748 books match the query 'Influence' and 37 start with c

cover of C.L.R. James: His Intellectual Legacies

C.L.R. James

His Intellectual Legacies

Edited by Selwyn R. Cudjoe and William E. Cain

University of Massachusetts Press, 1995

C.L.R. James (1901–1989) made important contributions in a host of fields—literature, criticism, cultural studies, political theory, history, and philosophy. One of the most astute minds of this century, he served as mentor for two generations of international intellectuals. He contributed enormously to their understanding of the colonial question, the Negro question, the Russian question, the role of dialectics in proletarian struggle, and the theory and practice of Marxism in the Americas. In addition to The Black Jacobins, his incisive account of the Haitian revolution of the 1790s, and Notes on Dialectics, James published a range of other books, including a classic work on the game of cricket and a study of Herman Melville.

This collection of essays offers a variety of fresh perspectives on James's life and writings. Included are reminiscences of those who knew James well and critical essays by eminent scholars. The book is the first to offer a full treatment of James's many contributions to twentieth-century intellectual life.

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cover of COVID and...: How to Do Rhetoric in a Pandemic

COVID and...

How to Do Rhetoric in a Pandemic

Emily Winderman

Michigan State University Press, 2023

Covid and . . . How To Do Rhetoric in a Pandemic is among the first edited collections to consider how rhetoric shapes Covid’s disease trajectory. Arguing that the circulation of any virus must be understood in tandem with the public communication accompanying it, this collection converses with interdisciplinary stakeholders also committed to the project of social wellness during pandemic times. With inventive ways of thinking about structural inequities in health, these essays showcase the forces that pandemic rhetoric exerts across health conditions, politics, and histories of social injustice.
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cover of Cadaverland: Inventing a Pathology of Catastrophe for Holocaust Survival [The Limits of Medical Knowledge and Historical Memory in France]

Cadaverland

Inventing a Pathology of Catastrophe for Holocaust Survival [The Limits of Medical Knowledge and Historical Memory in France]

Michael Dorland

Brandeis University Press, 2009

In this extraordinary study, Michael Dorland explores sixty years of medical attempts by French doctors (mainly in the fields of neuropsychiatry and psychoanalysis) to describe the effects of concentration camp incarceration on Holocaust survivors. Dorland begins with a discussion of the liberation of concentration camp survivors, their stay in deportation camps, and eventual return to France, analyzing the circulation of mainly medical (neuropsychiatric) knowledge, its struggles to establish a symptomology of camp effects, and its broadening out into connected medical fields such as psychoanalysis. He then turns specifically to the French medical doctors who studied Holocaust survivors, and he investigates somatic, psychological, and holistic conceptions of survivors as patients and human beings. The final third of the book offers a comparative look at the “psy-science” approach to Holocaust survival beyond France, particularly in the United States and Israel. He illuminates the peculiar journey of a medical discourse that began in France but took on new forms elsewhere, eventually expanding into nonmedical fields to create the basis of the “traumato-culture” with which we are familiar today. Embedding his analysis of different medical discourses in the sociopolitical history of France in the twentieth century, he also looks at the French Jewish Question as it affected French medicine, the effects of five years of Nazi Occupation, France’s enthusiastic collaboration, and the problems this would pose for postwar collective memory.
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cover of Capturing COVID: Media and the Pandemic in the Digital Era

Capturing COVID

Media and the Pandemic in the Digital Era

Katherine A. Foss

University of Massachusetts Press, 2025

When health authorities quarantined guests aboard the Diamond Princess on February 5, 2020, the cruise ship abruptly shifted from a dream vacation vessel to a public health nightmare. Over the next three weeks, 712 passengers tested positive for coronavirus, with fourteen deaths, and the ship outbreak quickly became the largest cluster of cases outside of China. Guests began to routinely share quarantine updates on social media, ranging from the quality of the ship’s food to their sense of imprisonment. These Facebook, Twitter, Instagram, YouTube, and TikTok accounts became a key source of information for news outlets like the Associated Press, and they helped to set the tone for how the media would cover and frame the pandemic for the next several years.

Unlike past outbreaks, epidemics, and pandemics, COVID-19 emerged in a 21st-century digital landscape of instant communication and abundant online platforms, with older models of news and entertainment media mingling with new types of citizen-produced content. In Capturing COVID, Katherine A. Foss makes sense of how this contemporary media landscape shaped the public’s knowledge and perceptions of the new pandemic. The book focuses on crucial media moments, including the initial reporting from Wuhan; news and social media content on the Diamond Princess quarantine; stories of inequality, stigma, and injustice; narratives of the vaccine rollout; and representations of pandemic life in popular culture. Drawing on press releases, interviews, websites, blogs, social media posts, and other publicly available materials, and guided by critical media analysis, Foss illuminates how this new digital era profoundly shaped the progression of the pandemic. This media landscape kept people informed and connected, but also led to the politicization of the virus, rampant mis/disinformation, and stigmatizing messaging that contributed to public distrust and division. Capturing COVID deftly helps make sense of the entire affair.

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cover of Catastrophe and Meaning: The Holocaust and the Twentieth Century

Catastrophe and Meaning

The Holocaust and the Twentieth Century

Edited by Moishe Postone and Eric Santner

University of Chicago Press, 2003

How should we understand the relation of the Holocaust to the broader historical processes of the century just ended? How do we explain the bearing of the Holocaust on problems of representation, memory, memorialization, and historical practice? These are some of the questions explored by an esteemed group of scholars in Catastrophe and Meaning, the most significant multiauthored book on the Holocaust in over a decade.

