and of his revered spiritual leader Rabbi Menachem Mendel Schneerson, to moments of joyful resolve, including the decision to pursue a doctorate and marry a non-Orthodox Jew, Newfield takes readers on his moving and impactful journey.

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cover of Brother Dog: Southern Tales and Hollywood Adventures

Brother Dog

Southern Tales and Hollywood Adventures

Harry Thomason

Parkhurst Brothers, Inc., 2019

A humor-laced episodic memoir, Brother Dog is the story of a working-class childhood in the rural South during the 1950s and 60s, striving to become a filmmaker on an ever-expanding stage, helping elect a friend to the presidency, and anecdotal encounters with Chuck Berry, Prime Minister Tony Blair and other luminaries, all rich in imagery, grit, and humor.
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cover of Brother Men: The Correspondence of Edgar Rice Burroughs and Herbert T. Weston

Brother Men

The Correspondence of Edgar Rice Burroughs and Herbert T. Weston

Edgar Rice Burroughs and Herbert T. Weston

Duke University Press, 2005

Brother Men is the first published collection of private letters of Edgar Rice Burroughs, the phenomenally successful author of adventure, fantasy, and science fiction tales, including the Tarzan series. The correspondence presented here is Burroughs’s decades-long exchange with Herbert T. Weston, the maternal great-grandfather of this volume’s editor, Matt Cohen. The trove of correspondence Cohen discovered unexpectedly during a visit home includes hundreds of items—letters, photographs, telegrams, postcards, and illustrations—spanning from 1903 to 1945. Since Weston kept carbon copies of his own letters, the material documents a lifelong friendship that had begun in the 1890s, when the two men met in military school. In these letters, Burroughs and Weston discuss their experiences of family, work, war, disease and health, sports, and new technology over a period spanning two world wars, the Great Depression, and widespread political change. Their exchanges provide a window into the personal writings of the legendary creator of Tarzan and reveal Burroughs’s ideas about race, nation, and what it meant to be a man in early-twentieth-century America.

The Burroughs-Weston letters trace a fascinating personal and business relationship that evolved as the two men and their wives embarked on joint capital ventures, traveled frequently, and navigated the difficult waters of child-rearing, divorce, and aging. Brother Men includes never-before-published images, annotations, and a critical introduction in which Cohen explores the significance of the sustained, emotional male friendship evident in the letters. Rich with insights related to visual culture and media technologies, consumerism, the history of the family, the history of authorship and readership, and the development of the West, these letters make it clear that Tarzan was only one small part of Edgar Rice Burroughs’s broad engagement with modern culture.

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cover of Brother Mine: The Correspondence of Jean Toomer and Waldo Frank

Brother Mine

The Correspondence of Jean Toomer and Waldo Frank

Edited by Kathleen Pfeiffer

University of Illinois Press, 2010

The friendship of Jean Toomer and Waldo Frank was one of the most emotionally intense, racially complicated, and aesthetically significant relationships in the history of American literary modernism. Waldo Frank was an established white writer who advised and assisted the younger African American Jean Toomer as he pursued a literary career. They met in 1920, began corresponding regularly in 1922, and were estranged by the end of 1923, the same year that Toomer published his ambitiously modernist debut novel, Cane.

While individual letters between Frank and Toomer have been published separately on occasion, they have always been presented out of context. This volume presents for the first time their entire correspondence in chronological order, comprising 121 letters ranging from 200 to 800 words each. Kathleen Pfeiffer annotates and introduces the letters, framing the correspondence and explaining the literary and historical allusions in the letters themselves.

Reading like an epistolary novel, Brother Mine captures the sheer emotional force of the story that unfolds in these letters: two men discover an extraordinary friendship, and their intellectual and emotional intimacy takes shape before our eyes. This unprecedented collection preserves the raw honesty of their exchanges, together with the developing drama of their ambition, their disappointments, their assessment of their world, and ultimately, the betrayal that ended the friendship.

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cover of Brothers Grimm And Their Critics: Folktales And The Quest For Meaning

Brothers Grimm And Their Critics

Folktales And The Quest For Meaning

Christa Kamenetsky

Ohio University Press, 1993

Critics of the Grimms' folktales have often imposed narrow patriotic, religious, moralistic, social, and pragmatic meanings of their stories, sometimes banning them altogether from nurseries and schoolrooms. In this study, Kamenetsky uses the methodology of the folklorist to place the folktale research of the Grimms within the broader context of their scholarly work in comparative linguistics and literature.
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cover of Brothers in Arms: A Journey from War to Peace

Brothers in Arms

A Journey from War to Peace

By William Broyles, Jr.

