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Captain Billy’s Troopers is a frank, literary memoir about William Cobb’s life as a southern writer—his struggles with addiction and illness, his career as a teacher and novelist, and his hard‑won return to creative life.

In this audacious memoir, William Cobb reveals the tumultuous creative life of a distinguished practitioner of southern and Alabama storytelling. As poignant and inspiring as his own fiction, Captain Billy’s Troopers traces Cobb’s early life, education, and struggles with alcohol and the debilitating condition normal pressure hydrocephalus (NPH).

Like a curving river, the broad sweep of Cobb’s turbulent life includes both startling cataracts and desultory eddies, leading sometimes into shadows or opening into unexpected sunlight. With unsentimental clarity, Cobb recounts coming of age in his native Demopolis in the churning middle years of the twentieth century. It’s there he has his first tantalizing tastes of alcohol and begins to drink habitually. Readers then travel with Cobb to Livingston University (now the University of West Alabama) and then on to Vanderbilt University. Along the way, readers relish his first experiences of love and success as a writer, leading to a career as a professor of writing at Alabama College (now the University of Montevallo) in 1963.

From there Cobb’s struggles with alcohol and depression lead to elongated years of tumbling creative output and the collapse of his marriage. The summer of 1984 found Cobb in rehab, the first step in his path to recovery. His unflinching memoir narrates both the milestones and telling details of his intense therapy and years in Alcoholics Anonymous (AA). In the sober thirty years since, Cobb has published a string of critically praised novels and a prize-winning collection of short stories. The capstone of his comeback was winning the Harper Lee Award in 2007 for distinguished fiction writing.

In 2000, shortly after retiring, Cobb developed NPH, which upset his sense of balance and triggered dementia symptoms and other maladies. Nine years later in 2009, brain surgery brought Cobb a dramatic recovery, which began the third act in his writing career. Vital, honest, and entertaining, Captain Billy’s Troopers captures the life of an Alabama original.

A powerful, data-driven investigation into how race, geography, and community shape the reporting and response to child abuse in Alabama.

Child Abuse in the Deep South is a groundbreaking examination of how child maltreatment is reported, confirmed, and understood in Alabama—a state shaped by deep historical, racial, and geographic divides. Drawing on over 7,000 case reports, this study reveals how factors such as race, community size, and regional culture influence the identification and handling of abuse cases. With a focus on both rural and urban settings, the book uncovers patterns of systemic bias, underreporting, and institutional response that have long gone unaddressed.

Through rigorous data analysis and a compassionate lens, this work challenges assumptions about child welfare in the American South and offers critical insights for policymakers, social workers, legal professionals, and scholars. Child Abuse in the Deep South is both a call to action and a vital resource for understanding the intersection of social justice, public policy, and child protection in one of the nation’s most complex regions.

Child Abuse in the Deep South provides a quantitative benchmark that investigators and policy-makers will find invaluable on the path to defining at-risk populations, effective interventions, and treatments.
 
 

WINNER OF THE ANNE B. AND JAMES B. MCMILLAN PRIZE

A powerful collection of firsthand stories from the Tuskegee Institute High School Class of 1964—students who came of age in the crucible of the Civil Rights Movement. Their stories uncover the bold choices of their ancestors who chose to stay and help shape the South.

Children of the Struggle and the Ancestors Who Stayed, edited by Sonjia Parker Redmond and Beatrice J. Adams, brings together twenty-one deeply personal narratives from members of the Tuskegee Institute High School Class of 1964. These students grew up at the heart of the Civil Rights Movement, coming of age during landmark legal battles, community-led voter registration efforts, and the long shadow of Jim Crow.

Graduating in the year of the Civil Rights Act and Freedom Summer, these young people had already helped desegregate Alabama schools. They marched from Selma to Montgomery, mourned the assassination of classmate Sammy Younge Jr., and witnessed firsthand the violent resistance to change that defined the era.

Rather than join the Great Migration northward, many of them followed the lead of their ancestors and chose to stay—becoming educators, organizers, and civic leaders. Their lives reflect a powerful legacy of resistance and renewal, rooted in a deep sense of place and purpose. This collection preserves their voices and honors the generations of Black families who fought for justice not only through protest, but by staying, building, and believing in the promise of the South.

The definitive study of Alabama's divided path through the Civil War.

Christopher McIlwain’s Civil War Alabama is a landmark book that sheds invigorating new light on the causes, the course, and the outcomes in Alabama of the nation’s greatest drama and trauma. Based on twenty years of exhaustive research that draws on a vast trove of primary sources such as letters, newspapers, and personal journals, Civil War Alabama presents compelling new explanations for how Alabama’s white citizens came to take up arms against the federal government.

