112 books match the query 'Americans' and 9 start with c

cover of COME BACK IRISH

COME BACK IRISH

Wendy Rawlings

The Ohio State University Press, 2001

Nine inhabitants of a sleepy Irish seaside town tell what they know about a visitor from out of town who is rumored to be both attractive and dangerous. A young mother in an affluent Long Island community finds herself strangely drawn to the woman she has hired as her housekeeper. After her small business venture fails, a woman is forced to move back in with her parents and discovers they aren't the couple she thought they were at all. In fourteen expertly crafted stories, Wendy Rawlings chronicles with comic sympathy what happens when American women and Irish men, parents and children, employers and employees, hurtle toward each other and crash headlong into cultural or generational roadblocks. Like the American in the title story, who can imagine only a "litter of claddagh rings and Erin go bragh, the high-stepping of Riverdance on videocassette" until she gets on a plane and goes to Ireland, Rawlings's fiction entreats us to toss out the picture-perfect images we have of American consumer culture, Irish tourist towns, and the institution of marriage and enter the world of her fictions—more contradictory, troubling, and true.
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cover of Chasing the American Dream in China: Chinese Americans in the Ancestral Homeland

Chasing the American Dream in China

Chinese Americans in the Ancestral Homeland

Leslie Kim Wang

Rutgers University Press, 2021

Few studies have highlighted the stories of middle-class children of immigrants who move to their ancestral homelands—countries with which they share cultural ties but haven’t necessarily had direct contact. Chasing the American Dream in China addresses this gap by examining the lives of highly educated American-born Chinese (ABC) professionals who “return” to the People’s Republic of China to build their careers. Analyzing the motivations and experiences of these individuals deepens our knowledge about transnationalism among the second-generation as they grapple with complex issues of identity and societal belonging in the ethnic homeland. This book demonstrates how these professional migrants maneuver between countries and cultures to further their careers and maximize opportunities in the rapidly changing global economy. When used strategically, the versatile nature of their ethnic identities positions them as indispensable bridges between the global superpowers of China and the United States in their competition for global dominance.
 
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cover of China Marine

China Marine

E. B. Sledge

University of Alabama Press, 2002

From the respected author of one of the best books on World War II combat, comes an equally captivating saga of battle recovery, healing, and homecoming. 

China Marine is the long-awaited sequel to E. B. Sledge’s critically acclaimed memoir, With the Old Breed at Peleliu and Okinawa. Picking up where his previous memoir leaves off, Sledge, a young marine in the First Division, traces his company’s movements and charts his own difficult passage to peace following his horrific experiences in the Pacific. He reflects on his duty in the ancient city of Peiping (now Beijing) and recounts the difficulty of returning to his hometown of Mobile, Alabama, and resuming civilian life haunted by the shadows of close combat.

Distinguished historians have praised Sledge’s first book as the definitive rifleman’s account of World War II, ranking it with the Civil War’s Red Badge of Courage and World War I’s All Quiet on the Western Front. Although With the Old Breed ends with the surrender of Japan, marines in the Pacific were still faced with the mission of disarming the immense Japanese forces on the Asian mainland and reestablishing order. For infantrymen so long engaged in the savage and surreal world of close combat, there remained the personal tasks of regaining normalcy and dealing with suppressed memories, fears, and guilt. 

In China Marine, E. B. Sledge completes his story and provides emotional closure to the searing events detailed in his first memoir. He speaks frankly about the real costs of war, emotional and psychological as well as physical, and explains the lifetime loyalties that develop between men who face fear, loss, and horror together. That bond becomes one of the newfound treasures of life after battle.

With his hallmark style of simplicity, directness, and lack of sentimentality, "Sledgehammer" has given us yet another great document of war literature.

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cover of Cold War Exiles in Mexico: U.S. Dissidents and the Culture of Critical Resistance

Cold War Exiles in Mexico

U.S. Dissidents and the Culture of Critical Resistance

Rebecca M. Schreiber

University of Minnesota Press, 2008

The onset of the Cold War in the 1940s and 1950s precipitated the exile of many U.S. writers, artists, and filmmakers to Mexico. Rebecca M. Schreiber illuminates the work of these cultural exiles in Mexico City and Cuernavaca and reveals how their artistic collaborations formed a vital and effective culture of resistance.
 
As Schreiber recounts, the first exiles to arrive in Mexico after World War II were visual artists, many of them African-American, including Elizabeth Catlett, Charles White, and John Wilson. Individuals who were blacklisted from the Hollywood film industry, such as Dalton Trumbo and Hugo Butler, followed these artists, as did writers, including Willard Motley. Schreiber examines the artists’ work with the printmaking collective Taller de Gráfica Popular and the screenwriters’ collaborations with filmmakers such as Luis Buñuel, as well as the influence of the U.S. exiles on artistic and political movements.

