Results by title
100 books match the query 'Monographs' and 3 start with c
C. C. A. Christensen
A Mormon VisionaryJennifer Champoux
University of Illinois Press, 2026
Drawing on the artist’s voluminous writings, Jennifer Champoux illuminates Christensen’s influential art, including recently rediscovered works. Christensen received Church commissions and approval and helped shape Latter-day Saints’ vision of themselves. Over time the work of other artists eclipsed his achievements, but a twenty-first century revival of interest began to restore his reputation. Champoux also profiles how Christensen’s expansive activities outside of the art world gave him a unique vantage point for chronicling how the Latter-day Saint faith and culture evolved in Utah.
A revealing intellectual biography, C. C. A. Christensen offers a rare in-depth look at a major Latter-day Saint artist.
Capturing the British Landscape
Alfred Augustus Glendening (1840–1921)Alice Munro-Faure
Paul Holberton Publishing, 2022
Though critics often reviewed Alfred Augustus Glendening’s exhibitions, very little has been written about the artist himself. Here, new and extensive research removes layers of mystery and misinformation about his life, family, and career, accurately placing him amid the British art world during much of the nineteenth and into the twentieth century. Glendening was a man from humble origins, working full-time as a railway clerk when he managed to make his London exhibition debut at the age of twenty—a feat that would have been almost impossible before the Victorian era ushered in new possibilities of social mobility. Although his paintings show a tranquil and unspoiled landscape, his environment was rapidly being transformed by social, scientific, and industrial developments, while advances in transport, photography, and other technical discoveries undoubtedly influenced him and his fellow painters.
Celebrating his uniquely Victorian story, the book places Glendening within his proper historical context. Running alongside the main text is a timeline outlining significant landmarks, from political and social events to artistic and technical innovations. Thoroughly researched, the narrative explores why and for whom he painted, his artistic training, and his various inspirations. The book uncovers new information about the Victorian art world and embraces such aspects as Royal Academy prejudices, the popularity of Glendening’s work at home and abroad, his use of photography, and the sourcing of his art materials.
Cassatt Reconsidered
Mary G. Morton
J. Paul Getty Trust, The, 0
A sweeping reconsideration of the artist we thought we knew—and the forces that obscured her legacy.
Fiercely ambitious and independent, Mary Cassatt defied expectations to become one of the most radical artists of the Impressionist movement, though she was—and remains—the least understood. Cassatt commanded and manipulated strains of old master and contemporary painting to express her female subjectivity through a brilliantly modern oeuvre on par with those of the most revered Impressionists. However, mishandled by the Parisian art establishment during her lifetime, and later by art historians and curators, she became known almost exclusively as a sentimentalizing painter of mothers and children.
How did this happen to the most aspiring, revolutionary female artist of the late nineteenth and early twentieth centuries? In Cassatt Reconsidered, author Mary G. Morton probes this central question and more, demonstrating how Cassatt disturbed conventional ideals of femininity, childhood, and maternity, an uncompromising feat for which she paid dearly during her lifetime and in the annals of art historiography.
Vibrantly illustrated with more than 100 images, Cassatt Reconsidered rewards readers with a fuller understanding of an artist who stands apart for daring to express, on her own terms, the unique, intimate experiences of modern women.