A fledgling state at only forty years old, Alabama approached the 1860s with expanding populations of both whites and black slaves. They were locked together in a powerful yet fragile economic engine that produced and concentrated titanic wealth in the hands of a white elite. Perceiving themselves trapped between a mass of disenfranchised black slaves and the industrializing and increasingly abolitionist North, white Alabamians were led into secession and war by a charismatic cohort who claimed the imprimatur of biblical scripture, romanticized traditions of chivalry, and the military mantle of the American Revolution.

And yet, Alabama’s white citizens were not a monolith of one mind. McIlwain dispels the received wisdom of a white citizenry united behind a cadre of patriarchs and patriots. Providing a fresh and insightful synthesis of military events, economic factors such as inflation and shortages, politics and elections, the pivotal role of the legal profession, and the influence of the press, McIlwain’s Civil War Alabama illuminates the fissiparous state of white, antebellum Alabamians divided by class, geography, financial interests, and political loyalties.

Vital and compelling, Civil War Alabama will take its place among the definitive books about Alabama’s doomed Confederate experiment and legacy. Although he rigorously dismantles idealized myths about the South’s “Lost Cause,” McIlwain restores for contemporary readers the fervent struggles between Alabamians over their response to the epic crisis of their times.
 

Reconstruction politics and race relations between freed blacks and the white establishment in Perry County, Alabama

In his fascinating, in-depth study, Bertis D. English analyzes why Perry County, situated in the heart of a violence-prone subregion of Alabama, enjoyed more peaceful race relations and less bloodshed than several neighboring counties. Choosing an atypical locality as central to his study, English raises questions about factors affecting ethnic disturbances in the Black Belt and elsewhere in Alabama. He also uses Perry County, which he deems an anomalous county, to caution against the tendency of some scholars to make sweeping generalizations about entire regions and subregions.

English contends Perry County was a relatively tranquil place with a set of extremely influential African American businessmen, clergy, politicians, and other leaders during Reconstruction. Together with egalitarian or opportunistic white citizens, they headed a successful campaign for black agency and biracial cooperation that few counties in Alabama matched. English also illustrates how a significant number of educational institutions, a high density of African American residents, and an unusually organized and informed African American population were essential factors in forming Perry County’s character. He likewise traces the development of religion in Perry, the nineteenth-century Baptist capital of Alabama, and the emergence of civil rights in Perry, an underemphasized center of activism during the twentieth century.

This well-researched and comprehensive volume illuminates Perry County’s history from the various perspectives of its black, interracial, and white inhabitants, amplifying their own voices in a novel way. The narrative includes rich personal details about ordinary and affluent people, both free and unfree, creating a distinctive resource that will be useful to scholars as well as a reference that will serve the needs of students and general readers.
 

Documents the maritime historical research and archaeological fieldwork used to identify the wreck of the notorious schooner Clotilda

Clotilda: The History and Archaeology of the Last Slave Ship is the first definitive work to examine the maritime historical and archaeological record of one of the most infamous ships in American history. Clotilda was owned by Alabama businessman Timothy Meaher, who, on a dare, equipped it to carry captured Africans from what is now Benin and bring them to Alabama in 1860—some fifty years after the import of captives to be enslaved was banned. To hide the evidence, Clotilda was set afire and sunk.

What remained was a substantially intact, submerged, and partially buried shipwreck located in a backwater of the Mobile River. The site of the wreck was an open secret to some people who knew Meaher, but its identity remained unknown for more than a century as various surveys through the years failed to locate the ship.

This volume, authored by the archaeological team who conducted a comprehensive, systematic survey of a forgotten “ship graveyard,” details the exhaustive forensic work that conclusively identified the wreck, as well as the stories and secrets that have emerged from the partly burned hulk. James P. Delgado and his coauthors discuss the various searches for Clotilda, sharing the forensic data and other analyses showing how those involved concluded that this wreck was indeed Clotilda. Additionally, they offer physical evidence not previously shared that situates the schooner and its voyage in a larger context of the slave trade.

Clotilda: The History and Archaeology of the Last Slave Ship serves as a nautical biography of the ship as well. After reviewing the maritime trade in and out of Mobile Bay, this account places Clotilda within the larger landscape of American and Gulf of Mexico schooners and chronicles its career before being used as a slave ship. All of its voyages had a link to slavery, and one may have been another smuggling voyage in violation of federal law. The authors have also painstakingly reconstructed Clotilda’s likely appearance and characteristics.
 

