Results by title
139 books match the query 'Poets, American' and 10 start with c
CARL SANDBURG
Harry Golden
University of Illinois Press, 1988
mutual. Toward the end of his life, Sandburg shared his papers, letters,
photographs, and memories with Golden. Combining these materials with his
own recollections, Golden reconstructs the life of his closest friend. His
anecdotal account is both an engaging portrait of Sandburg and a tribute
to their friendship. Generations of Sandburg's devoted readers will want
to own this very personal biography.
Carl Sandburg - American Writers 97
University of Minnesota Pamphlets on American WritersGay Wilson Allen
University of Minnesota Press, 1972
Carl Sandburg - American Writers 97 was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Charles Olson's Reading
A BiographyRalph Maud
Southern Illinois University Press, 1996
In this narrative account of the life and work of Charles Olson, Ralph Maud focuses on what the poet read as a basis for understanding the work he produced.
To an extraordinary degree, Olson’s reading and life were coextensive, according to Maud, who notes that Olson saw his written output over his lifetime as a total cosmology. An individual who rarely traveled, this major American poet explored the world and its history as well as the furthest reaches of the thought of his day through books.
Maud builds upon George Butterick’s annotated listing of Olson’s library, bought by the University of Connecticut after the poet’s death in 1970. The present volume, however, adds categories of books Butterick deliberately omitted: Olson’s childhood books and poetry by his own contemporaries.
Linking Olson’s books to his intellectual and poetic development at each stage of his career, Maud reveals such little-known but important connections as the contracted book project "Operation Red, White and Black" and Olson’s plan for the long poem "West"—two unrealized projects much later shaped into The Maximus Poems.
Maud also outlines the surprisingly multiple role of the painter Corrado Cagli, who brought home to Olson the significance of the Holocaust and introduced him both to the Tarot and to the theories of non-Euclidean geometry that Olson variously incorporated into his poems and essays. In discussing Olson’s relationship to Ezra Pound, Maud defines in some detail what Olson gained from Pound and what he repudiated.
Maud refutes the notion that Olson’s intellectual and creative powers declined during the last years of his life, demonstrating that during these years Olson developed his Jungian interest, his attention to early Greek thought, and a new concern for Northern mythology.
This chronicle of Olson’s reading from childhood to deathbed constitutes a critical biography of the larger-than-life author of Call Me Ishmael and The Maximus Poems. No modern poet is more revealed in his sources than Olson. Maud’s comprehensive and complete study provides a basis for new and fresh modes of thinking about Olson’s great achievement.
City Dog
EssaysW.S. Di Piero
Northwestern University Press, 2009
Coming Out of Nowhere
Alaska Homestead PoemsLinda Schandelmeier
University of Alaska Press, 2018
Homestead life is often romanticized as a valiant, resilient family persisting in the clean isolation of pristine wilderness, living off the land and depending only on each other. But there can be a darker side to this existence.
Linda Schandelmeier was raised on a family homestead six miles south of the fledgling town of Anchorage, Alaska in the 1950s and ’60s. But hers is not a typical homestead story. In this book, part poetic memoir and part historical document, a young girl comes of age in a family fractured by divorce and abuse. Schandelmeier does not shy away from these details of her family history, but she also recognizes her childhood as one that was unique and nurturing, and many of her poems celebrate homestead life. Her words hint at her way of surviving and even transcending the remoteness by suggesting a deeper level of human experience beyond the daily grind of homestead life; a place in which the trees and mountains are almost members of the family. These are poems grounded in the wilds that shimmer with a mythic quality. Schandelmeier’s vivid descriptions of homesteading will draw in readers from all types of lives.
Concordance to the Letters of Emily Dickinson
Cynthia MacKenzie
University Press of Colorado, 2000
The similarities between the letters and the poems makes the typical concordance search for the poet's thematically significant words and biographical references particularly relevant. Tracing Dickinson's thoughts through her correspondence complements the ideas within her poetry and thus provides a more comprehensive insight into the poet's personal and artistic development. The concordance will facilitate an understanding of words or concepts that may be obscure in the poetry by itself. Research into Dickinson's problematic style, characterized by gaps, disjunctions, and ellipses, will be greatly enhanced.
By listing Dickinson's words together with their contexts and frequencies, the concordance provides the scholar with the ability to answer confidently questions of a statistical or stylistic nature. Finally, one of the most important functions of this concordance is to provide scholar, student, and general reader alike with endless opportunities to make exciting and unexpected discoveries by way of browsing.
Condition Red
Essays, Interviews, and CommentariesYusef Komunyakaa; Edited by Radiclani Clytus
University of Michigan Press, 2017
Conserving Walt Whitman's Fame
Selections from Horace Traubel's Conservator, 1890-1919Schmidgall, Gary
University of Iowa Press, 2006
Correctional
Ravi Shankar
University of Wisconsin Press, 2021
Shankar’s bold and complex self-portrait—and portrait of America—challenges us to rethink our complicity in the criminal justice system and mental health policies that perpetuate inequity and harm. Correctional dives into the inner workings of his mind and heart, framing his unexpected encounters with law and order through the lenses of race, class, privilege, and his bicultural upbringing as the first and only son of South Indian immigrants. Vignettes from his early life set the scene for his spectacular fall and subsequent struggle to come to terms with his own demons. Many of them, it turns out, are also our own.
Crunching Gravel
A Wisconsin Boyhood in the ThirtiesRobert Louis Peters
University of Wisconsin Press, 1993
No nostalgic tale of the good old days, Robert Peters’s recollections of his adolescence vividly evoke the Depression on a hardscrabble farm near Eagle River: Dad driving the Vilas County Relief truck, Lars the Swede freezing to death on his porch, the embarassment of graduation in a suit from welfare. The hard efforts to put fish and potatoes and blueberries on the table are punctuated by occasional pleasures: the Memorial Day celebration, swimming at Perch Lake, the county fair with Mother’s prizes for jam and the exotic delights of the midway. Peters’s clear-eyed memoir reveals a poet’s eye for rich and stark detail even as a boy of twelve.
“Peters misses nothing, from the details of the town’s Fourth of July celebration to the cause and effect of a young cousin’s suicide to the calibrations of racism toward Indians that was so acceptable then. It is a fascinating, unsentimental look at a piece of our past.”—Margaret E. Guthrie, New York Times Book Review
“It’s unlikely that any other contemporary poet and scholar as distinguished has risen from quite so humble beginnings as Robert Peters. Born and raised by semiliterate parents on a subsistence farm in northeastern Wisconsin, Peters lived harrowingly close to the eventual stuff of his poetry—the dependency of humans on animal lives, the inexplicable and ordinary heroism and baseness of people facing extreme conditions, the urgency of physical desire. . . . Sterling childhood memoirs.”—Booklist
“Robert Peters has written a memoir exemplary because he insists on the specific, on the personal and the local. It is also enormously satisfying to read, and it is among the most authentic accounts of childhood and youth I know—a Wisconsin David Copperfield!”—Thom Gunn