522 books match the query 'Gender' and 30 start with c

cover of CERTAIN OTHER COUNTRIES: Homicide, Gender, and National Identity in Late Nineteenth-Century England, Ireland, Scotland, and Wales

CERTAIN OTHER COUNTRIES

Homicide, Gender, and National Identity in Late Nineteenth-Century England, Ireland, Scotland, and Wales

Carolyn A. Conley

The Ohio State University Press, 2007

Even though England, Ireland, Scotland, and Wales were under a common Parliament in the nineteenth century, cultural, economic, and historical differences led to very different values and assumptions about crime and punishment. For example, though the Scots were the most likely to convict accused killers, English, Welsh, and Irish killers were two and a half times more likely to be executed for their crimes. In Certain Other Countries, Carolyn A. Conley explores how the concepts of national identity and criminal violence influenced each other in the Victorian-era United Kingdom. It also addresses the differences among the nations as well as the ways that homicide trials illuminate the issues of gender, ethnicity, family, privacy, property, and class. Homicides reflect assumptions about the proper balance of power in various relationships. For example, Englishmen were ten times more likely to kill women they were courting than were men in the Celtic nations.         

By combining quantitative techniques in the analysis of over seven thousand cases, as well as careful and detailed readings of individual cases, the book exposes trends and patterns that might not have been evident in works using only one method. For instance, by examining all homicide trials rather than concentrating exclusively on a few highly celebrated ones, it becomes clear that most female killers were not viewed with particular horror, but were treated much like their male counterparts.

The conclusions offer challenges and correctives to existing scholarship on gender, ethnicity, class, and violence. The book also demonstrates that the Welsh, Scots, and English remained quite distinct long after their melding as Britons was announced and celebrated. By blending a study of trends in violent behavior with ideas about national identity, Conley brings together rich and hotly debated fields of modern history. This book will be valuable both for scholars of crime and violence as well as for those studying British history.
[more]
cover of COURTS AND COMMERCE: GENDER, LAW, AND THE MARKET ECONOMY IN COLONIAL NEW YORK

COURTS AND COMMERCE

GENDER, LAW, AND THE MARKET ECONOMY IN COLONIAL NEW YORK

Deborah A. Rosen

The Ohio State University Press, 1997

Illuminates the legal engine behind colonial America’s market economy, revealing how law and commerce intertwined to sideline women's participation and lay the groundwork for industrial capitalism.

In Courts and Commerce, Deborah A. Rosen offers a fresh, incisive look at the economic and legal foundations of colonial New York. Drawing on a wide array of 18th-century sources—probate inventories, court records, petitions, and more—Rosen uncovers how law and commerce intertwined to shape a market economy long before the rise of industrial capitalism.

Rosen challenges the romanticized view of colonial America as a bastion of communal values. Instead, she reveals a society already driven by arm’s-length transactions and legal mechanisms that empowered men to expand their economic reach while systematically limiting women’s participation. Her analysis spans both urban and rural settings, highlighting regional contrasts and the gendered impact of legal structures.

This book pushes back against the idea that the nineteenth century marked a sudden economic transformation. Rosen shows that many of the legal and economic patterns associated with industrialization were already in motion a century earlier. Engaging and deeply researched, Courts and Commerce is essential reading for scholars of colonial history, legal and economic development, and gender studies. It reframes our understanding of early American life—and the roots of inequality in the modern economy.

[more]
cover of COVID and Gender in the Middle East

COVID and Gender in the Middle East

Edited by Rita Stephan

University of Texas Press, 2023

As the coronavirus ravages the globe, its aftermaths have brought gender inequalities to the forefront of many conversations. Countries in the Middle East and North Africa have been slow to prepare for, adapt to, and mitigate the COVID-19 health crisis and its impacts on governance, economics, security, and rights. Women’s physical well-being, social safety nets, and economic participation have been disproportionately affected, and with widespread shutdowns and capricious social welfare programs, women are exiting the workplace and the classroom, carrying the caregiving burden.

With feminist foregrounding, Rita Stephan's collection COVID and Gender in the Middle East gathers an impressive group of local scholars, activists, and policy experts. The book examines a range of national and localized responses to gender-specific issues around COVID’s health impact and the economic fallout and resulting social vulnerabilities, including the magnified marginalization of Syrian refugees; the inequitable treatment of migrant workers in Bahrain; and the inadequate implementation of gender-based violence legislation in Morocco. An essential global resource, this book is the first to provide empirical evidence of COVID’s gendered effects.