This collection features essays that consider the role of anti-Semitism in the recounting of the Holocaust; the place of the catastrophe in the narrative of twentieth-century history; the questions of agency and victimhood that the Holocaust inspires; the afterlife of trauma in literature written about the tragedy; and the gaps in remembrance and comprehension that normal historical works fail to notice.
Contributors:
Omer Bartov, Dan Diner, Debòrah Dwork, Saul Friedländer, Geoffrey Hartman, Dominick LaCapra, Paul Mendes-Flohr, Anson Rabinbach, Frank Trommler, Shulamit Volkov, Froma Zeitlin
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cover of Cato's Tears and the Making of Anglo-American Emotion

Cato's Tears and the Making of Anglo-American Emotion

Julie Ellison

University of Chicago Press, 1999

How did the public expression of feeling become central to political culture in England and the United States? In this ambitious revisionist account of a much expanded "Age of Sensibility," Julie Ellison traces the evolution of the politics of emotion on both sides of the Atlantic from the late seventeenth to the early nineteenth century.

Early popular dramas of this time, Ellison shows, linked male stoicism with sentimentality through portrayals of stoic figures whose civic sacrifices bring other men to tears. Later works develop a different model of sensibility, drawing their objects of sympathy from other races and classes—Native Americans, African slaves, servants. Only by examining these texts in light of the complex masculine tradition of stoic sentimentality, Ellison argues, can one interpret women's roles in the culture of sensibility.

In her conclusion, Ellison offers "a short history of liberal guilt," exploring the enduring link between male stoicism and male sensibility in political and cultural life from the late seventeenth century to today.
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cover of Challenging the Bard: Dostoevsky and Pushkin, a Study of Literary Relationship

Challenging the Bard

Dostoevsky and Pushkin, a Study of Literary Relationship

Gary Rosenshield

University of Wisconsin Press, 2013

When geniuses meet, something extraordinary happens, like lightning produced from colliding clouds, observed Russian poet Alexander Blok. There is perhaps no literary collision more fascinating and deserving of study than the relationship between Alexander Pushkin (1799–1837), Russia's greatest poet, and Fyodor Dostoevsky (1821–81), its greatest prose writer. In the twentieth century, Pushkin, "Russia's Shakespeare," became enormously influential, his literary successors universally acknowledging and venerating his achievements. In the nineteenth century, however, it was Dostoevsky more than any other Russian writer who wrestled with Pushkin's legacy as cultural icon and writer. Though he idolized Pushkin in his later years, the younger Dostoevsky exhibited a much more contentious relationship with his eminent precursor.
            In Challenging the Bard, Gary Rosenshield engages with the critical histories of these two literary titans, illuminating how Dostoevsky reacted to, challenged, adapted, and ultimately transformed the work of his predecessor Pushkin. Focusing primarily on Dostoevsky's works through 1866—including Poor Folk, The Double, Mr. Prokharchin, The Gambler, and Crime and Punishment—Rosenshield observes that the younger writer's way to literary greatness was not around Pushkin, but through him. By examining each literary figure in terms of the other, Rosenshield demonstrates how Dostoevsky both deviates from and honors the work of Pushkin. At its core, Challenging the Bard offers a unique perspective on the poetry of the master, Pushkin, the prose of his successor, Dostoevsky, and the nature of literary influence.
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cover of Changing Minds or Changing Channels?: Partisan News in an Age of Choice

Changing Minds or Changing Channels?

Partisan News in an Age of Choice

Kevin Arceneaux and Martin Johnson

University of Chicago Press, 2013

We live in an age of media saturation, where with a few clicks of the remote—or mouse—we can tune in to programming where the facts fit our ideological predispositions. But what are the political consequences of this vast landscape of media choice? Partisan news has been roundly castigated for reinforcing prior beliefs and contributing to the highly polarized political environment we have today, but there is little evidence to support this claim, and much of what we know about the impact of news media come from studies that were conducted at a time when viewers chose from among six channels rather than scores.

Through a series of innovative experiments, Kevin Arceneaux and Martin Johnson show that such criticism is unfounded. Americans who watch cable news are already polarized, and their exposure to partisan programming of their choice has little influence on their political positions. In fact, the opposite is true: viewers become more polarized when forced to watch programming that opposes their beliefs. A much more troubling consequence of the ever-expanding media environment, the authors show, is that it has allowed people to tune out the news: the four top-rated partisan news programs draw a mere three percent of the total number of people watching television.

Overturning much of the conventional wisdom, Changing Minds or Changing Channels? demonstrate that the strong effects of media exposure found in past research are simply not applicable in today’s more saturated media landscape.

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cover of Charles Ludlam Lives!: Charles Busch, Bradford Louryk, Taylor Mac, and the Queer Legacy of the Ridiculous Theatrical Company

Charles Ludlam Lives!

Charles Busch, Bradford Louryk, Taylor Mac, and the Queer Legacy of the Ridiculous Theatrical Company

Sean F. Edgecomb

University of Michigan Press, 2017

Playwright, actor and director Charles Ludlam (1943–1987) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s.  Decades after his death, his place in the chronicle of American theater has remained constant, but his influence has changed.  Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain a groundbreaking genre, maintaining its relevance and potency by metamorphosing along with changes in the LGBTQ community.  
Author Sean F. Edgecomb focuses on the neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mac to trace the connections between Ludlam’s legacy and their performances, using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp. Charles Ludlam Lives! demonstrates that the queer legacy of Ludlam is one of distinct transformation—one where artists can reject faithful interpretations in order to move in new interpretive directions.

