56 books match the query 'Criminals' and 7 start with c
Charles Hager with David T. Miller, Foreword by Louis Corsino, Afterword by Ashleigh D'Andrea
Southern Illinois University Press, 2018
Maurine Watkins, Edited by Thomas H. Pauly, Foreword by Charles H. Cosgrove
Southern Illinois University Press, 2025
In 1924, the murder trials of Beulah Annan and Belva Gaertner shocked the world, providing the real-life inspiration for Maurine Watkins’s unforgettable characters, Roxie Hart and Velma Kelly. Now, a century later, this reissue of Watkins’s play offers a fresh look at the origins of the story that has since become a household name.
From the silent film Chicago produced by Cecil B. DeMille in 1927 to the 1942 film Roxie Hart starring Ginger Rogers and the Broadway sensation created by Bob Fosse, Fred Ebb, and John Kander, this play has continuously evolved. It even inspired the 2002 Oscar-winning film Chicago starring Renée Zellweger, Catherine Zeta-Jones, and Richard Gere. But until recently, as editor Thomas H. Pauly writes in the book’s introduction, the real-life roots of the story were obscured.
While researching for a book on crime-as-entertainment during the 1920s, Pauly came across Maurine Watkins’s play, which was then out of print. After noticing similarities between the play and a series of articles Watkins penned for the Chicago Tribune prior to the creation of her play, Pauly knew he had stumbled upon a revelation: Watkins’s play was based on real people. His republication of the play, alongside substantial background material and a reprinting of Watkins’s news articles, has become an indispensable starting point for all subsequent interest in Watkins and Chicago, whose subject remains as topical as ever.
This special edition includes a new foreword by Charles H. Cosgrove, author of They Both Reached for the Gun: Beulah Annan, Maurine Watkins, and the Trial That Became Chicago. Cosgrove’s extensive research into the real-life cases provides deeper insight into the world that Watkins portrayed with such satirical brilliance. Additionally, the original editor, Thomas H. Pauly, has contributed a new preface, further enhancing understanding of the play and its inspiration, the thrilling true-crime story that captivated a nation and birthed a cultural phenomenon.
Pablo Piccato
Duke University Press, 2001
Edwin I. Megargee
University of Minnesota Press, 2001
Richard Stark
University of Chicago Press, 2011
Parker returned to action after 23 years away, and he did so with a bang in this classic entry in the long-running hard-boiled crime series
Richard Stark's Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win.
The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, Stephen King, George Pelecanos, Colson Whitehead, Lucy Sante, John Banville, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There's nothing else like them.
After the bloodbath of Butcher’s Moon, the action-filled blowout Parker adventure, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And for nearly twenty-five years, he stayed away, while readers waited.
But nothing bad is truly gone forever, and Parker’s as bad as they come. According to Westlake, one day in 1997, “suddenly, he came back from the dead, with a chalky prison pallor”—and the resulting novel, Comeback, showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks—some prefer to hide behind the wings of fallen angels.
Cesare Lombroso
Duke University Press, 2006
Originally published in 1876, Criminal Man went through five editions during Lombroso’s lifetime. In each edition Lombroso expanded on his ideas about innate criminality and refined his method for categorizing criminal behavior. In this new translation, Mary Gibson and Nicole Hahn Rafter bring together for the first time excerpts from all five editions in order to represent the development of Lombroso’s thought and his positivistic approach to understanding criminal behavior.
In Criminal Man, Lombroso used modern Darwinian evolutionary theories to “prove” the inferiority of criminals to “honest” people, of women to men, and of blacks to whites, thereby reinforcing the prevailing politics of sexual and racial hierarchy. He was particularly interested in the physical attributes of criminals—the size of their skulls, the shape of their noses—but he also studied the criminals’ various forms of self-expression, such as letters, graffiti, drawings, and tattoos. This volume includes more than forty of Lombroso’s illustrations of the criminal body along with several photographs of his personal collection. Designed to be useful for scholars and to introduce students to Lombroso’s thought, the volume also includes an extensive introduction, notes, appendices, a glossary, and an index.
Austin Sarat
University of Massachusetts Press, 2019