[more]
cover of Cancer Activism: Gender, Media, and Public Policy

Cancer Activism

Gender, Media, and Public Policy

Karen M. Kedrowski and Marilyn Stine Sarow

University of Illinois Press, 2010

The first comparison of the breast cancer and the prostate cancer movements

Cancer Activism explores the interplay between advocacy, the media, and public perception through an analysis of breast cancer and prostate cancer activist groups over a nearly twenty-year period. Despite both diseases having nearly identical mortality and morbidity rates, Karen M. Kedrowski and Marilyn Stine Sarow present evidence from more than 4,200 news articles to show that the different groups have had markedly different impacts. They trace the rise of each movement from its beginning and explore how discussions about the diseases appeared on media, public, and government agendas. In an important exception to the feminist tenet that women as a group hold less power than men, Kedrowski and Sarow demonstrate that the breast cancer movement is not only larger and better organized than the prostate cancer movement, it is also far more successful at shaping media coverage, public opinion, and government policy.

[more]
cover of Cecilia Reclaimed: Feminist Perspectives on Gender and Music

Cecilia Reclaimed

Feminist Perspectives on Gender and Music

Edited by Susan C. Cook and Judy S. Tsou

University of Illinois Press, 1994

Cecilia, a fifteenth-century Christian martyr, has long been considered the patron saint of music. In this pathbreaking volume, ten of the best known scholars in the newly emerging field of feminist musicology explore both how gender has helped shape genres and works of music and how music has contributed to prevailing notions of gender. The musical subjects include concert music, both instrumental and vocal, and the vernacular genres of ballads, salon music, and contemporary African American rap. The essays raise issues not only of gender but also of race and class, moving among musical practices of the courtly ruling class and the elite discourse of the twentieth-century modernist movement to practices surrounding marginal girls in Renaissance Venice and the largely white middle-class experiences of magazine and balladry.
[more]
cover of Changing Sex: Transsexualism, Technology, and the Idea of Gender

Changing Sex

Transsexualism, Technology, and the Idea of Gender

Bernice L. Hausman

Duke University Press, 1994

Changing Sex takes a bold new approach to the study of transsexualism in the twentieth century. By addressing the significance of medical technology to the phenomenon of transsexualism, Bernice L. Hausman transforms current conceptions of transsexuality as a disorder of gender identity by showing how developments in medical knowledge and technology make possible the emergence of new subjectivities.
Hausman’s inquiry into the development of endocrinology and plastic surgery shows how advances in medical knowledge were central to the establishment of the material and discursive conditions necessary to produce the demand for sex change—that is, to both "make" and "think" the transsexual. She also retraces the hidden history of the concept of gender, demonstrating that the semantic distinction between "natural" sex and "social" gender has its roots in the development of medical treatment practices for intersexuality—the condition of having physical characteristics of both sexes— in the 1950s. Her research reveals the medical institution’s desire to make heterosexual subjects out of intersexuals and indicates how gender operates semiotically to maintain heterosexuality as the norm of the human body. In critically examining medical discourses, popularizations of medical theories, and transsexual autobiographies, Hausman details the elaboration of "gender narratives" that not only support the emergence of transsexualism, but also regulate the lives of all contemporary Western subjects. Changing Sex will change the ways we think about the relation between sex and gender, the body and sexual identity, and medical technology and the idea of the human.
[more]
cover of Chicana Sexuality and Gender: Cultural Refiguring in Literature, Oral History, and Art

Chicana Sexuality and Gender

Cultural Refiguring in Literature, Oral History, and Art

Debra J. Blake

Duke University Press, 2008

Since the 1980s Chicana writers including Gloria Anzaldúa, Cherríe Moraga, Sandra Cisneros, Ana Castillo, and Alma Luz Villanueva have reworked iconic Mexican cultural symbols such as mother earth goddesses and La Llorona (the Wailing Woman of Mexican folklore), re-imagining them as powerful female figures. After reading the works of Chicana writers who created bold, powerful, and openly sexual female characters, Debra J. Blake wondered how everyday Mexican American women would characterize their own lives in relation to the writers’ radical reconfigurations of female sexuality and gender roles. To find out, Blake gathered oral histories from working-class and semiprofessional U.S. Mexicanas. In Chicana Sexuality and Gender, she compares the self-representations of these women with fictional and artistic representations by academic-affiliated, professional intellectual Chicana writers and visual artists, including Alma M. López and Yolanda López.