University of Texas Press, 1996

Reviews of the Knopf edition:

"A wonderful book—fresh and intelligent. Broyles's eye for Vietnam, then and now, is unerring." —Peter Jennings

"[A] superbly written, often moving story of Broyles' journey back to the killing ground in Vietnam where he once served as a Marine lieutenant. A cool, clear meditation that stings the heart." —Kirkus Reviews

"A first-rate piece of work, infused with an ideal American common decency and common sense." —Kurt Vonnegut

"Exceptional and memorable." —Gay Talese

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cover of Brothers: A Memoir of Love, Loss, and Race

Brothers

A Memoir of Love, Loss, and Race

Nico Slate

Temple University Press, 2023

Brothers is Nico Slate’s poignant memoir about Peter Slate, aka XL, a Black rapper and screenwriter whose life was tragically cut short. Nico and Peter shared the same White American mother but had different fathers. Nico’s was White; Peter’s was Black. Growing up in California in the 1980s and 1990s, Nico often forgot about their racial differences until one night in March 1994 when Peter was attacked by a White man in a nightclub in Los Angeles.

Nico began writing Brothers with the hope that investigating the attack would bring him closer to Peter. He could not understand that night, however, without grappling with the many ways race had long separated him from his brother.

This is a memoir of loss—the loss of a life and the loss at the heart of our racial divide—but it is also a memoir of love. The love between Nico and Peter permeates every page of Brothers. This achingly beautiful memoir presents one family’s resilience on the fault lines of race in contemporary America.

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cover of Bruce R. McConkie: Apostle and Polemicist, 1915–1985

Bruce R. McConkie

Apostle and Polemicist, 1915–1985

Anderson, Devery S.

Signature Books, 2024

Although he served as an apostle in the Church of Jesus Christ of Latter-day Saints for only twelve and a half years, Bruce R. McConkie’s twenty-six years’ service in the First Council of Seventy had already made him a household name within the church. Called to full-time church service at age thirty-one, McConkie quickly gained a reputation as a theologian and doctrinal teacher. He became a prolific writer, and his controversial book, Mormon Doctrine, remained a bestseller for decades. His writing style, dogmatic approach, and quickness to reprimand others he believed in error made him many enemies, while others endeared themselves to him because of those very traits.

McConkie the man was far more complex than the serious and focused general authority most church members saw and heard at the pulpit. Those who knew him best experienced his profound sense of humor. His passion for jogging, rock hounding, and jewelry making occupied much of his free time. Those who witnessed his final address delivered days before his death felt compassion toward him, no matter how they had always viewed him as a writer, speaker, or leader. Truly, to understand Bruce R. McConkie one must look closely at the entire picture.

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cover of Bruegel, or the Workshop of Dreams: A Novel

Bruegel, or the Workshop of Dreams

A Novel

Claude-Henri Rocquet

University of Chicago Press, 1991

Claude-Henri Rocquet—poet, playwright, and critic—has marshalled the full range of his talents to create a dazzling historical novel about the artist Peter Bruegel the Elder. To the few facts we have—Bruegel died in 1569 around the age of fifty; he lived in Antwerp and in Brussels; his work was much admired—Rocquet adds his own speculations on the sights, smells, and textures of Bruegel's world, on the artist's innermost feelings and intimate conversations, on his spiritual life and its possible translation on the artist's canvas.
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cover of Brunel

Brunel

Annabel Gillings

Haus Publishing, 2006

Isambard Kingdom Brunel was the outstanding entrepreneurial Victorian engineer. He helped construct the Thames Tunnel, build the Great Western Railway and its terminus, Paddington Station, but his boldest endeavours were three gigantic ships.
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cover of Bryher: Two Novels: Development And Two Selves

