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16 books match the query 'Breaking'

cover of Breaking the Banks: Representations and Realities in New England Fisheries, 1866-1966

Breaking the Banks

Representations and Realities in New England Fisheries, 1866-1966

Matthew McKenzie

University of Massachusetts Press, 2018

With skillful storytelling, Matthew McKenzie weaves together the industrial, cultural, political, and ecological history of New England's fisheries through the story of how the Boston haddock fleet—one of the region's largest and most heavily industrialized—rose, flourished, and then fished itself into near oblivion before the arrival of foreign competition in 1961. This fleet also embodied the industry's change during this period, as it shucked its sail-and-oar, hook-and-line origins to embrace mechanized power and propulsion, more sophisticated business practices, and political engagement.

Books, films, and the media have long portrayed the Yankee fisherman's hard-scrabble existence, as he faced brutal weather on the open seas and unnecessary governmental restrictions. As McKenzie contends, this simplistic view has long betrayed commercial fisheries' sophisticated legislative campaigns in Washington, DC, as they sought federal subsidies and relief and, eventually, fewer constricting regulations. This clash between fisheries' representation and their reality still grips fishing communities today as they struggle to navigate age-old trends of fleet consolidation, stock decline, and intense competition.
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cover of Breaking the Barnyard Barrier: A Woman Veterinarian Paves the Way

Breaking the Barnyard Barrier

A Woman Veterinarian Paves the Way

Linda Rhodes

University of Nevada Press, 2026

In the late 1970s the golden valley between Utah’s Wasatch Mountains was home to some of the best dairies in the country. That was also where Linda Rhodes, a newly minted large animal veterinarian, had to prove that a woman could do what the Mormon dairymen were sure was a man’s job. She was often scared that they were right. Throughout her experience, she tackled a menagerie of challenging medical and surgical cases that forced her to be fearless. Every bovine life she saved helped her confidence grow, but each failure left her feeling defeated—as did the mounting tensions between pursuing a demanding career and saving a crumbling marriage.

In Breaking the Barnyard Barrier, Linda Rhodes tells the story of how a woman, through grit and tears, made her way in a man’s world and blazed a path that prevailed against career stereotypes.
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cover of Breaking the Chains: Gender, Context, and the Politics of Writing in Modern China

Breaking the Chains

Gender, Context, and the Politics of Writing in Modern China

Dong Limin

Seagull Books, 2025

A rigorous exploration of literature as a tool for social change, revealing how gender and national identity intertwine in China’s modern development.

How has literature shaped gender politics in modern China? How has the concept of “woman” evolved within the shifting sociopolitical landscape? Old Chains and New delves into these questions by examining the dynamic interplay between literature, gender, and historical change. Drawing from literary studies, history, and sociology, this book reveals how women’s writing has not only reflected but also actively shaped cultural and national transformations.

From the late Qing era, when the “woman question” emerged as part of China’s response to imperialist pressures, to the ongoing evolution of feminist literary scholarship, this study argues that gender and literature are deeply interwoven. Women’s liberation in modern China was never solely about gender equality—it became a driving force for broader social change and national identity formation. Engaging with the complexities of women’s literature through a cultural-political lens, this book challenges static definitions and calls for a reevaluation of women’s literature not just as a literary category but as a key component in shaping China’s modern intellectual and cultural history.

By adopting the framework of “China as method,” Old Chains and New reimagines the role of literature in ideological and cultural shifts. It highlights women’s writing as a unique form of aesthetic politics—one with the power to intervene in and transform reality.
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cover of Breaking the Chains: Slavery, Bondage, and Emancipation in Modern Africa and Asia

Breaking the Chains

Slavery, Bondage, and Emancipation in Modern Africa and Asia

Martin A. Klein

University of Wisconsin Press, 1993

“Martin Klein has brought together recent work on the abolition of slavery, from Ottoman Turkey to Thailand and from South India to West Africa.  This anthology builds on the recent scholarship on both slavery in Asia and Africa and the end of slavery as a world-wide historical phenomenon.  Whereas other anthologies have tended to focus on either Africa or Asia, this project brings together in one volume case studies and methodological approaches concerning both regions.  Breaking the Chains will be an important part of the relatively sparse literature on emancipation in comparative and global context.”—Richard Roberts, Stanford University

Because the American history of slavery and emancipation tends to be foremost in Western minds, few realize that traditional forms of servitude still exist in a variety of places around the world: children are sold on the streets of Bangkok, bondage persists in India despite official efforts to abolish it, and until 1980 slavery was legal in Mauritania.
    Breaking the Chains  deals with emancipation in African and Asian societies which were either colonized or came under the domination of European powers in the nineteenth century.  In these societies, emancipation involved the imposition on non-European societies of an explicitly European discourse on slavery, and, in most cases, a free labor ideology.  Most of the slave masters described in these essays were not European and found European ideas on emancipation difficult to accept. 
    Against this backdrop, the essayists (many of whom contribute their own non-Western perspective) focus on the transition from slavery (or other forms of bondage) to emancipation.  They show that in each case the process involved pressure from European abolition movements, the extension of capitalist relations of production, the concerns and perceptions of the colonial state, and the efforts of non-Western elites to modernize their cultures.
    Martin A. Klein argues that the Asian and African experience has much in common with the American experience, particularly in efforts to control labor and family life.  The struggle to control the labor of former slaves has often been intense and, he suggests, has had a continuing impact on the social order in former slave societies.