Blake looks at how the Chicana professional intellectuals and the U.S. Mexicana women refigure confining and demeaning constructions of female gender roles and racial, ethnic, and sexual identities. She organizes her analysis around re-imaginings of La Virgen de Guadalupe, La Llorona, indigenous Mexica goddesses, and La Malinche, the indigenous interpreter for Hernán Cortés during the Spanish conquest. In doing so, Blake reveals how the professional intellectuals and the working-class and semiprofessional women rework or invoke the female icons to confront the repression of female sexuality, limiting gender roles, inequality in male and female relationships, and violence against women. While the representational strategies of the two groups of women are significantly different and the U.S. Mexicanas would not necessarily call themselves feminists, Blake nonetheless illuminates a continuum of Chicana feminist thinking, showing how both groups of women expand lifestyle choices and promote the health and well-being of women of Mexican origin or descent.

[more]
cover of Chicano Rap: Gender and Violence in the Postindustrial Barrio

Chicano Rap

Gender and Violence in the Postindustrial Barrio

By Pancho McFarland

University of Texas Press, 2008

Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world.

Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions—San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.

[more]
cover of Chicks Who Tweet: Gender and Congressional Campaign Communication on Twitter

Chicks Who Tweet

Gender and Congressional Campaign Communication on Twitter

Jennifer Hayes Clark and Heather K. Evans

University of Michigan Press, 2027

Does gender shape campaign communication? Drawing on an original dataset of candidate tweets across six election cycles, Chicks Who Tweet demonstrates that gender systematically shapes congressional campaign messaging. Not only does gender predict the issues candidates emphasize, but also the tone of their communication and their strategic decisions to engage in negative campaigning. Even after controlling for partisanship, incumbency status, district competitiveness, and overall tweeting volume, gender remains a robust and statistically significant predictor of issue emphasis.

Working to reclaim the label “chicks,” the authors show that women candidates are acutely aware of the gendered stereotypes that shape voter expectations and media coverage. Women candidates tweet more frequently than men and are more likely to criticize their opponents. However, they often face backlash to negative campaigning that men do not. Interviews with campaign communication directors and staff further illuminate how strategic messaging decisions are filtered through gendered expectations about credibility, likability, and leadership. The authors also look at how race and ethnicity interact with gender to shape issue framing and agenda-setting strategies. Although social media platforms offer women candidates new avenues to articulate representational claims and mobilize supporters, Chicks Who Tweet shows that gendered double standards still constrain strategic choices and contribute to ongoing disparities in congressional representation.

[more]
cover of City Requiem, Calcutta: Gender And The Politics Of Poverty

City Requiem, Calcutta

Gender And The Politics Of Poverty

Ananya Roy

University of Minnesota Press, 2002

Uses Calcutta as a site for the exploration of persistent structures of deprivation and want.

Housing developments emerge amid the paddy fields on the fringes of Calcutta; overflowing trains carry peasant women to informal urban labor markets in a daily commute against hunger; land is settled and claimed in a complex choreography of squatting and evictions: such, Ananya Roy contends, are the distinctive spaces of a communism for the new millennium-where, at a moment of liberalization, the hegemony of poverty is quietly reproduced. An ethnography of urban development in Calcutta, Roy’s book explores the dynamics of class and gender in the persistence of poverty.

City Requiem, Calcutta emphasizes how gender itself is spatialized and how gender relations are negotiated through the everyday practices of territory. Thus Roy shows how urban developmentalism, in its populist guise, reproduces the relations of masculinist patronage, and, in its entrepreneurial guise, seeks to reclaim a bourgeois Calcutta, gentlemanly in its nostalgias. In doing so, her work expands the field of poverty studies by showing how a politics of poverty is also a poverty of knowledge, a construction and management of social and spatial categories.
[more]
cover of Cleansing the Nation: India, the Hindu Modern, and Mediations of Gender

Cleansing the Nation

India, the Hindu Modern, and Mediations of Gender

Raka Shome

Duke University Press, 2025

In Cleansing the Nation, Raka Shome explores the logics of governmentality of contemporary Hindu nationalism in India by advancing the concept of the “Hindu modern.” Analyzing a national cleanliness program and other development projects, Shome shows how the Hindu modern—a form of national governmentality that disciplines and regulates individual subjects to create desirable “clean” citizens—inscribes Hindu nationalism in India. Focused on security, progress, and development while celebrating and protecting the figure of the upper-caste Hindu woman, the Hindu modern works toward a religious and casteist cleansing of the nation that rewrites Indian modernity as a purified and cleansed Hindu modernity. It shores up caste and religious inequalities around who is authentically Indian, reproducing historical violence against and exclusions of caste, gender, and religion, especially toward Muslims, Dalits, and Adivasis. By outlining how the Hindu modern sutures Hindu-ness to the contemporary Indian national project of modernity, Shome helps us further understand projects of national purification and cleanliness within global populist authoritarian movements.
[more]
cover of Clicas: Gender, Sexuality, and Struggle in Latina/o/x Gang Literature and Film

Clicas

Gender, Sexuality, and Struggle in Latina/o/x Gang Literature and Film

Frank García

University of Texas Press, 2024

2025 First Book Prize Honorable Mention, Cultural Studies Association

How Latina/o/x gang literature and film represent women and gay gang members’ challenges to gendered, sexual, racial, and class oppression.