Bryher

Two Novels: Development And Two Selves

University of Wisconsin Press, 2000

Bryher (born Annie Winifred Ellerman) is perhaps best known today as the lifelong partner of the poet H.D. She was, however, a central figure in modernist and avant-garde cultural experimentation in the early twentieth century; a prolific producer of poetry, novels, autobiography, and criticism; and an intimate and patron of such modernist artists as Gertrude Stein, Marianne Moore, and Dorothy Richardson. Bryher’s own path-breaking writing has remained largely neglected, long out of print, and inaccessible to those interested in her oeuvre. Now, for the first time since their original publication in the early 1920s, two of Bryher's pioneering works of fictionalized autobiography, titled Development and Two Selves, are reprinted in one volume for a new audience of readers, scholars, and critics.
    Blending poetry, prose, and autobiographical details, Development and Two Selves together constitute a compelling bildungsroman that is among the first ever to follow a young woman's process of coming out. Through the fictionalized character Nancy, the novels trace Bryher’s life through her childhood and young adulthood, giving the reader an account of the development of a unique lesbian, feminist, and modernist consciousness. Development and Two Selves recover significant work by one of the first experimenters of the modernist movement and are a welcome reintroduction of the enigmatic Bryher.

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cover of Bub: Essays from Just North of Nashville

Bub

Essays from Just North of Nashville

Drew Bratcher

University of Iowa Press, 2022

Nashville native Drew Bratcher writes musically about memory and memorably about music in uncommonly beautiful essays that announce the arrival of a major new voice. The title essay, a requiem in fragments, tells the story of a grandfather through his ear, comb, hands, El Camino, and clothes. Bratcher delivers a tough and moving tribute to a man who “went on ahead, on up the road, and then the road turned.” Elsewhere, Bratcher directs his attention to Johnny Cash’s looming presence over his childhood, the relative pain of red paper wasp stings, Dolly Parton’s generative homesickness, the humiliations and consolations of becoming a new father, the experience of hearing his name in a Taylor Swift song, and the mystifying hymns treasured by both his great grandmother and D. H. Lawrence.

Seamlessly blending memoir and arts criticism and aiming at both the heart and the head, this is a book about listening closely to stories and songs, about leaving home in order to find home, and about how the melodies and memories absorbed along the way become “a living music that advances and prevails upon us at formative moments, corralling chaos into the simple, liberating stockade of verse, chorus, verse.”
 
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cover of Buckeye Women: The History of Ohio’s Daughters

Buckeye Women

The History of Ohio’s Daughters

Stephane Elise Booth

Ohio University Press, 2001

By the last two decades of the twentieth century, Ohio women had held positions as university presidents, chief executive officers, judges, superintendents of schools, and lieutenant governor. They had won Pulitzer Prizes and, in one case, the Nobel Prize for Literature.

But these women stood on the shoulders of those who came before: the pioneering women who helped tame the Ohio frontier, who filled the breach, who worked for reform, and who struggled for their own rights as citizens of one of the most prosperous states in the Union.

Buckeye Women is an accessible and comprehensive account of the role Ohio women have assumed in the history of the state and a narrative of their hardships and of the victories that have been won in the past two hundred years.

In this timely contribution to the Ohio Bicentennial Series, Professor Stephane Booth has written a rich and well-researched volume, providing for the first time a record of the vast and pivotal accomplishments shared by the women of Ohio over the last two centuries and documenting their contribution to the state’s remarkable heritage.

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cover of Buddy Emmons: Steel Guitar Icon

Buddy Emmons

Steel Guitar Icon

Steve Fishell

University of Illinois Press, 2022

A No Depression Most Memorable Music Book of 2022

The acknowledged maestro of the pedal steel guitar, Buddy Emmons lent his unparalleled virtuosity to over five decades of hit recordings and set standards that remain the benchmark for musicians today.

Steve Fishell’s merger of biography and memoir draws extensively on in-depth interviews with Emmons and the artist's autobiographical writings. Emmons went from playing strip clubs to a Grand Ole Opry debut with Little Jimmy Dickens at age 18. His restless experimentation led to work with Ernest Tubb and Ray Price--and established him in a career that saw him play alongside a who’s who of American music. Fishell weaves in stories and anecdotes from Willie Nelson, Brenda Lee, Linda Ronstadt, Pat Martino, and many others to provide a fascinating musical and personal portrait of an innovator whose peerless playing and countless recordings recognized no boundaries.

A one-of-a-kind life story, Buddy Emmons expands our view of a groundbreaking artist and his impact on country music, jazz, and beyond.

