58 books match the query 'Dead' and 5 start with c

cover of Caring for the Dead in Ancient Israel

Caring for the Dead in Ancient Israel

Kerry M. Sonia

SBL Press, 2020

A new reconstruction of cultic practices surrounding death in ancient Israel

In Caring for the Dead in Ancient Israel, Kerry M. Sonia examines the commemoration and care for the dead in ancient Israel against the broader cultural backdrop of West Asia. This cult of dead kin, often referred to as ancestor cult, comprised a range of ritual practices in which the living provided food and drink offerings, constructed commemorative monuments, invoked the names of the dead, and protected their remains. This ritual care negotiated the ongoing relationships between the living and the dead and, in so doing, helped construct social, political, and religious landscapes in relationship to the past. Sonia explores the nature of this cult of dead kin in ancient Israel, focusing on its role within the family and household as well as its relationship to Israel’s national deity and the Jerusalem temple.

Features:

  • A reevaluation of whether burial and necromantic rituals were part of the cult of dead kin
  • A portrait of the various roles Israelite women played in the cult of dead kin
  • A reassessment of biblical writers’ attitudes toward the cult of dead kin
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cover of City of the Dead: Thebes in Egypt

City of the Dead

Thebes in Egypt

Lise Manniche

University of Chicago Press, 1987

The Theban necropolis lies in strange contrast to the bustle of Luxor on the opposite bank of the Nile. Over 450 tombs spanning more than a thousand years, some fully excavated and recorded, others tantalisingly described by travellers but now lost, form a maze-like network of passages and caves. The decoration of many of the tombs, particularly those of the Eighteenth dynasty, provides some outstanding examples of ancient Egyptian painting and relief work and reveals fascinating details about the lives and beliefs of their owners. Some of the tombs were re-used and display contrasting styles of workmanship, while many were colonised in more recent centuries by peoples with scant respect for the tombs of their ancestors: many well-paintings are blackened and burnt beyond redemption.

The author traces the history of the site discussing the more important tombs in some detail, and sheds new light on the symbolism used in painting to help the deceased in the Afterlife. She also surveys the role of the treasure hunters and travellers of the eighteenth and early nineteenth-centuries and the pioneer epigraphers who followed them and paved the way for the archeological investigation and research that continues today.
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cover of Contemporary Mormon Pageantry: Seeking After the Dead

Contemporary Mormon Pageantry

Seeking After the Dead

Megan Sanborn Jones

University of Michigan Press, 2018

In Contemporary Mormon Pageantry, theater scholar Megan Sanborn Jones looks at Mormon pageants, outdoor theatrical productions that celebrate church theology, reenact church history, and bring to life stories from the Book of Mormon. She examines four annual pageants in the United States-the Hill Cumorah Pageant in upstate New York, the Manti Pageant in Utah, the Nauvoo Pageant in Illinois, and the Mesa Easter Pageant in Arizona. The nature and extravagance of the pageants vary by location, with some live orchestras, dancing, and hundreds of costumed performers, mostly local church members. Based on deep historical research and enhanced by the author's interviews with pageant producers and cast members as well as the author's own experiences as a participant-observer, the book reveals the strategies by which these pageants resurrect the Mormon past on stage. Jones analyzes the place of the productions within the American theatrical landscape and draws connections between the Latter-day Saints theology of the redemption of the dead and Mormon pageantry in the three related sites of sacred space, participation, and spectatorship. Using a combination of religious and performance theory, Jones demonstrates that Mormon pageantry is a rich and complex site of engagement between theater, theology, and praxis that explores the saving power of performance.
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cover of Continuing Bonds with the Dead: Parental Grief and Nineteenth-Century American Authors

Continuing Bonds with the Dead

Parental Grief and Nineteenth-Century American Authors

Harold K. Bush

University of Alabama Press, 2016

Grief transformed into legacy—how loss shaped the soul of American literature.

Harold K. Bush's Continuing Bonds with the Dead examines the profound transfiguration that the death of a child wrought on the literary work of nineteenth-century American writers. Taking as his subjects Harriet Beecher Stowe, Abraham Lincoln, William Dean Howells, Mark Twain, and W. E. B. Du Bois, Bush demonstrates how the death of a child became the defining "before-and-after moment" in their lives as adults and as artists. In narrating their struggles, Bush maps the intense field of creative energy induced by reverberating waves of parental grief and the larger nineteenth-century culture of mortality and grieving.

Bush explores in detail how each of these five writers grappled with and were altered by the loss of a child. He writes, for example, with moving insights about how the famed author of Adventures of Huckleberry Finn found himself adrift on a river of grief when meningitis struck down his daughter, Susy. In his deeply learned exploration of Twain's subsequent work, Bush illuminates how Twain wrote to cope with Susy's death, to make sense of her persistent presence in his life, and possibly to redeem her loss. Passionate and personal, Bush's insightful prose traces the paths of personal transformation each of these emblematic American writers took in order to survive the spiritual trauma of loss.

The savage Civil War was America's shared "before and after moment," the pivot upon which the nation's future swung. Bush's account of these five writers' grief amplifies our understanding of America's evolving, national relationship to mourning from then to the present.

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cover of Corner of the Dead

Corner of the Dead

Lynn Lurie

University of Massachusetts Press, 2008

This powerful novel depicts the reign of violence perpetrated in Peru in the 1980s by the Shining Path guerrillas, a Maoist-based organization, and the subsequent authoritarian counterattack by the Peruvian government. It explores these horrific events through the eyes of a young American photojournalist and humanitarian worker, Lisette, who bears witness to the genocide of the Peruvian Indians in whose village she has chosen to live.

"I use the camera to block my view," says Lisette. This is the start of her double vision—trying to forget and trying to recall—and her struggle to come to terms with the human capacity for cruelty. But the grim reality in Peru is so overpowering that she carries it with her back to New York and through the rest of her life. Having abandoned a lover along with the fight, she desperately tries to find meaning beyond that of mere survival.
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