Clicas examines Latina/o/x literature and film by and/or about gay and women gang members. Through close readings of literature and film, Frank García reimagines the typical narratives describing gang membership and culture, amplifying and complicating critical gang studies in the social sciences and humanities and looking at gangs across racial, ethnic, and national identities. Analyzing how the autobiographical poetry of Ana Castillo presents gang fashion, culture, and violence to the outside world, the effects of women performing female masculinity in the novel Locas, and gay gang members’ experiences of community in the documentary Homeboy, García complicates the dialogue regarding hypermasculine gang cultures. He shows how they are accessible not only to straight men but also to women and gay men who can appropriate them in complicated ways, which can be harming and also, at times, emancipating. Reading gang members as (de)colonial agents who contest the power relations, inequalities, oppressions, and hierarchies of the United States, Clicas considers how women and gay gang members resist materially and psychologically within a milieu shaped by the intersection of race, gender, sexuality, and class.

[more]
cover of Coded Encounters: Writing, Gender, and Ethnicity in Colonial Latin America

Coded Encounters

Writing, Gender, and Ethnicity in Colonial Latin America

Francisco Javier Cevallos

University of Massachusetts Press, 1994

Much has been written about the ways in which Columbus's "discovery" of America began a process of inventing a new world in European consciousness. But far less has been published about those on the margins of the dominant European discourse--Amerindians, Africans, and women--whose experience is reflected in documents written during the early years of European rule in Latin America. This volume brings together essays by leading scholars of colonial Latin America who address a series of topics relating to both the marginal and European-dominant discourses. The book is divided into five sections: "Representing the New World," "The Institutionalization of the Colony," "Amerindian Texts," "Women in Colonial Latin America," and "The Later Colony and the Caribbean Experience." The essays range from a consideration of Amerindian codes of mapmaking to the career of a transvestite nun, from confessional "sin lists" used by priests to examine the transgressions of their American charges to a new view of colonial women's lives based on birth records, dowry agreements, and wills. Contributors include Walter Mignolo, Maureen Ahern, Abel Alves, Rolena Adorno, Lúcia Helena Santiago Costigan, Pedro Lasarte, Raquel Chang-Rodríguez, Regina Harrison, Asunción Lavrin, Stephanie Merrim, Nina M. Scott, Antonio Carreño, Julie Greer Johnson, Karen Stolley, and Antonio Benítez-Rojo.
[more]
cover of Colonial Angels: Narratives of Gender and Spirituality in Mexico, 1580-1750

Colonial Angels

Narratives of Gender and Spirituality in Mexico, 1580-1750

By Elisa Sampson Vera Tudela

University of Texas Press, 2000

Spain's attempt to establish a "New Spain" in Mexico never fully succeeded, for Spanish institutions and cultural practices inevitably mutated as they came in contact with indigenous American outlooks and ways of life. This original, interdisciplinary book explores how writing by and about colonial religious women participated in this transformation, as it illuminates the role that gender played in imposing the Spanish empire in Mexico.

The author argues that the New World context necessitated the creation of a new kind of writing. Drawing on previously unpublished writings by and about nuns in the convents of Mexico City, she investigates such topics as the relationship between hagiography and travel narratives, male visions of the feminine that emerge from the reworking of a nun's letters to her confessor into a hagiography, the discourse surrounding a convent's trial for heresy by the Inquisition, and the reports of Spanish priests who ministered to noble Indian women. This research rounds out colonial Mexican history by revealing how tensions between Spain and its colonies played out in the local, daily lives of women.