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cover of Building Bridges, Crossing Borders: One Young Deaf Woman’s Education

Building Bridges, Crossing Borders

One Young Deaf Woman’s Education

Ann Darby Getty

Gallaudet University Press, 2014

Kyler Daniels was born in 1988 with a profound bilateral hearing loss. Her deafness went undetected for a year since newborn screening for hearing loss was not yet available. Kyler benefited, however, from the great support of her family and a string of excellent professionals in deaf education, including Ann Darby Getty, the author of this shared, experiential story.

       As soon as they realized that their daughter was deaf, Kyler’s parents, who were hearing, immediately began to learn sign language. They also engaged Darby, a parent/infant educator employed by the state school for the deaf, to work with Kyler. From the age of 13 months until Kyler’s college graduation 22 years later, Darby was involved in her education and development.

       Despite living in a rural area, Kyler enjoyed an array of services, including parent/infant education, sign language interaction/modeling, speech and language therapy, and also a cochlear implant. At the same time that she developed her speech skills, sign language continued to be a critically important facet of her communication. In grade school, she learned with other deaf students, while in high school, she worked successfully in mainstream classrooms with interpreters and notetakers. As a college graduate, gifted artist, and veterinarian’s assistant today, Kyler exemplifies how a balanced approach to deaf education, using all resources at hand, can achieve remarkable results. Her story serves as a model for parents of other deaf children and the professionals who work with them.
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cover of Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism

Building Domestic Liberty

Charlotte Perkins Gilman's Architectural Feminism

Polly Wynn Allen

University of Massachusetts Press, 1988

Building Domestic Liberty offers a critical and admiring analysis of feminist philosopher Charlotte Perkins Gilman (1860–1935). Polly Allen examines Gilman's approach to architecture, landscape, and neighborhood design and discusses Gilman's case against prevailing household design and looks at her philosophy of world improvement.

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cover of Building Taliesin: Frank Lloyd Wright’s Home of Love and Loss

Building Taliesin

Frank Lloyd Wright’s Home of Love and Loss

Ron McCrea

Wisconsin Historical Society Press, 2012

Through letters, memoirs, contemporary documents, and a stunning assemblage of photographs - many of which have never before been published - author Ron McCrea tells the fascinating story of the building of Frank Lloyd Wright's Taliesin, which would be the architect's principal residence for the rest of his life. Photos taken by Wright's associates show rare views of Taliesin under construction and illustrate Wright's own recollections of the first summer there and the craftsmen who worked on the site.
 
The book also brings to life Wright’s "kindred spirit," "she for whom Taliesin had first taken form," Mamah Borthwick. Wright and Borthwick had each abandoned their families to be together, causing a scandal that reverberated far beyond Wright's beloved Wisconsin valley. The shocking murder and fire that took place at Taliesin in August 1914 brought this first phase of life at Taliesin to a tragic end.
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cover of Building Tall: My Life and the Invention of Construction Management

Building Tall

My Life and the Invention of Construction Management

John L. Tishman and Tom Shachtman

University of Michigan Press, 2011

"John Tishman is a true pioneer in the Construction Management industry. Through his CM leadership, some of America's most well-known buildings have been brought to successful completion."
---Bruce D'Agostino, president and chief executive, Construction Management Association of America

"Building Tall will provide readers with insights into John Tishman's career as a visionary engineer, landmark builder, and great businessman. Responsible for some of the construction world's most magnificent projects, John is one of the preeminent alumni in the history of Michigan Engineering. His perspectives have helped me throughout my time as dean, and his impact will influence generations of Construction Management professionals and students."
---David C. Munson, Jr., Robert J. Vlasic Dean of Engineering, University of Michigan
 
In this memoir, University of Michigan graduate John L. Tishman recounts the experiences and rationale that led him to create the entirely new profession now recognized and practiced as Construction Management. It evolved from his work as the construction lead of the "owner/builder" firm Tishman Realty and Construction, and his personal role as hands-on Construction Manager in the building of an astonishing array of what were at the time the world's tallest and most complex projects.  These include

  • The world's first three 100-story towers---the original "twin towers" of the   World Trade Center in Manhattan and the Hancock Tower in Chicago.              
  • The Epcot Center at Disney World.
  • The Renaissance Center in Detroit.
  • New York's Madison Square Garden.