 
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cover of Chaucer's Italian Tradition

Chaucer's Italian Tradition

Warren Ginsberg

University of Michigan Press, 2002

In his latest book, Warren Ginsberg explores what he calls Chaucer's "Italian tradition," a discourse that emerges by viewing the social institutions and artistic modes that shaped Chaucer's reception of Dante, Boccaccio, and Petrarch. While offering a fresh look at one of England's great literary figures, this book addresses important questions about the dynamics of cross-cultural translation and the formation of tradition.
Because divergent political, municipal, and literary histories would have made the Italian cities--Genoa, Florence, and Milan--unfamiliar to an English poet from medieval London, Ginsberg argues that we must consider what Chaucer overlooked and mistook from his Italian models alongside the material he did appropriate. To make sense of premises in texts like Dante's Comedy that were peculiarly Italian, Chaucer would look to Boccaccio as a gloss; by reading these authors in conjunction with one another, Chaucer generates an "Italian tradition" that translates into the terms of his English experience works already mediated by a prior stage of transposition.
Ginsberg explores Chaucer's relationship to Italian poets not in terms of the interaction of individual talents with accredited authorities (Chaucer and Dante, Boccaccio and Petrarch, etc.). Rather, he focuses on the shifts in tension that occur when the civic engagements and disengagements of Florence's poets are brought into contact with Chaucer's growing metropolitanism and increasing reluctance to make London the locus of his poetic art.
Beyond its appeal to medievalists and those who study the Renaissance, Chaucer's Italian Tradition will be welcomed by readers interested in theoretical questions about translation and the development of tradition, including individuals who study history, literature, and the nature of the humanities.
Warren Ginsberg is Professor of English, University of Oregon.
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cover of Children of Ezekiel: Aliens, UFOs, the Crisis of Race, and the Advent of End Time

Children of Ezekiel

Aliens, UFOs, the Crisis of Race, and the Advent of End Time

Michael Lieb

Duke University Press, 1998

Are Milton’s Paradise Lost, Ronald Reagan’s “Star Wars” missile defense program, our culture’s fascination with UFOs and alien abductions, and Louis Farrakhan’s views on racial Armageddon somehow linked? In Children of Ezekiel Michael Lieb reveals the connections between these phenomena and the way culture has persistently related the divine to the technological. In a work of special interest at the approach of the millennium, Lieb traces these and other diverse cultural moments—all descended from the prophet Ezekiel’s vision of a fiery divine chariot in the sky—from antiquity to the present, across high and low culture, to reveal the pervasive impact of this visionary experience on the modern world.
Beginning with the merkabah chariot literature of Hebrew and Gnostic mysticism, Lieb shows how religiously inspired people concerned with annihilating their heretical enemies seized on Ezekiel’s vision as revealing the technologically superior instrument of God’s righteous anger. He describes how many who seek to know the unknowable that is the power of God conceive it in technological terms—and how that power is associated with political aims and a heralding of the end of time. For Milton, Ezekiel’s chariot becomes the vehicle in which the Son of God does battle with the rebellious angels. In the modern age, it may take the form of a locomotive, tank, airplane, missile, or UFO. Technology itself is seen as a divine gift and an embodiment of God in the temporal world. As Lieb demonstrates, the impetus to produce modern technology arises not merely from the desire for profit or military might but also from religious-spiritual motives.
Including discussions of conservative evangelical Christian movements, Reagan’s ballistic shooting gallery in the sky, and the Nation of Islam’s vision of the “mother plane” as the vehicle of retribution in the war against racial oppression, Children of Ezekiel will enthrall readers who have been captivated, either through religious belief or intellectual interests, by a common thread uniting millennial religious beliefs, racial conflict, and political and militaristic aspirations.
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cover of Choreographing Mexico: Festive Performances and Dancing Histories of a Nation

Choreographing Mexico

Festive Performances and Dancing Histories of a Nation

Manuel R. Cuellar

University of Texas Press, 2022

2023 de la Torre Bueno® First Book Award, Dance Studies Association

The impact of folkloric dance and performance on Mexican cultural politics and national identity.

The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation.

Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.

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cover of Christopher Dawson: A Cultural Mind in the Age of the Great War

Christopher Dawson

A Cultural Mind in the Age of the Great War

Joseph T. Stuart

Catholic University of America Press, 2022

The English historian Christopher Dawson (1889-1970) was the first Catholic Studies professor at Harvard University and has been described as one of the foremost Catholic thinkers of modern times. His focus on culture prefigured its importance in Catholicism since Vatican Council II and in the rise of mainstream cultural history in the late twentieth century. How did Dawson think about culture and why does it matter? Joseph T. Stuart argues that through Dawson’s study of world cultures, he acquired a “cultural mind” by which he attempted to integrate knowledge according to four implicit rules: intellectual architecture, boundary thinking, intellectual asceticism, and intellectual bridges. Dawson’s multilayered approach to culture, instantiating John Henry Newman’s philosophical habit of mind, is key to his work and its relevance. By it, he responded to the cultural fragmentation he sensed after the Great War (1914-1918). Stuart supports these claims by demonstrating how Dawson formed his cultural mind practicing an interdisciplinary science of culture involving anthropology, sociology, history, and comparative religion. Stuart shows how Dawson applied his cultural thinking to problems in politics and education. This book establishes how Dawson’s simple definition of culture as a “common way of life” reconciles intellectualist and behavioral approaches to culture. In addition, Dawson’s cultural mind provides a synthesis helpful for recognizing the importance of Christian culture in education. It demonstrates principles which construct a more meaningful cultural history. Anyone interested in the idea of culture, the connection of religion to the social sciences, Catholic Studies, or Dawson studies will find this book an engaging and insightful intellectual history.
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cover of Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture

Cinema's Original Sin

D.W. Griffith, American Racism, and the Rise of Film Culture

Paul McEwan

University of Texas Press, 2022

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith’s profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.

In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film culture and the notion that films can be works of art. Some critics tried to set aside the film’s racism and concentrate on the form, while others tried to relegate that racism safely to the past. McEwan argues that from the earliest film retrospectives in the 1920s to the rise of remix culture in the present day, controversies about this film and its meaning have profoundly shaped our understandings of film, race, and art.