[more]
cover of Coming On Strong: Gender and Sexuality in Women's Sport

Coming On Strong

Gender and Sexuality in Women's Sport

Susan K. Cahn

University of Illinois Press, 2015

Acclaimed since its original publication, Coming on Strong has become a much-cited touchstone in scholarship on women and sports. In this new edition, Susan K. Cahn updates her detailed history of women's sport and the struggles over gender, sexuality, race, class, and policy that have often defined it. A new chapter explores the impact of Title IX and how the opportunities and interest in sports it helped create reshaped women's lives even as the legislation itself came under sustained attack.
[more]
cover of Communities and The Environment: Ethnicity, Gender, and the State in Community-Based Conservation

Communities and The Environment

Ethnicity, Gender, and the State in Community-Based Conservation

Agrawal, Arun

Rutgers University Press, 2001

For years environmentalists thought natural resources could be best protected by national legislation. But the poor outcomes of this top-down policy have led conservation professionals today to regard local communities as the agents of conservation efforts. According to a recent survey, more than fifty countries report that they pursue partnerships with local communities in an effort to protect their forests. Despite the recent popularity of a community-based approach, the concept of community rarely receives the attention it should get from those concerned with resource management. This balanced volume redresses the situation, demonstrating both the promise and the potential dangers of community action.

Although the contributors advocate community-based conservation, they examine the record with a critical eye. They pay attention to the concrete political contexts in which communities emerge and operate. Understanding the nature of community requires understanding the internal politics of local regions and their relationship to external forces and actors. Especially critical are issues related to ethnicity, gender, and the state.

[more]
cover of Constructing the Little House: Gender, Culture, and Laura Ingalls Wilder

Constructing the Little House

Gender, Culture, and Laura Ingalls Wilder

Ann Romines

University of Massachusetts Press, 1997

With more than thirty-five million copies in print, the Little House series, written in the 1930s and 1940s by Laura Ingalls Wilder and her daughter, Rose Wilder Lane, has been a spectacular commercial success. What is it about this eight-volume serial novel for children that accounts for its enduring power? And what does the popularity of these books tell us about the currents of American culture?

Ann Romines interweaves personal observation with scholarly analysis to address these questions. Writing from a feminist perspective and drawing on resources of gender studies, cultural studies, and new historicist reading, she examines both the content of the novels and the process of their creation. She explores the relationship between mother and daughter working as collaborative authors and calls into question our assumptions about plot, juvenile fiction, and constructions of gender on the nineteenth-century frontier and in the Depression years when the Little House books were written.

This is a book that will appeal both to scholars and to general readers who might welcome an engaging and accessible companion volume to the Little House novels.
[more]
cover of Constructing the Patriarchal City: Gender and the Built Environments of London, Dublin, Toronto, and Chicago, 1870s into the 1940s

Constructing the Patriarchal City

Gender and the Built Environments of London, Dublin, Toronto, and Chicago, 1870s into the 1940s

Maureen A. Flanagan

Temple University Press, 2018

In the Anglo-Atlantic world of the late nineteenth century, groups of urban residents struggled to reconstruct their cities in the wake of industrialization and to create the modern city. New professional men wanted an orderly city that functioned for economic development. Women’s vision challenged the men’s right to reconstruct the city and resisted the prevailing male idea that women in public caused the city’s disorder. 

Constructing the Patriarchal City compares the ideas and activities of men and women in four English-speaking cities that shared similar ideological, professional, and political contexts. Historian Maureen Flanagan investigates how ideas about gender shaped the patriarchal city as men used their expertise in architecture, engineering, and planning to fashion a built environment for male economic enterprise and to confine women in the private home. Women consistently challenged men to produce a more equitable social infrastructure that included housing that would keep people inside the city, public toilets for women as well as men, housing for single, working women, and public spaces that were open and safe for all residents.

[more]
cover of Contested Communities: Class, Gender, and Politics in Chile’s El Teniente Copper Mine, 1904-1951

Contested Communities

Class, Gender, and Politics in Chile’s El Teniente Copper Mine, 1904-1951

Thomas Miller Klubock

Duke University Press, 1998

In Contested Communities Thomas Miller Klubock analyzes the experiences of the El Teniente copper miners during the first fifty years of the twentieth century. Describing the everyday life and culture of the mining community, its impact on Chilean politics and national events, and the sense of self and identity working-class men and women developed in the foreign-owned enclave, Klubock provides important insights into the cultural and social history of Chile.
Klubock shows how a militant working-class community was established through the interplay between capitalist development, state formation, and the ideologies of gender. In describing how the North American copper company attempted to reconfigure and reform the work and social-cultural lives of men and women who migrated to the mine, Klubock demonstrates how struggles between labor and capital took place on a gendered field of power and reconstituted social constructions of masculinity and femininity. As a result, Contested Communities describes more accurately than any previous study the nature of grassroots labor militancy, working-class culture, and everyday politics of gender relations during crucial years of the Chilean Popular Front in the 1930s and 1940s.
[more]
cover of Convening Black Intimacy: Christianity, Gender, and Tradition in Early Twentieth-Century South Africa

Convening Black Intimacy

Christianity, Gender, and Tradition in Early Twentieth-Century South Africa

Natasha Erlank

Ohio University Press, 2022

An unprecedented study of how Christianity reshaped Black South Africans’ ideas about gender, sexuality, marriage, and family during the first half of the twentieth century.