Tishman interweaves the stories behind the construction of these and many other important buildings and projects with personal reminiscences of his dealings with Henry Ford, Jr., Disney's Michael Eisner, casino magnate Steve Wynn, and many others into a practical history of the field of Construction Management, which he pioneered.

This book will be of interest not only to a general public interested in the stories and personalities behind many of the most iconic construction projects of the post–World War II period in the United States but to students of engineering and architecture and members of the new field of Construction Management.

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cover of Building a Better Nest: Living Lightly at Home and in the World

Building a Better Nest

Living Lightly at Home and in the World

Evelyn Searle Hess

Oregon State University Press, 2015

For fifteen years, Evelyn Hess and her husband David lived in a tent and trailer, without electricity or running water, on twenty acres of wild land in the foothills of the Oregon Coast Range. When they decided to build a house – a real house at last – they knew it would have to respect the lessons of simple living that they learned in their camping life. They knew they could not do it alone. Building a Better Nest chronicles their adventures as they begin to construct a house of their own, seeking a model for sustainable living not just in their home, but beyond its walls.

What does it mean to build a better nest? Better for whom? Is it better for the individual or family? The planet? Green building and sustainable design are popular buzzwords, but to Hess, sustainable building is not a simple matter of buying and installing the latest recycled flooring products. It is also about cooperative work: working together in employment, in research, in activism, and in life. Hess is concerned with her local watershed, but also with the widening income gap, disappearing species, and peak resources. She actively works to reduce overconsumption and waste. For Hess, these problems are both philosophical and practical.

As Hess and her husband age, the questions of how to live responsibly arise with greater frequency and urgency. With unfailing wit and humor, she looks for answers in such places as neuroscience, Buddhism, and her ancestral legacy. Building a Better Nest will appeal to anyone with an interest in sustainable building, off-grid living, or alternative communities. The questions it asks about the way we live are earnest and important, from an author whose voice is steeped in wisdom and gratitude.
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cover of Building a Global Zion: The Life and Vision of David O. McKay

Building a Global Zion

The Life and Vision of David O. McKay

Brian Q. Cannon

Signature Books, 2025

Called as an apostle in 1906, David O. McKay devoted the remaining sixty-four years of his life to serving in the Church of Jesus Christ of Latter-day Saints, including nineteen as church president. That lengthy tenure, combined with his warmth, extensive personal ministry, broadmindedness, deep spirituality, and unprecedented global travel made him one of the church’s most beloved and influential leaders of all time. When he died in 1970, roughly 60 percent of the church’s membership had known no other church president. Memories of McKay’s teachings and ministry remain a taproot for the spiritual convictions and values of many Latter-day Saints.

Brian Q. Cannon’s biography offers a fresh perspective on important features of McKay’s life, showing how his mission to Scotland, round-the-world tour as an apostle, and service as president of the European Mission shaped his global vision and priorities. Building a Global Zion illuminates previously underappreciated facets of McKay’s reach, including his crusades against alcohol consumption and political corruption, his long-term administration of missionary work, his spiritual impressions, his personnel decisions, and his mediation of interpersonal impasses in administrative settings. Cannon carefully reconstructs facets of McKay’s vast ministry to individuals, highlights distinctive themes of his teachings, and explores challenges that confronted McKay’s associates as his health and acuity waned.
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cover of Bull Connor

Bull Connor

William A. Nunnelley

University of Alabama Press, 1990

A vivid portrait of the man who made Birmingham infamous

Nunnelley’s biography covers Connor’s early life as a sportscaster, his years as a nearly pathological police chief, and his reign as president of a corrupt public service commission.While providing the first published biographical study of Connor, Bull also traces the evolution of the civil rights movement in Birmingham. The book amplifies traditional one-dimensional accounts through the use of such primary sources a s Connor FBI files gained from a Freedom of Information request, Connor papers discovered in an old fire station about to be demolished, files from a law firm which represented Connor, interviews, and newspaper files. Connor’s racist image remains intact, but a more complete portrait of the controversial commissioner emerges.

