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260 books match the query 'Soviet Union' and 12 start with c

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Changing Channels

Television and the Struggle for Power in Russia

Ellen Mickiewicz

Duke University Press, 1999

New in paperback
Revised and expanded

During the tumultuous 1990s, as Russia struggled to shed the trappings of the Soviet empire, television viewing emerged as an enormous influence on Russian life. The number of viewers who routinely watch the nightly news in Russia matches the number of Americans who tune in to the Super Bowl, thus making TV coverage the prized asset for which political leaders intensely—and sometimes violently—compete. In this revised and expanded edition of Changing Channels, Ellen Mickiewicz provides many fascinating insights, describing the knowing ways in which ordinary Russians watch the news, skeptically analyze information, and develop strategies for dealing with news bias.
Covering the period from the state-controlled television broadcasts at the end of the Soviet Union through the attempted coup against Gorbachev, the war in Chechnya, the presidential election of 1996, and the economic collapse of 1998, Mickiewicz draws on firsthand research, public opinion surveys, and many interviews with key players, including Gorbachev himself. By examining the role that television has played in the struggle to create political pluralism in Russia, she reveals how this struggle is both helped and hindered by the barrage of information, advertisements, and media-created personalities that populate the airwaves. Perhaps most significantly, she shows how television has emerged as the sole emblem of legitimate authority and has provided a rare and much-needed connection from one area of this huge, crisis-laden country to the next.
This new edition of Changing Channels will be valued by those interested in Russian studies, politics, media and communications, and cultural studies, as well as general readers who desire an up-to-date view of crucial developments in Russia at the end of the twentieth century.

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Children of Zion

Henryk Grynberg

Northwestern University Press, 1997

In Children of Zion, Henryk Grynberg takes an extraordinary collection of interviews conducted by representatives of the Polish government-in-exile in Palestine in 1943 and arranges them in such a way that their voices become unforgettable. The interviewees--all Polish children--tell of their wartime experiences. Rather than using traditional form, Grynberg has turned their voices into a large "choral" group. The children recall their lives before the war (most were well off), their memories of the war's outbreak and the arrival of the Germans and Russians, and their experiences after leaving work camps and the ways many coped with their lives as orphans.

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Cinema of Sincerity

Soviet Films and Culture During the Thaw

Viktoria Paranyuk

University of Wisconsin Press, 2025

Following Stalin’s death in 1953 and Khrushchev’s acknowledgment of Stalin’s crimes in 1956, “sincerity” emerged as a cultural imperative in the Soviet Union. The cinema of this period turned inward, insisting on ordinary characters and creating a sense of spontaneity through particular staging methods and cinematic techniques, such as interior monologue and the close-up. These changes shifted the understanding of what “realism” meant and allowed Soviet cinema to reestablish with its audiences the trust that had been corrupted by serving Stalin’s cult of personality.

Using both theory and close readings of specific films produced in the Soviet Union during the Thaw, a period known for its relative political and cultural liberalization, Cinema of Sincerity treats sincerity as both a concept and an aesthetic strategy. Viktoria Paranyuk argues that Soviet cinema’s use of sincerity was a reworking of a trend in global cinema that sought to bridge the gap between reality and the filmed image. This period saw increased accessibility to world cinematic traditions, new voices in criticism, and, above all, the multigenerational effort in filmmaking that developed and thrived in centers outside Moscow. Paranyuk demonstrates how these changes allowed Soviet cinema to renew its visual language and use film as a space for collective self-examination.

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Climate Dependence and Food Problems in Russia, 1900-1990

The Interaction of Climate and Agricultural Policy and Their Effect on Food Problems

Nikolai M. Dronin

Central European University Press, 2006

Between 1900 and 1990 there were several periods of grain and other food shortages in Russia and the former Soviet Union, some of which reached disaster proportions resulting in mass famine and death on an unprecedented scale. New stocks of information not previously accessible as well as traditional official and other sources have been used to explore the extent to which policy and vagaries in climate conspired to affect agricultural yields. Were the leaders' (Stalin, Krushchev, Brezhnev and Gorbachev) policies sound in theory but failed in practice because of unpredictable weather? How did the Soviet peasants react to these changes? What impact did Soviet agriculture have on the overall economy of the country? These are all questions that are taken into account. The book is arranged in chapters representing different time periods. In each the policy of the central government is discussed followed by the climate vagaries during that period. Crop yields are then analyzed in the light of policy and climate.

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Cold War Broadcasting

Impact on the Soviet Union and Eastern Europe

R. Eugene Parta

Central European University Press, 2010

The book examines the role of Western broadcasting to the Soviet Union and Eastern Europe during the Cold War, with a focus on Radio Free Europe and Radio Liberty. It includes chapters by radio veterans and by scholars who have conducted research on the subject in once-secret Soviet bloc archives and in Western records. It also contains a selection of translated documents from formerly secret Soviet and East European archives, most of them published here for the first time.

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Cold War Games

Propaganda, the Olympics, and U.S. Foreign Policy

Toby C Rider

University of Illinois Press, 2016

It is the early Cold War. The Soviet Union appears to be in irresistible ascendance and moves to exploit the Olympic Games as a vehicle for promoting international communism. In response, the United States conceives a subtle, far-reaching psychological warfare campaign to blunt the Soviet advance.