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cover of Breaking the Circle: Death and the Afterlife in Buddhism

Breaking the Circle

Death and the Afterlife in Buddhism

Carl B. Becker

Southern Illinois University Press, 1993

In this much-needed examination of Buddhist views of death and the afterlife, Carl B. Becker bridges the gap between books on death in the West and books on Buddhism in the East.

Other Western writers have addressed the mysteries surrounding death and the afterlife, but few have approached the topic from a Buddhist perspective. Here, Becker resolves questions that have troubled scholars since the beginning of Buddhism: How can Buddhism reconcile its belief in karma and rebirth with its denial of a permanent soul? What is reborn? And when, exactly, is the moment of death?

By systematically tracing Buddhism’s migration from India through China, Japan, and Tibet, Becker demonstrates how culture and environment affect Buddhist religious tradition.

In addition to discussing historical Buddhism, Becker shows how Buddhism resolves controversial current issues as well. In the face of modern medicine’s trend toward depersonalization, traditional Buddhist practices imbue the dying process with respect and dignity. At the same time, Buddhist tradition offers documented precedents for decision making in cases of suicide and euthanasia.

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cover of Breaking the Frames: Populism and Prestige in Comics Studies

Breaking the Frames

Populism and Prestige in Comics Studies

By Marc Singer

University of Texas Press, 2018

A CHOICE Outstanding Academic Title, 2019

Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work.

Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.

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cover of Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States

Breaking the Gender Code

Women and Urban Public Space in the Twentieth-Century United States

Georgina Hickey

University of Texas Press, 2023

A history of the activism that made public spaces in American cities more accessible to women.

From the closing years of the nineteenth century, women received subtle—and not so subtle—messages that they shouldn’t be in public. Or, if they were, that they were not safe. Breaking the Gender Code tells the story of both this danger narrative and the resistance to it.

Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space. Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.

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cover of Breaking the Jaws of Silence: Sixty American Poets Speak to the World

Breaking the Jaws of Silence

Sixty American Poets Speak to the World

Sholeh Wolpé

University of Arkansas Press, 2013

Through the support of PEN Center USA, Iranian American poet and translator Sholeh Wolpé has brought together sixty American poets to address the world through poems that not only meditate on the principles of freedom, justice, and tolerance but also boldly and directly address specific countries. Natasha Trethewey, Robert Bly, Rita Dove, Yusef Komunyakaa, Galway Kinnell, Philip Levine, Carolyn Forché, Billy Collins, Jorie Graham, Naomi Shihab Nye, and Quincy Troupe are just some of the poets whose work is gathered in this powerful new collection. These poets speak out in the tradition of all poets who speak out in uprisings, seeking to change the landscape despite an environment of oppression, torture, and denial of basic human rights. All poems included were gifted to this anthology, which will benefit PEN Center USA's Freedom to Write program.
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cover of Breaking the Land: The Transformation of Cotton, Tobacco, and Rice Cultures since 1880

Breaking the Land

The Transformation of Cotton, Tobacco, and Rice Cultures since 1880

Pete Daniel

University of Illinois Press, 1985

Winner of the Herbert Feis Award of the American Historical Association, 1985. Winner of the Charles S. Sydnor Award of the Southern Historical Association, 1985. Winner of the 1990 Robert Athearn Award of the Western History Association and an Honorable Mention for the 1990 James S. Donnelly, Sr., Prize in History and the Social Sciences from the American Conference for Irish Studies.
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cover of Breaking the Mind

Breaking the Mind

Kristian S. Heal

Catholic University of America Press, 2014

This collection of sixteen new critical essays offers fresh perspectives on the Book of Steps, adding greater detail and depth to our understanding of the work's intriguing picture of early Syriac asceticism as practiced within the life of a local church and community.
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cover of Breaking the Silence: The German Who Exposed the Final Solution.

Breaking the Silence

The German Who Exposed the Final Solution.

Walter Laqueur and Richard Breitman

Brandeis University Press, 1994

Through unparalleled historical detective work, noted scholars Walter Laqueur and Richard Breitman reveal the inspiring tale of Eduard Schulte, the Breslau business leader who risked his life to gather information about such Nazi activities as the revised date of the German attack on Poland and the Nazi plan for mass extermination of European Jews. First published in 1986, Breaking the Silence is reissued with both a new foreword and afterword by the authors.
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cover of Breaking the Silence: The Little Rock Women's Emergency Committee to Open Our Schools, 1958–1963

Breaking the Silence

The Little Rock Women's Emergency Committee to Open Our Schools, 1958–1963

Sara Murphy

University of Arkansas Press, 1997

The Little Rock Central High School integration crisis did not end in1957 when President Eisenhower sent a portion of the first Airborne Division to protect nine black students. The turmoil was entering its second year in 1958 when Arkansas governor Orval Faubus invoked a hastily passed state law to close the high schools rather than obey the federal court orders that would integrate them.