Eugene “Bull” Connor gained infamy during the spring of 1963 as the heavy-handed Birmingham police commissioner who turned power hoses and police dogs on the black demonstrators led by Martin Luther King, Jr. Bull Connor and Birmingham symbolized hard-line Southern racism. Connor’s actions received national and international media coverage, which dramatized the plight of black people in segregated areas, giving the civil rights movement much-needed attention. After viewing television reports of the fire-hose and police-dogs episode, President John Kennedy said, “The civil rights movement should thank God for Bull Connor. He helped is as much as Abraham Lincoln.”

Bull Connor was an unlikely catalyst for the civil rights movement. Rather than forestalling integration, his response to the 1963 demonstrations hastened the demise of the dual society of which he became a symbol. Within weeks of King’s much-publicized Birmingham campaign, Congress took the first steps toward enacting the most sweeping civil rights legislation in American history. Birmingham was a turning point in the civil rights struggle, and Connor was the movement’s perfect adversary.
 
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cover of Buried Indians: Digging Up the Past in a Midwestern Town

Buried Indians

Digging Up the Past in a Midwestern Town

Laurie Hovell McMillin

University of Wisconsin Press, 2006

In Buried Indians, Laurie Hovell McMillin presents the struggle of her hometown, Trempealeau, Wisconsin, to determine whether platform mounds atop Trempealeau Mountain constitute authentic Indian mounds. This dispute, as McMillin subtly demonstrates, reveals much about the attitude and interaction-past and present-between the white and Indian inhabitants of this Midwestern town.

McMillin's account, rich in detail and sensitive to current political issues of American Indian interactions with the dominant European American culture, locates two opposing views: one that denies a Native American presence outright and one that asserts its long history and ruthless destruction. The highly reflective oral histories McMillin includes turn Buried Indians into an accessible, readable portrait of a uniquely American culture clash and a dramatic narrative grounded in people's genuine perceptions of what the platform mounds mean.

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cover of Burn, Baby! BURN!: The Autobiography of Magnificent Montague

Burn, Baby! BURN!

The Autobiography of Magnificent Montague

Magnificent Montague with Bob Baker

University of Illinois Press, 2009

With his dynamic on-air personality and his trademark cry of "Burn, baby! BURN!" when spinning the hottest new records, Magnificent Montague was the charismatic voice of soul music in Chicago, New York, and Los Angeles from the mid-1950s to the mid-1960s. In this memoir Montague recounts the events of his momentous radio career, which ran from the era of segregation to that of the civil rights movement; as he does so, he also tells the broader story of a life spent in the passionate pursuit of knowledge, historical and musical.

Like many black disc jockeys of his day, Montague played a role in his community beyond simply spreading the music of James Brown, Otis Redding, Aretha Franklin, and other prominent artists. Montague served as an unofficial spokesman for his black listeners, reflecting their beliefs and acting as a sounding board for their concerns.

Montague was based in Los Angeles in 1965 when the Watts rioters seized on his incendiary slogan, turning the shout of musical appreciation into a rallying cry for racial violence. In Burn, Baby! BURN! Montague recalls these tumultuous times, including the personal struggle he faced over whether to remain true to his listeners or bend to political pressure and stop shouting his suddenly controversial slogan.

Since the mid-1950s Montague had also expressed his passion for African American culture by becoming a zealous collector of artifacts of black history. He has built a monumental collection, taking time out from his collecting to become only the second African American to build his own radio station literally from the ground up.

A compelling account of a rich and varied life, Burn, Baby! BURN! gives an insider's view of half a century of black history, told with on-the-air zest by the DJ/historian who was there to see it unfold.

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cover of Burnham of Chicago: Architect and Planner

Burnham of Chicago

Architect and Planner

Thomas S. Hines

University of Chicago Press, 1979

By the time he died in 1912, Daniel H. Burnham was one of the most famous architects in America as well as an internationally renowned city planner. A contemporary of Louis Sullivan and his student, Frank Lloyd Wright, Burnham has often been characterized as a betrayer of the Chicago school of architecture that Sullivan and Wright were instrumental in defining. Thomas Hines's book gives long-due emphasis to the artistry of Burnham and places his accomplishments in a new perspective.