Through fragmented testimonies of Marines, the novel exposes the psychological and moral wreckage left in the wake of modern warfare.

This book was originally published in 1933. It is the first novel by William March, pen name for William Edward Campbell. Stemming directly from the author's experiences with the US Marines in France during World War I, the book consists of 113 sketches, or chapters, tracing the fictional Company K's war exploits and providing an emotional history of the men of the company that extends beyond the boundaries of the war itself.

William Edward Campbell served courageously in France as evidenced by his chestful of medals and certificates, including the Croix de Guerre, the Distinguished Service Cross, and the Navy Cross. However, without the medals and citations we would know of his bravery. For it is clear in the pages of Company K that this book was written by a man who had been to war, who had clearly seen his share of the worst of it, who had somehow survived, and who had committed himself afterward to the new bravery of sense-making embodied in the creation of major literary art. It is of that bravery that we still have the record of magnificent achievement, the brave terrible gift of Company K.

The exploration of the North-South relationship and the growth of of antebellum Mobile.

Cotton City offers a compelling exploration of Mobile, Alabama’s transformation into a thriving urban center during the antebellum period. Historian Harriet E. Amos examines how economic ambition, civic planning, and the cotton trade shaped the city’s development between 1819 and 1861. Through detailed archival research, Amos reveals how Mobile’s leaders sought to modernize infrastructure, expand commerce, and assert the city’s regional importance—all while navigating the tensions of slavery, class, and Southern identity.

This richly contextualized study highlights the interplay between urban growth and the broader forces of the Southern economy, making Cotton City a vital contribution to the histories of the American South, urbanization, and antebellum society.

Step back into 1920s Alabama, where grit, laughter, and the red clay roads of the Black Belt shape one young woman’s unforgettable first year of teaching

Cotton-Patch Schoolhouse follows 18‑year‑old Susie Powers Tompkins as she takes on a one-room school with eight children, zero experience, and a Model T that’s always one mud puddle away from disaster. With warmth and wit, she discovers that the real curriculum is written not in textbooks—but in the faces, fears, and fierce hopes of her students.

In a world of cotton fields, nature walks, homemade art supplies, and potbellied stoves, Susie learns that teaching is as much about heart as it is about lessons. She navigates runaway love affairs, surprise pets (including an opinionated mouse), the hardships of rural poverty, and the extraordinary generosity of neighbors who have little but give much.

As contemporary readers grapple with educational inequities, rural depopulation, and renewed conversations about community, Cotton-Patch Schoolhouse feels strikingly fresh. It reminds us that creativity blooms under constraint, that relationships matter more than resources, and that small schools can make a big difference. Tompkins' memoir will delight lovers of Southern history, educators, memoir readers, rural studies enthusiasts, and anyone who enjoys heartfelt stories of resilience, community, and the transformative power of teaching

Cradle of Freedom puts a human face on the story of the black American struggle for equality in Alabama during the 1960s. 

While exceptional leaders such as Martin Luther King Jr., Rosa Parks, Fred Shuttlesworth, Ralph Abernathy, John Lewis, and others rose up from the ranks and carved their places in history, the burden of the movement was not carried by them alone. It was fueled by the commitment and hard work of thousands of everyday people who decided that the time had come to take a stand.

Cradle of Freedom is tied to the chronology of pivotal events occurring in Alabama the Montgomery bus boycott, the Freedom Rides, the Letter from the Birmingham Jail, the bombing of the 16th Street Baptist Church, Bloody Sunday, and the Black Power movement in the Black Belt. Gaillard artfully interweaves fresh stories of ordinary people with the familiar ones of the civil rights icons. We learn about the ministers and lawyers, both black and white, who aided the movement in distinct ways at key points. We meet Vernon Johns, King's predecessor at the Dexter Avenue Baptist Church in Montgomery, who first suggested boycotting the buses and who wrote later, "It is a heart strangely un-Christian that cannot thrill with joy when the least of men begin to pull in the direction of the stars." We hear from John Hulett who tells how terror of lynching forced him down into ditches whenever headlights appeared on a night road. We see the Edmund Pettus Bridge beatings from the perspective of marcher JoAnne Bland, who was only a child at the time. We learn of E. D. Nixon, a Pullman porter who helped organize the bus boycott and who later choked with emotion when, for the first time in his life, a white man extended his hand in greeting to him on a public street.

How these ordinary people rose to the challenges of an unfair system with a will and determination that changed their times forever is a fascinating and extraordinary story that Gaillard tells with his hallmark talent. Cradle of Freedom unfolds with the dramatic flow of a novel, yet it is based on meticulous research. With authority and grace, Gaillard explains how the southern state deemed the cradle of the Confederacy became with great struggle, some loss, and much hope the cradle of freedom.