A group of respectable, middle-class white women, faced with the prospect of no schools as well as the further loss of their city’s good name, turned militant. Led by Adolphine Fletcher Terry, a prominent, “old family” civic leader in her seventies, the women quickly put together the Women’s Emergency Committee to Open Our Schools (WEC), a highly effective organization that bombarded the city with ads, fliers, and statements challenging Faubus’s action. At peak membership, the WEC mustered two thousand to their cause. Largely inexperienced in politics when they joined the WEC, these women became articulate, confident promoters of public schools and helped others to understand that those schools must be fully integrated.

Forty years later, Sara Murphy, a key member of the WEC, recounts the rarely told sto1y of these courageous women who formed a resistance movement. With passion and sensitivity, she reconstructs the challenges and triumphs of that battle, which issued from the mutual link Southern white women shared with disfranchised African Americans in their common goal for full citizenship.

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cover of Breaking the South Slav Dream: The Rise and Fall of Yugoslavia

Breaking the South Slav Dream

The Rise and Fall of Yugoslavia

Kate Hudson

Pluto Press, 2003

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cover of Breaking the World: Black Insecurity and the Horizons of Speculative Fiction

Breaking the World

Black Insecurity and the Horizons of Speculative Fiction

Justin L. Mann

Duke University Press, 2026

In Breaking the World, Justin L. Mann argues that Black speculative fictions are an essential but overlooked archive for understanding the modern security ambitions of the United States. Foregrounding how the contemporary security state renders Black life insecure, Mann theorizes worldbreaking: speculative narrative, aesthetic, and ethical strategies that Black writers, musicians, and artists employ to unmake the processes by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. He shows how the techniques of worldbreaking in the works of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, Janelle Monáe, and the Marvel and DC Cinematic Universes chart the distinction between securitization and Black insecurity. These works illuminate the difference between the antiblackness of state security and the power of Black collectivity. Contending that speculative worldbreaking is a vital part of the Black radical imagination, Mann shows that its destructive strategies can help transform worlds of securitization to worlds of liberation.
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cover of Making and Breaking the Yugoslav Working Class: The Story of Two Self-Managed Factories

Making and Breaking the Yugoslav Working Class

The Story of Two Self-Managed Factories

Goran Music

Central European University Press, 2021

Workers' self-management was one of the unique features of communist Yugoslavia. Goran Musić has investigated the changing ways in which blue-collar workers perceived the recurring crises of the regime. Two self-managed metal enterprises, one in Serbia another in Slovenia, provide the frame of the analysis in the time span between 1945 and 1989. These two factories became famous for strikes in 1988 that evoked echoes in popular discourses in former Yugoslavia. Drawing on interviews, factory publications and other media, local archives, and secondary literature, Musić analyzes the two cases, going beyond the clichés of political manipulation from the top and workers' intrinsic attraction to nationalism.
The author explains how, in the later phase of communist Yugoslavia, growing social inequalities among the workers and undemocratic practices inside the self-managed enterprises facilitated the spread of a nationalist and pro-market ideology on the shop floors. Yet rather than being a mass taken advantage of by populist leaders, the working class Musić presents is one with agency and voice, a force that played an important role in shaping the fate of the country. The book thus seeks to open a debate on the social processes leading up to the dissolution of Yugoslavia.

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cover of Softly, With Feeling: Joe Wilder and the Breaking of Barriers in American Music

Softly, With Feeling

Joe Wilder and the Breaking of Barriers in American Music

Edward Berger

Temple University Press, 2014

"Joe Wilder set the table. His struggles made it easier for me and many others."--From the Foreword by Wynton Marsalis

 

Trumpeter Joe Wilder is distinguished for his achievements in both the jazz and classical worlds. He was a founding member of the Symphony of the New World, where he played first trumpet, and he performed as lead trumpet and soloist with Lionel Hampton, Jimmy Lunceford, Dizzy Gillespie, and Count Basie.  Yet Wilder is also known as a pioneer who broke down racial barriers, the first African American to hold a principal chair in a Broadway show orchestra, and one of the first African Americans to join a network studio orchestra. 

 

In Softly, with Feeling, Edward Berger tells Wilder's remarkable story-from his growing up in working-class Philadelphia to becoming one of the first 1,000 black Marines during World War II-with tremendous feeling and extensive reminiscences by Wilder and his colleagues, including renowned Philadelphia-area musicians Jimmy Heath and Buddy DeFranco.  Berger also places Wilder's experiences within a broader context of American musical and social history.

 

Wilder's modesty and ability to perform in many musical genres may have prevented him from achieving popular recognition, but in Softly, with Feeling, his legacy and contributions to music and culture are assured. 

 

 

 
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