"Professor Hines has written what may prove to be an epoch-making book in the study of American civilization."—Reyner Banham, Times Literary Supplement

"Indeed, the book as a whole is a model of the balanced portrait, sure of Burnham's importance but always conscious of his failings."—Paul Goldberger, New York Times Book Review

"In every sense this is the definitive biography, and it is long overdue."—Harry Weese, Chicago Tribune

"This is a many-faceted book. Even if one were not interested in architecture or city planning, nor especially in Burnham the man, one would likely find the book rewarding because of the window it provides on a significant period of American history. . . . Hines brings alive many of the forces that were beating upon Burnham and his contemporaries, and which are shaping our lives today."—Edmund M. Bacon, Architectural Record

"Hines has provided an intelligently organized, well-written, and fascinating account of Burnham's entire career. The analysis [is] a model of scholarship, good judgment, and literary grace that satisfies a long felt need."—Kenneth T. Jackson, American Historical Review
[more]
cover of Burnham of Chicago: Architect and Planner, Second Edition

Burnham of Chicago

Architect and Planner, Second Edition

Thomas S. Hines

University of Chicago Press, 2008

2009 marks the centennial of the influential Plan of Chicago. Designed by Daniel H. Burnham, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, the forward-thinking plan proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. As a result, by the time he died in 1912, Burnham was one of the most famous architects in America as well as an internationally renowned city planner. Thomas S. Hines’s book is at once both a biography of Burnham and a vivid portrait of the birth and growth of an American city. In commemoration of the historic anniversary of Burnham’s Plan, this edition of Burnham of Chicago includes a new introduction by American history scholar, Neil Harris.
           
“Indeed, the book as a whole is a model of the balanced portrait, sure of Burnham’s importance but always conscious of his failings.”—Paul Goldberger, New York Times Book Review

“In every sense this is the definitive biography.”—Harry Weese, Chicago Tribune
 
“Professor Hines has written what may prove to be an epoch-making book in the study of American civilization.”—Reyner Banham, Times Literary Supplement
 
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cover of Burton Barr: Political Leadership and the Transformation of Arizona

Burton Barr

Political Leadership and the Transformation of Arizona

Philip R. VanderMeer, Foreword by Alfredo Gutierrez

University of Arizona Press, 2014

Politics, like poker, requires timing and risk, and Burton Barr of Arizona knew it. The deal maker of Arizona politics would say, “You gotta know when to hold them.” For more than two decades, Barr played his political cards with skill as he led Arizona through an era of enormous growth and success.

Considered perhaps the most influential person in Arizona’s political development, Burton Barr represented north central Phoenix in the Arizona House of Representatives for the twenty-two years from 1964 to 1986. As the Republican House Majority Leader for twenty of those years, he left his fingerprints on every major piece of legislation during those decades, covering such issues as air pollution, health care for indigents, school aid, the tax code, prison reform, child care, groundwater management, and freeway funding.

Burton Barr’s political life unfolded during the very time his state and region shifted from being outliers to trendsetters. His choices in policy making and his leadership style were both an outcome and a creator of his sociopolitical environment. Arizona politics in the 1960s and ’70s was a rich brew of key elements, a time when the economy was being transformed, the nature and distribution of populations shifted, partisan politics were in flux, and the very lifeblood of the West—water—was being contested under increasing pressures of usage and depletion.

How Barr successfully responded to those challenges is the story of Arizona’s development during those years. At the heart of it, Barr’s political life and personality are inextricably bound up with the life of the West.
[more]
cover of Butterfly Boy: Memories of a Chicano Mariposa

Butterfly Boy

Memories of a Chicano Mariposa

Rigoberto Gonzalez

University of Wisconsin Press, 2011

Winner of the American Book Award

[more]
cover of Buying the Farm: Peace and War on a Sixties Commune

Buying the Farm

Peace and War on a Sixties Commune

Tom Fels

University of Massachusetts Press, 2012

This book tells the story of Montague Farm, an early back-to-the land communal experiment in western Massachusetts, from its beginning in 1968 through the following thirty-five years of its surprisingly long life. Drawing on his own experience as a resident of the farm from 1969 to 1973 and decades of contact with the farm's extended family, Tom Fels provides an insightful account of the history of this iconic alternative community. He follows its trajectory from its heady early days as a pioneering outpost of the counterculture through many years of change, including a period of renewed political activism and, later, increasing episodes of conflict between opposing factions to determine what the farm represented and who would control its destiny.