This book demonstrates that the primary affective force in the construction of modern Black intimate life in early twentieth-century South Africa was not the commonly cited influx of migrant workers but rather the spread of Christianity. During the late nineteenth and early twentieth centuries, African converts developed a new conception of intimate life, one that shaped ideas about sexuality, gender roles, and morality.

Although the reshaping of Black intimacy occurred first among educated Africans who aspired to middle-class status, by the 1950s it included all Black Christians—60 percent of the Black South African population. In turn, certain Black traditions and customs were central to the acceptance of sexual modernity, which gained traction because it included practices such as lobola, in which a bridegroom demonstrates his gratitude by transferring property to his bride’s family. While the ways of understanding intimacy that Christianity informed enjoyed broad appeal because they partially aligned with traditional ways, other individuals were drawn to how the new ideas broke with tradition. In either case, Natasha Erlank argues that what Black South Africans regard today as tradition has been unequivocally altered by Christianity.

In asserting the paramount influence of Christianity on unfolding ideas about family, gender, and marriage in Black South Africa, Erlank challenges social historians who have attributed the key factor to be the migrant labor system. Erlank draws from a wide range of sources, including popular Black literature and the Black press, African church and mission archives, and records of the South African law courts, which she argues have been underutilized in histories of South Africa. The book is sure to attract historians and other scholars interested in the history of African Christianity, African families, sexuality, and the social history of law, especially colonial law.

[more]
cover of Covenant of Blood: Circumcision and Gender in Rabbinic Judaism

Covenant of Blood

Circumcision and Gender in Rabbinic Judaism

Lawrence A. Hoffman

University of Chicago Press, 1995

Central to both biblical narrative and rabbinic commentary, circumcision has remained a defining rite of Jewish identity, a symbol so powerful that challenges to it have always been considered taboo. Lawrence Hoffman seeks to find out why circumcision holds such an important place in the Jewish psyche. He traces the symbolism of circumcision through Jewish history, examining its evolution as a symbol of the covenant in the post-exilic period of the Bible and its subsequent meaning in the formative era of Mishnah and Talmud.

In the rabbinic system, Hoffman argues, circumcision was neither a birth ritual nor the beginning of the human life cycle, but a rite of covenantal initiation into a male "life line." Although the evolution of the rite was shaped by rabbinic debates with early Christianity, the Rabbis shared with the church a view of blood as providing salvation. Hoffman examines the particular significance of circumcision blood, which, in addition to its salvific role, contrasted with menstrual blood to symbolize the gender dichotomy within the rabbinic system. His analysis of the Rabbis' views of circumcision and menstrual blood sheds light on the marginalization of women in rabbinic law. Differentiating official mores about gender from actual practice, Hoffman surveys women's spirituality within rabbinic society and examines the roles mothers played in their sons' circumcisions until the medieval period, when they were finally excluded.
[more]
cover of Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace

Crafting Selves

Power, Gender, and Discourses of Identity in a Japanese Workplace

Dorinne K. Kondo

University of Chicago Press, 1990

"The ethnography of Japan is currently being reshaped by a new generation of Japanologists, and the present work certainly deserves a place in this body of literature. . . . The combination of utility with beauty makes Kondo's book required reading, for those with an interest not only in Japan but also in reflexive anthropology, women's studies, field methods, the anthropology of work, social psychology, Asian Americans, and even modern literature."—Paul H. Noguchi, American Anthropologist

"Kondo's work is significant because she goes beyond disharmony, insisting on complexity. Kondo shows that inequalities are not simply oppressive-they are meaningful ways to establish identities."—Nancy Rosenberger, Journal of Asian Studies
[more]
cover of Crafting Womanhood: Needlework, Gender, and Politics in the United States, 1810-1920

Crafting Womanhood

Needlework, Gender, and Politics in the United States, 1810-1920

Mariah Kupfner

University of Delaware Press, 2027

Decorative needlework was a key medium through which American women constructed femininity and its relationship to public and political concerns in the nineteenth and early twentieth centuries. Through samplers, needlecases, lace coats, silk sofas, cotton scraps, banners, and other textile things, scholars can see the ways in which women and girls related to education, property-holding, slavery and freedom, labor, and women’s right to vote. Needlework’s durable association with “traditional” notions about womanhood made it a potent resource through which to make gender in expansive and meaningful ways that had profound public, political implications as educational opportunities for girls and women were expanding, and the antislavery and women's suffrage movements were growing. Indeed, needlework's very conventionality and relationship to the past made it a useful tool for crafting womanhood anew. 

