89 books match the query 'Historic sites' and 5 start with c
Thomas P. Huber
University Press of Colorado, 1997
Shawn Hall
University of Nevada Press, 2002
Shawn Hall's immensely popular guidebooks to Nevada ghost towns have become essential resources for backcountry explorers and scholars alike. Now Hall returns to Elko County to survey the county's railroad and stage stations, as well as other sites not included in his earlier survey of this colorful section of the state. As in his earlier volumes, Hall includes a history of each site he lists, along with period and contemporary photographs, directions for locating the sites, and an assessment of their present condition. His historical accounts, based on a wide range of primary and secondary sources, are both scholarly and engaging, rich in anecdotes and personalities, and in the fascinating minutia of history often ignored by more academic writers. Shawn Hall's dedication to documenting Nevada's thousands of historic sites has enriched our knowledge of the state's relatively brief but very eventful past. Connecting the West is a worthy addition to Hall's remarkable efforts to preserve the state's history.
Alice M. Baldrica, Patricia A. DeBunch, and Don D. Fowler
University of Utah Press, 2019
Caitlin DeSilvey
University of Minnesota Press, 2017
Transporting readers from derelict homesteads to imperiled harbors, postindustrial ruins to Cold War test sites, Curated Decay presents an unparalleled provocation to conventional thinking on the conservation of cultural heritage. Caitlin DeSilvey proposes rethinking the care of certain vulnerable sites in terms of ecology and entropy, and explains how we must adopt an ethical stance that allows us to collaborate with—rather than defend against—natural processes.
Curated Decay chronicles DeSilvey’s travels to places where experiments in curated ruination and creative collapse are under way, or under consideration. It uses case studies from the United States, Europe, and elsewhere to explore how objects and structures produce meaning not only in their preservation and persistence, but also in their decay and disintegration. Through accessible and engaging discussion of specific places and their stories, it traces how cultural memory is generated in encounters with ephemeral artifacts and architectures.
An interdisciplinary reframing of the concept of the ruin that combines historical and philosophical depth with attentive storytelling, Curated Decay represents the first attempt to apply new theories of materiality and ecology to the concerns of critical heritage studies.
Kristin O'Brassill-Kulfan
University of Massachusetts Press, 2027
Asking how Americans’ fraught relationship with class has played out in public history
In 1966, a Smithsonian curator proposed recreating a “slum” dwelling inside the Museum of History and Technology, complete with rats in the walls, synthesized smells, and heat in summer and cold in winter. The public was not pleased. One editorialist called it “preserving a very insignificant aspect of civilization.” A Life magazine reporter worried that schoolchildren on field trips might find the exhibit’s horrors “pretty tame compared to their own homes.” The proposal was shelved. But the debate it ignited over whether poverty could or should be presented in museums cast a long shadow in US public history.
In Curating Poverty, Kristin O’Brassill-Kulfan examines how public historians have curated, preserved, and interpreted the experiences of people living in poverty—and how different publics have responded to these efforts. Poverty and economic inequality have shaped the lives of millions of Americans since the colonial period. For most of the nation’s history, welfare institutions such as almshouses and poor farms could be found in nearly every county in the United States. Yet explicit interpretation of poverty, welfare, and inequality remains an outlier in public history.
Documenting attempts to incorporate histories of poverty and class into exhibitions from the 1930s to the present, O’Brassill-Kulfan interrogates institutions of varying sizes and missions, paying particular attention to museums within the Smithsonian network. She traces how communities and public historians have remembered, neglected, erased, and sometimes reclaimed the surviving landscapes of poverty relief—from preserved almshouses and poor farm cemeteries to tenement museums and public housing sites. By placing poverty at the center of public history, Curating Poverty reveals how Americans have constructed, contested, and obscured histories of class and inequality and what it might look like to finally tell those stories honestly.