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cover of Citizen of a Wider Commonwealth: Ulysses S. Grant's Postpresidential Diplomacy

Citizen of a Wider Commonwealth

Ulysses S. Grant's Postpresidential Diplomacy

Edwina S. Campbell

Southern Illinois University Press, 2012

In 1877 former president Ulysses S. Grant, along with his family and friends, embarked on a two-year world tour that took him from Liverpool to Yokohama with stops throughout Europe and Asia. Biographies of Grant deal very briefly, if at all, with this tour and generally treat it as a pleasure trip filled with sightseeing, shopping, wining, and dining. Far from an extended vacation, however, Grant’s travels in fact constituted a diplomatic mission sanctioned by the U.S. government. In this revealing volume, Edwina S. Campbell chronicles Grant’s journey—the first diplomatic mission ever undertaken by a former U.S. president—and demonstrates how it marked a decided turning point in the role of the United States in world affairs.
 
Traveling commercially and on U.S. Navy warships, Grant visited ports of call throughout the British Empire, Europe, and Asia, including Britain, France, Egypt, the Ottoman Empire, Greece, Italy, the Netherlands, Germany, Scandinavia, Russia, Spain, Portugal, Gibraltar, Ireland, India, Singapore, Hong Kong, China, and Japan. Along the way, he met with monarchs, ministers, and average citizens, creating the model for the summitry and public diplomacy practiced by future American presidents and articulating concepts of national self-determination, international organization, and the peaceful settlement of international disputes decades before Elihu Root’s advocacy of binding international arbitration and Woodrow Wilson’s proposal for the League of Nations.
 
Campbell reveals Grant to be a skillful envoy who brought to his travels the deep interest in foreign policy issues he had shown during his administration. Grant confirmed the United States’ commitment to Anglo-American cooperation, demonstrated America’s interest in the territorial integrity of China, affirmed American faith in universal (male) suffrage as the basis for governmental legitimacy, and asserted the importance of an international order based on equality and justice for all states and their citizens. Grant’s efforts shaped not only John Hay’s Open Door policy in 1899–1900 but also the broader American approach to twentieth-century international relations. Throughout the trip, Julia Grant proved essential to the success of her husband’s mission, and Campbell tells how the couple impressed people around the world with an enduring image of an American president and first lady.
 
By illuminating the significance of Grant’s often overlooked postpresidential travels, Citizen of a Wider Commonwealth establishes the eighteenth president as a key diplomat whose work strongly influenced the direction of future U.S. foreign policy and contributes substantially to the study of American international relations. 
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cover of Citizen of the World: The Late Career and Legacy of W. E. B. Du Bois

Citizen of the World

The Late Career and Legacy of W. E. B. Du Bois

Edited by Phillip Luke Sinitiere

Northwestern University Press, 2019

In his 1952 book In Battle for Peace, published when W. E. B. Du Bois was eighty-three years old, the brilliant black scholar announced that he was a “citizen of the world.” Citizen of the World chronicles selected chapters of Du Bois’s final three decades between the 1930s and 1960s. It maps his extraordinarily active and productive latter years to social, cultural, and political transformations across the globe.

From his birth in 1868 until his death in 1963, Du Bois sought the liberation of black people in the United States and across the world through intellectual and political labor. His tireless efforts documented and demonstrated connections between freedom for African-descended people abroad and black freedom at home.

In concert with growing scholarship on his twilight years, the essays in this volume assert the fundamental importance of considering Du Bois’s later decades not as a life in decline that descended into blind ideological allegiance to socialism and communism but as the life of a productive, generative intellectual who responded rationally, imaginatively, and radically to massive mid-century changes around the world, and who remained committed to freedom’s realization until his final hour.
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cover of Civic War and the Corruption of the Citizen

Civic War and the Corruption of the Citizen

Peter Alexander Meyers

University of Chicago Press, 2008

In this unique book, Peter Alexander Meyers leads us through the social processes by which shock incites terror, terror invites war, war invokes emergency, and emergency supports unchecked power. He then reveals how the domestic political culture created by the Cold War has driven these developments forward since 9/11, contending that our failure to acknowledge that this Cold War continues today is precisely what makes it so dangerous.
 
With eloquence and urgency Meyers argues that the mantra of our time—“everything changed on 9/11!”—is false and pernicious. By contrast, Civic War and the Corruption of the Citizen provides a novel account of long-term transformations in the citizen’s experience of war, the constitution of political powers, and public uses of communication, and from that firm historical basis explains how a convergence of these social facts became the pretext for unprecedented opportunism and irresponsibility after 9/11. Where others have observed that our rights are under attack, Meyers digs deeper and finds that today “government by the people” itself is at risk.
 
Sparkling with historical and philosophical insight, this is a dramatic diagnosis of the American political scene that at once makes clear the new position of the citizen and the necessity for active citizenship if democracy is to endure.
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cover of Clowns in the Burying Ground: The Grateful Dead, Literature, and the Limits of Philosophy

Clowns in the Burying Ground

The Grateful Dead, Literature, and the Limits of Philosophy

Christopher K. Coffman

Duke University Press, 2026

In Clowns in the Burying Ground, Christopher K. Coffman presents intertextual readings of the Grateful Dead and their lyrics to argue that the band’s lyricists were deeply and significantly engaged with the literary tradition. Through an analysis of their music, lyrics, and biographies, Coffman shows how the group and its individual members drew on the canons of European and American literature to shape both the form and content of their creative work. Coffman draws on the language of the “literary fragment,” as conceived by German Romantic philosophers and their intellectual heirs, to identify how the Grateful Dead’s lyricists employed intertextuality, allusion, and other strategies to explore how meaning takes shape at the boundary between poetry and philosophy. From Shakespeare to “Shakedown Street,” Clowns in the Burying Ground demonstrates the Dead’s literary depth and how their most successful lyrics and performances walk the line between creation and chaos.
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cover of Cold War Exiles in Mexico: U.S. Dissidents and the Culture of Critical Resistance

Cold War Exiles in Mexico

U.S. Dissidents and the Culture of Critical Resistance

Rebecca M. Schreiber

University of Minnesota Press, 2008

The onset of the Cold War in the 1940s and 1950s precipitated the exile of many U.S. writers, artists, and filmmakers to Mexico. Rebecca M. Schreiber illuminates the work of these cultural exiles in Mexico City and Cuernavaca and reveals how their artistic collaborations formed a vital and effective culture of resistance.
 