[more]
cover of Creating Rosie the Riveter: Class, Gender, and Propaganda during World War II

Creating Rosie the Riveter

Class, Gender, and Propaganda during World War II

Maureen Honey

University of Massachusetts Press, 1984

Creating Rosie the Riveter examines advertisements and fiction published in the Saturday Evening Post and True Story in order to show how propaganda was used to encourage women to enter the work force.
[more]
cover of Critical Fandom: Representations of Race, Gender, and Sexuality in Fan Fiction

Critical Fandom

Representations of Race, Gender, and Sexuality in Fan Fiction

Cara Marta Messina

University of Iowa Press, 2026

Critical Fandom positions fan authors as rhetoricians and fan fiction as an action. Every fan author navigates—implicitly or explicitly—the politics of their fandom, the media they love, their lived experiences, digital technologies, reader expectations, and a larger culture. To better understand critical fans, Cara Marta Messina analyzes Archive of Our Own tagging practices, fan fictions, and interviews from four different fandoms.

Fans of The Legend of Korra celebrate queer relationships while understanding representation is just the first step in the face of systemic homophobia. Game of Thrones fan authors challenge racism and heteronormativity in both the community and the show. In online forums for Black Panther, fans make space for sapphic romances and explore the humanity of Erik Killmonger, ultimately contending with harmful stereotypes of radical Black men. And the Our Flag Means Death fandom demonstrates how a show can flourish when it centers queerness, especially for trans fans. Even in these moments of joy, there’s conflict. Critical Fandom seeks to answer what comes next.

[more]
cover of Critical Terms for the Study of Gender

Critical Terms for the Study of Gender

Edited by Catharine R. Stimpson and Gilbert Herdt

University of Chicago Press, 2014

“Gender systems pervade and regulate human lives—in law courts and operating rooms, ballparks and poker clubs, hair-dressing salons and kitchens, classrooms and playgroups. . . . Exactly how gender works varies from culture to culture, and from historical period to historical period, but gender is very rarely not at work. Nor does gender operate in isolation. It is linked to other social structures and sources of identity.”
 
So write women’s studies pioneer Catharine R. Stimpson and anthropologist Gilbert Herdt in their introduction to Critical Terms for the Study of Gender, laying out the wide-ranging nature of this interdisciplinary and rapidly changing field. The sixth in the series of “Critical Terms” books, this volume provides an indispensable introduction to the study of gender through an exploration of key terms that are a part of everyday discourse in this vital subject.
 
Following Stimpson and Herdt’s careful account of the evolution of gender studies and its relation to women’s and sexuality studies, the twenty-one essays here cast an appropriately broad net, spanning the study of gender and sexuality across the humanities and social sciences. Written by a distinguished group of scholars, each essay presents students with a history of a given term—from bodies to utopia—and explains the conceptual baggage it carries and the kinds of critical work it can be made to do. The contributors offer incisive discussions of topics ranging from desire, identity, justice, and kinship to love, race, and religion that suggest new directions for the understanding of gender studies. The result is an essential reference addressed to students studying gender in very different disciplinary contexts.
[more]
cover of Cultural Conundrums: Gender, Race, Nation, and the Making of Caribbean Cultural Politics

Cultural Conundrums

Gender, Race, Nation, and the Making of Caribbean Cultural Politics

Natasha Barnes

University of Michigan Press, 2010

Cultural Conundrums investigates the passions of race, gender, and national identity that make culture a continually embattled public sphere in the Anglophone Caribbean today. Academics, journalists, and ordinary citizens have weighed in on the ideological meanings to be found in the minutiae of cultural life, from the use of skin-bleaching agents in the beauty rituals of working-class Jamaican women to the rise of sexually suggestive costumes in Trinidad’s Carnival.
 
