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In his final, major publication Ernest S. “Tiger” Burch Jr. reconstructs the distribution of caribou herds in northwest Alaska using data and information from research conducted over the past several decades as well as sources that predate western science by more than one hundred years. Additionally, he explores human and natural factors that contributed to the demise and recovery of caribou and reindeer populations during this time. Burch provides an exhaustive list of published and unpublished literature and interviews that will intrigue laymen and experts alike. The unflinching assessment of the roles that humans and wolves played in the dynamics of caribou and reindeer herds will undoubtedly strike a nerve. Supplemental essays before and after the unfinished work add context about the author, the project of the book, and the importance of both.

In October of 2010, six men who were serving on the board of the Calista Elders Council (CEC) gathered in Anchorage with CEC staff to spend three days speaking about the subsistence way of life. The men shared stories of their early years growing up on the land and harvesting through the seasons, and the dangers they encountered there. The gathering was striking for its regional breadth, as elders came from the Bering Sea coast as well as the Yukon and Kuskokwim rivers. And while their accounts had some commonalities, they also served to demonstrate the wide range of different approaches to subsistence in different regions.
            This book gathers the men’s stories for the current generation and those to come. Taken together, they become more than simply oral histories—rather, they testify to the importance of transmitting memories and culture and of preserving knowledge of vanishing ways of life.
 

With precise and evocative prose, Cold Spell tells the story of a mother who risks everything to start over and a daughter whose longings threaten to undo them both.
From the moment Ruth Sanders rips a glossy photo of a glacier from a magazine, she believes her fate is intertwined with the ice. Her unsettling fascination bewilders her daughter, sixteen-year-old Sylvie, still shaken by her father’s leaving. When Ruth uproots Sylvie and her sister from their small Midwestern town to follow her growing obsession—and a man—to Alaska, they soon find themselves entangled with an unfamiliar wilderness, a divided community, and one another. As passions cross and braid, the bond between mother and daughter threatens to erode from the pressures of icy compulsion and exposed secrets.
Inspired by her own experience arriving by bush plane to live on the Alaska tundra, Deb Vanasse vividly captures the reality of life in Alaska and the emotional impact of loving a remote and unforgiving land.

“The earth near our place/ was cradle, / it rocked us— / became our skin. / House doors opened, / spilled us out, / we disappeared into trees— / they clothed us in delirious green. /. . . We knew the song / of this place, made it up, / sang it—”
 
Homestead life is often romanticized as a valiant, resilient family persisting in the clean isolation of pristine wilderness, living off the land and depending only on each other. But there can be a darker side to this existence.

Linda Schandelmeier was raised on a family homestead six miles south of the fledgling town of Anchorage, Alaska in the 1950s and ’60s. But hers is not a typical homestead story. In this book, part poetic memoir and part historical document, a young girl comes of age in a family fractured by divorce and abuse. Schandelmeier does not shy away from these details of her family history, but she also recognizes her childhood as one that was unique and nurturing, and many of her poems celebrate homestead life. Her words hint at her way of surviving and even transcending the remoteness by suggesting a deeper level of human experience beyond the daily grind of homestead life; a place in which the trees and mountains are almost members of the family. These are poems grounded in the wilds that shimmer with a mythic quality. Schandelmeier’s vivid descriptions of homesteading will draw in readers from all types of lives.

With Common Interior Alaska Cryptogams, Gary A. Laursen and Rodney Seppelt offer the first field guide to cryptogams of the Denali National Park and Preserve. Useful to both lay and professional investigators, this fully illustrated compendium covers mushroom fungi, lichenized fungi, lichenicolous fungi, slime molds, mosses, and liverworts. This field guide to commonly seen cryptogams will provide a basis for understanding their vast diversity of taxa, speciation, edibility, relative abundance, and utility, as well as the ecological roles played by these organisms.

Educators, scholars, and community activists recognize that immersion education is a key means to restoring Indigenous and other heritage languages. But language maintenance and revitalization involve many complex issues, foremost may be the lack of local professional development opportunities for potential language teachers.

In Alaska, the Second Language Acquisition Teacher Education (SLATE) project was designed to enable Indigenous communities and schools to improve the quality of native-language and English-language instruction and assessment by focusing on the elimination of barriers that have historically hindered degree completion for Indigenous and rural teachers. The Guided Research Collaborative (GRC) model, was employed to support the development of communities of practice through near-peer mentoring and mutual scaffolding. Through this important new model, teachers of both the heritage language, in this case Central Yup’ik, and English were able to situate their professional development into a larger global context based on current notions of multilingualism.

In Communities of Practice contributors show how the SLATE program was developed and implemented, providing an important model for improving second-language instruction and assessment. Through an in-depth analysis of the program, contributors show how this project can be successfully adapted in other communities via its commitment to local control in language programming and a model based on community-driven research.

Communities of Practice demonstrates how an initial cohort of Yup’ik- and English-language teachers collaborated to negotiate and ultimately completed the SLATE program. In so doing, these educators enhanced the program and their own effectiveness as teachers through a greater understanding of language learning. It is these understandings that will ultimately allow heritage- and English-language teachers to work together to foster their students’ success in any language.

 

“Alaska is now open to civilization.” With those six words in 1900, the northernmost territory finally had a connection with the rest of the country. The telegraph system put in place by the US Army Signal Corps heralded  the start of Alaska’s communication network. Yet, as hopeful as that message was, Alaska faced decades of infrastructure challenges as remote locations, extreme weather, and massive distances all contributed to less-than-ideal conditions for establishing reliable telecommunications.

Connecting Alaskans tells the unique history of providing radio, television, phone, and Internet services to more than six hundred thousand square miles. It is a history of a place where military needs often trumped civilian ones, where ham radios offered better connections than telephone lines, and where television shows aired an entire day later than in the rest of the country.

Heather E. Hudson covers more than a century of successes while clearly explaining the connection problems still faced by remote communities today. Her comprehensive history is perfect for anyone interested in telecommunications technology and history, and she provides an important template for policy makers, rural communities, and developing countries struggling to develop their own twenty-first-century infrastructure.

Alaska has long been a nurturing home for artists, with its stunning natural beauty, rich cultural life, and unique communities. In recent years, artists in Alaska have had an additional source of support: the awarding of annual grants to craftsmen, musicians, performers, visual artists, and writers by the Rasmuson Foundation.
            Creative Alaska profiles the award winners from 2004 to 2013 in three categories: Distinguished Artists, Fellowships, and Project Awards. Richly illustrated accounts of each of the artists and their work illuminate the challenges and opportunities of the artistic life in Alaska and the powerful impact of the Rasmuson Foundation’s support.
 

A man witnesses a tragic accident that calls his own life into question. A young woman meets her high school sweetheart after many years and seeks to make sense of the separate paths they've taken. A soldier home from Iraq tries to rebuild his life in a remote Alaskan village.

These are fishing stories, told as such stories are meant to be: simple, often coarse, and tinged with the elemental beauty of the sea. They reflect rugged lives lived on the edge of the ocean’s borders, where grief and grace ride the same waves. Rosemary McGuire, a fisherman herself, captures the essential humanity at the heart of each tale. No one comes through unscathed, but all retain a sense of hope and belief in earthly miracles, however humble.

A dazzling debut, The Creatures at the Absolute Bottom of the Sea will leave readers with a sense of the fragility and beauty inherent in eroded lives spent in proximity to danger.