As Schreiber recounts, the first exiles to arrive in Mexico after World War II were visual artists, many of them African-American, including Elizabeth Catlett, Charles White, and John Wilson. Individuals who were blacklisted from the Hollywood film industry, such as Dalton Trumbo and Hugo Butler, followed these artists, as did writers, including Willard Motley. Schreiber examines the artists’ work with the printmaking collective Taller de Gráfica Popular and the screenwriters’ collaborations with filmmakers such as Luis Buñuel, as well as the influence of the U.S. exiles on artistic and political movements.

The Cold War culture of political exile challenged American exceptionalist ideology and, as Schreiber reveals, demonstrated the resilience of oppositional art, literature, and film in response to state repression.
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cover of Collateral Damage: The Influence of Political Rhetoric on the Incorporation of Second-Generation Americans

Collateral Damage

The Influence of Political Rhetoric on the Incorporation of Second-Generation Americans

Sean Richey

University of Michigan Press, 2023

Collateral Damage provides an overview of how political communication influences the process of incorporation with the broad society as well as its political parties. Sean Richey shows that how politicians talk about immigrants affects how their children perceive America and their feelings about the nation. These perceptions and feelings in turn greatly influence the children’s desire to incorporate into American political society. He also shows that regardless of a speaker’s intended outcome, what is said can still have a deleterious effect on incorporation desire, a communicative process that he terms “collateral damage.” Richey uses new experimental and survey evidence, as well as the rhetoric of Donald Trump as a test case, to examine how anti-immigration communication influences the incorporation of the children of immigrants.

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cover of Commentary and Ideology: Dante in the Renaissance

Commentary and Ideology

Dante in the Renaissance

Deborah Parker

Duke University Press, 1993

Dante's Divine Comedy played a dual role in its relation to Italian Renaissance culture, actively shaping the fabric of that culture and, at the same time, being shaped by it. This productive relationship is examined in Commentary and Ideology, Deborah Parker's thorough compendium on the reception of Dante's chief work. By studying the social and historical circumstances under which commentaries on Dante were produced, the author clarifies the critical tradition of commentary and explains the ways in which this important body of material can be used in interpreting Dante's poem.
Parker begins by tracing the criticism of Dante commentaries from the nineteenth century to the present and then examines the tradition of commentary from the Middle Ages to the Renaissance. She shows how the civic, institutional, and social commitments of commentators shaped their response to the Comedy, and how commentators tried to use the poem as an authoritative source for various kinds of social legitimation. Parker discusses how different commentators dealt with a deeply political section of the poem: the damnation of Brutus and Cassius.
The scope and importance of Commentary and Ideology will command the attention of a broad group of scholars, including Italian specialists on Dante, late medievalists, students and professionals in early modern European literature, bibliographers, critical theorists, historians of literary criticism and theory, and cultural and intellectual historians.
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cover of Community and Solitude: New Essays on Johnson’s Circle

Community and Solitude

New Essays on Johnson’s Circle

Lee, Anthony W

Bucknell University Press, 2019

Samuel Johnson’s life was situated within a rich social and intellectual community of friendships—and antagonisms. Community and Solitude is a collection of ten essays that explore relationships between Johnson and several of his main contemporaries—including James Boswell, Edmund Burke, Frances Burney, Robert Chambers, Oliver Goldsmith, Bennet Langton, Arthur Murphy, Richard Savage, Anna Seward, and Thomas Warton—and analyzes some of the literary productions emanating from the pressures within those relationships. In their detailed and careful examination of particular works situated within complex social and personal contexts, the essays in this volume offer a “thick” and illuminating description of Johnson’s world that also engages with larger cultural and aesthetic issues, such as intertextuality, literary celebrity, narrative, the nature of criticism, race, slavery, and sensibility.

Contributors: Christopher Catanese, James Caudle, Marilyn Francus, Christine Jackson-Holzberg, Claudia Thomas Kairoff, Elizabeth Lambert, Anthony W. Lee, James E. May, John Radner, and Lance Wilcox.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Confederate Bushwhacker: Mark Twain in the Shadow of the Civil War

Confederate Bushwhacker

Mark Twain in the Shadow of the Civil War

Jerome Loving

University Press of New England, 2013

Confederate Bushwhacker is a microbiography set in the most important and pivotal year in the life of its subject. In 1885, Mark Twain was at the peak of his career as an author and a businessman, as his own publishing firm brought out not only the U.S. edition of Adventures of Huckleberry Finn but also the triumphantly successful Personal Memoirs of U. S. Grant. Twenty years after the end of the Civil War, Twain finally tells the story of his past as a deserter from the losing side, while simultaneously befriending and publishing the general from the winning side. Coincidentally, the year also marks the beginning of Twain’s descent into misfortune, his transformation from a humorist into a pessimist and determinist. Interwoven throughout this portrait are the headlines and crises of 1885—black lynchings, Indian uprisings, anti-Chinese violence, labor unrest, and the death of Grant. The year was at once Twain’s annus mirabilis and the year of his undoing. The meticulous treatment of this single year by the esteemed biographer Jerome Loving enables him to look backward and forward to capture both Twain and the country at large in a time of crisis and transformation.
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cover of Conscience and Community: Sterling M. McMurrin, Obert C. Tanner, and Lowell L. Bennion

Conscience and Community

Sterling M. McMurrin, Obert C. Tanner, and Lowell L. Bennion

Edited by Robert Alan Goldberg, L. Jackson Newell, and Linda K. Newell

University of Utah Press, 2018

Lowell Bennion, Sterling McMurrin, and Obert Tanner were colleagues whose lives often intertwined. All professors at the University of Utah, these three scholars addressed issues and events of their time; each influenced the thought and culture of Mormonism, helping to institute a period of intellectual life and social activism. In Conscience and Community multiple scholars, family members, and others look at the private and public aspects of three lives and examine the roles they played in shaping their communities inside and out of their university and church.
 
