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Café Shapiro is an annual event where undergraduate student writers, nominated by their instructors to participate, read from their creative works.

Café Shapiro began in February 1998 as part of the University’s “Year of the Humanities and Arts” (YoHA). and was originally conceived as a student coffee break. Café Shapiro takes place in the Shapiro Undergraduate Library during winter evenings in March. For many student writers, Café Shapiro is a first opportunity to read publicly from their work.

Café Shapiro features poems and short stories authored by University of Michigan students, becoming an annual celebration of undergraduate student writers as they think creatively and critically, reason, ask questions, and develop the skills that help them understand and participate in our world. 

Café Shapiro is an annual event where undergraduate student writers, nominated by their instructors to participate, read from their creative works.

Café Shapiro began in February 1998 as part of the University’s “Year of the Humanities and Arts” (YoHA). and was originally conceived as a student coffee break. Café Shapiro takes place in the Shapiro Undergraduate Library during winter evenings in March. For many student writers, Café Shapiro is a first opportunity to read publicly from their work.

A provocative critique of chick lit’s glossy narratives and their complex relationship with postfeminist ideals.

Chick-Lit: Postfeminist Fiction is the fourth volume in “On the Edge: New Women’s Fiction,” FC2’s ongoing effort to discover new and innovative voices in women’s fiction. Determined to contradict the myth that “women don't write experimental fiction,” Chick-Lit discovers women writers with a fresh and irreverent wit and honesty, but no less powerful in their rendering of human experience.

Chick-Lit collects the original fiction of newly discovered writers, but also the award winning work of notable writers like Carole Maso, Jonis Agee, Stacy Levinne and Carolyn Banks. Marked by innovations in form and point-of-view, the writers in this collection are not satisfied with the terrain commonly referred to as “women’s writing.” Insane asylum sex, board games that control people’s lives, a masochistic pedophile humiliated by his victim, an obese woman paying nickels and quarters for attention from teenage girls, a deranged hair stylist and her disloyal dog, a men's impotence therapy group, a surreal landscape constantly producing the body of a woman's mother: this is writing that shouts, yes, there is such a thing as postfeminist fiction.
 

Closed for Repairs is a series of eleven vignettes that depict Cuban ingenuity in the face of urban problems. Each solution is framed with humor and irony and gives a glimpse of life on the island today.

In a clever fashion, Nancy Alonso shows us the spirit of resolve on the part of Cubans when faced with such issues as transportation problems, lack of water, and the shortage of consumer goods and construction materials caused by the embargo.

Illuminating the endurance and resilience of the Cuban people, these stories will make you chuckle. Alonso's sly wit is compelling as she satirizes the bureaucracy—an element of her work that will resonate universally.

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators

A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.

Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.

Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.

The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.
 

The boundaries of poetry in English are expanded with Contemporary Korean Poetry, the first major scholarly anthology introducing twentieth century Korean poetry in English. In translating 181 poems by 140 poets, Ko Won manages to capture the feeling and mood of the original work, retaining the intended simplicity for effect.

This volume collects some of the best short fiction from the six Spanish-speaking countries of Central America—Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama. Selected from stories written between 1963 and 1988, it is a broad representation of active Central American writers.

Many of the stories are quite sophisticated and utilize elements of the absurd or techniques of magical realism. Some stories deal with war—the unending struggle against dictators and military power that engrosses Central Americans. Others explore the realm of the writer's imagination. Some of the writers included are Augusto Monterroso (Guatemala), Carmen Naranjo and Samuel Rovinski (Costa Rica), Rosa María Britton and Jaime García Saucedo (Panama), and Alfonso Quijada Urías (El Salvador).