Drawing on newly declassified materials and archives, Toby C. Rider chronicles how the U.S. government used the Olympics to promote democracy and its own policy aims during the tense early phase of the Cold War. Rider shows how the government, though constrained by traditions against interference in the Games, eluded detection by cooperating with private groups, including secretly funded émigré organizations bent on liberating their home countries from Soviet control. At the same time, the United States utilized Olympic host cities as launching pads for hyping the American economic and political system. Behind the scenes, meanwhile, the government attempted clandestine manipulation of the International Olympic Committee. Rider also details the campaigns that sent propaganda materials around the globe as the United States mobilized culture in general, and sports in particular, to fight the communist threat.

Deeply researched and boldly argued, Cold War Games recovers an essential chapter in Olympic and postwar history.

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Cold War Rhetoric

Strategy, Metaphor, and Ideology

Martin J. Medhurst

Michigan State University Press, 1997

Cold War Rhetoric is the first book in over twenty years to bring a sustained rhetorical critique to bear on central texts of the Cold War. The rhetorical texts that are the subject of this book include speeches by Presidents Eisenhower and Kennedy, the Murrow- McCarthy confrontation on CBS, the speeches and writings of peace advocates, and the recurring theme of unAmericanism as it has been expressed in various media throughout the Cold War years. Each of the authors brings to his texts a particular approach to rhetorical criticism—strategic, metaphorical, or ideological. Each provides an introductory chapter on methodology that explains the assumptions and strengths of their particular approach.

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Collective Body

Aleksandr Deineka at the Limit of Socialist Realism

Christina Kiaer

University of Chicago Press, 2024

A study of the Socialist Realist aesthetic focusing on the artist Aleksandr Deineka.

Dislodging the avant-garde from its central position in the narrative of Soviet art, Collective Body presents painter Aleksandr Deineka’s haptic and corporeal version of Socialist Realist figuration as an alternate experimental aesthetic that, at its best, activates and organizes affective forces for collective ends. Christina Kiaer traces Deineka’s path from his avant-garde origins as the inventor of the proletarian body in illustrations for mass magazines after the revolution through his success as a state-sponsored painter of monumental, lyrical canvases during the Terror and beyond. In so doing, she demonstrates that Socialist Realism is best understood not as a totalitarian style but as a fiercely collective art system that organized art outside the market and formed part of the legacy of the revolutionary modernisms of the 1920s. Collective Body accounts for the way the art of the October Revolution continues to capture viewers’ imaginations by evoking the elation of collectivity, making viewers not just comprehend but truly feel socialism, and retaining the potential to inform our own art-into-life experiments within contemporary political art. Deineka figures in this study not as a singular master, in the spirit of a traditional monograph, but as a limit case of the system he inhabited and helped to create.

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Compound Dilemmas

Democracy, Collective Action, and Superpower Rivalry

Michael Dean McGinnis and John T. Williams

University of Michigan Press, 2001

For most of the period after World War II until the fall of the Soviet empire, there was a remarkable consensus in the United States in support of our policies toward the Soviet Union. This consensus resulted in enormous defense expenditures and in the development of a system of alliances that spanned the globe and marked a vast expansion of America's overseas obligations. Compound Dilemmas addresses the question of how such widespread domestic support for a very expensive and continual arms race developed. Current models of the arms race often fail to explain the persistence of American support or the pattern of the U.S. response to Soviet actions. Michael D. McGinnis and John T. Williams use social choice theory to offer a new understanding of popular support for U.S. Cold War policies, including the American arms buildup. The authors consider the use domestic actors made of information about Soviet military expenditures in developing consensus on the size and nature of the appropriate American military response. In addition, their use of game theory and statistical analysis offers new insights into how these methods might be employed to understand foreign policy questions. This book will appeal to political scientists interested particularly in methodology, international relations, and American aspects of the political system. It will also be of interest to readers seeking information about the Cold War and its arms race.

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Conversations in Exile

Russian Writers Abroad

John Glad, ed.

Duke University Press, 1993

An entire generation of Russian writers have been living in exile from their homeland. Although today's glasnost has special meaning for many of these banished writers, it does not dissolve their experience of forced separation from their country of origin. In Conversations in Exile, John Glad brings together interviews with fourteen prominent Russian writers in exile, all of whom currently live in the United States, France, or Germany. Conducted between 1978 and 1989, these frank and captivating interviews provide a rich and complex portrait of a national literature in exile.
Glad's introduction situates the three distinct waves of westward emigration in their historical and political framework. Organized by genre, the book begins with discussions with the older generation of writers and then moves on to more recent arrivals: the makers of fantasy and humor, the aesthetes, the moralists, and the realists. Each voice is compelling for its invaluable testimony--some reveal startling insights into the persecution of dissidents under Soviet rule while others address the relationship between creativity, writing, and conditions of exile. Taken together these interviews reveal the range of modern Russian writing and document the personalities and positions that have made Russian writers in emigration so diverse, experimental, and controversial.

The Writers: Vasily Aksyonov, Joseph Brodsky, Igor Chinnov, Natalya Goranevskaya, Frifrikh Gorensetin, Roman Goul, Yury Ivask, Boris Khazanov, Edward Liminov, Vladimir Makisimov, Andrei Siniavsky and Maria Rozanova, Sasha Sokolov, Vladimir Voinovich, Aleksandr Zinoviev

Excerpt
John Glad: You're a Russian poet but an American essayist. Does that bring on any measure of split personality? Do you think you are becoming less and less Russian?
Joseph Brodsky (recipient of 1987 Nobel Prize for Literature): That's not for me to say. As far as I'm concerned, in my inner self, inside, it feels quite natural. I think being a Russian poet and an American essayist is an ideal situation. It's all a matter of whether you have (a) the heart and (b) the brains to be able to do both. Sometimes I think I do. Sometimes I think I don't. Sometimes I think that one interferes with the other.

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