The Cold War culture of political exile challenged American exceptionalist ideology and, as Schreiber reveals, demonstrated the resilience of oppositional art, literature, and film in response to state repression.
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cover of Cooling the Tropics: Ice, Indigeneity, and Hawaiian Refreshment

Cooling the Tropics

Ice, Indigeneity, and Hawaiian Refreshment

Hi'ilei Julia Kawehipuaakahaopulani Hobart

Duke University Press, 2023

Beginning in the mid-1800s, Americans hauled frozen pond water, then glacial ice, and then ice machines to Hawaiʻi—all in an effort to reshape the islands in the service of Western pleasure and profit. Marketed as “essential” for white occupants of the nineteenth-century Pacific, ice quickly permeated the foodscape through advancements in freezing and refrigeration technologies. In Cooling the Tropics Hiʻilei Julia Kawehipuaakahaopulani Hobart charts the social history of ice in Hawaiʻi to show how the interlinked concepts of freshness and refreshment mark colonial relationships to the tropics. From chilled drinks and sweets to machinery, she shows how ice and refrigeration underpinned settler colonial ideas about race, environment, and the senses. By outlining how ice shaped Hawaiʻi’s food system in accordance with racial and environmental imaginaries, Hobart demonstrates that thermal technologies can—and must—be attended to in struggles for food sovereignty and political self-determination in Hawaiʻi and beyond.
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cover of Corner of the Dead

Corner of the Dead

Lynn Lurie

University of Massachusetts Press, 2008

This powerful novel depicts the reign of violence perpetrated in Peru in the 1980s by the Shining Path guerrillas, a Maoist-based organization, and the subsequent authoritarian counterattack by the Peruvian government. It explores these horrific events through the eyes of a young American photojournalist and humanitarian worker, Lisette, who bears witness to the genocide of the Peruvian Indians in whose village she has chosen to live.

"I use the camera to block my view," says Lisette. This is the start of her double vision—trying to forget and trying to recall—and her struggle to come to terms with the human capacity for cruelty. But the grim reality in Peru is so overpowering that she carries it with her back to New York and through the rest of her life. Having abandoned a lover along with the fight, she desperately tries to find meaning beyond that of mere survival.
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cover of Crossing the River: A Memoir of the American Left, the Cold War, and Life in East Germany

Crossing the River

A Memoir of the American Left, the Cold War, and Life in East Germany

Victor Grossman

University of Massachusetts Press, 2003

What could possibly impel a relatively privileged twenty-four-year-old American-serving in the U.S. Army in Germany in 1952 to swim across the Danube River to what was then referred to as the Soviet Zone? How are we to understand his decision to forsake the land of his birth and build a new life in the still young German Democratic Republic? These are the questions at the core of this memoir by Victor Grossman, who was born Stephen Wechsler but changed his name after defecting to the GDR. 

A child of the Depression, Grossman witnessed firsthand the dislocations wrought by the collapse of the U.S. economy during the 1930s. Widespread unemployment and poverty, CIO sit-down strikes, and the fight to save Republican Spain from fascism-all made an indelible impression as he grew up in an environment that nurtured a commitment to left-wing causes. He continued his involvement with communist activities as a student at Harvard in the late 1940s and after graduation, when he took jobs in two factories in Buffalo, New York, and tried to organize their workers. 

Fleeing McCarthyite America and potential prosecution, Grossman worked in the GDR with other Western defectors and eventually became, as he notes, the “only person in the world to attend Harvard and Karl Marx universities.” Later, he was able to establish himself as a freelance journalist, lecturer, and author. Traveling throughout East Germany, he evaluated the failures as well as the successes of the GDR's “socialist experiment.” He also recorded his experiences, observations, and judgments of life in East Berlin after reunification, which failed to bring about the post-Communist paradise so many had expected. 

Written with humor as well as candor, Crossing the River provides a rare look at the Cold War from the other side of the ideological divide. 

Mark Solomon, a distinguished historian of the American left, provides a historical afterword that places Grossman's experiences in a larger Cold War context.

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cover of Cruel Destiny and The White Negress: Two Novels by Cléante Desgraves Valcin

Cruel Destiny and The White Negress

Two Novels by Cléante Desgraves Valcin

Adam Nemmers

Rutgers University Press, 2024

Cléante Desgraves Valcin (1891-1956) was a poet, writer, and feminist—most prominently Haiti’s first published female novelist, who employed her sentimental fiction to explore matters of race, gender, nationalism, and sovereignty. A contemporary of Harlem Renaissance writers such as Nella Larsen and Zora Neale Hurston, Valcin emerged as an influential writer and political figure among the Black Atlantic diaspora.  Now, for the first time, her two acclaimed novels are available in English translation. 
 
Cruel Destiny (1929) tells the tragic love story of Armand and Adeline, drawn together by a magnetic attraction, yet kept apart by a dark family secret. Depicting the heavy expectations placed upon women in Haiti’s elite society, it also explores the troubled and twisted relationships between the Haitians and their former colonial masters, the French. 
 
In The White Negress (1934), a Frenchwoman moves to Haiti and is torn between two very different men, a Black Haitian lawyer, and a white American carpetbagger. Putting a fresh spin on the tired tragic mulatta trope, Valcin reveals the racial prejudices, class tensions, and anti-colonial resentments of an island under American occupation. 
 
Together, these two novels expand our understanding of Caribbean literature, as well as the political struggles and artistic triumphs of Black women in the Americas. 

 
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cover of Cultural Misunderstandings: The French-American Experience

Cultural Misunderstandings

The French-American Experience

Raymonde Carroll

University of Chicago Press, 1990

An engaging, insightful account of all the ways that we misunderstand each other, and how unsuspected elements of culture and language play their parts

Raymonde Carroll presents an intriguing and thoughtful analysis of the many ways French and Americans—and indeed any members of different cultures—can misinterpret each other, even when ostensibly speaking the same language.Cultural misunderstandings, Carroll points out, can arise even where we least expect them—in our closest relationships. The revealing vignettes that Carroll relates, and her perceptive comments, bring to light some fundamental differences in French and American presuppositions about love, friendship, and raising children, as well as such everyday activities as using the telephone or asking for information.
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