Lowell Bennion was founding director of the LDS Institute of Religion and professor of sociology at the University of Utah. He established multiple community service entities. Sterling McMurrin was distinguished professor of philosophy and history, dean of the graduate school, and former commissioner of education under JFK. He dismissed dogma and doctrine as barriers to a search for moral and spiritual understanding. Obert Tanner, also of the university’s Philosophy Department, excelled in teaching and business and became especially well known for philanthropy. The lives and work of these three men reveal the tensions between faith and reason, conscience and obedience. Their stories speak to us today because their concerns remain our concerns: racial justice, women’s equality, gay rights, and the meaning of integrity and conscience. 
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cover of Consequences of Peace: The Versailles Settlement - Aftermath and Legacy

Consequences of Peace

The Versailles Settlement - Aftermath and Legacy

Alan Sharp

Haus Publishing, 2010

Consequences of Peace: The Versailles Settlement - Aftermath and Legacy. This final volume in the Paris Peace Conference series will evaluate the immediate and later effects of the last great peace gathering which sought to settle the world's affairs at a stroke - something that was not attempted after either the Second World War or the Cold War. The Versailles settlement has not enjoyed a great reputation. It has been blamed for causing a second major conflict within a generation, thus apparently fulfilling Marshal Foch's gloomy prediction that "This is not a peace, it is an armistice for twenty years." More recently commentators have suggested that the post-1989 ethnic disturbances in the Balkans and on the fringes of the former Soviet Union are "the old chickens of Versailles coming home to roost." The contemporary world still struggles to come to terms with the implications of President Woodrow Wilson's troublesome principle of national self-determination, and remains embroiled in the ambiguities and complexities of the Middle East, an area for whose boundaries and problems the Great War and settlement bear significant responsibility. We are also still seeking to realise more effectively some of the nobler ambitions of the peacemakers, expressed in the Covenant of the League of Nations, in their concern for the human rights of minority nationalities left on the wrong side of the new borders that they sanctioned, and in their attempt to extend criminal responsibility for war beyond the operational irregularities of combatants to political and military leaders. Ninety years on, the settlement still casts a long shadow.
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cover of Consuming Environments: Television and Commercial Culture

Consuming Environments

Television and Commercial Culture

Michael Budd

Rutgers University Press, 1999

Whether we love it, hate it, or use it just to pass the time, most adults in the United States are watching more television than ever, up to four hours a day by some estimates. Our devotion to commercial television gives it unprecedented power in our lives.

Advertisers and television executives want us to spend as much time as we can in front of our sets, for it is access to our brains that they buy and sell. Yet the most important effect of television may be one that no one intends-accelerated destruction of the natural environment.

Consuming Environments explores how, with its portrayals of a world of simulated abundance, television has nurtured a culture of consumerism and overconsumption. The average person in the U.S. consumes more than twice the grain and ten times the oil of a citizen of Brazil or Indonesia. And people in less industrialized countries suffer while their resources are commandeered to support comfortable lifestyles in richer nations.

Using detailed examples illustrated with images from actual commercials, news broadcasts, and television shows, the authors demonstrate how ads and programs are put together in complex ways to manipulate viewers, and they offer specific ways to counteract the effects of TV and overconsumption's assault on the environment.

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cover of Consuming Environments: Television and Commercial Culture

Consuming Environments

Television and Commercial Culture

Craig, Steve

Rutgers University Press, 1999

Whether we love it, hate it, or use it just to pass the time, most adults in the United States are watching more television than ever, up to four hours a day by some estimates. Or devotion to commercial television gives it unprecedented power in our lives. 

Advertisers and television executives want us to spend as much time as we can in front of our sets, for it is access to our brains that they buy and sell. Yet the most important effect of television may be one that no one intends--accelerated destruction of the natural environment. 

Consuming Environments explores how, with its portrayals of a world of simulated abundance, television has nurtured a culture of consumerism and overconsumption. The average person in the U.S. consumes more than twice the grain and ten times the oil of a citizen in Brazil or Indonesia. And people in less industrialized countries suffer while their resources are commandeered to support comfortable lifestyles in richer nations. Using detailed examples illustrated with images from actual commercials, news broadcasts, and television shows, the authors demonstrate how ads and programs are put together in complex ways to manipulate viewers, and they offer specific ways to counteract the effects of TV and overconsumption's assault on the environment. 
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Continental Drift

From National Characters to Virtual Subjects

Emily Apter

University of Chicago Press, 1999

From xenophobic appropriations of Joan of Arc to Afro-futurism and cyberpunk, the "national" characters of the colonial era often seem to be dissolving into postnational and virtual subjects. In Continental Drift, Emily Apter deftly analyzes the French colonial and postcolonial experience as a case study in the erosion of belief in national destiny and the emergence of technologically mediated citizenship.

Among the many topics Apter explores are the fate of national literatures in an increasingly transnational literary climate; the volatile stakes of Albert Camus's life and reputation against the backdrop of Algerian civil strife; the use of literary and theatrical productions to "script" national character for the colonies; belly-dancing and aesthetic theory; and the impact of new media on colonial and postcolonial representation, from tourist photography to the videos of Digital Diaspora.