Natasha Barnes traces the use of cultural arguments in the making of Caribbean modernity, looking at the cultural performances of the Anglophone Caribbean—cricket, carnival, dancehall, calypso, and beauty pageants—and their major literary portrayals.  Barnes historicizes the problematic linkage of culture and nation to argue that Caribbean anticolonialism has given expressive culture a critical place in the region’s identity politics. Her provocative readings of foundational thinkers C. L. R. James and Sylvia Winters will engender discussion and debate among the Caribbean intellectual community. This impressively interdisciplinary study will make important contributions to the fields of Afro-diaspora studies, postcolonial studies, literary studies, performance studies, and sociology.
“Postcolonial cultural criticism is celebrated for its mastery of generalization and condemned for its inability to historicize. Cultural Conundrums is unique in its ability to find a middle ground. It touches on some of the most important and contentious issues in the field. This book will account for why it was in those small islands that what we now call cultural studies was invented.”
            --Simon Gikandi, Princeton University
 
Natasha Barnes is Associate Professor of African American Studies and English at the University of Illinois at Chicago.
[more]
cover of Culture in the Marketplace: Gender, Art, and Value in the American Southwest

Culture in the Marketplace

Gender, Art, and Value in the American Southwest

Molly H. Mullin

Duke University Press, 2001

In the early twentieth century, a group of elite East coast women turned to the American Southwest in search of an alternative to European-derived concepts of culture. In Culture in the Marketplace Molly H. Mullin provides a detailed narrative of the growing influence that this network of women had on the Native American art market—as well as the influence these activities had on them—in order to investigate the social construction of value and the history of American concepts of culture.
Drawing on fiction, memoirs, journalistic accounts, and extensive interviews with artists, collectors, and dealers, Mullin shows how anthropological notions of culture were used to valorize Indian art and create a Southwest Indian art market. By turning their attention to Indian affairs and art in Santa Fe, New Mexico, she argues, these women escaped the gender restrictions of their eastern communities and found ways of bridging public and private spheres of influence. Tourism, in turn, became a means of furthering this cultural colonization. Mullin traces the development of aesthetic worth as it was influenced not only by politics and profit but also by gender, class, and regional identities, revealing how notions of “culture” and “authenticity” are fundamentally social ones. She also shows how many of the institutions that the early patrons helped to establish continue to play an important role in the contemporary market for American Indian art.

This book will appeal to audiences in cultural anthropology, art history, American studies, women’s studies, and cultural history.
[more]
cover of Cultured States: Youth, Gender, and Modern Style in 1960s Dar es Salaam

Cultured States

Youth, Gender, and Modern Style in 1960s Dar es Salaam

Andrew Ivaska

Duke University Press, 2011

Cultured States is a vivid account of the intersections of postcolonial state power, the cultural politics of youth and gender, and global visions of modern style in Dar es Salaam, Tanzania, during the 1960s and early 1970s. Andrew Ivaska describes a cosmopolitan East African capital rocked by debates over youth culture, national cultural policy, the rumored sexual escapades of the postcolonial elite, the content of university education, leftist activism, and the reform of colonial-era marriage laws. If young Tanzanians saw themselves as full-fledged participants in modern global culture, their understandings of the modern conflicted with that of a state launching “decency campaigns” banning cultural forms such as soul music, miniskirts, wigs, and bell-bottoms. Promoted by the political elite as a radical break from the colonial order, these campaigns nonetheless contained strong echoes of colonial assumptions about culture, tradition, and African engagements with the modern city. Exploring the ambivalence over the modern at the heart of these contests, Ivaska uses them as lenses through which to analyze struggles around gender relations and sexual politics, youth and masculinity, and the competition for material resources in a Dar es Salaam in rapid flux. Cultured States is a major contribution to understandings of urban cultural politics; national political culture; social struggles around gender, generation, and wealth; and the transnational dimensions of postcolonial histories too often conceived within national frames.
[more]
cover of Curative Violence: Rehabilitating Disability, Gender, and Sexuality in Modern Korea

Curative Violence

Rehabilitating Disability, Gender, and Sexuality in Modern Korea

Eunjung Kim

Duke University Press, 2017

In Curative Violence Eunjung Kim examines what the social and material investment in curing illnesses and disabilities tells us about the relationship between disability and Korean nationalism. Kim uses the concept of curative violence to question the representation of cure as a universal good and to understand how nonmedical and medical cures come with violent effects that are not only symbolic but also physical. Writing disability theory in a transnational context, Kim tracks the shifts from the 1930s to the present in the ways that disabled bodies and narratives of cure have been represented in Korean folktales, novels, visual culture, media accounts, policies, and activism. Whether analyzing eugenics, the management of Hansen's disease, discourses on disabled people's sexuality, violence against disabled women, or rethinking the use of disabled people as a metaphor for life under Japanese colonial rule or under the U.S. military occupation, Kim shows how the possibility of life with disability that is free from violence depends on the creation of a space and time where cure is seen as a negotiation rather than a necessity.
[more]