With deft individual portraits, Fels reveals the social dynamics of the group and explores the ongoing difficulties faced by a commune that was founded in idealism and sought to operate on the model of a leaderless democracy. He draws on a large body of farm-family and 1960s-related writing and the notes of community members to present a variety of points of view. The result is an absorbing narrative that chronicles the positive aspects of Montague Farm while documenting the many challenges and disruptions that marked its history.
[more]
cover of Buying the Night Flight: The Autobiography of a Woman Foreign Correspondent

Buying the Night Flight

The Autobiography of a Woman Foreign Correspondent

Georgie Anne Geyer

University of Chicago Press, 2001

Buying the Night Flight is Georgie Anne Geyer's retelling of her thrilling rise from cub reporter to foreign correspondent as she made her way into the male-dominated world of journalism. Geyer transports the reader to Guatemala, Cuba, Egypt, Russia, and Cambodia, recounting the history and politics, adventure and exhaustion of the time from a truly unique perspective. Told with brilliance and dead-on honesty, this book vividly captures the triumphs of a determined and talented young reporter.
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cover of Buzz Busby: Father of Washington, DC, Bluegrass

Buzz Busby

Father of Washington, DC, Bluegrass

Kip Lornell and Tom Mindte

University of Illinois Press, 2026

Buzz Busby’s move to Washington, D.C., in 1951 helped launch bluegrass in the nation’s capital while the intensity of his mandolin playing drew raves for its unrelenting pace and innovative style. His high lonesome singing rivaled that of Bill Monroe. Kip Lornell and Tom Mindte draw on interviews and some fifty hours of Busby speaking about his life to tell the story of a largely forgotten bluegrass virtuoso.

Busby and his band the Bayou Boys stood front and center on a mid-1950s D.C.-area TV show that, though short-lived, catalyzed the formation of the city’s bluegrass community. Time with the Louisiana Hayride and classic if little-heard bluegrass sides like “Lonesome Wind” seemed to promise a bright future. But a devastating car wreck and a host of legal and personal troubles triggered a long decline into drug and alcohol abuse that undermined Busby’s career and led him to sum up, “I started at the top and diligently worked my way to the bottom.”

Entertaining and vivid, Buzz Busby tells the story of a musician’s musician and his hardscrabble life in bluegrass.

[more]
cover of By Accident or Design: Challenges and Coincidences in My Life

By Accident or Design

Challenges and Coincidences in My Life

Rosemary Sassoon

Intellect Books, 2018

In this reflective autobiography, Rosemary Sassoon, a leading expert on handwriting and typography, looks back on her long and varied career, paying special attention to her unorthodox progression through a variety of fields. She details the route that took her from design to the educational and medical aspects of handwriting problems, then on to research and a PhD, and finally to working in the area of legibility in type design. In telling the story of an unusual and unusually successful life, Sassoon takes up a number of philosophical questions about what it is that comes together to form our characters, and what role chance and coincidence play in our lives.
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cover of By Those Who Knew Them: French Modernists Left, Right, and Center

By Those Who Knew Them

French Modernists Left, Right, and Center

Harvey Hill

Catholic University of America Press, 2008

By Those Who Knew Them illuminates the lives of several key figures involved in the modernist movement--the movement for intellectual and structural renewal in turn-of-the-century Catholicism
[more]
cover of Byron Cummings: Dean of Southwest Archaeology

Byron Cummings

Dean of Southwest Archaeology

Todd W. Bostwick

University of Arizona Press, 2006

Byron Cummings, known to students and colleagues as “The Dean,” had a profound influence on the archaeology of Arizona and Utah during its early development. An explorer, archaeologist, anthropologist, teacher, museum director, university administrator, and state parks commissioner, Cummings was involved in many important discoveries in the American Southwest over the first half of the twentieth century and was a pioneer in the education of generations of archaeologists and anthropologists.

This book presents the first comprehensive examination of Cummings’ life, offering readers a greater understanding of his trailblazing work. Todd Bostwick elucidates Cummings’ many intellectual and cultural contributions, investigates the controversies in which he was embroiled, and describes his battles to wrest control of Arizona archaeology from eastern institutions that had long dominated Southwest archaeology.

Cummings saw the Southwest as an American wilderness where the story of cultural development revealed by the archaeologist and anthropologist was as important as it was in Europe. Bostwick’s meticulous account of his life reflects his great reverence for the region and pays tribute to a man whose dedication, mentoring, and friendship have forever sealed his place as The Dean.
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