Continental Drift advances debates not just in postcolonial studies, but also in gender, identity, and cultural studies; ethnography; psychoanalysis; and performance studies.

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cover of Cookies, Coleslaw, and Stoops: The Influence of Dutch on the North American Languages

Cookies, Coleslaw, and Stoops

The Influence of Dutch on the North American Languages

Nicoline van der Sijs

Amsterdam University Press, 2010

In 1609, the first Dutch settlers arrived in America and established trading posts, small towns, and forts up and down what we now call the Hudson River. To this day, American children are taught the thrilling history of the transformation of this settlement, New Netherland, and its capital, New Amsterdam, from landmark port into present-day New York State and the island of Manhattan. But, the Dutch legacy extended far beyond New York, as Cookies, Coleslaw and Stoops reveals.

From Santa Claus (after the Dutch folklore saint Sinterklaas) and his sleigh (the pronunciation of the Dutch slee is almost identical) to a dumbhead talking poppycock, the contributions of the Dutch language to American English are indelibly embedded to some of our most vernacular terms and expressions. The menu in most of our restaurants sports some originally Dutch names, and even our dollar is named after a Dutch coin (daalder). In this captivating volume, the renowned linguist Nicoline van der Sijs glosses over 300 Dutch loan words like these that travelled to the New World on board the Dutch ship the Halve Maan, captained by Henry Hudson, which dropped anchor in Manhattan more than 400 years ago. Surprisingly, the Dutch also gave several Native American languages words for everyday things like “pants”, “cat” and “turkey”. Lively and accessible, the information presented in this volume charts the journey of these words into the American territory and languages, from more obscure uses which maybe have survived in only regional dialects to such ubiquitous contributions to our language like Yankee, cookie, and dope. Each entry marks the original arrival of its term into American English and adds up-to-date information on its evolving meaning, etymology, and regional spread. Not to be missed by anyone with a passion for the history behind our everyday expressions, Cookies, Coleslaw and Stoops is the perfect gift for the linguistic adventurer in us all.
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Cornelius Nepos

A Study in the Evidence and Influence

John Alexander Lobur

University of Michigan Press, 2021

Roman author Cornelius Nepos wrote at a very dynamic time in Roman history, but oddly enough little has been said about what his surviving work as a whole can tell us about that period. In the scholarship of the nineteenth and twentieth centuries, the author was much maligned as inaccurate, simple-minded, and derivative, and thus it has been hard to make the case that the evidence he provides is important or even useful. John Lobur’s work rehabilitates Nepos to show that in fact he should be understood as an emblematic member of the Italian intelligentsia, one well-positioned to write narratives of great potency with respect to the ideological tenor of emerging Roman imperial culture.

Cornelius Nepos: A Study in the Evidence and Influence begins by exploring the writer's ancient reception, which suggests he was in no way seen as beneath consideration by the Romans themselves. The volume then deconstructs the critical framework that cast him as an "inferior" author in the classical canon. What emerges is an author who reworked Greek historical narratives in a learned, sophisticated way, yet one still limited by the compositional logistics and limitations inherent in ancient scholarship. The study then explores his contemporary relationships and embeds his work among the crucial ideological activity at play in the late Republic and Triumviral periods. Cornelius Nepos spends considerable time on the fragmentary evidence (which highlights Nepos' interest in changes in fashion and consumption) to suggest that he was a valued cultural elder who informed a public eager to recover a sense of tradition during a period of bewilderingly fast social and cultural change. The book finishes with a thematic examination of the entire Lives of the Foreign Commanders (a set of biographies on ancient non-Roman generals) to show that despite the expression of very “Republican” sentiments, he was in fact fashioning an ideological framework for something imperial and quasi-monarchic which, though autocratic, was still antityrannical and imagined as resting on a broad and “democratic” foundation of social consent. Nepos saw that Rome would soon be ruled by one person, and his biographies show how the elites of the day both processed that reality and attempted to circumscribe it for good ends through the creation of new models of legitimacy.
 
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cover of Crafting Medicine: Artisans, Knowledge, and the Common Man in Hieronymus Brunschwig's Books on Surgery and Distillation

Crafting Medicine

Artisans, Knowledge, and the Common Man in Hieronymus Brunschwig's Books on Surgery and Distillation

Tillmann Taape

University of Chicago Press, 2025

How an early modern surgeon and his accessible writings changed medical expertise and the communication of medical knowledge. 
 
Between 1497 and 1512, Hieronymus Brunschwig (ca. 1450–ca. 1530), an obscure craftsman from Strasbourg, wrote books on surgery and pharmacy that transformed medical expertise, how it was codified in print, and how it was communicated to new audiences. Brunschwig was an unlikely author. He apprenticed as a surgeon in the local guild and dispensed medicines from his own shop. But he was remarkably well-read in surgery, alchemy, and medical theory, even if he lacked a university education. His unique authorial voice spoke to the healing practices of craftsmen and common people in a down-to-earth German dialect.
 