A comprehensive assessment of the 99 known species of crayfishes inhabiting the state of Alabama 

Crayfishes are common organisms in many freshwater habitats. They are usually the largest invertebrates and often represent the greatest amount of invertebrate biomass in their environments. Identified as a keystone species in many ecological communities, aquatic biologists are fond of saying “they eat everything, and everything eats them.”

Crayfishes—sometimes called crawfishes, crawdads, mudbugs, ditchbugs, yabbies, and flusskrebs—are taxonomically and ecologically a diverse group of aquatic crustaceans. There are more than 600 known species worldwide and North America alone is home to more than 400. As home to 99 documented species, Alabama is a global hotspot for crayfish diversity.

Crayfishes of Alabama is the first comprehensive reference work on the subject and provides the most up-to-date information on the vast range of crayfishes known to reside in Alabama. The authors have collected specimens and data from the state’s major and minor waterways and lakes, as well as specialized habitats such as burrows, caves, roadside ditches, marshes, swamps, and temporary autumnal ponds. This volume represents the most in-depth treatment of crayfishes found in the southeastern United States and offers detailed species accounts including descriptions of morphological characters, color, maximum size, comparative species, distribution and habitat, biology, crayfish associates, and conservation status. The species accounts are accentuated with color photographs, photographic morphological plates, and dot maps showing state and national distributions. A photographic key is provided to guide the identification of all 99 species.
 

Creating Citizens is a collection of essays about Community and Civic Engagement (CCE) learning at land-grant universities.

In Creating Citizens, professors and administrators at Auburn University’s College of Liberal Arts recount valuable, first-hand experiences teaching Community and Civic Engagement (CCE). They demonstrate that, contrary to many expectations, CCE instruction both complements the mission of liberal arts curricula and powerfully advances the fundamental mission of American land-grand institutions.

The nine essays in Creating Citizens offer structures for incorporating CCE initiatives into university programs, instructional methods and techniques, and numerous case studies and examples undertaken at Auburn University but applicable at any university. Many contributors describe their own rewarding experiences with CCE and emphasize the ways outreach efforts reinvigorate their teaching or research.

Creating Citizens recounts the foundation of land-grant institutions by the Morrill Act of 1862. Their mission is to instruct in agriculture, military science, and mechanics, but these goals augmented rather than replaced an education in the classics, or liberal arts. Land-grant institutions, therefore, have a special calling to provide a broad spectrum of society with an education that not only enriched the personal lives of their students, but the communities they are a part of. Creating Citizens demonstrates the important opportunities CCE instruction represents to any university but are especially close to the heart of the mission of land-grant colleges.

In open societies, the role and mission of public institutions of higher learning that are supported by public subsidies are perennial subjects of interest and debate. Creating Citizens provides valuable insights of interest to educators, education administrators, students, and policy makers involved in the field of higher education.
 

Por medio de impresionantes ilustraciones, la autora ofrece una memoria cautivante y conmovedora de la infancia, las relaciones raciales, la etnicidad y la identidad en el sur de los Estados Unidos. 

La novela gráfico de Lila Quintero-Weaver que obtuvo amplio reconocimiento crítico. Por medio de impresionantes ilustraciones, la autora ofrece una memoria cautivante y conmovedora de la infancia, las relaciones raciales, la etnicidad y la identidad en el sur de los Estados Unidos. Sus dibujos de estilo sutil, pero efectivo, refuerzan dramáticament una sentida narración.

En 1961, cuando la autora tenía cinco años, su familia salió de Buenos Aires, Argentina, para emigrar a los Estados Unidos y establecerse en Marion, un pueblo en el corazón del Black Belt de Alabama. En una región definida por la segregación racial, la familia Quintero, por su condición de clase media educada, se halló en una situación privilegiada para observar las tensiones que minaban la cultura y la sociedad en la que vivían.

Weaver salió de constancia de lo que signifacaba ser una niña latina en una le las regiones más racistas del sur de los Estados Unidos, tratando de entender tanto un país extranjero, como el horror de las relaciones raciales de nuestra nación. Excluida de las categorías raciales empleadas por entonces, la autora observó desde muy temprana edad las desigualdades de la cultura estadounidense, regida por un ideal de belleza femenina que privilegiaba a la mujer rubia y de ojos azules. A lo largo de su vida, Weaver ha luchado por encontrar su lugar en la sociedad norteamericana cuestionando la discriminación de su entorno. Cuarto oscuro contituye su legado visual y verbal sobre esa lucha.