Crafting Medicine, by Tillmann Taape, is the first in-depth study of Brunschwig and his works. In it, Taape argues that Brunschwig’s writings shaped a nascent tradition of vernacular medicine. Brunschwig’s books represent a key moment in the history of medical print, for they conveyed medical expertise to a new readership of nonacademic practitioners, who became a key audience for a flood of vernacular medical publications during the sixteenth century. Using Brunschwig’s books as a unique window into the past, Crafting Medicine beautifully reconstructs the world of science inhabited by Brunschwig, his fellow craftsmen, his translators, and his readers.
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cover of Critiquing Communication Innovation: New Media in a Multipolar World

Critiquing Communication Innovation

New Media in a Multipolar World

Rolien Hoyng

Michigan State University Press, 2022

Challenges to Silicon Valley’s dominant role in conjuring and patenting the world’s technological futures are arising around the world. As digital media technologies emerge from new, globally dispersed locations, a multipolar order of communication innovation seems to be in the making. Yet recovering our ability to imagine futures otherwise requires negotiating conditions—economic, geopolitical, sociocultural, and ecological—rather than reproducing them under the pretext of breaking with the present. The essays in this volume examine research on such conditions critically and comparatively in a variety of geographies. Paying due attention to China’s rise as an innovative platform society and AI powerhouse, this book addresses the broader question of a shifting world order and trends that are shaped by China’s influence but that extend beyond its borders. Looking at multipolar communication innovation through various critical lenses, our technological futures simultaneously appear to be old, new, and uncertain, while the infrastructures and platforms underpinning communication innovation both affiliate communities and set them apart.
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cover of Cultivating Peace: The Virgilian Georgic in English, 1650-1750

Cultivating Peace

The Virgilian Georgic in English, 1650-1750

Schoenberger, Melissa

Bucknell University Press, 2019

During the decades following the English civil wars, British poets seeking to make sense of lingering political instabilities turned to Virgil’s Georgics. This ancient poem betrays deep ambivalences about war, political power, and empire, and such poets as Andrew Marvell, John Dryden, and Anne Finch found in these attitudes valuable ways of responding to the uncertainties of their own time. Composed during a period of brutal conflict in Rome, Virgil’s agricultural poem distrusts easy stability, urging its readers to understand that lasting peace must be sowed, tended, reaped, and replanted, year after year. Like the ancient poet, who famously depicted a farmer’s scythe suddenly recast as a sword, the poets discussed in Cultivating Peace imagine states of peace and war to be fundamentally and materially linked. In distinct ways, they dismantle the dream of the golden age renewed, proposing instead that peace must be sustained by constant labor.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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Cultural Worlds of the Jesuits in Colonial Latin America

Edited by Linda Newson

University of London Press, 2020

The Jesuits’ colonial legacy in Latin America is well-known. They pioneered an interest in indigenous languages and cultures, compiling dictionaries and writing some of the earliest ethnographies of the region. They also explored the region’s natural history and made significant contributions to the development of science and medicine. On their estates and in the missions they introduced new plants, livestock, and agricultural techniques, such as irrigation. In addition, they left a lasting legacy on the region’s architecture, art, and music. The volume demonstrates the diversity of Jesuit contributions to Latin American culture. This volume is unique in considering not only the range of Jesuit activities but also the diversity of perspectives from which they may be approached. It includes papers from scholars of history, linguistics, religion, art, architecture, cartography, music, medicine and science.
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cover of Culture Concept: Writing and Difference in the Age of Realism

Culture Concept

Writing and Difference in the Age of Realism

Michael A. Elliott

University of Minnesota Press, 2002

Examines the prehistory of the American struggle to address cultural difference.

"Culture" is a term we commonly use to explain the differences in our ways of living. In this book Michael A. Elliott returns to the moment this usage was first articulated, tracing the concept of culture to the writings-folktales, dialect literature, local color sketches, and ethnographies-that provided its intellectual underpinnings in turn-of-the-century America.

The Culture Concept explains how this now-familiar definition of "culture" emerged during the late nineteenth century through the intersection of two separate endeavors that shared a commitment to recording group-based difference-American literary realism and scientific ethnography. Elliott looks at early works of cultural studies as diverse as the conjure tales of Charles Chesnutt, the Ghost Dance ethnography of James Mooney, and the prose narrative of the Omaha anthropologist-turned-author Francis La Flesche. His reading of these works-which struggle to find appropriate theoretical and textual tools for articulating a less chauvinistic understanding of human difference-is at once a recovery of a lost connection between American literary realism and ethnography and a productive inquiry into the usefulness of the culture concept as a critical tool in our time and times to come.
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cover of Culture and Identity in Early Modern Europe (1500-1800): Essays in Honor of Natalie Zemon Davis

Culture and Identity in Early Modern Europe (1500-1800)

Essays in Honor of Natalie Zemon Davis

Barbara B. Diefendorf and Carla Hesse, Editors

University of Michigan Press, 1993

Explores Natalie Zemon Davis's concept of history as a dialogue, not only with the past, but with other historians.
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cover of Culture and Revolution: Violence, Memory, and the Making of Modern Mexico

Culture and Revolution

Violence, Memory, and the Making of Modern Mexico

By Horacio Legrás

University of Texas Press, 2017

In the twenty years of postrevolutionary rule in Mexico, the war remained fresh in the minds of those who participated in it, while the enigmas of the revolution remained obscured. Demonstrating how textuality helped to define the revolution, Culture and Revolution examines dozens of seemingly ahistorical artifacts to reveal the radical social shifts that emerged in the war’s aftermath.

Presented thematically, this expansive work explores radical changes that resulted from postrevolution culture, including new internal migrations; a collective imagining of the future; popular biographical narratives, such as that of the life of Frida Kahlo; and attempts to create a national history that united indigenous and creole elite society through literature and architecture. While cultural production in early twentieth-century Mexico has been well researched, a survey of the common roles and shared tasks within the various forms of expression has, until now, been unavailable. Examining a vast array of productions, including popular festivities, urban events, life stories, photographs, murals, literature, and scientific discourse (including fields as diverse as anthropology and philology), Horacio Legrás shows how these expressions absorbed the idiosyncratic traits of the revolutionary movement.

Tracing the formation of modern Mexico during the 1920s and 1930s, Legrás also demonstrates that the proliferation of artifacts—extending from poetry and film production to labor organization and political apparatuses—gave unprecedented visibility to previously marginalized populations, who ensured that no revolutionary faction would unilaterally shape Mexico’s historical process during these formative years.

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